Maravilloso, tengo 64 años. Acabo de empezar a aprender a tocar el piano y tus interpretaciónes me dan la energía para dedicarle todo mi tiempo posible. Amo a Chopin.
Listening to classical music is a way to connect with history and cultural heritage. I feel like I'm traveling through time when enjoying classical works.
You are the most amazing pianist I don’t think I ever heard anyone play Nocturnes as you do with such poise and deep feeling. True artist. Thank you and hats down.
SO WONDERFUL AS ALWAYS, MAESTRO!!!!! Thank you for my beloved Chopin and for an excellent delightful performance, congratulations for over 22.600 subscribers to your great channel, you deserve more and more..., I've added this video to my public playlists called "My Favourite Classical Music" and "Mr.Grzegorz Niemczuk", again my best regards, have a happy sunny week. Joanna
Firstly, I was thrilled to hear your take on the B Major nocturne because it's been my favourite for so long. Secondly this is the most sublime rendition I've ever heard. Crying because I suddenly could feel my emotions which have been hidden for a while. Between you and Chopin - it's inevitable. A stunning performance! 👏👏👏👏👏
Nokturny Chopina z op. 9 w wykonaniu mistrza Rubinsteina są wzorcowe, słucham ich często. Dziś usłyszałam coś wspaniałego. Tyle emocji, taka radość emanuje z Pana interpretacji ❤Pokazał Pan swoją duszę. To "Odyseja duszy". Amazing ❤Dziękuję
I love Chopin! I always get goosebumps when I listen to it🎶🎶😭😭😭😭😭😭 when i was 13 I could play the Nocturne op. 9 N. 2... Now, I'm 46 and want to start playing again... And I also have to face the truth, that I cannot restart from the point I've stopped.... My fingers stuck like glue on the keyboard.....
Tam gdzie człowiek nie może ni słowa powiedzieć, ni napisać wyrazu, wypowiada muzyką, nutami, bo język piękny lecz brakuje wyrazów. Panie Profesorze. Dzięki❤
I was deeply moved that your hands express Chopin's heart with piano sounds. Mr. Greg, I could tell how much you love the piano from the time you played. Thank you for your great performance! I'm from Korea. I want to play to many people like you one day.
Wow! I love Korean audience! I played Grieg concerto in Busan and they loved it. You can find the recording on TH-cam. I believe you can also play one day!!!!
@gregniemczuk Thank you. Yes, I believe it will come true. I enjoyed your wonderful performance in the recorded video. The audience must have felt your love and passion for the piano as an indescribable emotion. I hope the last concert in Korea will remain a good memory.
Greg, I have been watching your performances and analyses on TH-cam lately. I've got to say you have to most amazing touch and technique I've ever seen & heard. It comes through on these 3 Nocturnes. I'll will eagerly keep following your past and future videos!
Es tan hermoso y único ! He escuchado en varios intérpretes la pieza , la obra de Chopin , pero solo Tú le das muchísimo valor al silencio ,a la delicadeza y pasión con la que seguro Chopin escribió su música❤llevas en tus manos la verdadera esencia de Chopin✨✨✨ Muchas Bendiciones
Dear Greg, I have heard these Nocturnes at least a hundred times. The dynamics you bring to this are phenomenal. The tenderness here takes on meaning as intended by Chopin. A real Nocturne. The left hand…. very subtle and shows 'new' tones. Thank you for this beautiful performance. Very inspiring! Greetings from Austria Paul Manche🙋♂️
On the B-Flat Minor Noctourne, I really liked the subdued dynamic of the left hand in relation to the melody until it gave space for greater dynamic modulation. I also think that is really important to a well played Barcarolle
Barcarolle is a very popular piece among those seeking to qualify for the Cliburn competition that occurs every 4 years. When I sat through all 72 qualifying recitals a few years ago, I believe there were eight versions in six days. and being 10 feet from the piano, it was really noticeable who had mastered the art of relative dynamic modulation between both hands. Quite surprisingly, only 1 of the 72 participants played a nocturne. I do not understand why so many choose to play Bach and Mozart in these competitions because frankly I think that repertory is less susceptible to artistic interpretation. @@gregniemczuk
@@sunareekaewnat8967 i understand. But you know, Bach and Mozart or Beethoven are easier in competitions because the jury can judge it objectively. There is not so much space for interpretation whereas Chopin is risky. You can play fantastically but the jury member can simply have different taste and will give you zero points.......
Then they should not judge competitions. I do not approve of extreme departures from what a composer has written, but because no composer prior to Rachmaninoff truly heard a sound that equates to the modern piano, I think there is ample room for interpretation. I think there is also a role for adjusting according to the instrument and venue. I am sure you have shown up to a recital and the piano cannot produce the sound you want on the interpretation you had planned or the acoustics will not let the audience experience what you want them to. @@gregniemczuk
I think Chopin’s op 9 and 15 are ideal nocturne in which composer should compose afterwards next opus nocturne just not sound like nocturne , kind of deviated and different but more beautiful and colourful at the same time
Maravilloso, tengo 64 años. Acabo de empezar a aprender a tocar el piano y tus interpretaciónes me dan la energía para dedicarle todo mi tiempo posible. Amo a Chopin.
Listening to classical music is a way to connect with history and cultural heritage. I feel like I'm traveling through time when enjoying classical works.
tak zwany czas nie istnieje więc jak można w nim
tak zwany czas nie istnieje więc jak można w nim
Greg, You did it again. You made me cry. Tonny
Dear brother.....❤️❤️❤️❤️❤️❤️
Ma Pan duszę Chopina…Dziękuję za wysublimowane piękno ❤
You are the most amazing pianist I don’t think I ever heard anyone play Nocturnes as you do with such poise and deep feeling. True artist. Thank you and hats down.
Thank you! You're very nice
Pięknie. Inspirujące wykonanie. Codziennie dziękuję Chopinowi za to, co stworzył.
Bez wątpienia najpiękniejsze wykonanie na całym TH-cam.
Sublime! The 3rd Nocturne is something special.
My favourite nocturnes! Greg you reached right into my soul and l am left speechless! ❤
Thank you!!!!
SO WONDERFUL AS ALWAYS, MAESTRO!!!!! Thank you for my beloved Chopin and for an excellent delightful performance, congratulations for over 22.600 subscribers to your great channel, you deserve more and more..., I've added this video to my public playlists called "My Favourite Classical Music" and "Mr.Grzegorz Niemczuk", again my best regards, have a happy sunny week. Joanna
Słowa są zbedne,milczę by nie zburzyć doskonałej charmoni utworów. DZIĘKUJĘ ❤
Firstly, I was thrilled to hear your take on the B Major nocturne because it's been my favourite for so long. Secondly this is the most sublime rendition I've ever heard. Crying because I suddenly could feel my emotions which have been hidden for a while. Between you and Chopin - it's inevitable. A stunning performance! 👏👏👏👏👏
Thank you from the bottom of my heart for this sincere comment
Nokturny Chopina z op. 9 w wykonaniu mistrza Rubinsteina są wzorcowe, słucham ich często. Dziś usłyszałam coś wspaniałego. Tyle emocji, taka radość emanuje z Pana interpretacji ❤Pokazał Pan swoją duszę. To "Odyseja duszy". Amazing ❤Dziękuję
Też uwielbiam Rubinsteina!
Always Great Dear Greg!!God Bless You🙏🏼🌹
I love Chopin! I always get goosebumps when I listen to it🎶🎶😭😭😭😭😭😭 when i was 13 I could play the Nocturne op. 9 N. 2... Now, I'm 46 and want to start playing again... And I also have to face the truth, that I cannot restart from the point I've stopped.... My fingers stuck like glue on the keyboard.....
Tam gdzie człowiek nie może ni słowa powiedzieć, ni napisać wyrazu, wypowiada muzyką, nutami, bo język piękny lecz brakuje wyrazów. Panie Profesorze. Dzięki❤
Dziękuję za ten piękny komentarz
Chopin would have been proud of you. What better way to listen to Chopin’s music than from one of his compatriots.
Thank you!
I was deeply moved that your hands express Chopin's heart with piano sounds. Mr. Greg, I could tell how much you love the piano from the time you played. Thank you for your great performance!
I'm from Korea. I want to play to many people like you one day.
Wow! I love Korean audience! I played Grieg concerto in Busan and they loved it. You can find the recording on TH-cam. I believe you can also play one day!!!!
@gregniemczuk Thank you. Yes, I believe it will come true.
I enjoyed your wonderful performance in the recorded video. The audience must have felt your love and passion for the piano as an indescribable emotion. I hope the last concert in Korea will remain a good memory.
Really really good interpretations, in my opinion, the nocturne op 9. no 1 was outstandingly good. Thank you mr. Niemczuk!
Thank you!
so touched , melted!
Wonderful played Greg, Congratulations 🎹🎵🎶👏👏👏👏👏
How beautiful, these early Nocturnes still have some innocence to them.
Greg, you are the only one who plays these the way I believe Chopin wanted it. Chopin would be proud.
Thank you so much!!!! I just try to sing.....
@gregniemczuk you definitely nailed that. And I couldn't be happier to hear scherzando when it's marked.
@@davisatdavis1 YES!!!!!!! Nobody plays it scherzando, God knows why!
GREAT MAESTRO!❤💯 Hello from Finland my teatcher vas from Poland🙂
Hello!!! Was he maybe Mr. Kutrzeba ?
I love Chopin's nocturne op.9!! Thank you sir✨️ The weather is cold..take good care of your health!😊🌱
Thanks Master for your magnificent interpretation.
Gracias Maestro!!!! regreast from Mexico.
This is truly superb playing!!!🎹🎼🎶
Thank you!!!
Greg, I have been watching your performances and analyses on TH-cam lately. I've got to say you have to most amazing touch and technique I've ever seen & heard. It comes through on these 3 Nocturnes. I'll will eagerly keep following your past and future videos!
So perfect, so beautiful; thank you so much for sharing this with us.
Thank you!
Es tan hermoso y único ! He escuchado en varios intérpretes la pieza , la obra de Chopin , pero solo Tú le das muchísimo valor al silencio ,a la delicadeza y pasión con la que seguro Chopin escribió su música❤llevas en tus manos la verdadera esencia de Chopin✨✨✨ Muchas Bendiciones
Gracias!!!!!
Sublime performance !! im just fond of ur dynamic control in these nocturnes
Thank you so much! I worked hard on this exactly!
Dear Greg, I have heard these Nocturnes at least a hundred times. The dynamics you bring to this are phenomenal. The tenderness here takes on meaning as intended by Chopin. A real Nocturne. The left hand…. very subtle and shows 'new' tones. Thank you for this beautiful performance. Very inspiring! Greetings from Austria Paul Manche🙋♂️
Thank you so much!
Perfect!
Wonderful playing, really! One of the best renditions I've ever heard of Op. 9 no. 1. I heard things I hadn't head before.
Thank you Jasper! I love it!
So so beautiful
jak zwykle wspaniałe nagranie 😊
なんて美しいんだろう、グレッグ😃夢の中にいるようです。
あなたは素晴らしい🌻
Simply fantastic with true impression, that's piano playing!
Thank you!!!
One of your very best 🤩🤩🤩 Thank you!
Thanks!
Wonderfully played, definitely capturing "the mood..." As Wonda Toscanini Horowitz says .lol dzień dobry Gregu!😊
Thank you!!!
good timing, i just finished learning op 9 and ill be listening to your interpretation religiously
Meravigliosa esecuzione!
Such a great performance.
I play the 2nd nocturne in a few days, so seeing you play is really inspirational.
Thank you! Good luck!!!!!
Bravo! Bravo! So beautiful.
Beautiful ❤️
Full of feeling!
Cheers!
Thank you
Piękne wykonanie 👏👏👏
Merci !
Meraviglia ❤️
Grazie!
Bravo !
Cudowne 😊
Dziękuję 😊
On the B-Flat Minor Noctourne, I really liked the subdued dynamic of the left hand in relation to the melody until it gave space for greater dynamic modulation. I also think that is really important to a well played Barcarolle
I agree
Barcarolle is a very popular piece among those seeking to qualify for the Cliburn competition that occurs every 4 years. When I sat through all 72 qualifying recitals a few years ago, I believe there were eight versions in six days. and being 10 feet from the piano, it was really noticeable who had mastered the art of relative dynamic modulation between both hands. Quite surprisingly, only 1 of the 72 participants played a nocturne. I do not understand why so many choose to play Bach and Mozart in these competitions because frankly I think that repertory is less susceptible to artistic interpretation.
@@gregniemczuk
@@sunareekaewnat8967 i understand. But you know, Bach and Mozart or Beethoven are easier in competitions because the jury can judge it objectively. There is not so much space for interpretation whereas Chopin is risky. You can play fantastically but the jury member can simply have different taste and will give you zero points.......
Then they should not judge competitions. I do not approve of extreme departures from what a composer has written, but because no composer prior to Rachmaninoff truly heard a sound that equates to the modern piano, I think there is ample room for interpretation. I think there is also a role for adjusting according to the instrument and venue. I am sure you have shown up to a recital and the piano cannot produce the sound you want on the interpretation you had planned or the acoustics will not let the audience experience what you want them to. @@gregniemczuk
@@sunareekaewnat8967 I totally agree with you! But the truth is different...those people judge competitions very often....... 😔
Sei fantastico,fai concerti a Varsavia?verrei da Milano per sentirti
If anyone knows of a good online tutorial for the 3rd nocturne please let me know, thanks!
Check that: th-cam.com/video/zTUfDEIM7Ms/w-d-xo.htmlsi=3Fg3nuogYhaBgc-_
It's not a typical tutorial but you may find it useful and interesting
I think Chopin’s op 9 and 15 are ideal nocturne in which composer should compose afterwards next opus nocturne just not sound like nocturne , kind of deviated and different but more beautiful and colourful at the same time
I think exactly the same! With the exception of op. 27 no. 2
I can hear through your interpretation what Chopin was saying….