The following video depicts the process of making oil paint as it was practiced before the advent of modern machinery. Visit www.artcons.udel.edu for more info.
Good video, and clear explanations! Thank you. You did a great job. One of the few differences I see when I mull my paints is that I took less paste at a time to avoid its accumulation on the edges around the muller... Did you paint samples with your reconstructed paints?
@@cameoshadowness7757 Cinnabar has a chemical called Mercury people who are exposed to it only live for about 3 years. The symptoms start minor but it gets worse and worse. You can get liver and kidney failure even brain failure
@@cameoshadowness7757 XD if you really want the paint there is a seller on ebay who makes replicas but they are closely matched. www.ebay.com/itm/Cinnabar-Hue-Handmade-Oil-Paint-37ml/224242979541?hash=item3435ec52d5:g:vXwAAOSwuIFfzGzP
Hi I was just wondering when glass mullers came into fashion? As I am interested in reenactment but can't find much information about granite mullers so far.
If you're making it to store in tubes do you recommend any other binder like beeswax? I was thinking maybe just a touch of cold wax medium since it is processed beeswax wax...
This was very cool. I'm so curious though, are oil paints ever made from leaves or flowers that have been ground and added to the oil medium directly? Or must the pigments be extracted into a mineral first?
Not sure about oil, but you can find watercolor pigments made of plants. The most lightfast of these is indigo blue. Most plant based pigments are not very lightfast, the color tends to change over time, and while it could be a fun experiment, you cannot really rely upon such pigments in fine art. If you go with traditional pigments, the most reliable are natural minerals and earths. Those last centuries. Plant based pigments are generally known to fade over time which can be seen in medieval manuscripts - some plant based colors, despite staying in a closed book with infrequent exposure to light, will still fade. Certain companies make plant based pigments and possibly developed methods of making them more lightfast, which I believe involve adding certain chemicals like alum and others. But lightfastness depends upon the binder. A pigment might react well with watercolor but badly with oil. So it really depends. Bottom line is, I tend to stay away from plant based pigments. I have made my own watercolor from groud gemstones as well as standard contemporary pigments and I am thinking about making oils too but I need to do research hence how i came across this video.
When a pigment is made from a plant (e.g. indigo or woad or madder) or an animal (like cochineal or kermes), we call it a "lake pigment." To make a lake pigment, you immerse the plant/animal product into water and simmer it to extract the dye. Then, you evaporate out the water over a low temperature. The resulting dry color is the lake pigment. Some examples of this are "Madder Lake," is a red that comes from the madder plant's roots, and "Carmine Lake," which is purplish red that comes from the cochineal bug.
This just brought something to mind ...I was told for a long time that Titanium White was only used after 1916. Yet I recently found out that it was found in earlier works e.g. a Pissarro from, I believe, 1903. And others. Also that it was being used in Birmingham, UK, from around 1860. So how do we know for sure when it was being used in France? If it was in the UK in 1860 it is likely, surely, to have hit France in a very short period of time after that? I would be very interested to know what is the latest on this subject please?
you can use a granite or marble plate they sell at garden centers or hardware stores. Costs only a few dollars. As a mulling stone I use a stone I found on a field. You can use any hard stone from a river bed for example. It just needs to have one relatively flat side, and you should be able to hold it easily in your hand. You can do it even without buying anything, if you are able to find two stones of the right shapes.
Add few drops of blue food colouring in Silica. Then crush the silica and do the rest of the process shown in the video. You can find Silica in medical stores or chemist shops
The process of making oil paint the way the old masters did needs to be more specified - just because it looks like it may be right does not actually make it right - putting some pigment and oil on a slab and using a Muller is the basic idea but the actual art of making the paint like the old masters does involve quite some more knowledge than shown here.
HA, I SCOFF, I DON'T BELIEVE THIS VIDEO, CAUSE MY PAINT COMES FROM LIL OLE ALUMINIUM TUBES!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! LMAO!!!!!!!!!!!!!!!!!!!!!!!!!!!!
FUKING SHIT! I`m a brazilian teacher trying to learn how colors of paint was made on the past and i see this video. I know how, but I was trying to show to mu students that. And i found and only have 65k views...2 years...i`m sorry for humankind
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the initial message looks like we're about to watch a forbidden dark art method of ancient times.
@mister kluge painting is a dark art isn’t it.
I had been wondering about this process for a long time. Very interesting! It makes me want to try it out someday.
Nice explanation conservation colleague! Greetings from México!
I love 🇲🇽, would you introduce me to Frida Kahlo?
SUPERB . Truly to historical process ....
Definitely going to do this! Thanks for the info!
Did you get around to doing it?
Thank you, all my best wishes
Good video, and clear explanations! Thank you. You did a great job. One of the few differences I see when I mull my paints is that I took less paste at a time to avoid its accumulation on the edges around the muller... Did you paint samples with your reconstructed paints?
Great information and very interesting! Thanks for sharing :D
Thank you very much
Thanks this really helped me with my school project
This is awesome, I want to try it at home now.
Cinnabar kills people
@@justsomegirlwithluck2483 ???
@@cameoshadowness7757 Cinnabar has a chemical called Mercury people who are exposed to it only live for about 3 years. The symptoms start minor but it gets worse and worse. You can get liver and kidney failure even brain failure
@@justsomegirlwithluck2483
I'll look more into it.
@@cameoshadowness7757 XD if you really want the paint there is a seller on ebay who makes replicas but they are closely matched. www.ebay.com/itm/Cinnabar-Hue-Handmade-Oil-Paint-37ml/224242979541?hash=item3435ec52d5:g:vXwAAOSwuIFfzGzP
great video! very informative :)
Useful one!!!!!
Hi I was just wondering when glass mullers came into fashion? As I am interested in reenactment but can't find much information about granite mullers so far.
If you're making it to store in tubes do you recommend any other binder like beeswax? I was thinking maybe just a touch of cold wax medium since it is processed beeswax wax...
This was very cool. I'm so curious though, are oil paints ever made from leaves or flowers that have been ground and added to the oil medium directly? Or must the pigments be extracted into a mineral first?
Not sure about oil, but you can find watercolor pigments made of plants. The most lightfast of these is indigo blue. Most plant based pigments are not very lightfast, the color tends to change over time, and while it could be a fun experiment, you cannot really rely upon such pigments in fine art. If you go with traditional pigments, the most reliable are natural minerals and earths. Those last centuries. Plant based pigments are generally known to fade over time which can be seen in medieval manuscripts - some plant based colors, despite staying in a closed book with infrequent exposure to light, will still fade. Certain companies make plant based pigments and possibly developed methods of making them more lightfast, which I believe involve adding certain chemicals like alum and others. But lightfastness depends upon the binder. A pigment might react well with watercolor but badly with oil. So it really depends. Bottom line is, I tend to stay away from plant based pigments. I have made my own watercolor from groud gemstones as well as standard contemporary pigments and I am thinking about making oils too but I need to do research hence how i came across this video.
When a pigment is made from a plant (e.g. indigo or woad or madder) or an animal (like cochineal or kermes), we call it a "lake pigment." To make a lake pigment, you immerse the plant/animal product into water and simmer it to extract the dye. Then, you evaporate out the water over a low temperature. The resulting dry color is the lake pigment. Some examples of this are "Madder Lake," is a red that comes from the madder plant's roots, and "Carmine Lake," which is purplish red that comes from the cochineal bug.
It’s a great workout too.
What can we add into oil paint to avoid the fungus in the areas which have high moisture and rains
This just brought something to mind ...I was told for a long time that Titanium White was only used after 1916. Yet I recently found out that it was found in earlier works e.g. a Pissarro from, I believe, 1903. And others. Also that it was being used in Birmingham, UK, from around 1860. So how do we know for sure when it was being used in France? If it was in the UK in 1860 it is likely, surely, to have hit France in a very short period of time after that? I would be very interested to know what is the latest on this subject please?
Are you thinking of Zinc White, PW 6, introduced by W&N in the 1830s ?
Titanium White, PW 6 titanium dioxide was introduced in the 1920s.
@@blancemoore No it was titanium white in Pissarro's work.
Would you recommend using a stone mortar and pestle for the mulling process?
It's a different process !
Hiiii, I want making some pigment like Blue, how can make can you suggest me,
How much is wasted to the granite? Whats the best process to reclaim the made oil paint from the granite surface?
Is this weather proof?
Yeah, but with time it will turn pale if you don't cover it with framing plastic
where they sell the hard black granite mallet
www.kremer-pigmente.com do those beasts, although i use a small muller attached to a slow drill to take some of the labour out.
you can use a granite or marble plate they sell at garden centers or hardware stores. Costs only a few dollars. As a mulling stone I use a stone I found on a field. You can use any hard stone from a river bed for example. It just needs to have one relatively flat side, and you should be able to hold it easily in your hand.
You can do it even without buying anything, if you are able to find two stones of the right shapes.
@@WolfgangSchweizer are there any alternatives to flax seed oil ?
@@empty3280 I am not an oil painter, but as far as I know, walnut oil and poppy oil work also.
@@empty3280 walnut, poppy, safflower are the most common alternatives... all with slower dry time than flax seed oil
Hey, how long does paint like this last on the outside of buildings on wood?
What’s the red earth from?
Goblinbutter the earth
Gar Elson smart a$$ 😂
Ian Macbeth ok. I thought that it was iron oxide but I wasn’t sure.
It comes from the red-coloured earth.
Hiiii, I wana make blue pigment in syanthatic so kindly help me,
Add few drops of blue food colouring in Silica. Then crush the silica and do the rest of the process shown in the video. You can find Silica in medical stores or chemist shops
Subtitles would be very usefull!
Ocher ??
interesting
The process of making oil paint the way the old masters did needs to be more specified - just because it looks like it may be right does not actually make it right - putting some pigment and oil on a slab and using a Muller is the basic idea but the actual art of making the paint like the old masters does involve quite some more knowledge than shown here.
This is not a specific,but general video about.....
@@romulusbuta9318 Nop! it does not read the title.
Didn't show how to make the oil
I just wonder why dont use a blender for mixing color?
Do you see the size of pigment particules?
Too thick. Could use a drill attachment though.
HA, I SCOFF, I DON'T BELIEVE THIS VIDEO, CAUSE MY PAINT COMES FROM LIL OLE ALUMINIUM TUBES!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
LMAO!!!!!!!!!!!!!!!!!!!!!!!!!!!!
The young men in the etching are making pigment, not paint.
FUKING SHIT! I`m a brazilian teacher trying to learn how colors of paint was made on the past and i see this video. I know how, but I was trying to show to mu students that. And i found and only have 65k views...2 years...i`m sorry for humankind