His voice has a very pleasant sounding bass to it. I like the way his accent makes his voice go up and down too. But this combined with the nice chords he’s playing makes everything sound so fitting together.
Frank is probably the best teacher I’ve seen on TH-cam. So many go too quickly. Can’t see what their fingers are doing etc... he’s very good with the repetition and his instruction.
+William Rosas I totallyagree... I know lots and lots of teachers, and no one is better than him. Frank Vignola is great.
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GREAT! Here in Brazil we have a lack of good teachers of chord melody, despite we have good guitar players performing this style. I´m glad to meet a teacher like you. It´s an amazing surprise. Congratulations!
Dear Mr. Vignola, thank you very much for your very clear and examplary pronunciation so it is also understandable for second-language speakers like me. (I am German)
Frank!!! Omg I didn’t see this before but wow you made a tutorial!! This is great. You put so much patience into this. Thank you! If you ever see this, know you’ll always be one of my favorite guitarists :)
How is it possible I didn't even know this guy? A friggin genius. Great playing, great teaching. As some have already written the two things don't always go toghether. Well, here they do ;) Thx.
I always have a problem with this lessons, if you want to learn jazz you at least have some guitar playing knowledge, and you know how to make some chords, and play, but the man explain the lessons like talking with a person that just take for first time a guitar. Im very glad about the online free lessons, its just a simple thought, thanks for the lesson of course !
I don’t see her what everyone can’t understand !!!🤷♂️🤷♂️🤷♂️🤷♂️because your explanation is very very clear. You’re a great teacher 👨🏫👍👍👍👍👍 I learne It . And I am very happy 😃
I have a question for anyone who can help me out here ! How is it that the chord at 4:42 he names a Dm9 when it is composed of notes F, A, C, E. I agree with a D in there it becomes a Dm9 but doesn't it act simply as an Fmaj7 ? Is it just a different way of thinking the chord progression ? Are both correct ? Can we name a chord after a note that is not present inside the chord ? For example also C6 9 that contains the A and the D that act as 6th and 9th but there is no C in there ! Can we call that a C6 9 anyways ? Thank you for great video !!! I love the way you teach. Peace !
for the first question : in many cases you can call a chord different names. Fmaj7 and Dm9 share the same harmonic sensation, called subdominant, because they have many notes in commom, so they are pretty much interchangeable. You can say Frank played Fmaj7 or Dm9, it would not be wrong. He chose to call Dm9 because then you would have a 2 - 5 - 1( Dm9 - G7(9) - Cmaj7) sequence, more familiar to the jazz harmonic language than a 4 - 5 - 1 ( Fmaj7 - G7(9) - Cmaj7). But then again in this case it´s only a question of preference. Second question: yes we can name a chord after a note that is not present inside the chord. It`s the case with the C (6/9) and the G7(9). Due to the fact that many chords share many notes in common, it`s like you said: It`s a way of thinking a chord that matters, not it`s "correct name". Cheers
I have a similar question at (:47) he calls that fingering CMAJ7 and then at (4:46) it's a DM9. Not sure how the "movable" shape changes quality from Major to Minor. I must be missing a subtle detail.
Hi... I'm confused. Can come someone explain how in 1 area of the neck the chord fingering is a cmaj7 (:47) and then the same fingering at (4:46) is dm9? I mean if it's movable shouldn't the quality of the chord Major vs Minor remain the same? Either case we are strumming top 4 strings, right? Thanks. Must be missing something really simple 😕
depends on it's function in the chord progression one shape can have many names you can call that first chord Am9 or Cmaj7 and the one at 4:41 Dm9 or Fmaj7 (sorry if this was short and didn't make sense I got corona :v)
Very good stuff! I want to explore this style of playing. Really don't know that much about it. Is it basically how to play jazz,is it more for just exercise?
why are the first cmaj7 xx5557 and the last cmaj7 xx5558 both maj7? the first one is xx5557 and the last one is xx5558? isnt the last one a simple C major?
You've probably already found out by now, but it's a D'Angelico New Yorker I believe. Here's a reference: reverb.com/item/6072058-d-angelico-new-yorker-2006-violin-sunburst-thinline
@@quentinbohannon6611 I was talking about your "CHORD" vocabulary. Blues chords are cool, but Jazz chords add so much more to your ability to communicate musically. Take for instance a C chord. You have C major 7, Cmajor 9, Cmajor 6/9, Cmajor 11, Cmajor 13, C minor 9, C minor 7b5, C diminished, C augmented, C 13th, C minor major 7, C minor major 9, and many more!!! No my friend, I was not trying to step on your linguistic ability, by saying something was wrong with your vocabulary, I'm just suggesting stretching out and learning more about the "Language of Jazz". It's a good thing.😎
treat every word this guy says as a gem of wisdom. He's one of the most influential guitar players around. And a super effective teacher.
Vishi Kant True! I'm just puzzled by the 15 idiots who didn't like this! LOL
I just need to understand better this Video I just watched...…….& I played it too
Frank is a great teacher waaaaaaawww🤔🎸🎸🎸🎸 so good
Loud and clear. The best jazz guitar teacher ever.
These chords have a calming effect. Maybe the world should listen.
I agree... It definitely would make a difference
Difficult to find great players who are also great teachers. Frank is both, so glad I found this.
His voice has a very pleasant sounding bass to it. I like the way his accent makes his voice go up and down too. But this combined with the nice chords he’s playing makes everything sound so fitting together.
Frank is probably the best teacher I’ve seen on TH-cam. So many go too quickly. Can’t see what their fingers are doing etc... he’s very good with the repetition and his instruction.
What a wonderful guitar teacher. The best I've seen on TH-cam.
The best part is that Frank has dozens of courses on TrueFire! Check out the course this lesson came from - tfir.es/1FfIOhj
@@TrueFireTV thanks man
Simply the best teacher. Bravissimo
I love this guys teaching style. Every word has weight and meaning. So many of these online teacher just talk.
Frank is the bestteacher!
+William Rosas I totallyagree... I know lots and lots of teachers, and no one is better than him. Frank Vignola is great.
GREAT! Here in Brazil we have a lack of good teachers of chord melody, despite we have good guitar players performing this style. I´m glad to meet a teacher like you. It´s an amazing surprise. Congratulations!
Dear Mr. Vignola, thank you very much for your very clear and examplary pronunciation so it is also understandable for second-language speakers like me. (I am German)
Excelente y muy bien explicado ejercicio...ya lo estoy desarrollando..Gracias maestro Frank..saludos desde Veracruz , México
Frank!!! Omg I didn’t see this before but wow you made a tutorial!! This is great. You put so much patience into this. Thank you! If you ever see this, know you’ll always be one of my favorite guitarists :)
The best musicians are very often the best teachers. Frank is one more example of this.
Tks Frank for sharing a piece of these awesome lessons with us.
You really did a very good job.
Greetings from São Paulo Brazil
So sweet melodies..am following your tutorial videos all the Time..Thank you Very much and God bless us all🤩🙏🏻
Amazing!,, thank you so much ! finally a can do for a beginner jazz guitarist. The best technique I’ve seen, simple to follow!
awesome again never ever see a teacher as Frank and thanks trufire u two both...
Great lesson from a wonderful player. 🎸👍👍
I agree with all of you. The best Jazz Guitar Teacher on TH-cam and for TrueFire.
Really great lesson. Great stuff. Thanks Frank. Well done.
How is it possible I didn't even know this guy? A friggin genius. Great playing, great teaching. As some have already written the two things don't always go toghether. Well, here they do ;) Thx.
Thank you. I think this is the best I have found.
Beautifully played and explained. Pure class. Thank you Frank!
I always have a problem with this lessons, if you want to learn jazz you at least have some guitar playing knowledge, and you know how to make some chords, and play, but the man explain the lessons like talking with a person that just take for first time a guitar. Im very glad about the online free lessons, its just a simple thought, thanks for the lesson of course !
I don’t see her what everyone can’t understand !!!🤷♂️🤷♂️🤷♂️🤷♂️because your explanation is very very clear. You’re a great teacher 👨🏫👍👍👍👍👍
I learne It . And I am very happy 😃
Great artist and great teacher
This man is a excellent teacher
Frank, Thank you this really helped my playing.
You are the best theacher,,,salam terimakasih from Indonesia,,
You're an awesome teacher Frank, thanks so much!
I love these real jazz cats- they've seen it all man, and I cherish every word they have to say
Frank Vignola is a great teacher. I love his teaching skils.
You dont want to break the neck...just give enough pressure to make the note sound.... I just realized this... Great Lesson 😃😎
Nice and beautiful guitar.
Atlast!!!!!!!!! I found the gem......❤️❤️❤️❤️
Great work! Finally I can play Jazz, brilliantly taught!
Thanks! Frank is indeed the man! :-)
Very good class, greetings from méxico 😊👋
Excellent thanks for sharing 👍🙏🎸🇲🇽
anybody gonna mention how he looks like Steve Vai
Yes indeed, but only in this video
I was thinking bob saget while he was looking down lol
Wow that’s beautiful
Excellent. Thank you.
i love this lesson.
Hey Frank great job and we are proud of you... we Meaning Italian LOL!!
gracias Frank... saludos from veracruz
Thank you Frank 🙂
Thank you from PR
I have a question for anyone who can help me out here !
How is it that the chord at 4:42 he names a Dm9 when it is composed of notes F, A, C, E. I agree with a D in there it becomes a Dm9 but doesn't it act simply as an Fmaj7 ? Is it just a different way of thinking the chord progression ? Are both correct ? Can we name a chord after a note that is not present inside the chord ? For example also C6 9 that contains the A and the D that act as 6th and 9th but there is no C in there ! Can we call that a C6 9 anyways ?
Thank you for great video !!! I love the way you teach. Peace !
for the first question : in many cases you can call a chord different names. Fmaj7 and Dm9 share the same harmonic sensation, called subdominant, because they have many notes in commom, so they are pretty much interchangeable. You can say Frank played Fmaj7 or Dm9, it would not be wrong. He chose to call Dm9 because then you would have a 2 - 5 - 1( Dm9 - G7(9) - Cmaj7) sequence, more familiar to the jazz harmonic language than a 4 - 5 - 1 ( Fmaj7 - G7(9) - Cmaj7). But then again in this case it´s only a question of preference.
Second question: yes we can name a chord after a note that is not present inside the chord. It`s the case with the C (6/9) and the G7(9). Due to the fact that many chords share many notes in common, it`s like you said: It`s a way of thinking a chord that matters, not it`s "correct name". Cheers
Thank you so much for the answer ! :)
Take care !!
@@PauloRicardo-fc4li @595jeremy Thank you guys I thought the same question as I was learning this!
I have a similar question at (:47) he calls that fingering CMAJ7 and then at (4:46) it's a DM9. Not sure how the "movable" shape changes quality from Major to Minor. I must be missing a subtle detail.
Can someone explain the C 6/9 chord? There is no C note in there, but its still called a C chord. Is there a mistake?
I'm not sure, but despite the C note is not present, the colour of the chord keeps the C chord tonal caracter
Hi... I'm confused. Can come someone explain how in 1 area of the neck the chord fingering is a cmaj7 (:47) and then the same fingering at (4:46) is dm9? I mean if it's movable shouldn't the quality of the chord Major vs Minor remain the same? Either case we are strumming top 4 strings, right? Thanks. Must be missing something really simple 😕
depends on it's function in the chord progression one shape can have many names you can call that first chord Am9 or Cmaj7 and the one at 4:41 Dm9 or Fmaj7 (sorry if this was short and didn't make sense I got corona :v)
@@cleagymeen9465 thank you. get well 🙏
thank you Frank!
Hi, please could you let me know what true fire lesson this is on.
Thank you
This is so detailed I just wanna know more
Excellent
love you Frank
Beautiful, very helpful, thank you .. :)
Muito bom.. Obrigado..👍👍
Very tasteful playing with clear explanations.
Thank you.
Anybody knows what gear he is using ?
Guitar, amp???
I think he likes D'Angelico.
Very good stuff! I want to explore this style of playing. Really don't know that much about it. Is it basically how to play jazz,is it more for just exercise?
Brian Osbment introduction to chords
thank you so much!! so helpful
Buenisimo ...gracias
That Master!!!
thanks you are the Best
GReat lesson, Thanks...
Thank you so much master!
Can't find this lesson on true fire, what
what's the name of the lesson
thank you very helpful
why are the first cmaj7 xx5557 and the last cmaj7 xx5558 both maj7? the first one is xx5557 and the last one is xx5558? isnt the last one a simple C major?
I just discovered Frank and I'm so glad I did !what a great teacher!
Nice
Am9=Cmaj6! I just had an epiphany and wanted to share.
Is it a old one ? Guitar ? I mean d angelico or a new
One ?
I like the melody but, what song is it? Is it even a song? Is this created only for practice?
Great video! Is this that guy from Storage Wars?
Joshua Beare Noooooooope
Good
what about in E please
There's Jody Fisher too.
Is the first 4 bar is C l C l Dm G l C Am l?
What is the model of guitar?
You've probably already found out by now, but it's a D'Angelico New Yorker I believe. Here's a reference: reverb.com/item/6072058-d-angelico-new-yorker-2006-violin-sunburst-thinline
why is he calling that 2nd chord a C69 when there's no C in it the way he fingers it?
my homework lol,ty mr
Thank you, teacher
he really like Bill Evans
Beautiful chords anyways.
Jazz chords are so kool but i only know some blues chords lol.
Time to expand your vocabulary.
What about my vocabulary ?
@@quentinbohannon6611 I was talking about your "CHORD" vocabulary. Blues chords are cool, but Jazz chords add so much more to your ability to communicate musically. Take for instance a C chord. You have C major 7, Cmajor 9, Cmajor 6/9, Cmajor 11, Cmajor 13, C minor 9, C minor 7b5, C diminished, C augmented, C 13th, C minor major 7, C minor major 9, and many more!!! No my friend, I was not trying to step on your linguistic ability, by saying something was wrong with your vocabulary, I'm just suggesting stretching out and learning more about the "Language of Jazz". It's a good thing.😎
Yes - nice: But I have no idea WHAT melody that is ......
why does he look like Abed
Steve Vai Short hair version
,
Thanks for the great lesson, theory is power!
Thank you Frank!