"The freezing of moisture in the fibres of the wood (being in Iceland) impart a sustain only rivaled by an Alembic through-body bass" Dunno, it might work for catchy quotient. Fascinating piece, of pieces to marvel. I think that out here Mr. Kamimoto was pretty crafty with making things, but I never knew of this adventure. That violoncello, though. Timbre for football fields. It's as if one's head is stuck right into it; or as I like to mic them. It projects like crazy. I'm duly impressed. On that, and knowing that Mr. T can really play a violin out (in the Piazzollas I heard live)- one might take some liberty to the levels. Violins are there; the layout is typical, though the voice of the cello is quite present over them, to me. In orchestra, the high viols enjoy the benefit of mass on SR, but up next to this cello I perceive are a bit overpowered (I would cheat a bit with mics and levels to smooth this out in this case. I haven't heard such a presence except miked; this is what one'd do with Ян M. I'll forward this cut to him.) Just having placed myself at another recital last week, up as close as I can get for the full flavor of the strings, it'd take at least two of those normal v-celli to match this one's output. This entire set is amazing in its comprehensive crafting. Thanks so much for this piece, all involved-!
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"The freezing of moisture in the fibres of the wood (being in Iceland) impart a sustain only rivaled by an Alembic through-body bass"
Dunno, it might work for catchy quotient.
Fascinating piece, of pieces to marvel. I think that out here Mr. Kamimoto was pretty crafty with making things, but I never knew of this adventure. That violoncello, though. Timbre for football fields. It's as if one's head is stuck right into it; or as I like to mic them. It projects like crazy. I'm duly impressed.
On that, and knowing that Mr. T can really play a violin out (in the Piazzollas I heard live)- one might take some liberty to the levels. Violins are there; the layout is typical, though the voice of the cello is quite present over them, to me. In orchestra, the high viols enjoy the benefit of mass on SR, but up next to this cello I perceive are a bit overpowered (I would cheat a bit with mics and levels to smooth this out in this case. I haven't heard such a presence except miked; this is what one'd do with Ян M. I'll forward this cut to him.)
Just having placed myself at another recital last week, up as close as I can get for the full flavor of the strings, it'd take at least two of those normal v-celli to match this one's output. This entire set is amazing in its comprehensive crafting.
Thanks so much for this piece, all involved-!