The crescendo sign means increasing the volume in a short period of time. The text however, means to gradually and/or slowly (in the case of poco cresc. or poco a poco cresc.) increase the volume. At measure 42, I believe the cresc. text would fit better, as increasing the lenght of the accent mark increases the visual polution of the sheet note. Nonetheless, I loved this waltz, great work, keep at it King.
Nice waltz! I really enjoy the triplet/quintuplet action in the middle section. Some advice: i believe the right hand lacks rhythmic interest/variation. Some techniques you might want to familiarize yourself with that are commonly used in waltzes would be: Hemiolas (pattens of 2 against three or vise versa) Augmentation/Diminution (Making the rhythms faster/slower but not changing the melody) and ornamentation(trills and such to create interest). I also liked your harmonies!
Not everywhere good transitions, when changing to another beat like tonality or transitions to another tonality, in the beginning not everywhere good harmony, but terrible, not bad
Yea, sorry, i'm liszt, rachmaninoff fan maybe a little chopin, so i compose this composers acords, because is so beautifully sounds, but you maybe take last measures Bach, idk, not bad end, but i didn't put this ( my opinion ).
The crescendo sign means increasing the volume in a short period of time. The text however, means to gradually and/or slowly (in the case of poco cresc. or poco a poco cresc.) increase the volume. At measure 42, I believe the cresc. text would fit better, as increasing the lenght of the accent mark increases the visual polution of the sheet note. Nonetheless, I loved this waltz, great work, keep at it King.
Really nice waltz! The left-hand triplets and quintuplets add a nice touch to the waltz in the E major section.
Thanks so much! (I made a big effort for my waltz to be good)
Suena a película romántica, para mí es suficiente.
Nice waltz! I really enjoy the triplet/quintuplet action in the middle section. Some advice: i believe the right hand lacks rhythmic interest/variation. Some techniques you might want to familiarize yourself with that are commonly used in waltzes would be: Hemiolas (pattens of 2 against three or vise versa) Augmentation/Diminution (Making the rhythms faster/slower but not changing the melody) and ornamentation(trills and such to create interest). I also liked your harmonies!
Thanks!
Nice but the melody could be more interesting with a variety of little ornaments at least. The quarter notes could be more interesting
Okay, I'll try to put some ornaments on my next waltz
You have much to learn.
What do you mean?
@@davidreinomantecon172don't worry he's just some toxic dude lmao
@eldavide6155
I know, because in my opinion I did it very good
@@davidreinomantecon172yes!
Not everywhere good transitions, when changing to another beat like tonality or transitions to another tonality, in the beginning not everywhere good harmony, but terrible, not bad
And One question, why name E minor, but end major?? :Dd
@Lorensas ends major due to 3rd of picardy, understand?
Yea, sorry, i'm liszt, rachmaninoff fan maybe a little chopin, so i compose this composers acords, because is so beautifully sounds, but you maybe take last measures Bach, idk, not bad end, but i didn't put this ( my opinion ).