วีดีโอ

仙度海中鮮會館 穿粉紅色禮服耶 奧羅憲政路餐廳 穿粉綠色禮服耶 貝兒林泉街餐廳 穿粉橘色禮服耶 仙度瑞拉的會館 岡山與台南會館 奧羅拉公主餐廳 真寶與晶頂餐廳 貝兒公主的餐廳 歐莉與卡司餐廳 仙度瑞拉的飲料 草莓啤酒與果茶 奧羅拉公主飲料 檸檬汽水與果茶 貝兒公主的飲料 橘子汽水與果茶

Someone step on a cat at the start of this Scherzo?????

Thank you for the subscribing ! You can try to listen my trombone concert ! I welcome all criticism and will consider the points for improvement. Some things I am figuring out somethings not yet .

I heard the first movement. Fantastic. I like the cadences, transitions and rhythm. You clearly have the ability to handle big structures.

I think it should be spelt “Corrente”? Nice counterpoint anyways! Henry

Hell yeah

Exciting prelude!

Sounds like prelude in f major bach😅!.

Genial!!!

İt is like style of Beethoven.

Very good and funny piece!

Beautiful composition! Thank you for subscribing 🙏

Movement I has memorable themes, especially the chord progression in the A theme, which will be in my head for a while I bet. The development was enjoyable. The abrupt changes in mood were very engaging. The transition back into E major for the recapitulation was absolutely fantastic. 8/10 It was a good call making the theme of the second movement how it was. Simple, allowing for lots of lovely variations. The arpeggiated figures in Var. 3 reminded me of some of movement I, which adds to the cohesion. Theme and variations might be my favorite musical form, at least in my top 3. You've done a very good job here. Var. 5 reminds me of the Moonlight Sonata's third movement a bit. Big fan. And the second half, with the sixteenth note runs for the three beats and then the accented quarter note, was very well executed. It was definitely a good final variation. 8/10 The scherzo immediately makes usage of the hemiola, which I'm a fan of. Very playful but still sophisticated. The trio seems more somber, providing good contrast. The quintuplets are wonderful. The coda's reference to the seriousness of the trio before returning to the vibe of the scherzo is a nice touch. 7/10 The larghetto was cool. The prestissimo was surprising but it works well. The deviation to G minor is an interesting but good decision. The fluttering sixteenth note figures starting in measure 88 were highly pleasant. Measure 143 reminds me of measure 88. Very nice. The reference in measure 159 to the first movement is fantastic. It is a very satisfying use of cyclic form. I have to say, I've never seen fortissississississimo (?) in the wild before! Nice. 8/10 Very enjoyable sonata.

Muy bien David!!!! ❤

고마워용 ㅋㅋㅁㅋ

Only found out about this because of the algorithms. I loved this piece. It has the "mood" of coming from a Boss of a Castlevania game. You are a great composer. If you can, do an Orchestral Arrangement, put a Church Organ.

This doesn't sound impressionist. You should try with 9th and 11th chords, non-harmony notes, fast melodies, and things that Debussy or Ravel Would do. First, you should learn what "impressionism" is, because it's not whatever that sounds kinda minimalistic, remember impressionism is the ancestor of the XX century, so, would be good if you check the work of the composers mentioned before. Hope this commentary finds you well. Good Luck!

愛麗兒公主肚臍 貝兒公主的脖子

舒伯特即興曲

雨滴前奏曲

Is this inspired on Beethoven's menuet?

Good job! This time I couldn't tell any parallel fifths.

Pdf

Good luck playing irl

very nice 😁😁😁

I think it's okay, but I have a concrete and specific advice: Learn more harmony. I've noted you wanted to create a classical-modern style, but it still sounds like something that tries to be something new, but using mostly very classical harmony, or pop-like harmony. I heavily recommend you to read the book "Harmony of the XX century" by Vincent Persichetti, that books introduce the concepts that you may want to use in those pieces, like quartal chords, clusters, negative harmony, etc. Also, I recommend you to search for concepts like: Non-Functional harmony, atonalism, polytonalism, dodecaphonism, bartok's axes, pitch class-set, and neo-riemann theory, but principally bartok axes and non functional harmony, because those are the principal things I use to compose, and I feel that the style you want to represent is similar to mine.

It sounds a bit odd

En que te has inspirado para componer esta pieza??

is this twelve-tone technique?

too fast, sounds like you're trying to not waste anyone's time by presenting as much asap

Me ha gustado esa melancolía inicial y ese incesante juego de escalas y modulaciones tonales...

Let's hear the rest of it (and the rest of the Sonata).

much better than the last attempt! still some minor discrepancies like bar 30, parallel octaves in middle and bass voice. but still a much better attempt at fugue!!

Ouch the jumps

Обязательно переложу это на гитару.

Хочу такое найти в переложении для гитары, но мне кажется это сложно играть из ща темпа.

Time signature should be 4/4 and triplets for left hand

Ragtime Mozart.

This is an amazing work

I love this brother!

Muy guapo David🎉🎉🎉

Was this inspired by Chopin's Winter Wind Etude? Great piece.

Beautiful 🎉🎉🎉

sounds great!

Really nice! I have some suggestions tho The waltz part has beautiful melody but it's missing something, you know, some decorations. Take Chopin scherzo 2 (or maybe 3) for example, you can add some cheeky little RH run during the pauses in the melody, or add some sort of pedal notes (like Chopin scherzo 1) and ornaments. You can even add a second voice. That way, the music would be more interesting!

Very nice brother!

Me ha gustado muchoooo

Chopin 2nd Sonata, 2nd Movement .. right ? nice...

This is the most difficult work of Chopin.

Was expecting the charlie brown theme to start playing