My father had given me his silver plated gold bell 6M when I decided I wanted to play the saxophone, and I've had it since 1964, the horn itself from 1939. Still to this day, the best sounding horn I've ever played, and I've played many as I used to sell saxophones for a living. Call me biased, but the Conn has always been a magic horn for me. You do it justice. This horn is made to sing
Oh My. Here l sit , post pandemic, and your magnificent stylings bring me back to the safety and magic of summers spent in a lakeside isolated cottage in northern Ontario Canada, wood stove crackling, fireplace roaring, Lake Koshlong as still and smooth as glass, with two wonderfully, fatally flawed humans for parents, the magic of the Northern Lights, and the never ending classic jazz stylings of all the best of the best. ...my folks would have been as astounded then as l am now by this sax player.
Every day good musicians, play videos without background track. I have 6M and Ref 54. don't know which I prefer. Sax should always be accompanied by spectacular background; I don't care how good each of you are! Thanks for the song, you and the 6M are shown in the best spotlight here. Sounds like a dream!
Your sound is unbelievable on the alto, thank you so much for warming my💜. By the way Ive got a Matt silver-plated Conn 6M VIII. Such a horn can really open your soul.!!!
Wow. I always loved this song but forgot about it. Had not touched my alto since 1998. In my on line group a student like me (I'M retired):UK trained) played it and I immediately looked for the sheet music. They say find 3 people , whose sound you like, who play a song and listen to it a few times. Wow. 20 times already because of embellishments and your feeling for the piece. This is a hell of a performance with a lot of heart in it. Inspirational and motivational. I played it 10 times but lack the embellishment and solos....but with this as a guide I am focused. With 3 hours practice a day....I've been avoiding songs and doing the pentatonics with the metronome hoping one day to be able to stand confident like you and perform,. Thank you for sharing. It is my daily piece. Until then I feel lucky to have easy access to it.
Thanks - I’m really glad it’s helpful, and appreciate you saying so. I think learning should always include work with songs alongside scales, pentatonics etc. Following your heart a bit is always good!
Yes, lot's of tenor recordings around... There's a lovely alto recording by Sonny Criss on 'This is Criss', though. Well worth a listen. Thanks for your compliments. I agree it sits really nicely on alto.
Complimenti bellissimo suono, interessante giocare con note centrali mettendo in risalto la pienezza del suono, in contro correnti alla maggior parte dei contraltisti moderni che giocano su note alte. 👏👏👏
Absolutely beautiful tone!! I just purchased Conn 6m online to see if I can come anywhere close to this sound. Your spectacular performance cost me lot of money ☺️
Well, I hope you enjoy it! I feel slightly responsible now... ;) What have you been playing up to now, and what mouthpiece are you going to be using on it? It may feel very different for a while but keep going with it - they're so rewarding. I'd be interested to know how you get on.
@@tbonijazz I’ve had few horns, but my go to alto is some brand called Classic, made in Czechoslovakia. I acquired it when I lived in East Europe, but it’s getting very old and it’s still a student model like all the others I have played, so I was due an upgrade. I do have a decent collection of MPs. Vintage MC Gregory and Berg Larsen are my favorites. Can’t wait to test them on M6, I’ll let you know how it goes. Thanks for replying Tim, I appreciate it. Cheers!
@@JosephAraza Pleasure. Do get in touch if I can help any more. I've never played a Gregory but I reckon it could be really nice. The key work on the Conn will feel different for a while, but it's worth it!
@@tbonijazz I finally got her back from a shop. Paired well with Brilhart rubber and Otto Links metal (I think similar to what you play on). It definitely takes time to get used to, but sounds so sweet. I can’t seem to play 3rd octave F# though (concert A). Does the 6M have different fingering for high octaves and altissimo? I can’t find any info online. Thanks Tim!
@@JosephAraza Sounds great - I'm really glad you're enjoying it. I've always used pretty standard altissimo fingerings for my Conns, but there's always more than one option for all these notes. I would look up an altissimo chart that gives you a few options to try, and see which one works best for you. Some of this comes down to the player rather than the horn.
Thanks Jasper. I'm glad you enjoyed it. The mouthpiece is an 'Florida' Otto Link Super Tone Master (no 'USA' stamp, so earlier Florida era), 7*. It's a really lovely piece.
, they're not easy to get good cases for. I have two, both of which work well. One is an old Selmer hard case from c.1960s, but the one I use most is a new ProTec Contoured ProPac case. I've never had an issue with it - it houses both my 6M an Cigar Cutter very well.
Hi Mark - I'm really glad you enjoyed it. I'm afraid I didn't use any sheet music/chord charts so don't have anything I can send you. Sorry! All the best.
The horn "emotes" beautifully in this piece, Tim. Just curious -- could you do something for us using a HR mpc on this horn (e.g. New York Meyer type)? Thanks for sharing!
Hi Ed - yes I'd LOVE to, but I don't have an HR mouthpiece! Had to sell it to make this one affordable! Anyone in the world is welcome to send me one ;)
Hi Ed, what HR do you use. I tried mine with vintage MC Gregory and a $75 dollar Brilhart ebolini. MC was more vibrant but ebolini really impressed me with a real vintage dark soft tone.
@@JosephAraza -- Thanks for the inquiry! I have used a Kessler Music Custom 50/50 NY Meyer for a # of years. Had some minor refacing done by Eric Falcon 5-7 years back. Kessler does have a trail usage program. The mpc is now referred to as the Kessler Custom NY Short Shank Pro Jazz model. They can be found online as Kessler & Sons Music. Let me know what you decide; always interesting to follow other sax buddies regarding setups.
Hi Harrison - sorry for delayed reply. Yes, they're not easy to get good cases for. I have two, both of which work well. One is an old Selmer hard case from c.1960s, but the one I use most is a new ProTec Contoured ProPac case. I've never had an issue with it - it houses both my 6M an Cigar Cutter very well.
My father had given me his silver plated gold bell 6M when I decided I wanted to play the saxophone, and I've had it since 1964, the horn itself from 1939. Still to this day, the best sounding horn I've ever played, and I've played many as I used to sell saxophones for a living. Call me biased, but the Conn has always been a magic horn for me. You do it justice. This horn is made to sing
Oh My. Here l sit , post pandemic, and your magnificent stylings bring me back to the safety and magic of summers spent in a lakeside isolated cottage in northern Ontario Canada, wood stove crackling, fireplace roaring, Lake Koshlong as still and smooth as glass, with two wonderfully, fatally flawed humans for parents, the magic of the Northern Lights, and the never ending classic jazz stylings of all the best of the best.
...my folks would have been as astounded then as l am now by this sax player.
Intro sounds like paul desmond in ballad rather than bossa. Nice sound in your sax. Was a real pleasure to listen! Take care!
Really beautiful, this made my day. Great sound on the Conn.
Thank you
Wow ! smooth
Bravissimo. Un SUONO cosi dolce.🎶🎵🎼
Beautiful. You hear the melody so clearly even in the most burning lines of the solo. Well done !
Listening to this every day. What a lovely sound .
And you are Oh So Easy on the Eyes....
Such a beautiful tone. Thanks.
Every day good musicians, play videos without background track. I have 6M and Ref 54. don't know which I prefer. Sax should always be accompanied by spectacular background; I don't care how good each of you are! Thanks for the song, you and the 6M are shown in the best spotlight here. Sounds like a dream!
Thank you. V much appreciated
Very good taste on choosing your notes and how to articulate them. BRAVO!!!
Thanks - always nice to have a comment about articulation!
Un placer escucharte, muy bueno! Que bien que haces sonar ese Conn !!
So, so beautil! I was thinking about an alto 26m, hearing you, Just purchased It! thanks, tour músic is awesome!
Thank you, that's v kind. Hope you enjoy the new alto!
Wonderful New alto! Só Sweet!
Conn 6M great saxophone
Beautiful.
Your sound is unbelievable on the alto, thank you so much for warming my💜.
By the way Ive got a Matt silver-plated Conn 6M VIII. Such a horn can really open your soul.!!!
Thanks, I'm glad you like it. I'd love to see that horn - I bet it's fabulous :)
Meraviglioso ✌️🎼🎷
Wonderful as usual, bravo Tim ! I love this tune, I 'm studying it actually and love your impro .
Thanks Paulo - enjoy studying it. I've loved it since my teacher introduced me to it when I was 16 :)
Wow. I always loved this song but forgot about it. Had not touched my alto since 1998. In my on line group a student like me (I'M retired):UK trained) played it and I immediately looked for the sheet music. They say find 3 people , whose sound you like, who play a song and listen to it a few times. Wow. 20 times already because of embellishments and your feeling for the piece. This is a hell of a performance with a lot of heart in it. Inspirational and motivational. I played it 10 times but lack the embellishment and solos....but with this as a guide I am focused. With 3 hours practice a day....I've been avoiding songs and doing the pentatonics with the metronome hoping one day to be able to stand confident like you and perform,. Thank you for sharing. It is my daily piece. Until then I feel lucky to have easy access to it.
Thanks - I’m really glad it’s helpful, and appreciate you saying so. I think learning should always include work with songs alongside scales, pentatonics etc. Following your heart a bit is always good!
Great job -- I'd love to hear you on my 1949 SBA!
Well that would be a treat! Not play an SBA alto before - would certainly love a try!
Great job!
I usually associate this ballad with a tenor but man....sounds great on an alto. Wonderful playing.....
Yes, lot's of tenor recordings around... There's a lovely alto recording by Sonny Criss on 'This is Criss', though. Well worth a listen. Thanks for your compliments. I agree it sits really nicely on alto.
Tim these videos are awesome! So good to listen to while I’m working 👌. Lovely sound. Miss playing with you! Hope you’re keeping well. 👍
Hey Jon! Really glad you're enjoying these, and lovely to hear from you. Yes I'd love to play agin some day :)
Take care, T
Really love the sax especially the playing of Euge Groove. Does anyone know what sax he uses and how he gets his distinct sound
Complimenti bellissimo suono, interessante giocare con note centrali mettendo in risalto la pienezza del suono, in contro correnti alla maggior parte dei contraltisti moderni che giocano su note alte. 👏👏👏
👌👌❤
Absolutely beautiful tone!! I just purchased Conn 6m online to see if I can come anywhere close to this sound. Your spectacular performance cost me lot of money ☺️
Well, I hope you enjoy it! I feel slightly responsible now... ;) What have you been playing up to now, and what mouthpiece are you going to be using on it? It may feel very different for a while but keep going with it - they're so rewarding. I'd be interested to know how you get on.
@@tbonijazz I’ve had few horns, but my go to alto is some brand called Classic, made in Czechoslovakia. I acquired it when I lived in East Europe, but it’s getting very old and it’s still a student model like all the others I have played, so I was due an upgrade. I do have a decent collection of MPs. Vintage MC Gregory and Berg Larsen are my favorites. Can’t wait to test them on M6, I’ll let you know how it goes. Thanks for replying Tim, I appreciate it. Cheers!
@@JosephAraza Pleasure. Do get in touch if I can help any more. I've never played a Gregory but I reckon it could be really nice. The key work on the Conn will feel different for a while, but it's worth it!
@@tbonijazz I finally got her back from a shop. Paired well with Brilhart rubber and Otto Links metal (I think similar to what you play on). It definitely takes time to get used to, but sounds so sweet. I can’t seem to play 3rd octave F# though (concert A). Does the 6M have different fingering for high octaves and altissimo? I can’t find any info online. Thanks Tim!
@@JosephAraza Sounds great - I'm really glad you're enjoying it. I've always used pretty standard altissimo fingerings for my Conns, but there's always more than one option for all these notes. I would look up an altissimo chart that gives you a few options to try, and see which one works best for you. Some of this comes down to the player rather than the horn.
wow
Lindo som
Parabéns
Qual set up????
Thanks! It’s a mid 1940s Conn 6M with a 1960s Florida Otto Link Super Tone Master mouthpiece. I have no idea what the reed was!
What happened to your “my one and only love” video? Can you please repost? I enjoyed learning from it
Wow! Very nice rendition and superb tone!
may I know your mouthpiece setup? I have also a conn alto 6m viii but mine is 1945 based on the serial #.
Thanks Jasper. I'm glad you enjoyed it. The mouthpiece is an 'Florida' Otto Link Super Tone Master (no 'USA' stamp, so earlier Florida era), 7*. It's a really lovely piece.
Hello, can you tell me the case for Conn 6m?
, they're not easy to get good cases for. I have two, both of which work well. One is an old Selmer hard case from c.1960s, but the one I use most is a new ProTec Contoured ProPac case. I've never had an issue with it - it houses both my 6M an Cigar Cutter very well.
@@jazldazl9193 almost exactly the same for me - the ProTec being the gigging choice for both 6M and Cigar. Hiscox also ok
Greetings from Georgia. Beautifully played Tim! I am an alto player and cannot find a eb version. Could you email yours, if possible? Thanks, Mark
Hi Mark - I'm really glad you enjoyed it. I'm afraid I didn't use any sheet music/chord charts so don't have anything I can send you. Sorry! All the best.
@@tbonijazz No problem Tim. Quick response. At least I have a Hal Leonard piano backing track!! Think original is in F concert. Thanks again.
BTW, a month ago found the e flat version in the real book. Also had on hand a Hal Leonard backing track so i am back in business!!
I love it! Been playing a 271,000 6M for years. What mouthpiece are you using? Looks like a Lawton, which I used on my Conn for many years
Hi Joe - thank you. It’s a Florida Link STM, 7.
The horn "emotes" beautifully in this piece, Tim. Just curious -- could you do something for us using a HR mpc on this horn (e.g. New York Meyer type)? Thanks for sharing!
Hi Ed - yes I'd LOVE to, but I don't have an HR mouthpiece! Had to sell it to make this one affordable! Anyone in the world is welcome to send me one ;)
Hi Ed, what HR do you use. I tried mine with vintage MC Gregory and a $75 dollar Brilhart ebolini. MC was more vibrant but ebolini really impressed me with a real vintage dark soft tone.
@@JosephAraza -- Thanks for the inquiry! I have used a Kessler Music Custom 50/50 NY Meyer for a # of years. Had some minor refacing done by Eric Falcon 5-7 years back. Kessler does have a trail usage program. The mpc is now referred to as the Kessler Custom NY Short Shank Pro Jazz model. They can be found online as Kessler & Sons Music. Let me know what you decide; always interesting to follow other sax buddies regarding setups.
10
Love your sound! What reed do you use?
Hi Harrison - I use Jazz Select reeds - usually 2H or 3S
What case do you use for your 6M? I'm having a lot of trouble finding a case that fits the 6M well.
Hi Harrison - sorry for delayed reply. Yes, they're not easy to get good cases for. I have two, both of which work well. One is an old Selmer hard case from c.1960s, but the one I use most is a new ProTec Contoured ProPac case. I've never had an issue with it - it houses both my 6M an Cigar Cutter very well.
nice! but we get a better sense of your sound without all the affects.