the laser on the mountain had me properly giggling, love these wonderful videos with the two of you! Also noticed MJ's hand shaking a bit... hope that's just nerves
What a machine! Desperately hoping for a local florist circuit again at some point or that possible expanded version that was mentioned many moons ago. Either way all those ideas gathered so amazingly into this as an instrument. One pannel really locks in that feeling of a specific instrument too. As always great.
Totally agree, it's lovely to have the voice section as a single coherent/indivisible instrument. I feel the same way about my Nonlinearcircuits cellF panels (2x84hp).
Question: can the sequence be transposed manually using the keyboard like on the Pittsburgh KB-1? Congratulations to the whole team 👍for making this wonderful instrument, a pure beauty 😍 I've got a complete Lifeforms Foundation Evo (with a Structure 208 case) that I love and use every day but now I'm hesitant to resell it to buy this splendid Voltage Lab 2 which I find even more brilliant! A very hard decision to take...
Congrats on a very nice machine! I was looking at an overpriced, used Easel and this definitely seems like better value for money with modern innovation. Thanks.
It would be cool if this could scan at audio rates, but I assume the constraint is chip processing power, correct? If it's not a hardware restriction, is there any chance that could changed in the future? That's not a feature I would want all of the time, but it's a very nice option to have once in a while. I just wish everything could be audio rate. Also, if the "user completes the instrument", will you be releasing any updates to that in the future? I think my user needs an upgrade 😆
The short answer is no. Richard has been saying that the plan is to keep everything together as a complete system. Plus the whole deal of breaking them up involves a time and resource consuming process of essentially making them different products, packaging, etc.. His suggestion was to buy the instrument and sell the part you don't want. The point is I think, that once you get to a certain level in manufacturing and distribution, it's just not a simple process to alter the product for sale.
How do you "sell the part you don't want" if you cannot "break them apart" like you said? Or are you just referring to the separate sale packaging and case to make 2 units instead of one.
@@CtDawG77 Pittsburgh is saying they aren't selling them separately. You can buy the whole instrument and take either half out of the case and put them in a EuroRack case, they are also EuroRack modules. Sorry if I wasn't clear.
Unlike the Taiga and the Local Parks Oscs, there does not appear to be a way to reset the phase of the ocsillators with a trigger or gate from the keyboard or external source. No sync input jacks. Thats such a shame. I was so excited about the VL2 for its unique tones for basslines, but without control over the phase position, I cant use it for the basslines in Psytrance. :(
I suppose the Flamingo combined with the Local Parks osc would give me the tone possibilities of the VL Osci 1, with a phase reset sync input? But I wonder is there other features I'd be missing in this choice compared to the VL osc 1.
Every sentence is a wormhole of knowledge!🙃
the laser on the mountain had me properly giggling, love these wonderful videos with the two of you! Also noticed MJ's hand shaking a bit... hope that's just nerves
Thanks for showing the lower registers on the sounds❤
love these guys! will never forget hanging out on the boat that one superbooth when we all went to C Base
Photographer’s tip: Turn off auto-focus on your camera, then focus it on the product with a moderate depth of field.
What a machine! Desperately hoping for a local florist circuit again at some point or that possible expanded version that was mentioned many moons ago. Either way all those ideas gathered so amazingly into this as an instrument. One pannel really locks in that feeling of a specific instrument too. As always great.
Totally agree, it's lovely to have the voice section as a single coherent/indivisible instrument. I feel the same way about my Nonlinearcircuits cellF panels (2x84hp).
looks good
Question: can the sequence be transposed manually using the keyboard like on the Pittsburgh KB-1?
Congratulations to the whole team 👍for making this wonderful instrument, a pure beauty 😍 I've got a complete Lifeforms Foundation Evo (with a Structure 208 case) that I love and use every day but now I'm hesitant to resell it to buy this splendid Voltage Lab 2 which I find even more brilliant! A very hard decision to take...
Yes, by changing the key
Congrats on a very nice machine! I was looking at an overpriced, used Easel and this definitely seems like better value for money with modern innovation. Thanks.
If we add enough butter, does folding the folds turn it into a croissant?
It would be cool if this could scan at audio rates, but I assume the constraint is chip processing power, correct? If it's not a hardware restriction, is there any chance that could changed in the future? That's not a feature I would want all of the time, but it's a very nice option to have once in a while. I just wish everything could be audio rate.
Also, if the "user completes the instrument", will you be releasing any updates to that in the future? I think my user needs an upgrade 😆
I was able to get the scan rate and sequencers to run pretty fast. I'd say yes, you can get them to run at audio rate, but not super high.
We will look into this. I am sure we can improve the scan rate
@@pittsburghmodular Def don't do it for me, but it if it's doable, it's certainly a cool feature to have!
Will we be able to purchase either of these panels separately? I would be interested in adding the Touch Controller to my existing system.
The short answer is no. Richard has been saying that the plan is to keep everything together as a complete system.
Plus the whole deal of breaking them up involves a time and resource consuming process of essentially making them different products, packaging, etc.. His suggestion was to buy the instrument and sell the part you don't want. The point is I think, that once you get to a certain level in manufacturing and distribution, it's just not a simple process to alter the product for sale.
How do you "sell the part you don't want" if you cannot "break them apart" like you said? Or are you just referring to the separate sale packaging and case to make 2 units instead of one.
@@CtDawG77 Pittsburgh is saying they aren't selling them separately. You can buy the whole instrument and take either half out of the case and put them in a EuroRack case, they are also EuroRack modules. Sorry if I wasn't clear.
Unlike the Taiga and the Local Parks Oscs, there does not appear to be a way to reset the phase of the ocsillators with a trigger or gate from the keyboard or external source. No sync input jacks.
Thats such a shame. I was so excited about the VL2 for its unique tones for basslines, but without control over the phase position, I cant use it for the basslines in Psytrance. :(
I suppose the Flamingo combined with the Local Parks osc would give me the tone possibilities of the VL Osci 1, with a phase reset sync input? But I wonder is there other features I'd be missing in this choice compared to the VL osc 1.
omg, the gas is strong with this one. Is anybody looking for a fairly used kidney?
watched for ten minutes. nothing said about a bleep machine. bored now.