No one??? I can name a quite a few. It's all about style. Every individual created their own according to who inspired them. I love Dizzy's style but he messed me up when he brought Arturo Sandoval on board. Dude has a crazy but exciting, runaway train thing going one once you cut him loose in the upper register. You cant stop him. He, for one, articulates his upper style extremely well.
@@scmade1437 Yeah..Sandoval hasn't got a clue, eh mate? Of course Dizzy wasn't being honest and smart regarding his age and waning abilities by getting a virtuoso on board,,,you are quibbling re his upper register 2 years ago on him from 35 years ago for ffs..He is a master musician..if he wanted to play like Faddis top end he could. I saw him at least 10 times at Ronnies 86/87 and he and his band were flying every time.
@@SiFiClark I do like em all, Dizzy, Arturo, Faddis. for me it is my mood who dictates the music i listen it',s not about high, fast or loud playing. Music is not a contest, slow emotional licks win me over most often, but i cannot deny that i sometimes have to hear the fast articulated upper strato licks of John Faddis. Arturo plays very nice, he has a great high register, but not as laser like as Faddis, it think Arturo is a bit more of a romantic player. Really love his flugel sound also.
The faddis haters on this haven't heard Mile's 1964 recording with his second quintet. That version is a lot more like this than the Kind of Blue one, it's really intense and features some amazing playing by everyone on the record.
There is always that guy, the "if they play loud, high and fast they´re not playing true"-guy, is it so unthinkable that they are improvising and playing the first thing that comes to mind? Who are you to say that such a respected musician as Jon Faddis only plays what he plays to show off?
He was a guest artist with my college jazz ensemble. It was a very negative experience and that's all I'll say. I was not impressed, although I was in my early 20s. Maybe my not yet fully-developed brain couldn't grasp the experience.
I mean I respect his skills and all, and his ability to play high with such ease and precision is uncanny, but it is not pleasant to listen to, nor is it in tune and on key.
So you can hear him with a mute, and you can't hear him when he's screaming. without a mute???? I get so tired of videos where you can't hear the trumpet player!!!! What has happened to so-called. professional sound????
Fades has great lead and scream chops... But this is not hat this song is about. It's supposed to be chill. He sounded fine with the harmon mute, but I found his solo to be borderline tasteless for this tune in particular.
Patrick Wright Faddis (not fades wtf) swings. And jazz is interpretation not copy. Got respect the fresh take. You want miles listen to miles. Don't try to place someone in a box of their feeling on a melody.
Cannot go wrong with these jazz cats, that D major though 02:04 :))
No one can articulate and improvise in the upper register on the trumpet like Jon Faddis. He is truly on of the greats!
No one??? I can name a quite a few. It's all about style. Every individual created their own according to who inspired them. I love Dizzy's style but he messed me up when he brought Arturo Sandoval on board. Dude has a crazy but exciting, runaway train thing going one once you cut him loose in the upper register. You cant stop him. He, for one, articulates his upper style extremely well.
@@scmade1437 Yeah..Sandoval hasn't got a clue, eh mate? Of course Dizzy wasn't being honest and smart regarding his age and waning abilities by getting a virtuoso on board,,,you are quibbling re his upper register 2 years ago on him from 35 years ago for ffs..He is a master musician..if he wanted to play like Faddis top end he could.
I saw him at least 10 times at Ronnies 86/87 and he and his band were flying every time.
@@SiFiClark I do like em all, Dizzy, Arturo, Faddis. for me it is my mood who dictates the music i listen
it',s not about high, fast or loud playing. Music is not a contest, slow emotional licks win me over most often, but
i cannot deny that i sometimes have to hear the fast articulated upper strato licks of John Faddis.
Arturo plays very nice, he has a great high register, but not as laser like as Faddis, it think Arturo
is a bit more of a romantic player. Really love his flugel sound also.
I always preferred Harry Sweets Edison and Clarke Terry. @@scmade1437
Miles would have kicked him of the stage
You realize miles learned fro Dizzy, and Jon also learned from dizzy....
that was a teenager's style comment
Luckily this happened long after Miles Davis died
Lol. Faddis is *committed* to that b9! A true master.
negativity in your comments.....jazz lovers are suppose to be mature...this peformance was great
One does not listen to Jon Faddis and expect Chet Baker -- just admire the crazy good upper register technique if not the playful teenage lyricism.
Amen to that ❤...
Thanks for sharing ❤I saw him at Carnegie Hall with Kurt Elling about four years ago that he was incredible then as he was 10 years ago!
The faddis haters on this haven't heard Mile's 1964 recording with his second quintet. That version is a lot more like this than the Kind of Blue one, it's really intense and features some amazing playing by everyone on the record.
Sad to see so many haters.
Benny is a wonderful player & real nice guy! Check him out wit Russel Malone
Faddis is a master. This performance is obscene. But not for the reasons anybody expects.
Bennie Green is the monster in this quintet.
I wonder if he's related to me?
Absolutely, John is the baddest trumpet player....... Period 🎺⚡🎹🥁
There is always that guy, the "if they play loud, high and fast they´re not playing true"-guy, is it so unthinkable that they are improvising and playing the first thing that comes to mind? Who are you to say that such a respected musician as Jon Faddis only plays what he plays to show off?
maravilloso, inalcanzable.....como siempre........
Yeah, Jon!! Get down wit yo freaky self!! 🖖🏼😎🎺
Lovely a hidden gem of a peice
Great feat!
Very nice version indeed !...
Show-off? Not as much as Sandoval or Maynard Ferguson. This dude can play, he is not all show-off!
🌾✨💕😉🌿
Lee Morgan, the baddest cat on trumpet....Ever!
jazz good medicine for ears
Please make a tee shirt
He was a guest artist with my college jazz ensemble. It was a very negative experience and that's all I'll say. I was not impressed, although I was in my early 20s. Maybe my not yet fully-developed brain couldn't grasp the experience.
Eso es arte, jazz aereo, casi-celestial!
Éxtasis estético-espiritual. Por la COLOMBIA HUMANA. Armonía de lo universal sin perder lo terrenal y local.
I mean I respect his skills and all, and his ability to play high with such ease and precision is uncanny, but it is not pleasant to listen to, nor is it in tune and on key.
guitar brutal
I feel like Ulf plays around the same 7 ideas every solo
Jon Faddis the musician - great. As a human -not so much
Chris Azorr Can you tell me why he's a "not so great" human? :)
Chris Azorr Faddis is a great guy. promise
A great performance by one of the most unpleasant humans I've ever met.
This isn't what I expect when I hear All Blues... For better and for worse.
So you can hear him with a mute, and you can't hear him when he's screaming. without a mute???? I get so tired of videos where you can't hear the trumpet player!!!! What has happened to so-called. professional sound????
Fades has great lead and scream chops... But this is not hat this song is about. It's supposed to be chill. He sounded fine with the harmon mute, but I found his solo to be borderline tasteless for this tune in particular.
Patrick Wright Faddis (not fades wtf) swings. And jazz is interpretation not copy. Got respect the fresh take. You want miles listen to miles. Don't try to place someone in a box of their feeling on a melody.
chris rice Auto correct.
If he's gonna play it like that he shouldn't call it "All Blues" lol It's like calling a Dog a Cat