I like it very much Garry lots of you in there and not just a zubrick, castanets, etc spin...nice light and simplification that Really works... bravo .
I am liking my art . I think at first this class is going to be a challenge, and then I stand back and look haaaaaa delighted with my attempt. No challenge if you just give it a go and just do it . Thank you 😊👍🇨🇦
Thank you very much for this beautiful painting of Yasaka Shrine in Kyoto. The correct name is Yasaka Shrine ( 八坂神社 ). It’s confusing because there is a temple called Asakusa Kannon Temple ( aka Sensoji Temple ) in Tokyo.
I'm going to suggest something that you've almost certainly considered and rejected: call it a minority report from the floor -- real time videos. I've watched what must be most of your videos by now and I love them and have learned from them. But on many occasions I've caught myself wanting to watch the actual brush stroke in real time, not just the quick strokes but the hesitations in careful passages, the whole enchilada. To abstract from time, I think, is to create a distance from reality. I'm not suggesting that all your work be in real time but it would be very useful to have access to a subset of real-time work to consult. Moreover, I think it would create pedagogical opportunities in which you could more completely convey the kinds of considerations, judgments and gripes that occur to you as you go; all of which would be immensely valuable to the audience.
If I may why do water colorists always do shadows downward? I understand in rainy scenes this would make sense as a reflection but in your reference was it raining? If not shouldn't the shadows be cast away from the main light source?
I think the artist has taken some liberties on creating his own version of the scene, including a reflective floor (be it wet or glazed). He said it himself on other videos that the purpose is to convey what he finds interesting, often acomplished by exaggerating some features and downplaying others.
On second thoughts, you are correct. Just finished watching the video and the author clearly says that those are shadows, but to me they look like reflections exactly for the reason you stated. Maybe he thought of reflections when painting but somehow misspoke later when adding the audio.
I like it very much Garry lots of you in there and not just a zubrick, castanets, etc spin...nice light and simplification that
Really works... bravo .
Just speechless and spellbound . Blessed.
Gary- This is such an effective painting. Your choice of temperature really makes this painting work. Bravo!
All those who differ try this yourself. This is brilliant from a modern master. You cannot replicate
Thank you for this wonderful bright light art class . 👍👍👍🇨🇦
Impresionante capacidad de síntesis. Todo un maestro, cálidas felicitaciones
Bravo. Stunning video. Gary this is classico piece and thank you a lot for this tutorial.
I am japanease.
I like Asakusa tenple.
Very interesting this picture.
very nice and so beautiful!!
Exquisite !! Thank you for this video and this lovely piece ..
I am liking my art . I think at first this class is going to be a challenge, and then I stand back and look haaaaaa delighted with my attempt. No challenge if you just give it a go and just do it . Thank you 😊👍🇨🇦
Beautiful artwork ！
Very good demo .Liked all of them Excellent!
Thank you very much for this beautiful painting of Yasaka Shrine in Kyoto. The correct name is Yasaka Shrine ( 八坂神社 ). It’s confusing because there is a temple called Asakusa Kannon Temple ( aka Sensoji Temple ) in Tokyo.
It's Yasaka shrine. :) Thank you for this video.
Very good demo
Could you achieve the darks without neutral tint? Maybe with a pthalo blue instead of ultramarine?
I'm going to suggest something that you've almost certainly considered and rejected: call it a minority report from the floor -- real time videos. I've watched what must be most of your videos by now and I love them and have learned from them. But on many occasions I've caught myself wanting to watch the actual brush stroke in real time, not just the quick strokes but the hesitations in careful passages, the whole enchilada. To abstract from time, I think, is to create a distance from reality. I'm not suggesting that all your work be in real time but it would be very useful to have access to a subset of real-time work to consult. Moreover, I think it would create pedagogical opportunities in which you could more completely convey the kinds of considerations, judgments and gripes that occur to you as you go; all of which would be immensely valuable to the audience.
Hi Gary , would you please give me the name and brand of white you use . Thank you 😊🇨🇦
Is that an alvaro castagnet squirrel mop brush? I have been lusting after one....thank you. ( and if not what brush is it please)
Hello,nice Asakusa shrine. This is Asakusa shrine(not Yasakusa).
If I may why do water colorists always do shadows downward? I understand in rainy scenes this would make sense as a reflection but in your reference was it raining? If not shouldn't the shadows be cast away from the main light source?
I think the artist has taken some liberties on creating his own version of the scene, including a reflective floor (be it wet or glazed). He said it himself on other videos that the purpose is to convey what he finds interesting, often acomplished by exaggerating some features and downplaying others.
On second thoughts, you are correct. Just finished watching the video and the author clearly says that those are shadows, but to me they look like reflections exactly for the reason you stated. Maybe he thought of reflections when painting but somehow misspoke later when adding the audio.
Al parecer el artista cambio el foco de luz, por eso las sombras se proyectan en esa dirección, para mí está perfecto.
I cann't hear anything! The sound doesn't work !!!
It does. Fix your speakers..
Where do you get the money to do all this travelling?
Seminars?
Very good demo .Liked all of them Excellent!