Shahid Parvez - sitar - Rag Bageshree - Alap, Jor and Jhala - (part 1/2)
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- เผยแพร่เมื่อ 19 พ.ย. 2012
- Ustad Shahid Parvez - sitar - Rag Bageshree - Alap, Jor and Jhala (part 1/2)
Anindo Chatterjee - tabla (on part 2).
Live concert - Melbourne Australia 2002 - เพลง
A real treasure of ICM by Ustad ji, one of the best Bageshree Alap,
Shihidji is man of propotions. He is right medicine for right raaga
There will never be another shahidji.
Aderniy ustaadji.. Hum jo chah rahe thhe bilkul vaisa jod jhala bageshtee ka wah maja aa gaya in real sence... Regards
I pity those poor 6 souls who could not understand the beauty of this ethereal music
abhijit banerjee Qciishhhid parvezuiiiiiiiuuuyugv
U
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There are I think over then 100 clips of Ustad ji on you tube but I think this one is the greatest of them all..
I suppose because it is a professionally recorded dvd.
For me its the bhimpalas one...
shouqie844 no. Just because it's so beautiful
its the beauty of bageshree
What a gossamer spell he weaves ❤
this guy has just really understood this Bageshwari raga entirely..always great with this raag
utd. ji is my Guru ji and sitar is my soul.Guru ji ka sitar vadan lajawab raheta h.
Sa fais juste trop du bien.... C'est comme de la magie sa enlève la colère, les problèmes devienne léger. Vive cette musique simpliste
Beautiful mind blowing
Its wonder full and very loving listning ,its music that you could listne again & again and never get bourd . Jasi
Shahid Ji has explored Bageshree to a whole new level. Divya Khandekar : Thanks for explaining Bageshree the other day!!!!
Shahidji u r really great. Mind blowing your music. With regards.
absolutely Amazing.. God Bless these wonderful artists..
asifa
I just love his music.
Divine music...
Simply stunning.
Amazing !!!
Sublime !!!!
Fantastic mastery of technique and melody.
He is a truly blessed artist.
Preetinder JOSHI 8
simply beautiful(:
This is one of my most favorite raga and ustad saheb has done really a marvel in this performance. He takes you to sublime world the eternity. A great upload
Ustad Ji Jabab nahi Ap ka Alaha Sani Aap par Mahir rakhea
Apurbo
Sur Samrat ko Salam
very beutyfull playing...very nice
I love his style, it's almost like blues guitar
bageshree i think its like pentatonic minor and dorian mode
very, very beautiful
Pure bliss that's what my mind registers . Awful .
Awesome you mean. Awful means quite the opposite.
Awful Haha!
Spellbound
expressions out of what he played also pouring into me
Superb
Kya bat hain
nice!!!
Superb, he has an electric blues sound almost
Bageshree and blues (particularly minor blues) share the same musical intervals, so I'd imagine that's what your ear is picking up on: nice observation.
Hi does anyone know who is Parvez's guru(teacher)
Mohan Chandola his father Ustad Aziz Khan. His music is inspired mainly by his uncle Ustad Vilayat Khan and singers Ustad Amir Khan and I believe Bade Ghulam Ali Khan? But definitely Amir Khan
Who is the guy playing Tabla ?
he is not Guy he is legendary Tabla maestro Pandit Anindo Chatterjee
he is not Guy he is legendary Tabla maestro Pandit Anindo Chatterjee
With due respect i would like to say that while expressing our views we should not talk in casual manner. These artists are legends. So we should show our respect to them. I didn't mean to criticise you. But such queries can hurt even his disciples. Take care.
simpliste?
somebody knows his tuning?
+Mathieu Trépanier Bageshree:
Ascending scale D, E, F, G, B, C, D.
Descending Scale D, C, B, G, A, B, F, E, D (G, D) all major notes.
So all patterns and melodies skip A on the way up, and going down is not a straight run, must approach A from the note below, G, and lead onto B, before continuing ascent. And the phrases end by going down to g then up to D (hence "(G, D)" All this gives the Raag its structure.
The tonic is G while the root is D , sitars are tuned to a drone in this case on D (well just shy of D really in Parvez's case) and the dominant (effectively) is D. Melodies are played based on these two notes so its played as a mode in the key of G against the root of the instrument in D.
Hope that helps
+Robin Baldock Wow thanks a lot for you time! It's really appreciated! But just to be sure, when you say ascending scale you mean that C and D are the 2 first string (the longest)?
+Mathieu Trépanier those are the notes on the scale of the music, not the tuning of the strings. diffent notes played up the scale than down it for that raag.
The tuning of the stings for a guitar? I would use a kind of open tuning 1st string d 2nd A so that d is on the fifth fret 3rd D 4th D 5th G 6th D then you play the melody on the second string, can use the first string to add notes which create cords against the drone created by the rest of the strings. that mimics sitar tuning a bit by have one main melody string and the others mainly drone strings. But there are many ways to tune. tuning down to D one way or another seems suitable.
+Robin Baldock Ahh I understand. Yeah I wanted the note for the tuning of my Sitar! I just like how the sympatic strings resonate on his sitar. mine tune in C is not that ''brillant''
Try this: main strings M S M M D S S^ and Tarabs ( from taar asthaan) R S n D P M g R S D n S S
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Aziatomik ?! O_o !! xD