Something unbelievably fantastic, captivating and mesmerizing. A story of pain wrapped into the atmosphere of ambiance and search for the depth never to be unveiled.
I love this. I love the description, too. I played Morrowind as a kid. Intense nostalgia. I felt something reading that story and hearing the music. Good stuff. If you don't mind me asking, where are you from? (I am listening from East Tennessee) What motivates you to create music? I am just interested in artists I admire is all, I like to know what motivates them to produce the art they create.
Hi Levitating, I originate from Russia, but for the last years I live somewhere between Mongolia, Kazakhstan and Serbia. Cheers to W Tennessee! I've been to NY, Chicago and Oregon - nothing close to WT, but now I hope to get there someday. Which location would you recommend there?
You are absolutely right about the story, it was a very deep and rich visualization that my good friend @cyphermalum wrote to this music.As soon as I've read that, I understood that I need not write anything else.
Concerning the last question... I thought on it for some time. Through soundtextures, we can get access to (other) worlds. The question of their reality is irrelevant, because there is nothing more real than something you can feel with all your mind and soul. Having full control over the soundtexture is like being able to build and move stones, walls, mountains, start and end life within the world you went to. That is an immense power that you feel right under your fingertips. Like that of Atrus in "The Myst" universe, who created worlds by writing books, but then was responsible for them. And that's totally enough to get you back to the instruments the next day. So that's the core thing that gets me back to music, I suppose. For a long time I did not aim at all at any melodically or compositionally good "listenable" results and I recorded nothing, only playing for myself and my co-travellers who joined the journey physically. There were such people in Moscow. I lost most of this community after immigration. At a certain point I got the idea of recording and sharing, got some better recording equipment... I realized that compositional structure makes the world you created much more "finished", and thus it lives much longer and unravels in multiple forms. The listeners are very diverse, as are your own states of mind in which you listen to the same composition throughout time. And of course, finding people with a similar perception is a thrilling experience of which I did never had lot. Thanks to YT for this possibility. Thank you @levitating for your good questions. That made me think over some things. When you wish to share your thoughts on this or your path, please do.
![[UNCUT] "บอสณวัฒน์" แฉ! แหล่งซุกเงินแก๊งบอส ขยันผิดที่ไม่กี่ปีก็เข้าคุก l คนดังนั่งเคลียร์ l17ต.ค.67](http://i.ytimg.com/vi/BL56qIfXYZM/mqdefault.jpg)
![Exruinis - Баруџиja [dark ambient live performance with SOMA ROAT]](/img/n.gif)
Something unbelievably fantastic, captivating and mesmerizing. A story of pain wrapped into the atmosphere of ambiance and search for the depth never to be unveiled.
I love this. I love the description, too. I played Morrowind as a kid. Intense nostalgia. I felt something reading that story and hearing the music. Good stuff.
If you don't mind me asking, where are you from? (I am listening from East Tennessee) What motivates you to create music?
I am just interested in artists I admire is all, I like to know what motivates them to produce the art they create.
Hi Levitating,
I originate from Russia, but for the last years I live somewhere between Mongolia, Kazakhstan and Serbia.
Cheers to W Tennessee!
I've been to NY, Chicago and Oregon - nothing close to WT, but now I hope to get there someday. Which location would you recommend there?
You are absolutely right about the story, it was a very deep and rich visualization that my good friend @cyphermalum wrote to this music.As soon as I've read that, I understood that I need not write anything else.
Concerning the last question... I thought on it for some time.
Through soundtextures, we can get access to (other) worlds. The question of their reality is irrelevant, because there is nothing more real than something you can feel with all your mind and soul.
Having full control over the soundtexture is like being able to build and move stones, walls, mountains, start and end life within the world you went to. That is an immense power that you feel right under your fingertips. Like that of Atrus in "The Myst" universe, who created worlds by writing books, but then was responsible for them. And that's totally enough to get you back to the instruments the next day. So that's the core thing that gets me back to music, I suppose.
For a long time I did not aim at all at any melodically or compositionally good "listenable" results and I recorded nothing, only playing for myself and my co-travellers who joined the journey physically. There were such people in Moscow.
I lost most of this community after immigration. At a certain point I got the idea of recording and sharing, got some better recording equipment...
I realized that compositional structure makes the world you created much more "finished", and thus it lives much longer and unravels in multiple forms. The listeners are very diverse, as are your own states of mind in which you listen to the same composition throughout time.
And of course, finding people with a similar perception is a thrilling experience of which I did never had lot. Thanks to YT for this possibility.
Thank you @levitating for your good questions. That made me think over some things. When you wish to share your thoughts on this or your path, please do.