This soprano so lovely. She sounds like Anna Tomowa-Sintow. Such wonderful lyric -dramatic soprano repertoire could be done by voice like this. Very exciting.
The Contessa di Almaviva aria wasn't a good fit for her somewhat metallic and vibrant tone, but this one fits it like a glove - and she also interprets it with excelente pathos and intensity! Wonderful singing.
This soprano so lovely. She sounds like Anna Tomowa-Sintow. Such wonderful lyric -dramatic soprano repertoire could be done by voice like this. Very exciting.
Unfortunately, she's singing Brunhilde and Turandot. I do love her, though, and she did a wonderful job as Elvira in Ernani in Chicago.
I love big dramatic voices for Mozart. He wrote a number of dramatic roles in his operas and they are meant for big voice.
Love it. So touching
The Contessa di Almaviva aria wasn't a good fit for her somewhat metallic and vibrant tone, but this one fits it like a glove - and she also interprets it with excelente pathos and intensity! Wonderful singing.
Homoclassicus I wish she would sing the Queen of the Night. It’s within her range and he voice has the intensity needed for it.
What a wonderful voice, congratulations!
I just love your Pathos
SAAAAAAANG!!!
Birgit Nilsson also sang this dramatic Mozart role with a metallic but rounded tone as heard here. Bot have good high notes.
Birgit sang Donna Anna to boot. She had no agility for it mind you.
She is singing exellent!!!
she's so expressive, love it!
Wonderful!!!!!