He placed both cameras at the same spot and then shot each with a motorized slider with the same speed and angle. This makes it very easy to have seamless transition between shots since every thing is matching but the cameras !!
Your a life saver, I was about to buy the 6K but I settled with the 4K because you pin pointed everything I needed to know about the two cameras thank you!
4K is plenty. It gives smaller files, easier on the computer, and it's more than enough for me. If they come out with a 4K pro I might go with that because built in nd filters and all that good stuff would be super handy
yeas but if already 50%+ people using 4k monitors, how then? People who will watch your result will see that loosing of quality in that case, big loosing@@hello-lb3vf
I have the savings and the time to start with these, but lost my Job because of Covid19 Crisis (Why I have the time) but dont think it is the smartest to go spend it on these until I find a new job, but then I will have far less time to film...
Thats exactly why I bought the OG. You can get second hand for around $500, it has some flaws and it only records 1080p but the color science is just beautiful.
The color issue... I believe that the flat “yellow” look to the 4K is due largely to the speed booster. I’m not saying they are identical without the speed booster but WAY closer. At least the stuff I’ve gotten a chance to see that used both(friends projects) a skin tone test on the 4K with and without speedbooster would be awesome
Best comparison I've seen so far. I love that you talked calmly which makes the presentation clearer. One of the things I hate most about "content creators" is that they are super-hyped. I swear, I feel tired just by listening to them talk.
@@julianburrus9956 It's workable except for extreme close-up shots where you still need to capture sound. Also, my first copy had a defective fan. I sent it back to the retailer and they sent me a new camera. I don't see it as a complete deal-breaker, I just prefer cameras that shut down their fans while recording. Many of the bigger cinema cameras do this now - shut off or slow down the fan substantially while recording.
@@julianburrus9956 I have the 6K and I'm an audio guy at heart. In an average silent-but-untreated room, you need to be inches away to hear the fan (with an ear or a microphone). I could only imagine it being audible in a dead silent treated studio where you're recording macro video with the mic on the camera. Even then, it's a very consistent low frequency and would be easy to filter in post. I worried about the fan noise too, until I actually got it in hand. The fan noise in the video is *severely* boosted, it makes it sound like a vacuum cleaner. In reality it's essentially silent and nowhere near such a high pitch.
How’s it going Curtis? Yeah my main concern would be the fan noise coming from the camera when you’re doing close ups from even an external recorder. Are the fans on the 6K intermittent or are they constantly audible? Thanks
Just wanted to stop by and day that your courses are freaking amazing. I purchased the GH5 and the BMPCC courses and they're so easy to follow. You do an amazing job at explaining everything.
Always great coverage. Love the sponsorship. You have a bazillion awesome camera courses over at your academy which is awesome. I know you put a lot of time into these, so they’re a super bargain. 👍
This video is so informative and so professionally done. I can imagine how impressive your guides are. You are surely one of the best people doing such videos on TH-cam.
I've been contemplating this camera for my primary video camera. The mirrorless world is too many and too frustrating. Plus it has HW style features.. thanks a lot. I'm convinced
I see all these people talking about the HUGE difference between the metabones and the Viltrox. And it simply doesn't exist. Yeah, blow it up 600% to spot the minuscule difference. That's not real world. As if anybody here is shooting the next Transformers or Avengers. Stop with the pixel peeping, and shoot a film. I mean seriously, is anybody here actually making movies, or are they all just gearheads?
@@lprzytula haven't regretted it at all! Shooting Blackmagic RAW dosent take up nearly as much space as I thought. I've even been able to shoot 12:1 raw to a pretty inexpensive SD card. Get a external battery and Rock on!
@@markr041 Viltrox EF-M2 is a sharper speedbooster than Metabones for $150. It's interesting that they compete so well considering the massive price difference. So you're wrong on that one.
at 2:37 the story begins always great reviews ( thanks for the no music background) just the review I appreciate all the hard work you do to produce these
That's interesting. The 4K camera has a Micro Four Thirds sensor just like the regular 1080p BMPCC, and I bought a Metabones Speed Booster 0.58x for that camera about two and a half years ago, so... unless Metabones stopped making that type of speed booster, there are at least three in total: x71, x64 and x58 (which is the fastest).
Now this was a video that was straight to the point. I have the 6K already but I'm seriously considering getting the 4K with a Speed Booster as well. Just because of the price, like you said. "I can't go wrong with that." Thanks for the video. 😁
Waiting for your BM6kPro review/video. And when it's out I am ready one click away for the guide. I checked it and you are updating the guide covering 6k Pro. Bought your guide from a6500, switched to GH5, and now 6k Pro. Thanks for the learning, knowledge, and content. Helps me to improve my business and upskill.
There's already a full frame speedbooster for the 6K on the market - LucAdapters magicbooster - also adds a better IR Cut Filter and will have clip ND filters in the future. This makes shooting in 5.7K kind of attractive, because the field of view will still be wide, you can shoot 60fps, record in 3:1 and have a better rolling shutter time.
@@TrentsMullet Afaik there is still no card on the market that can shoot 3:1 Raw on 6k with 50fps. However, you can shoot 3:1 and 60 fps on 5.7k with a Samsung T5 (although the data rate shouldn’t be substantially lower, but it seems to be enough). So higher frame rate, better compression rate. When your finished product will be 4k, which it will be in most cases, then 5.7k is still good enough for getting crispy oversampled 4k or doing crop-ins and I bet you won’t be able to tell a difference, if I upscaled to 6k. Also the rolling shutter is reduced from 19,8ms to 16,3 ms and by that pretty much on par with the BMPCC 4k. So what’s there not to like? Maybe that the crop factor increases from 1.558 to 1.692. Well, put the magicbooster behind the lens and you are on 1.2 and gain 1 stop of light.
I have a LucAdapters "magic booster" (0.71x focal reducer) for my Pocket 6K. Absolutely love using it with my set of Zeiss ZE primes, and I can unscrew the focal reducer glass by hand whenever I want. By the way, if anyone wants one, Luca is very responsive on Facebook (just search LucAdapters). And I agree, shooting 5.7K is the way to go as it's such a nominal FOV loss with much better rolling shutter.
@@Visethelegend Time it takes to sequentially read out every horizontal line of the sensor. The longer it takes, the more pronounced are effects like wobble, skew or spatial aliasing.
Thank you for the objective and educational video. I use both and I think they are two excellent cameras, with the differences described and either one allows you to achieve excellent results. Neither better nor worse, just different.
speedboasters on the micro 4/3 camera are meant to mount a larger lens then than the 4/3 lenses? is not only the crop factor that change right, but also that you can no longer use the 4/3 micro lenses anymore connected to the camera if one use a speed boater that got EF mount for larger lenses?? or?
Thank you SO much my dude. I've been slappin' my brain wrinkles pretty hard over which of these cats to own. You really solved it with this video's excellent clarity and comparison. I have now a new 4k comin' my way, and my work is gonna be silky.
Caleb you simply make the best bloody reviews in the world....sure i watch phillip bloom, Tom Antos, gerald undone (genius but too intense!) and others.....but you are in my mind the leader in your field.....beautiful rich colours....presented so well to understand....comparisons.....in my mind you are the guru of reviews....i shall always be hugely grateful to your time and edits.....just brilliant mate......you are always the first person i turn to for the latest info.....and im so grateful for your knowledge.....thanks matey from the other side of the pond.....your work is brilliant ......always practical and brilliant.
Love this channel Caleb - quick question - the blacks on the 4K side of the 4K/6K comparison seemed very raised... is the dynamic range different on the cameras? And if you DIDN'T apply the same LUT and GRADE but optimized for the 4K - does that smokiness go away? Or is the image really just that much muddier even with a speed booster?
the 4k combination is really good thats why I went that route but the main problem is you lose lens/glass characteristics specially if you use a high quality cine lenses.
Great video, are you going to be doing a guide or comparison video on the Panasonic S1H v S1 now that it's available on the market and not in pre-production?
Hi , thank you for your great videos!!! If I just start in filmmaking do you recommend the BM 6K or something more like Sony A7iii? Is it really difficult to pull the manual focus or it is just a matter of a bit of practice??? Thanks!!!
You can get the practice by using a film city follow focus gear. If you are doing filmmaking it will probably come down to how you choose your shots. For example I always put it on a tripod. And handheld will be as less as possible. So I hope you get the gist. If you are not bothered with the learning of filmmaking as a cinematographer I would suggest bmpcc. So boils down to comfort
The 4K fan might be quieter, but it might also be ineffective. A friend took a BMPCC 4K out to the California desert to shoot a narrative film (i.e., actors and sound) and it shut down in the heat. I'm working on a film now using a BMPCC 6K and it is having no trouble shooting in the Los Angles summer. Caveat.
My Panasonic Gh5 2 doesn't overheat, neither does the GH6. And i dont need no stinking speed booster. There's no crop on these cameras in ANY mode, so the hell with Black magic cameras.
@@luz3793 You need either an ef mount to m4/3 or if you want to reduce the crop factor then you get a speed booster, there are different ones depending on what amount of crop factor you want. "18-35mm on the BMPCC 4K will apply a 1.9x crop. Giving us 34-66mm. The Metabones Speedbooster will give us a .71x crop, bring our final output to 24-47mm."
I'm happy with my 6k and bought it at regular price. To solve the battery issue, I use a dual NPF battery plate with a dummy LPE6 to have continuous power on long shoots. I only got 10-15min on the included LPE6 battery. Lol The 6k is super helpful for faking slider shots in post without losing quality. I also got a full license of Davinci Resolve with my purchase. Never having to pay subscription fees to use software was another big selling point for me.
@@ANewThingLondon You get a free code when you buy a Blackmagic camera. I actually ended up trading in my bmpcc 6k for an S1h because I had to send it in three times for a power control board issue. The image quality of the bmpcc 6k was better, but I got tired of hauling batteries and the lack of image stabilization made handheld shots too shaky (even with IS lenses).
I just had to watch 6:52 over and over and over again. Sick shot!
I could be wrong, but I think it's just marked placement for each shot, then a morph cut transition in Premiere. Looks awesome.
that's editing
i did like 8 times lol
@@LowDoughTech Of course it is, but it was executed flawlessly.
He placed both cameras at the same spot and then shot each with a motorized slider with the same speed and angle. This makes it very easy to have seamless transition between shots since every thing is matching but the cameras !!
"I wanna thank the sponsor WHICH IS MYSELF"
the ultimate flex
Boys: This video is brought to you by Skillshare
Men: This video is brought to you by Squarespace
Legends: This video is brought to you by Myself.
Your a life saver, I was about to buy the 6K but I settled with the 4K because you pin pointed everything I needed to know about the two cameras thank you!
4K is plenty. It gives smaller files, easier on the computer, and it's more than enough for me. If they come out with a 4K pro I might go with that because built in nd filters and all that good stuff would be super handy
4Ks monitor is way too dim! I wish they would offer a 4K Pro!
Variable ND’s aren’t that expensive. I get it though it’s a pain to take it on and off when doing run and gun.
4k is overkill. I shoot 1080p. So much better than 4k
yeas but if already 50%+ people using 4k monitors, how then? People who will watch your result will see that loosing of quality in that case, big loosing@@hello-lb3vf
The 6k can shoot 4k too
I don’t have the money nor the need for either of these, but I want them lol
I second that 🍻haha
I have the savings and the time to start with these, but lost my Job because of Covid19 Crisis (Why I have the time) but dont think it is the smartest to go spend it on these until I find a new job, but then I will have far less time to film...
Dm me on TH-cam I’ll give you 6k pro for free of cost.
No shame in that.
Thats exactly why I bought the OG. You can get second hand for around $500, it has some flaws and it only records 1080p but the color science is just beautiful.
The color issue... I believe that the flat “yellow” look to the 4K is due largely to the speed booster. I’m not saying they are identical without the speed booster but WAY closer. At least the stuff I’ve gotten a chance to see that used both(friends projects) a skin tone test on the 4K with and without speedbooster would be awesome
Best comparison I've seen so far. I love that you talked calmly which makes the presentation clearer. One of the things I hate most about "content creators" is that they are super-hyped. I swear, I feel tired just by listening to them talk.
6:53 it’s morphin’ time.
I’m so entitled that it barely even registered with my eyes.
Thanks for calling out the 6K's louder fan. I thought maybe it was just me. 😉
Hey Curtis! I love your videos btw. I´m a sound guy too. Is there any option to turn off the fans while you´re recording and back on on stand by?
@@julianburrus9956 It's workable except for extreme close-up shots where you still need to capture sound. Also, my first copy had a defective fan. I sent it back to the retailer and they sent me a new camera. I don't see it as a complete deal-breaker, I just prefer cameras that shut down their fans while recording. Many of the bigger cinema cameras do this now - shut off or slow down the fan substantially while recording.
@@julianburrus9956 I have the 6K and I'm an audio guy at heart. In an average silent-but-untreated room, you need to be inches away to hear the fan (with an ear or a microphone). I could only imagine it being audible in a dead silent treated studio where you're recording macro video with the mic on the camera. Even then, it's a very consistent low frequency and would be easy to filter in post. I worried about the fan noise too, until I actually got it in hand. The fan noise in the video is *severely* boosted, it makes it sound like a vacuum cleaner. In reality it's essentially silent and nowhere near such a high pitch.
@@Leo9ine Thanks for clarifying that point.... i was worried too...
How’s it going Curtis? Yeah my main concern would be the fan noise coming from the camera when you’re doing close ups from even an external recorder. Are the fans on the 6K intermittent or are they constantly audible? Thanks
Just wanted to stop by and day that your courses are freaking amazing. I purchased the GH5 and the BMPCC courses and they're so easy to follow. You do an amazing job at explaining everything.
Thank you so much Driven! That means so much to hear!!!
Always great coverage. Love the sponsorship. You have a bazillion awesome camera courses over at your academy which is awesome. I know you put a lot of time into these, so they’re a super bargain. 👍
This video is so informative and so professionally done. I can imagine how impressive your guides are. You are surely one of the best people doing such videos on TH-cam.
Caleb, I really like the transition at 6:52. Well done!!
I've been contemplating this camera for my primary video camera. The mirrorless world is too many and too frustrating. Plus it has HW style features.. thanks a lot. I'm convinced
Super keen to see the Sony PMW F3 review you mentioned a while ago... the limited stuff on TH-cam makes it look pretty cinematic.
f35 is even more interesting now
I love when Caleb sponsors himself! It’s both awesome and hilarious!
my videos are sponsored by me 😂😂
I see all these people talking about the HUGE difference between the metabones and the Viltrox.
And it simply doesn't exist.
Yeah, blow it up 600% to spot the minuscule difference. That's not real world.
As if anybody here is shooting the next Transformers or Avengers.
Stop with the pixel peeping, and shoot a film.
I mean seriously, is anybody here actually making movies, or are they all just gearheads?
I'm here to make movies, when I can afford this camera, once I get all of my other gear paid for on a limited budget :)
David Sandberg( Lights Out, Anabelle:Creation, Shazam! ) shoots on the bmpcc4k
Read my mind!
Lol. You nailed it!
I agree. gearheads want to show off their (useless) knowledge but can't apply it in real world situations. it becomes useless.
I pulled the trigger on the 4k ✔️
How are you liking it so far?
@@lprzytula haven't regretted it at all! Shooting Blackmagic RAW dosent take up nearly as much space as I thought. I've even been able to shoot 12:1 raw to a pretty inexpensive SD card.
Get a external battery and Rock on!
@@AlfonzoReese That's awesome! 👍
which lens do u use on that the most??
Nzo CEO did you get a speed booster or did you buy 4/3 lenses
What a smoothass transition you did there at 6:48!!! Also the most replayed part haha. Great vid thanks
Excellent buying guide. Thanks a lot!
Well am gonna buy the 4k and a speedbooster, spend the remaining money on frames, stabilizers and lenses.
Thanks for the review.
Cost of 4K camera + speedbooster cost = cost of. 6K camera
@@markr041 Viltrox EF-M2 is a sharper speedbooster than Metabones for $150. It's interesting that they compete so well considering the massive price difference. So you're wrong on that one.
Super helpful, informative and straight to the point. Absolutely love it! Thank you!
Best channel in the game right now on breaking products down and giving you the real on what you should get for budget prices
Aweasome transition 6:52
That transition at 6:51 😍 I love it! That's so smooth
Excellent video
at 2:37 the story begins always great reviews ( thanks for the no music background) just the review I appreciate all the hard work you do to produce these
Mind blowing the detail in the prores 4k coming out of the 6k @ 2:40
I am wonder the softness in the shot it is really the camera or is it the lens that were used?
Lens and setup. The body dont do anything but captures what you give it
thanks, Caleb, your videos are so informative and helpful, I really appreciate the clarity and fine points, I learn so much watching your videos
I get such a kick out of watching your videos. Very informative. Thank you!
BRAW makes life so much better. These are both great cameras.
Lol
We will know need the BRAW code with such awesomeness . Pun intended.
I wanna thank our sponsors. Thank you self. You're welcome Caleb.
Love it
Once you mentioned wider shots on the 4k with the speed booster, I was sold. Thank you. 🙏🏻
That's interesting. The 4K camera has a Micro Four Thirds sensor just like the regular 1080p BMPCC, and I bought a Metabones Speed Booster 0.58x for that camera about two and a half years ago, so... unless Metabones stopped making that type of speed booster, there are at least three in total: x71, x64 and x58 (which is the fastest).
Idk expecting more…
Great guide! It really helped me to find out which to buy
Extremely clear guide and helpful, thank you!
Thank you! Glad you mentioned the noise on the 6k which made my decision very easy! -> 4k
Lmao I'm acting like i actually have a choice
I can only get the 4k 😂😂
Best review from the 10+ I watched. Great work🤙🏾
This is such a great help. Definitely gets me a step closer in deciding what to buy. Thank you
Now this was a video that was straight to the point. I have the 6K already but I'm seriously considering getting the 4K with a Speed Booster as well. Just because of the price, like you said. "I can't go wrong with that." Thanks for the video. 😁
You are awesome!! Very detailed explanation. I’m sticking with the 4K.
Waiting for your BM6kPro review/video. And when it's out I am ready one click away for the guide. I checked it and you are updating the guide covering 6k Pro. Bought your guide from a6500, switched to GH5, and now 6k Pro. Thanks for the learning, knowledge, and content. Helps me to improve my business and upskill.
Your video quality is amazing on this video. Are you using these cameras or something more highend?
There's already a full frame speedbooster for the 6K on the market - LucAdapters magicbooster - also adds a better IR Cut Filter and will have clip ND filters in the future. This makes shooting in 5.7K kind of attractive, because the field of view will still be wide, you can shoot 60fps, record in 3:1 and have a better rolling shutter time.
Denny could you please elaborate on why you’d shoot 5.7K rather than the full 6K?
@@TrentsMullet Afaik there is still no card on the market that can shoot 3:1 Raw on 6k with 50fps. However, you can shoot 3:1 and 60 fps on 5.7k with a Samsung T5 (although the data rate shouldn’t be substantially lower, but it seems to be enough). So higher frame rate, better compression rate. When your finished product will be 4k, which it will be in most cases, then 5.7k is still good enough for getting crispy oversampled 4k or doing crop-ins and I bet you won’t be able to tell a difference, if I upscaled to 6k. Also the rolling shutter is reduced from 19,8ms to 16,3 ms and by that pretty much on par with the BMPCC 4k. So what’s there not to like? Maybe that the crop factor increases from 1.558 to 1.692. Well, put the magicbooster behind the lens and you are on 1.2 and gain 1 stop of light.
I have a LucAdapters "magic booster" (0.71x focal reducer) for my Pocket 6K. Absolutely love using it with my set of Zeiss ZE primes, and I can unscrew the focal reducer glass by hand whenever I want. By the way, if anyone wants one, Luca is very responsive on Facebook (just search LucAdapters). And I agree, shooting 5.7K is the way to go as it's such a nominal FOV loss with much better rolling shutter.
What does everybody mean about the rolling shutter time?
@@Visethelegend Time it takes to sequentially read out every horizontal line of the sensor. The longer it takes, the more pronounced are effects like wobble, skew or spatial aliasing.
That was an awesome, concise review! Made my decision much easier for my needs.
Your videos one of the best Do you have a video on the 6 pocket to down scale in pro Rez? Using the 4K
This is the comparison I was looking for! Thank you!!!!
Thank you for the objective and educational video. I use both and I think they are two excellent cameras, with the differences described and either one allows you to achieve excellent results. Neither better nor worse, just different.
Outstanding video. I've been waiting on a video to compare these two.
speedboasters on the micro 4/3 camera are meant to mount a larger lens then than the 4/3 lenses? is not only the crop factor that change right, but also that you can no longer use the 4/3 micro lenses anymore connected to the camera if one use a speed boater that got EF mount for larger lenses?? or?
the video that i'm waiting for in the community!
thanks for the explaination!
that morph from the 4k to the 6k was so slick and subtle. I see you flexin' lol
good comparison, i always watch your video, and learn more from you guy!
06:53 that transition is so cool
Thank you SO much my dude. I've been slappin' my brain wrinkles pretty hard over which of these cats to own. You really solved it with this video's excellent clarity and comparison. I have now a new 4k comin' my way, and my work is gonna be silky.
Okaaaay! 6:51 I had to watch that over and over. Pretty cool man. I see you flexing.
Awesome video. Thanks so much for this mate.
yea!!!! thanks for making this video man! glad to see your feeling better ( or seem to be)
Thanks for sharing your thoughts on this!
Thank you ALL my questions answered!
Before I was thinking the 6K is better but with the metebones the 4K looks great.
Caleb you simply make the best bloody reviews in the world....sure i watch phillip bloom, Tom Antos, gerald undone (genius but too intense!) and others.....but you are in my mind the leader in your field.....beautiful rich colours....presented so well to understand....comparisons.....in my mind you are the guru of reviews....i shall always be hugely grateful to your time and edits.....just brilliant mate......you are always the first person i turn to for the latest info.....and im so grateful for your knowledge.....thanks matey from the other side of the pond.....your work is brilliant ......always practical and brilliant.
Love this channel Caleb - quick question - the blacks on the 4K side of the 4K/6K comparison seemed very raised... is the dynamic range different on the cameras? And if you DIDN'T apply the same LUT and GRADE but optimized for the 4K - does that smokiness go away? Or is the image really just that much muddier even with a speed booster?
Cameras now are simply insane! ☝️
6:49 morphing... amazing!
Very helpful comparison, thanks.
That was awesome man! Thanks a lot for all the info!
the 4k combination is really good thats why I went that route but the main problem is you lose lens/glass characteristics specially if you use a high quality cine lenses.
Are you going to do a review on the Panasonic S1H?
Great video, are you going to be doing a guide or comparison video on the Panasonic S1H v S1 now that it's available on the market and not in pre-production?
Great video!!
What is your adaptor for the old nikon lens? 02:41
Great video man! Didn’t know about the 4k down sampling in the P6K.
YO! that morph at 6:52 just gave me life!!
Thanks for the video Caleb!
Very well put together video. Thank you for the info!
You said the 6K can downsample to 4K in Prores. Are these downsampled 4K files the same size as those same prores files on the BMPCC4K?
Thanks for the knowledge shared
Well done. your video has played a HUGE role in my decisions. Ill check out the academy. Thanks!
My choice is the 4k personally. Both are sick though.
Pocket 4k for me. All day! Great video BTW. Love the production value on this one!
Watching your videos all I can think of is One Punch Man. But other than that, amazing stuff.
Incredible guide, thank you!
This was amazing, thank you so much!
your my favorite camera guy
Hi
, thank you for your great videos!!! If I just start in filmmaking do you recommend the BM 6K or something more like Sony A7iii? Is it really difficult to pull the manual focus or it is just a matter of a bit of practice???
Thanks!!!
You can get the practice by using a film city follow focus gear. If you are doing filmmaking it will probably come down to how you choose your shots. For example I always put it on a tripod. And handheld will be as less as possible. So I hope you get the gist. If you are not bothered with the learning of filmmaking as a cinematographer I would suggest bmpcc. So boils down to comfort
Nice review lex Luther, I'm definitely getting the 6k. It'll bother me know a better version out.
The 4K fan might be quieter, but it might also be ineffective. A friend took a BMPCC 4K out to the California desert to shoot a narrative film (i.e., actors and sound) and it shut down in the heat. I'm working on a film now using a BMPCC 6K and it is having no trouble shooting in the Los Angles summer. Caveat.
My Panasonic Gh5 2 doesn't overheat, neither does the GH6. And i dont need no stinking speed booster. There's no crop on these cameras in ANY mode, so the hell with Black magic cameras.
What lense did you used in 2:33? thanks
We shoot with several and the 6k wins every time! Even grading is much harder on the 4K, especially to get it to match the 6k
How do you get a canon lens to fit? I don’t know which mount to buy. I don’t know if I need an adapter or speed booster. I’m new to this.
@@luz3793 You need either an ef mount to m4/3 or if you want to reduce the crop factor then you get a speed booster, there are different ones depending on what amount of crop factor you want. "18-35mm on the BMPCC 4K will apply a 1.9x crop. Giving us 34-66mm. The Metabones Speedbooster will give us a .71x crop, bring our final output to 24-47mm."
@@jaykudie I have the 6k. Will this work for it?
Comprehensive, I appreciate that. Thank you. Also, great morph during slide!
I can't believe you didn't mention rolling shutter. People need to talk more about that.
Alexa Amira: 2ms
I agree, pocket 6k rolling shutter is much more distracting than the 4k.
Shocking. Have you reported this video to TH-cam standards?
@@philipbloom I didn't think about that. Do you think I should? I mean, I didn't think it was that big of a deal...
Quentin Brendemuhl I think so. Caleb needs a spanking for missing out that!
@@philipbloom You crack me up. @CalebPike apologies, I love your video! I didn't know the 4K with the XL speedbooster has less of a crop factor!
Great info..... Thanks for the review.
Speedbooster for the 6K????
LucAdapter Magic booster. Drop in glass element for the 6K
Thank you for the really good guidance ! 👍
6:52 that edit melted my brain
I'm happy with my 6k and bought it at regular price. To solve the battery issue, I use a dual NPF battery plate with a dummy LPE6 to have continuous power on long shoots. I only got 10-15min on the included LPE6 battery. Lol The 6k is super helpful for faking slider shots in post without losing quality. I also got a full license of Davinci Resolve with my purchase. Never having to pay subscription fees to use software was another big selling point for me.
how did you get the davinci resolve?
@@ANewThingLondon You get a free code when you buy a Blackmagic camera. I actually ended up trading in my bmpcc 6k for an S1h because I had to send it in three times for a power control board issue. The image quality of the bmpcc 6k was better, but I got tired of hauling batteries and the lack of image stabilization made handheld shots too shaky (even with IS lenses).
Best comparison yet !