Raghunayaka - By D. Seshachari and D. Raghavachari (Hyderabad brothers )
ฝัง
- เผยแพร่เมื่อ 8 ก.ย. 2024
- ragunaayaka
Raagam: Hamsadwani
TaaLam: aadi
Composer: Tyaagaraaja
Language: Telugu
Meaning:
Oh One who is unique among all the Raghus! I will never release your lotus feet. Who but you can rid me of the accumulated sins and offer me shelter? Mundane life (the ocean of samsaara) is replate with trials and tribulations. To cross this vale of sorrow, I have come to you. O Lord of Seeta! Protector of those seeking refuge! Bestower of joy!
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పల్లవి:
రఘునాయక! నీ పాదయుగ
రాజీవముల నే విడజాల శ్రీ ॥రఘు॥
అను పల్లవి:
అఘజాలములఁబారఁదోలి న
న్నాదరింప నీవే గతిగాద శ్రీ ॥రఘు॥
చరణము(లు):
భవ సాగరము దాట లేక నే
బలు గాసి బడి నీ మఱుఁగు జేరితిని
అవనిజాధిపా శ్రితరక్షక
ఆనందకర శ్రీ త్యాగరాజనుత ॥రఘు॥
Excellent hamsadwani
Sri Tyagaraja mark. Well rendered Hamsadwani.🙏🙏
Way back in early 90s all sabhas were jam packed, it was ofcourse the competition between the sabhas to book hyd bros, even many rasikas used to stand outside the academy, to hear the brilliant voice of these brothers, but for the last few years very few concerts were held in Madras, where are they what happened
Fantastic. Great way to start an evening
Very beautiful song....👏👌🎶🎻
Verfy beautiful ...🙏🙏
Hamsadhvani...does not contain madhyamam or dhaivatam, thus an audava ragam., and is actually a janya raga of the Melakartha raga, Dheerasankarabharanam (29th) but according to Hamsadhvani's prayoga or the way it is sung it is said to be the janya of Kalyani (65th)!
Here the HYD-Brothers did ensure the tempo of the hamswa dhoni thoughout and rightly presented excellent neravel @ 'bhava sAgaramu' n pursued the swaras wherein they incorporated the classical mode of weaving swaras , may be extemporized on the spot with short phrases by suing by the notes of ragam- S R2 G3 P N3 S in select "Merukhand"- systematic permutation of swaras n sung few possible combinations of these swaras. Class indeed....best wishes.
Indeed it was Divine feeling listening to these stalwarts. Truly blessed voice. GOD Bless you Sirs.
Melodious voice. Fine rendering of raga and krithi enjoyed music
Sounds like Palghat Raghu on mridhangam. Awesome. Thanks!
Melodious.
Today I saw these both legendary persons in my CLG give good message for my CLG students 😍🙏🙏🙏
Brilliant as always!! My favourite - Hyderabad Brothers !!
Excellent
Raghavachary sir i learnt this kriti frm u im fortunate ur blessins r upon me ALWAYS SIR
Sruthi Suddh.... 🙏🙏🙏🙏
Has anybody noticed? This song is identical to 'Karunai seivai' in tune. There isn't even a small difference :D
yes . as both of them are hamsadhvani ragas
Vice versa
@@anivedmanikanta6116 no! Not just that! They are both the same song! Just different words!
@@mahalakshmyramaswamy3554 no, I believe that thyagaraja's Raghunayaka came first.
wow..mesmerizing as ever !!!
I know that one raga hamsadwani I heard once. But I never always heard the same raga. Now only I am hearing this hamsadwani raga from you. This raga is so beautiful and so soothing to hear. Thank you so much for you to sing this song. I like it very much.
Excellent 🙏🙏
Awesome job
Blessed to be listening to this song!
Very nice
Superb
Pallavi
raghu nāyaka, nī pāda yuga
rājīvamula nē viḍa-jāla śrī
O best among Raghus! Your pair of
lotus-feet, I cannot let go of.
Anupallavi
agha jālamula pāra tōli nannu
ādarimpa nīvē gati kādā śrī
To drive afar my accumulated sins
And care for me, aren't you the only refuge?
Charanam
bhavasāgaramu dāṭalēkanē
palu gāsibaḍi nī marugu jēriti
avanijādhipa, śritarakṣaka,
ānandakara, śrī tyāgarājanuta
Unable to cross the worldly ocean,
After much pain, your shelter did I reach,
Husband of Earth's daughter, Protector of those approaching you!
Maker of joy, Praised by Tyagaraja!
Superb ! Raghunayaka Ragam: Hamsadwani (29th Mela Janyam) Deshadi Talam Thyagarajar Krithi
'Raghunayaka nee padayuga' is a composition of Sri Tyagaraja Swamigal set on Hamsadhwani raaga.
Hamswadhwani is a very popular raga which is prevalent in both carnatic and hindustani music. An audava raga ( 5 notes in arohanam and 5 notes in avarohanam)derived from the 29th mela Dhirashankarabharanam . This raaga is believed to be invented by Ramaswamy dikshitar, father Muthuswamy dikishtar.
Swaras taken by this raaga are shadjam,chatusruthi Rishabam, antara Gandharam, Panchamam and kakali Ni. A raaga that deletes Madyamam and Dhaivatam.
An auspicious raaga that is most suitable for singing at the commencement of the performance.
In this Krithi SrI tyAgarAja tells the Lord that he will never let go His holy feet.He says that Rama removes all our sins and helps us cross the sea of difficulties.
Pallavi
Raghunayaka ! Nee Paadayuga
Raajeevamulane Vidajaala Sri !!
O Lord SrI raghu nAyaka! I (nE) shall not let go (viDa jAla) Your Lotus (rAjIvamula) feet (pAda yuga). I cannot leave your lotus feet, Oh Raghu nayaka.
Anupallavi
Aghajaalamula Baaradroli Nan
Aadarimpa Nive Gati Gaada Sri !!
Aren’t (kAda) You alone (nIvE) refuge (gati) for supporting (Adarimpa) me (nannu) (nannAdarimpa) by driving away (bAradOli) the multitude (jAlamu) of sins (agha)? therefore,
O Lord zrI raghu nAyaka! I shall not let go Your Lotus feet. You drive away my sins. You are my only solace.
Charanam
Bhavasaagaramu Daataleka Ne
Bahu Gaasibadi Ne Marugu Jeritini
Avanijaadhipaasruta Rakshaka
(Aanandaakara) Saarvabouma Sri Tyagaraajanuta! !!
Unable (lEka) to cross over (dATa) the Ocean (sAgaramu) of Worldly Existence (bhava), having become very (balu) weary (gAsipaDi), I (nE) reached (jEritini) your (nI) shelter (marugu);
O Consort (adhipa) of sItA - Earth-born (avanijA)! O Protector (rakSaka) of those seeking refuge (Azrita) (avanijAdhipAzrita) in You! O Lord who causes Bliss (Ananda-kara)! O Lord praised (nuta) by this tyAgarAja! O zrI raghu nAyaka! I shall not let go Your Lotus Feet. I cannot cross the sea of difficulties in this world, so I seek your shelter.
Oh Sita's husband, Oh savior of people, Oh bestower of happiness, you are worshipped by Tyagaraja.
Gist :-
Oh One who is unique among all the Raghus! I will never release your lotus feet. Who but you can rid me of the accumulated sins and offer me shelter? Mundane life (the ocean of samsaara) is replate with trials and tribulations. To cross this vale of sorrow, I have come to you. O Lord of Seeta! Protector of those seeking refuge! Bestower of joy
Hamsadhwani - a raga that is bright and auspicious, one that is most suited for commencing a Carnatic concert. That probably explains why kritis in Lord Ganesha abound in this raga. This raga is well-loved and easily identified due to its distinctive charm that gets better when sung in Madhyamakala (medium-fast tempo). Hamsadhwani is a pentatonic scale ( audava raga) and the notes it houses include Sadja, Chatusruti Rishabha, Antara Gandhara, Pancama and Kakali Nishada. Hamsadhwani has its roots in the Carnatic form, and is said to have been created by Ramaswamy Dikshitar, father of Muthuswamy Dikshitar. The credit in taking this raga into the Hindustani system of music goes to Ustad Aman Ali Khan of the Bhendibazaar gharana. In its Hindustani form, the Kaisiki Nishada also appears sometimes lending texture and finer hues to the solid fabric of the raga.
Popular kritis in Hamsadhwani include ‘Vatapi Ganapatim’ and ‘Parvati Patim’ of Dikshitar, ‘Sri Raghukula’ and ‘Raghunayaka’ of Tyagaraja. ‘Vinayaka’ of Veeva Kuppier and ‘Vara Vallabha’ of G.N. Balasubramaniam have colourful sangatis that enthuse one and all. ‘Karunai Seivaai’ of Papanasam Sivan and ‘Gam Ganapathe’ of Muthiah Bhagavatar deserve mention.
Very nice elucidation sir.
A point to note here is, some schools of thought espouse the following lyric in charanam: "Aananda Kara Shri Tyagaraja Nutha" instead of "Sarva Bhowma Shri Tyagaraja Nutha"
Just for academic interest
@@arjunprasanna3464 You are also right ! Some web sites gives like that ! I had taken from Shri Sivakumar (www. sivakumar.org ) He is an expert Musicologist especially Sahityam Appreciate for your Keen Observation
@@mysuruvasudevacharya Such differences are very common sir. Sri Tyagaraja is believed to have composed approx 24,000 + songs out of which approx 900+ are available to us.
My intuition tells me that the songs recovered might have been from ancient written media some of which might not have been fully legible.
As they pass through generations subtle differences creep in.
But if you ask me, this version of charanam is refreshing to me as I am so used to the version I told about.
So when I am humming the song now, the phrase "Sarva Bhowma" sounds very nice :-)
Good day!
@@arjunprasanna3464 Sir great ! Thyagaraja has composed many compositions and as of now I refer to Shri TK Govinda Rao who had done very good work in Recovering some ! Over the Years some people has distorted the Ragams also For Example the Song Nanu Kanna Thalli was composed in Ragam Kesari and it is twisted to Ragam Sindhu Kannada to avoid sone superstitious belef that Ragam Kesari is unlucky..Carnatic Music has become my Passion Thanks to the Personal Blessings of Chembai GNB and Santhanam Mama's around 55 years back..Though they offered to teach me I could not take the offer due to personal reasons..Passion Still Prevails..After Retirement around 7 years back I started concentrating on Carnatic music and now has a database of 500+ songs which includes complete analysis including Rare and Eka Krithi Ragas ! I am happy that rashikas like you inspire and motivate me..Yes I do go wrong sometimes and coarse correct it ! Stay Blessed
@@mysuruvasudevacharya Thanks for your reply sir. I am learning quite a lot from your experience.
In the context of so-called 'unlucky' ragas, I have seen a TH-cam user comment that raga Huseni is unlucky.
The song 'Rajan Maharajan' in the film 'Shyamala', sung by MK Thyagaraja Bhagavathar is in this raga and was composed by Papanasam Sivan. The user had mentioned that persons well versed in this raga might have their life spans shortened, which I found hard to accept.
Considering the fact that the Thiruppavai pasuram 'Katru Karavai' is based on the same Huseni raga, it is difficult to digest that the raga can reduce one's life span.
So, as you rightly pointed out, these are mostly superstitious beliefs.
Looking forward to more such healthy conversation and learning from a senior person like you!
NICE pravachanam 👌
Very nice and elabrote renditon...thanks
Sabash
Excellent
Brilliant performance. Blessed to listen.
GOOD 👌
Lovely rendition! I listened a short rendition of Priya Sisters, glad to listen a detailed one . . loved it! Hamsadhwani, my lord!
You do wonderful editing! the effect around 2:20 was wonderful!
Super hyd. Bros. Concert
What a combination
good pick....
Pratheep G Nayar xlent
where can I get an MP3 version of this album. I would like to download to my ipod.
Kerala chief minister is a serious issue of my relatives who is the greatest threat today is a great amount of energy waste of time and knowledge of the river adjacent to her and her husband.His power machine which is running last few years is destined to harm us and protect the patriarchal minds.we should not trusting his machine.This entire power Machine has to become a synonym of their surplus amount and do their surplus jobs and her husband is a great day ahead of the river adjacent to her and her husband
రఘునాయక1, నీ పాద-యుగ
రాజీవముల నే విడజాల శ్రీ
అఘజాలముల పారదోలి నం-
నాదరింప నీవే గతిగాదా2 శ్రీ
భవసాగరము దాటలేకనే
పలు గాసిబడి నీ మరుగు జేరితి
అవనిజాధిప, శ్రితరక్షక,
ఆనందకర, శ్రీ త్యాగరాజనుత
Mohan bhagat must not know what RSS is