Gabriel Fauré (1845-1924) Chamber Music : Quintets, Trio & Quartets. *Click to activate the English subtitles for the presentation* (00:00-00:45) Piano Quintet #1 In D minor, Op. 89 I.Molto Moderato (00:00) II.Adagio (11:17) III.Allegretto Moderato (21:18) - Piano Quintet #2 In C minor, Op. 115 I.Allegro Moderato (28:33) II.Allegro Vivo (39:08) III.Andante Moderato (43:00) IV.Allegro Molto (53:50) - Quartet for piano, violin, viola & cello #1 in C minor, Op. 15 I.Allegro molto moderato (59:39) II.Scherzo (1:08:49) III.Adagio (1:14:28) IV.Allegro molto (1:22:14) - Quartet for piano, violin, viola & cello #2 in G minor, Op. 45 I.Allegro molto moderato (1:30:30) II.Allegro molto (1:41:07) III.Adagio non troppo (1:44:29) *Click to activate the English subtitles for the presentation* (1:44:29-1:46:17) IV.Allegro molto (1:55:42) - Trio in D minor, Op. 120 I.Allegro ma non troppo (2:04:44) II.Andantino (2:10:59) *Click to activate the English subtitles for the presentation* (2:10:59-2:12:22) III.Allegro vivo (2:20:00) - String Quartet in E minor, Op. 121 I.Allegro moderato (2:24:58) II.Andante (2:31:35) III.Allegro (2:41:51) -- Piano : Jean Hubeau Quatuor Via Nova Violin : Jean Mouillère, Hervé Le Floch Viola : Gérard Caussé Cello : René Benedetti Recorded in 1969-70, at Paris New Mastering in 2020 by AB for CMRR Find CMRR's recordings on *Spotify* : spoti.fi/3016eVr -- Here are movements that characterize the beauty of Fauré's chamber music and its harmonic richness. To discover the lyrical virtuosity, listen, Piano Quintet #2 In C minor, Op. 115 II.Allegro Vivo (39:08), & Quartet for piano, violin, viola & cello #2 in G minor, Op. 45 IV.Allegro molto (1:55:42). To discover sweetness and beauty Trio in D minor, Op. 120 II.Andantino (2:10:59), & Quartet for piano, violin, viola & cello #2 in G minor, Op. 45 III.Adagio non troppo (1:44:29). -- Schumann - Complete Chamber Music : Piano Quintet, Trio, Violin Sonata, Strings Quartet .. + P° (Ct. rc.: J.Hubeau, Via Nova Quartet) : th-cam.com/video/yrvKvRV0A_Q/w-d-xo.html -- Gabriel Fauré PLAYLIST (reference recordings) : th-cam.com/video/7P6Nz2jok30/w-d-xo.html -- Franck - Prélude, Choral & Fugue / Best Piano Works + Presentation (Century's record. : Jean Hubeau) : th-cam.com/video/Wbwxfn-O9Z4/w-d-xo.html
I have come to know Faure` for quite sometime and i love his music but there is something that puzzle me. He is considered a late romantic in his style.But listening to this quintet in C minor minor opus 115 to my hears it sounds pure impressionism.Is it possible being a late composition he may have been influenced by Debussy or he is a precursor of Debussy and Ravel .
Il y a toute l'âme de la vieille France dans cette musique, cette France raffinée et poétique, intellectuelle et visionnaire, humaniste et chrétienne, emplie d'humilité de tendresse et de tourments mais pudique et retenue dans l'expression de ses sentiments.
Charles-Marie Jean Albert Widor, though much better known for his organ works, wrote chamber music much neglected, but with a palette similar to some of this
Fauré's chamber music repertoire is filled with absolute masterpieces, easily rivaling those of Brahms, Beethoven, Schubert, or Chostakovitch. It is sad they are this widely disregarded. Thanks a lot for the upload !
@Langsalot Music is certainly not a competition, but there are chamber works that are certainly better than others. You can prefer Weber's clarinet quintet if you want, but I find Mozart's one much better, for multiple reasons that would be quite long to explain, but do not resort to arbitrary opinion only, if at all. In the same manner though with less accuracy since the times and places can make comparisons difficult, you can select a few composers whose achievements in chamber music are more significant than others. I think it would be silly to pretend that Verdi's chamber works (a (very good) quartet if i recall correctly and that's pretty much all) could be judged overall as good as those of Brahms for example. Considering all that, I then expressed a personal opinion about Fauré's chamber music, who is rarely played at concert venues, even in France where I live and where it could be expected that Fauré's music would be played more often. I didn't intent to make it a matter of competition at all, it was merely a way to express my gratitude towards the uploader, who is also dedicated at selecting the best interpretations of music pieces which are all already great.
He was a composer he went into a completely unique direction and had an utterly unique sound. He absolutely deserves to be mentioned among the very greatest names. His music will surely not perish.
The late Fauré is just breathtaking. Op 120 and 121 are absolute masterpieces. A sublime meditation about the beauty and the transience of life, but also a serene depiction of the transition from life to death. There is something so special in the way in which Fauré depicts death, so radiant and fearless
Here are movements that characterize the beauty of Fauré's chamber music and its harmonic richness. To discover the lyrical virtuosity, listen, Piano Quintet #2 In C minor, Op. 115 II.Allegro Vivo (39:08), & Quartet for piano, violin, viola & cello #2 in G minor, Op. 45 IV.Allegro molto (1:55:42). To discover sweetness and beauty Trio in D minor, Op. 120 II.Andantino (2:10:59), & Quartet for piano, violin, viola & cello #2 in G minor, Op. 45 III.Adagio non troppo (1:44:29).
What a relaxing way to start the day. One of the most beautiful and poignant pieces on the album is the Adagio from Quartet for piano, violin, viola & cello #1 in C minor, Op. 15 (1:14:28).
Apart from the heavenly glorious music on your channel I cannot but marvell at the lyricism of the descriptions at the very beginning of each presented video:)
As a set no one comes close to what Hubeau and Quatuor Via Nova did in these recordings. However, there are a few individual recordings that I think compare very well with these classics (although the Hubeau-recodings for me remain the reference to judge others by), namely: 1) Quartet #1 in C minor, Op. 15 - the magnificent Samson Francois on piano with the Bernède quartet; 2) Piano Quintet #1 In D minor, Op. 89 - Jacqueline Eymar on piano with G.Kehr & W.Neuhaus (violins), E.Suchermann (viola), and B.Braunholz (cello). 3) Piano Quintet #2 In C minor, Op. 115 - that unsurpassable Faure pianist, Thyssen-Valentin, with the Quatuor de l'ORTF.
GENERAL SUGGESTION TO ALL MUCH-APPRECIATED CONTRIBUTORS: Please consider adding recording dates, so that (especially) young musicians can track and assess ensemble/individual performers performance and career "growth"/development! Grazie tante a tutto!
If you were playing name that tune, and the opening melody was Faure's Adagio non Troppo from Piano Quartet # 2, op.45, (1:44:29) you would not be mistaken to call out Schubert's opening from the Andante in the Piano Trio # 2 in E flat. th-cam.com/video/y6HTkmXtoqY/w-d-xo.html (1:00:23) Hopefully Faure gave Schubert some credit somewhere. It is beautiful, and Faure certainly put his own spin on it.
There are other works, The Impromptus of both. Faure's Impromptu no 2 op 31 reveals the influence of Schubert's Impromtu no 2 op 90. He probably openly acknowledged the influence
Désolé de ne pas verser dans les louanges béates mais si les musiciens sont bon techniquement le preneur de son a coulé faire des trios et quatuor avec accompagnement de piano ! Comment un connaisseur comme Jean Hubeau a-t-il pu se laisser mettre pareillement en retrait ??? On entend tous les coups d’archet et même les respirations des Violonistes et altistes sinon les bruits parasites ( micro beaucoup trop près) et un piano désespérément lointain ( sauf là où semble-t-il il y a une phrase délibérément sortie plus forte ou que le piano est seul ! C’est très dommage car cela trahit l’écriture de cet immense compositeur trop méconnu dont on ne peut que jouir des dernières œuvres.
Gabriel Fauré (1845-1924) Chamber Music : Quintets, Trio & Quartets.
*Click to activate the English subtitles for the presentation* (00:00-00:45)
Piano Quintet #1 In D minor, Op. 89
I.Molto Moderato (00:00)
II.Adagio (11:17)
III.Allegretto Moderato (21:18)
-
Piano Quintet #2 In C minor, Op. 115
I.Allegro Moderato (28:33)
II.Allegro Vivo (39:08)
III.Andante Moderato (43:00)
IV.Allegro Molto (53:50)
-
Quartet for piano, violin, viola & cello #1 in C minor, Op. 15
I.Allegro molto moderato (59:39)
II.Scherzo (1:08:49)
III.Adagio (1:14:28)
IV.Allegro molto (1:22:14)
-
Quartet for piano, violin, viola & cello #2 in G minor, Op. 45
I.Allegro molto moderato (1:30:30)
II.Allegro molto (1:41:07)
III.Adagio non troppo (1:44:29)
*Click to activate the English subtitles for the presentation* (1:44:29-1:46:17)
IV.Allegro molto (1:55:42)
-
Trio in D minor, Op. 120
I.Allegro ma non troppo (2:04:44)
II.Andantino (2:10:59)
*Click to activate the English subtitles for the presentation* (2:10:59-2:12:22)
III.Allegro vivo (2:20:00)
-
String Quartet in E minor, Op. 121
I.Allegro moderato (2:24:58)
II.Andante (2:31:35)
III.Allegro (2:41:51)
--
Piano : Jean Hubeau
Quatuor Via Nova
Violin : Jean Mouillère, Hervé Le Floch
Viola : Gérard Caussé
Cello : René Benedetti
Recorded in 1969-70, at Paris
New Mastering in 2020 by AB for CMRR
Find CMRR's recordings on *Spotify* : spoti.fi/3016eVr
--
Here are movements that characterize the beauty of Fauré's chamber music and its harmonic richness.
To discover the lyrical virtuosity, listen, Piano Quintet #2 In C minor, Op. 115 II.Allegro Vivo (39:08),
& Quartet for piano, violin, viola & cello #2 in G minor, Op. 45 IV.Allegro molto (1:55:42).
To discover sweetness and beauty Trio in D minor, Op. 120 II.Andantino (2:10:59),
& Quartet for piano, violin, viola & cello #2 in G minor, Op. 45 III.Adagio non troppo (1:44:29).
--
Schumann - Complete Chamber Music : Piano Quintet, Trio, Violin Sonata, Strings Quartet .. + P° (Ct. rc.: J.Hubeau, Via Nova Quartet) : th-cam.com/video/yrvKvRV0A_Q/w-d-xo.html
--
Gabriel Fauré PLAYLIST (reference recordings) : th-cam.com/video/7P6Nz2jok30/w-d-xo.html
--
Franck - Prélude, Choral & Fugue / Best Piano Works + Presentation (Century's record. : Jean Hubeau) : th-cam.com/video/Wbwxfn-O9Z4/w-d-xo.html
What marvelous, mysterious and beautiful music!
One can understand why Ravel went to him as teacher!
I have come to know Faure` for quite sometime and i love his music but there is something that puzzle me. He is considered a late romantic in his style.But listening to this quintet in C minor minor opus 115 to my hears it sounds pure impressionism.Is it possible being a late composition he may have been influenced by Debussy or he is a precursor of Debussy and Ravel .
couldn't even get to enjoy this video with all of those damn adverts"......😠😡🤬😤
Do you know why the video is not flagged by copyright? I believe it is a recording no?
Il y a toute l'âme de la vieille France dans cette musique, cette France raffinée et poétique, intellectuelle et visionnaire, humaniste et chrétienne, emplie d'humilité de tendresse et de tourments mais pudique et retenue dans l'expression de ses sentiments.
THE GOOD OLD DAYS ! iS SUCH IMPRESSIONISTIC PIECE OF COMMENT REALLY NEEDED ?
Fauré : une sérénité.. passionnée ! Cette interprétation est excellente car elle allie merveilleusement ces deux termes apparemment contradictoires.
This music is something out of this dimension
I love all of it, but especially the piano quartet.
Charles-Marie Jean Albert Widor, though much better known for his organ works, wrote chamber music much neglected, but with a palette similar to some of this
Fauré's chamber music repertoire is filled with absolute masterpieces, easily rivaling those of Brahms, Beethoven, Schubert, or Chostakovitch. It is sad they are this widely disregarded. Thanks a lot for the upload !
Chostakovitch? Please...
Je ne saurais distinguer si cette musique est de la verveine ou de la camomille
@Langsalot Music is certainly not a competition, but there are chamber works that are certainly better than others. You can prefer Weber's clarinet quintet if you want, but I find Mozart's one much better, for multiple reasons that would be quite long to explain, but do not resort to arbitrary opinion only, if at all. In the same manner though with less accuracy since the times and places can make comparisons difficult, you can select a few composers whose achievements in chamber music are more significant than others. I think it would be silly to pretend that Verdi's chamber works (a (very good) quartet if i recall correctly and that's pretty much all) could be judged overall as good as those of Brahms for example.
Considering all that, I then expressed a personal opinion about Fauré's chamber music, who is rarely played at concert venues, even in France where I live and where it could be expected that Fauré's music would be played more often. I didn't intent to make it a matter of competition at all, it was merely a way to express my gratitude towards the uploader, who is also dedicated at selecting the best interpretations of music pieces which are all already great.
He was a composer he went into a completely unique direction and had an utterly unique sound. He absolutely deserves to be mentioned among the very greatest names. His music will surely not perish.
I used to work at a violin warehouse and we sold a lot of his music, but I have never listened to this. It's very nice, thank you.
Century’s recording !
⭐️⭐️⭐️⭐️⭐️
by far :)
The late Fauré is just breathtaking. Op 120 and 121 are absolute masterpieces. A sublime meditation about the beauty and the transience of life, but also a serene depiction of the transition from life to death. There is something so special in the way in which Fauré depicts death, so radiant and fearless
Timeless classics, both the compostions as well as the recordings. Unsurpassable.
Here are movements that characterize the beauty of Fauré's chamber music and its harmonic richness.
To discover the lyrical virtuosity, listen, Piano Quintet #2 In C minor, Op. 115 II.Allegro Vivo (39:08),
& Quartet for piano, violin, viola & cello #2 in G minor, Op. 45 IV.Allegro molto (1:55:42).
To discover sweetness and beauty Trio in D minor, Op. 120 II.Andantino (2:10:59),
& Quartet for piano, violin, viola & cello #2 in G minor, Op. 45 III.Adagio non troppo (1:44:29).
to me, it is the slow movements - just love 'em....since 1977 ♥
I'm amazed and charmed by the magnitude of this chamber music.
It gives me the creeps and filles me of peace!
Thank you Gabriel Fauré !
The first quintet is ravishingly beautiful.
Thank you for putting Gabriel Fauré in the spotlight!
What a relaxing way to start the day. One of the most beautiful and poignant pieces on the album is the Adagio from Quartet for piano, violin, viola & cello #1 in C minor, Op. 15 (1:14:28).
De pures merveilles et des interprétations superbes ! Merci pour ce merveilleux partage - que j'avais écouté avec joie, dès sa publication sur TH-cam.
LOVE Fauré´s music! Thanks!
Again a remarkable upload for which many thanks. Once more AB is to be congratulated!
Faure is under appreciated/ under rated!
Tout simplement sublime!
I had all these on vinyl and still cannot find them on CD: i.e. Hubeau & Via Nova. Thank YOU!! ♪♫ :o)
Apart from the heavenly glorious music on your channel I cannot but marvell at the lyricism of the descriptions at the very beginning of each presented video:)
In the Trio, Hubeau is joined by Raymond Gallois-Montbrun on the violin, and André Navarra on the cello.
Muhteşem bir paylaşım. Teşekkür ediyorum sizlere👍💞🎶
As a set no one comes close to what Hubeau and Quatuor Via Nova did in these recordings. However, there are a few individual recordings that I think compare very well with these classics (although the Hubeau-recodings for me remain the reference to judge others by), namely:
1) Quartet #1 in C minor, Op. 15 - the magnificent Samson Francois on piano with the Bernède quartet;
2) Piano Quintet #1 In D minor, Op. 89 - Jacqueline Eymar on piano with G.Kehr & W.Neuhaus (violins), E.Suchermann (viola), and B.Braunholz (cello).
3) Piano Quintet #2 In C minor, Op. 115 - that unsurpassable Faure pianist, Thyssen-Valentin, with the Quatuor de l'ORTF.
Put this music to help me work, such a fool, it is impossible not to get distracted by this marvel!
Really great
Thank you! Beautiful chamber music!
You're welcome
1:16:24 some of the most beautiful music I've ever heard
This is great as it is beautiful. Thank you.
Beautiful! Thank you!
Thank you!
Perfect!
GENERAL SUGGESTION TO ALL MUCH-APPRECIATED CONTRIBUTORS: Please consider adding recording dates, so that (especially) young musicians can track and assess ensemble/individual performers performance and career "growth"/development! Grazie tante a tutto!
I love this music like You😘🎵🎼🎶😊🌻🍀🌷
:-)
The very best!!!
This is ridiculously well played!
Gracias! Sin más
If you were playing name that tune, and the opening melody was Faure's Adagio non Troppo from Piano Quartet # 2, op.45, (1:44:29) you would not be mistaken to call out Schubert's opening from the Andante in the Piano Trio # 2 in E flat.
th-cam.com/video/y6HTkmXtoqY/w-d-xo.html
(1:00:23)
Hopefully Faure gave Schubert some credit somewhere. It is beautiful, and Faure certainly put his own spin on it.
There are other works, The Impromptus of both. Faure's Impromptu no 2 op 31 reveals the influence of Schubert's Impromtu no 2 op 90. He probably openly acknowledged the influence
👌
More fluid than Brahms, more solid than Debussy.
While I cannot put my finger on it; whatever it is that sets Faure apart, happens at 1:27. The harmony and voicing is quite unique to Faure.
Ow yeah
QUIÉN ES EL PINTOR DE FAURÉ,LO OLVIDARON..........................MUY MAL.....................DE CHILE
Te atrapa la atención completamente
322// Форэ-змей.
A solace in infuriating times...
Désolé de ne pas verser dans les louanges béates mais si les musiciens sont bon techniquement le preneur de son a coulé faire des trios et quatuor avec accompagnement de piano ! Comment un connaisseur comme Jean Hubeau a-t-il pu se laisser mettre pareillement en retrait ??? On entend tous les coups d’archet et même les respirations des Violonistes et altistes sinon les bruits parasites ( micro beaucoup trop près) et un piano désespérément lointain ( sauf là où semble-t-il il y a une phrase délibérément sortie plus forte ou que le piano est seul ! C’est très dommage car cela trahit l’écriture de cet immense compositeur trop méconnu dont on ne peut que jouir des dernières œuvres.
Fucking advertising, screw you guys I'm going home