Richard Strauss - Final Scene from Der Rosenkavalier

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  • เผยแพร่เมื่อ 19 เม.ย. 2020
  • Richard Strauss - Final Scene from Der Rosenkavalier
    Elīna Garanča (Octavian)
    Renée Fleming (Marschallin)
    Erin Morley (Sophie)
    Markus Brück (Faninal)
    The Metropolitan Opera, 2017
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ความคิดเห็น • 130

  • @operalover1010
    @operalover1010 ปีที่แล้ว +19

    I'll never forget seeing Der Rosenkavalier with these three - May 5, 2017. One of my fondest operatic memories.

  • @dantefiorentino3612
    @dantefiorentino3612 2 ปีที่แล้ว +40

    Physically, Garanca is the most convincing Octavian ever! Really handsome! :-)

    • @Mr.Dziej72
      @Mr.Dziej72 ปีที่แล้ว +9

      And she captures perfectly the physicality of a young man too -- the way a young man would walk, hold and move his body. Pretty incredible. Some serious thought and study has gone into the development of the character.

    • @elizabethferidobohlin9943
      @elizabethferidobohlin9943 ปีที่แล้ว +3

      Elena Garanca is one of my most favourite opera singers but speaking of the best Octavian ever, I would point my finger toAnne Sofie von Otter…tall, blonde, aristocratic (a Baroness in real life) who Richard Strauss envisioned for such role. I read somewhere that when Strauss was composing Der Rosenkavalier, he had in mind the Australian-Hungarian Prince Esterhazy. Ms von Otter epitomises those qualities added by her rich mezzo soprano voice. (Just saying…..)

    • @elizabethferidobohlin9943
      @elizabethferidobohlin9943 ปีที่แล้ว

      Correction: Austro-Hungarian

    • @peterbond9369
      @peterbond9369 ปีที่แล้ว +3

      Garanca was also genuinely funny in act II. REMARKABLE SINGING ACTRESS.

  • @lindseydejesus1877
    @lindseydejesus1877 2 ปีที่แล้ว +56

    i think 2017 rosenkav was so good because the singers were really feeling their roles: erin is a young singer just beginning the rise of her career, elina is shifting identities from young to more mature, and renee is about to leave a chapter of her life behind forever as she grows older. it's like a coming of age for all three of them...

  • @hoodroberts
    @hoodroberts 3 ปีที่แล้ว +88

    I weep uncontrollably every time I hear the Final Trio. Every . . . single . . . time. Music that touches the soul. Opera at its finest. The other day I was discussing the Final Trio with a friend and I was tearing up just thinking about it.

    • @zap7777
      @zap7777 3 ปีที่แล้ว +4

      I can understand that. Another scene where I mostly have to fight with tears is the quintet in Wagners Meistersinger

    • @beatrizmirandamezzo
      @beatrizmirandamezzo 2 ปีที่แล้ว +1

      Same, it’s just magical ❤️

    • @barrymorentz5190
      @barrymorentz5190 ปีที่แล้ว +4

      The final scene of Parsifal does it for me. The Rosenkavalier trio has always been the first piece of music I would play upon returning from a trip

    • @starlingbird
      @starlingbird ปีที่แล้ว +2

      Oh me too.... Especially when you understand that she loves the young man so much to give him to the young girl. Sigh... The most brilliant 3-soprano aria ever! A masterpiece!

    • @robbiehayes5508
      @robbiehayes5508 ปีที่แล้ว +1

      It's magic every time.

  • @metacarple
    @metacarple 3 ปีที่แล้ว +30

    This is the most up- market, luxurious low class inn on the outskirts of Vienna I have ever seen.

    • @spn1007
      @spn1007 2 ปีที่แล้ว +3

      Actually the TeKanawa and Popp production is almost as lavish!!

    • @Marcel_Audubon
      @Marcel_Audubon ปีที่แล้ว +1

      You need to get out more!

  • @chucknyc123
    @chucknyc123 3 ปีที่แล้ว +41

    I can't t watch this without crying. It is absolutely sublime.

  • @ericdmoore3432
    @ericdmoore3432 3 ปีที่แล้ว +59

    Exquisite production that honored Fleming’s farewell to the Met and Garanca’s final performances as Octavian. The best version on TH-cam!

    • @emjdeckwitz6949
      @emjdeckwitz6949 3 ปีที่แล้ว +6

      one name: Carlos Kleiber.

    • @josiashamman5318
      @josiashamman5318 3 ปีที่แล้ว +2

      Absolutely macnifficent

    • @barbaranorthwood
      @barbaranorthwood 3 ปีที่แล้ว

      I wholeheartedly agree.

    • @Tysknaden
      @Tysknaden 2 ปีที่แล้ว +1

      Probably the only version you know. Compare it to the Schwarzkopf-Jurinac-Rothenberger video.

    • @jaykauffman4775
      @jaykauffman4775 2 ปีที่แล้ว +1

      Schwarzkopf-Jurinac-Rothenberger = Karajan is better

  • @peterschwarzenbacher6904
    @peterschwarzenbacher6904 หลายเดือนก่อน +1

    Jetzt hätte ich beinahe Renee Fleming nicht erkannt, auch nicht im ersten Singen - wunderschön!

  • @coloratura_runs
    @coloratura_runs 3 ปีที่แล้ว +30

    Oh no, I listened to this on public transport again.
    "Ma'am, are you okay?"
    Me, visibly weeping: "I'm FINE".

  • @testdriveguy
    @testdriveguy ปีที่แล้ว +2

    I had the great fortune to be able to see this live. It was exquisite.

  • @windstorm1000
    @windstorm1000 ปีที่แล้ว +4

    Its an immortal trio-- touches the heart Depending on the character of letting go or finding oneself-or both. Its life and passages we go thru of grace and acceptance or new love...

  • @Hailstormand
    @Hailstormand ปีที่แล้ว +1

    I can't write a single coherent sentence while listening to this trio. Everything that has been expressed before and cannot be expressed since is contained within this capsule.

  • @citadeac5067
    @citadeac5067 2 ปีที่แล้ว +9

    Floating towards Heaven and never return . The three divas are absolutely fascinating.

  • @AG6NC
    @AG6NC 3 ปีที่แล้ว +38

    When I listen to this wonderful final scene I think that at one time, in another life, that I was at its first performance with a lady who I deeply loved

    • @chocolatesouljah
      @chocolatesouljah 2 ปีที่แล้ว +3

      Isn't opera, music transformative that way. Encouraging us to imagine other worlds and lifetimes! 🙌🏾

  • @Jaaric
    @Jaaric 3 ปีที่แล้ว +13

    Fleming's "In gotters namen" is really wonderfully emotional, as is Garanca's "die Frag." Thanks for the upload!

  • @GeoSF0926
    @GeoSF0926 3 ปีที่แล้ว +18

    Purely sublime in every way.

  • @damon4802
    @damon4802 2 ปีที่แล้ว +6

    Whether you love 'em or hate 'em, a fitting farewell to two of the great voices of the era.

  • @cinziavidali411
    @cinziavidali411 3 ปีที่แล้ว +9

    L'opera più bella di Strauss in un allestimento prestigioso

  • @hermesnoelthefourthway
    @hermesnoelthefourthway 2 ปีที่แล้ว +4

    Truly divine. Far beyond music

  • @adriannoe9841
    @adriannoe9841 3 ปีที่แล้ว +14

    Que maravilla Elina !!!!!

  • @claudiajack1986
    @claudiajack1986 ปีที่แล้ว +5

    Bellisimo !! Una delicia las voces e interpretaciones de Elina, Renée, Erin ...

  • @raymondsmyth2169
    @raymondsmyth2169 ปีที่แล้ว +3

    Simply sublime thank you.

  • @Wolfsky9
    @Wolfsky9 2 ปีที่แล้ว +3

    Even an opera novice like myself -----------can love this music & the 3 amazing voices.

  • @brynjarhoff-lr6hw
    @brynjarhoff-lr6hw 4 หลายเดือนก่อน +1

    Great-Great singing…thank you ladyes!

  • @pega17pl
    @pega17pl 2 ปีที่แล้ว +6

    Wie Kiri Te Kanawa ist Renée Fleming eine Traumbesetzung für die Marschallin im Rosemkavalier. Man kann als Opernliebhaber den beiden Damen nicht genug danken, was sie für das German Fach großartiges weltweit geleistet haben. - Grüße, Heinz

  • @leonardogiacobbe5422
    @leonardogiacobbe5422 ปีที่แล้ว +5

    Adoro Renee Fleming❤️❤️❤️

  • @nevillemignot1681
    @nevillemignot1681 7 หลายเดือนก่อน +1

    Perhaps the final scene here is the best of performances of this Opera, and the best example of this example of all of this art form?

  • @pattiamstutz4918
    @pattiamstutz4918 2 ปีที่แล้ว +5

    OMG it is so beautiful.!!!!

  • @pierrefoul5960
    @pierrefoul5960 ปีที่แล้ว +3

    Sachez que parmi les milliers d'espèces qui pullulent dans l'univers , nous sommes la seule ayant ce don ... jusqu'à ce jour on n'en a pas découvert d'autres

  • @MANUELGARCIAGARCIA-bx5wq
    @MANUELGARCIAGARCIA-bx5wq ปีที่แล้ว +2

    magnifica puesta en escena y mejores voces. ALINA enorme , y Fleming grande como siempre

  • @rosy3385
    @rosy3385 3 ปีที่แล้ว +8

    Une très belle production du MET !

  • @leilasiebert9082
    @leilasiebert9082 3 ปีที่แล้ว +3

    Thank you very much for this video!

  • @Dylonely42
    @Dylonely42 11 หลายเดือนก่อน +1

    One of the best finales in my opinion.

  • @MrOlogramma
    @MrOlogramma 2 ปีที่แล้ว +2

    Tears tears and tears

  • @charlescoleman5509
    @charlescoleman5509 2 ปีที่แล้ว +3

    As partial as I am to the previous Met production by Nathaniel Merrill, this is a good one.

  • @alixxu5417
    @alixxu5417 3 ปีที่แล้ว +5

    les charmantes !

  • @11sesquialtera
    @11sesquialtera 2 ปีที่แล้ว +1

    tears always

  • @jordipanadesribera6890
    @jordipanadesribera6890 ปีที่แล้ว +3

    Spirit of ecstasy.

  • @wilfriedfriedrich3730
    @wilfriedfriedrich3730 2 ปีที่แล้ว +1

    Great Art ❤️🌹🙏

  • @eduardocifuentesayucar7500
    @eduardocifuentesayucar7500 ปีที่แล้ว +1

    Quiza,sobra un poco de besuqueo de mas por por parte de Naranća. La escena esta recargada de besos.
    Lo demás magistral.

  • @renzo6490
    @renzo6490 2 ปีที่แล้ว +1

    Just listen....

  • @jaykauffman4775
    @jaykauffman4775 2 ปีที่แล้ว +3

    The scene is SUPPOSED to be in a rather seedy inn. I far preferred the previous MET production. Singing here quite good

    • @Marcel_Audubon
      @Marcel_Audubon ปีที่แล้ว

      seedy is in the eye of the fornicator

    • @rominn2184
      @rominn2184 ปีที่แล้ว

      Agreed. Short of the Hapsburg period at the turn of the century (around the time this opera was composed) setting being perfectly logical and fitting, I did not like this production. There are simply things that are completely out of place and make no sense - like the Ancient Greek art motifs in the Fanninal manor, and the falling down little dance those figures in the dark do at the very end of the opera right as the last notes are played before the curtain falls. Just completely arbitrary, random, and distracting.

  • @CvS2016
    @CvS2016 ปีที่แล้ว +1

    Just fantastic. But tempo here is a bit to slow for me.

    • @johannesbrahms7414
      @johannesbrahms7414 10 หลายเดือนก่อน

      For me it's never "RAPTUROUSLY SLOW ENOUGH !!!!

  • @levieuxpiano
    @levieuxpiano 2 หลายเดือนก่อน

    Les trois sont au sommet.

  • @pierrefoul5960
    @pierrefoul5960 ปีที่แล้ว +2

    Sommet de l'art lyrique

  • @iraismedrano2645
    @iraismedrano2645 ปีที่แล้ว

    es de otra galatziaaaaa 😱😱😱😱

  • @Dylonely42
    @Dylonely42 11 หลายเดือนก่อน

    6:50

  • @Dylonely42
    @Dylonely42 11 หลายเดือนก่อน

    5:37

  • @Dylonely42
    @Dylonely42 11 หลายเดือนก่อน

    4:18

  • @andrewbreslin8298
    @andrewbreslin8298 3 ปีที่แล้ว +4

    A bit good, supposed to show off your superior culture by making 1 complaint and saying x was soo much better but you can't.

  • @pennytravers5991
    @pennytravers5991 ปีที่แล้ว +1

    Yes. A fabulous love story opera ruined by that tedious scene in the tavern. Should have been rewritten.

  • @johnmanno2052
    @johnmanno2052 3 ปีที่แล้ว +12

    Octavian finally looks like a guy and not like a woman in drag

  • @talmagebandy667
    @talmagebandy667 2 ปีที่แล้ว

    The best ever.

  • @juanitoalimana3131
    @juanitoalimana3131 2 ปีที่แล้ว

    Qué simpático, han convertido al criado negrito en un niño judío

  • @Dylonely42
    @Dylonely42 11 หลายเดือนก่อน

    1:08

    • @Dylonely42
      @Dylonely42 11 หลายเดือนก่อน +1

      0:39

  • @CvS2016
    @CvS2016 ปีที่แล้ว

    Also reminds what a genius hoffmansthal was.

  • @frederickthompson2697
    @frederickthompson2697 2 ปีที่แล้ว

    NO!!!! Not at all what Strauss intended for the ended!!!! SHAME....F.

  • @partituravid
    @partituravid 2 ปีที่แล้ว +2

    Too, too, too slow. All sense of 3/4 is lost in the first phrase. And the ensemble between the 3 voices in insensitive to the harmony.

  • @remomazzetti8757
    @remomazzetti8757 2 ปีที่แล้ว +6

    Great singing, typically horrible updated production. The Met's a disgrace for so many reasons. Get rid of Peter Gelb before he completely destroys the institution!

  • @MrsSedley
    @MrsSedley ปีที่แล้ว

    Conductor? Not only is it way too slow, Fleming milks the opening, though sings it so well. It's moving enough as it is.

  • @humorya
    @humorya 3 ปีที่แล้ว +3

    Is this have homoerotism or not?

    • @charmeueueur
      @charmeueueur  3 ปีที่แล้ว +6

      It is nice to explore new music around. Please make sure before you make a comment, that at least you have read a wikipedia article or something. Have no time for this.

    • @robertyoung7052
      @robertyoung7052 3 ปีที่แล้ว +1

      See no evil, hear no evil

    • @tomhase7007
      @tomhase7007 3 ปีที่แล้ว +5

      @@charmeueueur What are you talking about? Of course, the homoerotic aspect is fully intended by the authors.and discussed at length in the letters between Strauss and Hoffmannsthal. So I think that Mrs. Karamzina has understood more about the piece than whoever wrote that Wikipedia article.

    • @charmeueueur
      @charmeueueur  3 ปีที่แล้ว

      @@tomhase7007 the only think that I am going to say is that if you think my reference is a Wikipedia article and this is what my comment was about, you are very welcome.

    • @raffaelepianese9328
      @raffaelepianese9328 3 ปีที่แล้ว +4

      @@tomhase7007 That's why Strauss wanted a mezzo en travestì. If he wanted, along with Hoffmannsthal, to be clear about the fact that was a straight relationship he could've easily chosen a tenor. But, as you say, their intention was clear in their letters.
      Of course Wikipedia wanna-be music critics or "historians" often, if not always, impose some casual erasure of homosexuality in music and in history.

  • @ransomcoates546
    @ransomcoates546 3 ปีที่แล้ว +3

    If there was ever operatic music that demanded the singers to stand in one place and sing this is it. More stupid staging. (Fleming’s slurpy mewing doesn’t help either.)

    • @crazyorganist1609
      @crazyorganist1609 3 ปีที่แล้ว

      Of course. She's not suitable for the role

    • @ssballs
      @ssballs 2 ปีที่แล้ว

      Slurpy mewing....lol. Well. She's done.

  • @bobkurland186
    @bobkurland186 3 ปีที่แล้ว +9

    a disaster, compared to historical versions--not musically but in action. Why do the two lovers stay in bed, and why did not the blackamoor page come in at the very end to pick up the Marschalin's hankerchief? Concessions to popular and politically correct taste? Bah!!!

    • @hugonino2824
      @hugonino2824 3 ปีที่แล้ว +4

      If they does the Mohammed as a black servant during this tieme in 2020 there would be a riot outside of the MET protesting, and I personally consider this a better ending, where Marschallin keeps her dignity and gets redemption.

    • @Bumblebeebeebee
      @Bumblebeebeebee 3 ปีที่แล้ว +2

      Stupid comment.

    • @drbarbarabaker
      @drbarbarabaker 3 ปีที่แล้ว

      Stop at the end of the trio.

    • @bobkurland186
      @bobkurland186 3 ปีที่แล้ว +4

      @@drbarbarabaker because the page coming in to pick up the hankerchief is an integral part of the ending of the opera, musically and thematically

    • @drbarbarabaker
      @drbarbarabaker 3 ปีที่แล้ว +1

      @@bobkurland186 I know. I hate the whole ending in this version.

  • @crazyorganist1609
    @crazyorganist1609 3 ปีที่แล้ว +2

    Christa Ludwig and Elizabeth Schwarzkopf still own these roles. Renee Fleming looks like a drag queen. Garanca is ok but still lacks emotion and depth Christa Ludwig had. Schwarzkopf powered through this. Fleming is clearly struggling with the demands of the role

    • @Emma-fb2qi
      @Emma-fb2qi 3 ปีที่แล้ว +4

      Renee Fleming is not struggling, but she is past her prime here. Look at the recording of this from 2010, she sounds amazing.

    • @zap7777
      @zap7777 3 ปีที่แล้ว +6

      Christa Ludwig and Elizabeth Schwarzkopf were phantastic - but - no one owns these roles. If you like thme so much just don't listen to others. But stop making other singers bad.

    • @crazyorganist1609
      @crazyorganist1609 2 ปีที่แล้ว

      @@zap7777 Fleming is struggling. Shes bot suited to this repetoire

    • @ssballs
      @ssballs 2 ปีที่แล้ว

      I'll take the Crespin. A touch of French elegance and lightness over Fleming, anytime/ any day.

    • @kurbiscremesuppe
      @kurbiscremesuppe 2 ปีที่แล้ว

      The problem with Fleming is not her beautiful voice and appearance, but the fact that her German is not good. I don't understand her words.