Mein Gott...es gibt auf dieser Welt Leute, die Mozart Monotonie in der Harmonik usw. vorwerfen. Kaum zu glauben! Ich frage mich nur, nicht nur als Musikwissenschaftler, sonder vor allem als Musiker (ich spreche ja nicht für meine Zunft), ob diese Leute eine Mozartsche Partitur je analysiert haben. Ich danke meinerseits jeden Tag, ganz bescheiden, dem lieben Gott dafür, daß er so gnädig war, uns Mozart zu schenken.
I fell deeply in love with this concert 3 years old - and sang the themes everywhere. People stared a bit, my mother told me later. We had it with Hans Henkemanns. Now this is my favourite, because I am nuts about Master Gilels and his art. He even reminds of my pianoplaying dad. I adore VYACHESLAV OVCHINNIKOV as well. Wonderful conductor!
Благодарю,Вас! Не хочу повторяться -я уже пропела на листах интернета своё восхищение Эмилем Григорьевичем Гилельсом :Музыкантом и Человеком. Я восхищаюсь Советскими Слушателями! Их лицами, их трогательными букетиками,которые они преподносят в дар любимому музыканту. Сейчас,уж простите,и слушатель другой и букеты иные. Разумеется -настоящие слушатели тоже есть, но дух коммерции проник и в залы,где оживает Музыка. 19.12.2020. Всего доброго!
Surprisingly, there are only less than 4000 visits to this amazing clip at this time. Hope music lovers will pay homage to this exclusive concert. Emil Gilels does not need an introduction. His daughter, Elena, was an accomplished pianist in her own right. Per Wikipedia: Elena Gilels (Елена Эмильевна Ги́лельс, September 5, 1948 - June 17, 1996) studied at the Moscow Conservatory under Vera Gornostayeva and Yakov Flier, then with Pavel Serebryakov at the Leningrad Conservatory. Her repertoire focused on the works of Haydn, Beethoven, Mendelssohn, Chopin, Liszt, Schumann, Mussorgsky, Tchaikovsky, Rachmaninoff and Prokofiev. Elena Gilels is perhaps best remembered for her performances of Mozart's piano concertos. She frequently performed with her father Emil Gilels, with whom she recorded Mozart's Concerto for Two Pianos, KV. 365.
I add my thanks for the information, too. On the Blue Box Meloydia 5 CD all Emil Gilels' set, other than the Hammerklavier,.my favorite disc is his all Mozart one. Unable to be duplicated by another pianist!
The concerto in E flat major is relatively poorly known because two pianists soli are requested. Nevertheless, it is spledidly written and deserves more attention. The last conccerto of Mozart, the B flat K.595 is muxh better known. The final works of Mozart - except the Requiem, of course - are in a rather temperate flavour and this modest tone charcterizes this final concerto.
Musicalmente excelente. La filmación deja mucho que desear: pocas cámaras y mal ubicadas. El sonido como muy lejano. La solvencia de Emil Gilels salva el resto. Más para oir que para ver
WOW! Didn't know this existed . Never heard his daughter before (student of Flier no doubt ) ! My fave double concerto -never cared for Gilel's Mozart his personality is too big how do Argerich and Barenboim do it they have huge personalities . Wow! Elena has taste in Mozart her phrasing in places more shaded than ... Russians , Poles in Mozart before 1960 is an ugly thing . Haebler 's is THE Messiah of Mozart playing . I have a disque of her Chopin but I have not listened well to it . Would love to find a recital with a variety no 2nd Viennese school I'm sure .
Too big personality??? Gilels himself told, that he had literal conversations with the composer - in his mind - while playing. He was unusually imaginative.
Mozart serving the same sauce. Don't give me wrong, Mozart was an outstanding composer but his compositional activity was closely tied to survival, earning his daily bread than musicians of other eras. He endlessly re-used the same formulas and his musical vocabulary both harmonically and rhythmically is incredibly limited compared to even Haydn who is close in style had a more diverse vocabulary, nobody talks of that. Yes it works, yes it is well written but it's the same sauce over and over, yes there is a small innovative part in each composition but he always re-uses at least 90% of his musical vocabulary and re-assembles it in a different way. Compared to a romantic composer like Schumann or Brahms each of their works required tremendous amount of work they explore new musical territory. Mozart is like someone having a small garden that they maintain and each composition is a stroll in the same garden over different seasons. Mozart's musical style is invariant and fits in a very narrow genre. Of course he could compose pieces in weeks by doing that. He was like a craftsman who invented a single winning product then spend his whole life making small variations on it because it sells and still does. Yes it's beautiful, yes it's admirable but i am glad classical music is not only Mozart.
@Goognam Goognw. I suspect a lot will think that you are arrogant writing what you wrote. Actually I tend to agree with you regarding his piano music. As a non musician I can recognise Mozart by his style in the same way as I can recognise blues, trad jazz, and Vivaldi's music. It is perhaps formulaic but I see nothing wrong with that.
@@johntimbrell yes, fair enough. Formulaic is a good word for it. If a composer had to re-invent his musical vocabulary at every composition then you will have a small body of works. What you see instead is composers going through phases like early/mid/pre-/post-/late where you see an evolution in their musical language, Beethoven, Scriabin are the best examples. Beethoven late Op100+ piano sonata are a complete reinvention of his style. Scriabin had an early period and developped into more mature style. It would be interesting to research how economical need drove how they composed. Mozart finished his life in abject poverty and his last famous Symphony was written when he was already poor. No mentioning his father which oriented his childhood year toward trying to impress. The young mozart learned to re-use winning formulas and his whole life never went very far from his selling formula. Exception to that might be his piano fantasy is C minor and his Requiem. I feel compassion and sadness for him, he certainly had no room to deviate from what worked. I think his music is the pop music of classic repertoire, is seeks to appeal to the largest possible audience and succeeds doing that. I cannot think of another composer that was so economically pressured to compose for survival. JS Bach held a Kappelmeister position, that gave him more freedom to compose without needing the audience approval. Mozart was never an artist in residence, he had to compose to please. I sometimes find his slow movements stereotypes of his own previous works. I will still say he was a great composer but not the greatest by any measure.
Mein Gott...es gibt auf dieser Welt Leute, die Mozart Monotonie in der Harmonik usw. vorwerfen. Kaum zu glauben! Ich frage mich nur, nicht nur als Musikwissenschaftler, sonder vor allem als Musiker (ich spreche ja nicht für meine Zunft), ob diese Leute eine Mozartsche Partitur je analysiert haben. Ich danke meinerseits jeden Tag, ganz bescheiden, dem lieben Gott dafür, daß er so gnädig war, uns Mozart zu schenken.
Спасибо что есть такие записи! Восторг от игры замечательного музыканта и оркестра!
I fell deeply in love with this concert 3 years old - and sang the themes everywhere. People stared a bit, my mother told me later. We had it with Hans Henkemanns. Now this is my favourite, because I am nuts about Master Gilels and his art. He even reminds of my pianoplaying dad. I adore VYACHESLAV OVCHINNIKOV as well. Wonderful conductor!
Благодарю,Вас!
Не хочу повторяться
-я уже пропела на листах
интернета своё восхищение Эмилем
Григорьевичем Гилельсом :Музыкантом
и Человеком.
Я восхищаюсь Советскими Слушателями! Их лицами,
их трогательными букетиками,которые они
преподносят в дар любимому музыканту.
Сейчас,уж простите,и
слушатель другой и
букеты иные. Разумеется
-настоящие слушатели
тоже есть, но дух коммерции проник и в
залы,где оживает Музыка.
19.12.2020.
Всего доброго!
💖💖💖💖
Vae Victis!
Bravo bravo bravo
Superb father and daughter team. They recorded the same concerto with DDG with Karl Bohm conducting in 1976.
El mejor pianista del siglo XX...
Эмиль и Елена Гилельс! Браво! Совершенно потрясающее исполнение. Концерт очень известный и часто исполняемый.
Very Touching Performance, sort of the greatest playing of Mozart's! Bravo x 100
i prefer Andrei Gavrilov with Dang Thai Song Mozart concerto for two pianos! But Emil Gilels the King of Pianists!
Very Touching Performance! This is one of the greatest Mozart's interpretation that excites me! Brave 100x
Божественно!
I have never though two pianos would be so nice
２台のピアノによる協奏曲は、超大好きで、グルダとチックコリアのCDをよく聴いています。今日は、27番も一緒に拝聴させて頂き、感動で、泣きそうです😢😍❤️本当に有り難うございます🙏🙏🙏🎶
Surprisingly, there are only less than 4000 visits to this amazing clip at this time. Hope music lovers will pay homage to this exclusive concert. Emil Gilels does not need an introduction. His daughter, Elena, was an accomplished pianist in her own right. Per Wikipedia: Elena Gilels (Елена Эмильевна Ги́лельс, September 5, 1948 - June 17, 1996) studied at the Moscow Conservatory under Vera Gornostayeva and Yakov Flier, then with Pavel Serebryakov at the Leningrad Conservatory. Her repertoire focused on the works of Haydn, Beethoven, Mendelssohn, Chopin, Liszt, Schumann, Mussorgsky, Tchaikovsky, Rachmaninoff and Prokofiev. Elena Gilels is perhaps best remembered for her performances of Mozart's piano concertos. She frequently performed with her father Emil Gilels, with whom she recorded Mozart's Concerto for Two Pianos, KV. 365.
Thank you for these informations !
I add my thanks for the information, too. On the Blue Box Meloydia 5 CD all Emil Gilels' set, other than the Hammerklavier,.my favorite disc is his all Mozart one. Unable to be duplicated by another pianist!
Sublime, 💝💖merci.
Bellisima versión, un Mozart cristalino pero profundo y conmovedor.
Прекрасный концерт!
Очень хорошо! Чудесно!
I love Russian geniuses!!!
❤
Like father like daughter.
Украiна мае пишатись такими пiанiстами як Гiлельс, Горовиць, Нейгауз... Вiчна iм Слава.!!
Viva la Russia e i suoi geni musicali !@@@
The concerto in E flat major is relatively poorly known because two pianists soli are requested. Nevertheless, it is spledidly written and deserves more attention. The last conccerto of Mozart, the B flat K.595 is muxh better known. The final works of Mozart - except the Requiem, of course - are in a rather temperate flavour and this modest tone charcterizes this final concerto.
أسطورة
Великий Гилельс, великая Россия !
tempo,tempo
Musicalmente excelente. La filmación deja mucho que desear: pocas cámaras y mal ubicadas. El sonido como muy lejano. La solvencia de Emil Gilels salva el resto. Más para oir que para ver
この組み合わせカールベームので見たかったな。
How come that Elena Gilels is not mentionned in the title of this video?
WOW! Didn't know this existed . Never heard his daughter before (student of Flier no doubt ) ! My fave double concerto -never cared for Gilel's Mozart his personality is too big how do Argerich and Barenboim do it they have huge personalities . Wow! Elena has taste in Mozart her phrasing in places more shaded than ... Russians , Poles in Mozart before 1960 is an ugly thing . Haebler 's is THE Messiah of Mozart playing . I have a disque of her Chopin but I have not listened well to it . Would love to find a recital with a variety no 2nd Viennese school I'm sure .
Too big personality??? Gilels himself told, that he had literal conversations with the composer - in his mind - while playing. He was unusually imaginative.
Mozart serving the same sauce. Don't give me wrong, Mozart was an outstanding composer but his compositional activity was closely tied to survival, earning his daily bread than musicians of other eras. He endlessly re-used the same formulas and his musical vocabulary both harmonically and rhythmically is incredibly limited compared to even Haydn who is close in style had a more diverse vocabulary, nobody talks of that. Yes it works, yes it is well written but it's the same sauce over and over, yes there is a small innovative part in each composition but he always re-uses at least 90% of his musical vocabulary and re-assembles it in a different way. Compared to a romantic composer like Schumann or Brahms each of their works required tremendous amount of work they explore new musical territory.
Mozart is like someone having a small garden that they maintain and each composition is a stroll in the same garden over different seasons. Mozart's musical style is invariant and fits in a very narrow genre. Of course he could compose pieces in weeks by doing that. He was like a craftsman who invented a single winning product then spend his whole life making small variations on it because it sells and still does. Yes it's beautiful, yes it's admirable but i am glad classical music is not only Mozart.
@Goognam Goognw. I suspect a lot will think that you are arrogant writing what you wrote. Actually I tend to agree with you regarding his piano music. As a non musician I can recognise Mozart by his style in the same way as I can recognise blues, trad jazz, and Vivaldi's music. It is perhaps formulaic but I see nothing wrong with that.
@@johntimbrell yes, fair enough. Formulaic is a good word for it. If a composer had to re-invent his musical vocabulary at every composition then you will have a small body of works. What you see instead is composers going through phases like early/mid/pre-/post-/late where you see an evolution in their musical language, Beethoven, Scriabin are the best examples. Beethoven late Op100+ piano sonata are a complete reinvention of his style. Scriabin had an early period and developped into more mature style. It would be interesting to research how economical need drove how they composed. Mozart finished his life in abject poverty and his last famous Symphony was written when he was already poor. No mentioning his father which oriented his childhood year toward trying to impress. The young mozart learned to re-use winning formulas and his whole life never went very far from his selling formula. Exception to that might be his piano fantasy is C minor and his Requiem. I feel compassion and sadness for him, he certainly had no room to deviate from what worked. I think his music is the pop music of classic repertoire, is seeks to appeal to the largest possible audience and succeeds doing that. I cannot think of another composer that was so economically pressured to compose for survival. JS Bach held a Kappelmeister position, that gave him more freedom to compose without needing the audience approval. Mozart was never an artist in residence, he had to compose to please. I sometimes find his slow movements stereotypes of his own previous works. I will still say he was a great composer but not the greatest by any measure.