Pablo de Sarasate - Danzas Españolas, Op. 21 / Spanish Dances (Century's record.: Ruggiero Ricci)
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- เผยแพร่เมื่อ 9 ก.ค. 2024
- Album available // Sarasate: Danzas Españolas & Pieces by Ruggiero Ricci
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🎧 Apple Music apple.co/46oFWhf Deezer bit.ly/3JvSUjt
🎧 Amazon Music amzn.to/3R8iWgA Spotify spoti.fi/3Vt74IC
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Pablo de Sarasate (1844-1908) Danzas Españolas, Op. 21 / Remastered
00:00 Danzas Españolas No. 1: Malagueña, Op. 21 No. 1
04:05 Danzas Españolas No. 2: Habanera, Op. 21 No. 2
07:33 Danzas Españolas No. 3: Romanza andaluza, Op. 22 No. 1
11:44 Danzas Españolas No. 4: Jota navarra, Op. 22 No. 2
16:04 Danzas Españolas No. 5: Playera, op. 23 No. 1
19:50 Danzas Españolas No. 6: Zapateado, Op. 23 No. 2
23:16 Danzas Españolas No. 7: Vito, op. 26 No. 1
28:26 Danzas Españolas No. 8: Habanera, Op. 26 No. 2
Serenata Andaluza, Op. 28
Introduction et Tarantelle, Op. 43
Caprice Basque, Op. 24
Complete Remastered edition (Sarasate: Danzas Españolas & Pieces by Ruggiero Ricci) available on: Qobuz (Hi-Res 24/96), Apple Music, Amazon Music, Tidal, Deezer, Spotify, TH-cam Music...: • Serenata Andaluza, Op....
Violin: Ruggiero Ricci
Piano: Brooks Smith
Recorded in 1961, at New York
New mastering in 2023 by AB for CMRR
🔊 FOLLOW US on SPOTIFY (Profil: CMRR) : spoti.fi/3016eVr
🔊 Download CMRR's recordings in High fidelity audio (QOBUZ) : bit.ly/370zcMg
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Thank you :) / cmrr // en.tipeee.com/cmrr
Spanish violinist and composer Pablo de Sarasate (1844-1908) follows in the footsteps of the Franco-Belgian violin school. His exceptional talent earned him a scholarship to work in Madrid with Manuel Rodríguez Sáez. Queen Isabelle II took notice of him and allowed him to study at the Paris Conservatoire, where he was admitted in 1856; he attended the classes of Delphin Alard (violin) and Henri Reber (harmony), winning first prizes in violin and solfeggio in 1857, followed by a harmony prize in 1859. His international career quickly took off.
Pablo de Sarasate's vertiginous technique impressed both the general public and the most discerning amateurs. His style was very new, compared to that of Joseph Joachim, considered the greatest violinist of the time: rapid vibrato, varied and perfectly controlled portamento, a quest for the most charming sonorities, rhythmic agility and precision, but also classical purity of expression. This rigor and sobriety, mistaken for coldness at the time, earned him much criticism; it's never easy to be ahead of one's time.
Yet the composers of the day were fascinated, and made no mistake. Witness the many works composed for Pablo de Sarasate, including Max Bruch's Second Violin Concerto and Scottish Fantasy, Antonín Dvořák's Mazurek, Édouard Lalo's Symphonie espagnole and Violin Concerto, Camille Saint-Saëns' Third Violin Concerto, Op. 61, and Introduction et rondo capriccioso, Henryk Wieniawski's Second Violin Concerto; Joachim himself wrote the Variations for violin and orchestra for Sarasate. All of which hints at Sarasate's extraordinary means and expressive qualities. Sarasate formed a string quartet (1860-1870) that often included Brahms' quartets in its programs, while the triumphant soloist always refused, for reasons that remain unexplained, to perform the latter's Violin Concerto.
By contrast, his repertoire extends to composers such as Joachim Raff and Karl Goldmark. Schubert's difficult Fantasy for violin and piano, in C major, D 934, is one of his most remarkable hobbyhorses. Pablo de Sarasate played on many precious violins, including two Stradivari - the 1713 "Boissier" and a 1724 instrument, his favorite, which is kept at the instrumental museum of the Paris Conservatoire - and the famous 1742 Guarnerius del Gesù, which had belonged to Ferdinand David, creator of the Mendelssohn concerto, and which passed through the hands of Jascha Heifetz.
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Album available // Sarasate: Danzas Españolas & Pieces by Ruggiero Ricci
🎧 Qobuz bit.ly/447ceM7 Tidal bit.ly/3NxVAxY
🎧 Apple Music apple.co/46oFWhf Deezer bit.ly/3JvSUjt
🎧 Amazon Music amzn.to/3R8iWgA Spotify spoti.fi/3Vt74IC
🎧 TH-cam Music bit.ly/3NTAoEo
🎧 Naspter, Pandora, Anghami, QQ音乐, LineMusic日本, Awa日本...
Pablo de Sarasate (1844-1908) Danzas Españolas, Op. 21 / Remastered
00:00 Danzas Españolas No. 1: Malagueña, Op. 21 No. 1
04:05 Danzas Españolas No. 2: Habanera, Op. 21 No. 2
07:33 Danzas Españolas No. 3: Romanza andaluza, Op. 22 No. 1
11:44 Danzas Españolas No. 4: Jota navarra, Op. 22 No. 2
16:04 Danzas Españolas No. 5: Playera, op. 23 No. 1
19:50 Danzas Españolas No. 6: Zapateado, Op. 23 No. 2
23:16 Danzas Españolas No. 7: Vito, op. 26 No. 1
28:26 Danzas Españolas No. 8: Habanera, Op. 26 No. 2
Serenata Andaluza, Op. 28
Introduction et Tarantelle, Op. 43
Caprice Basque, Op. 24
Complete Remastered edition (Sarasate: Danzas Españolas & Pieces by Ruggiero Ricci) available on: Qobuz (Hi-Res 24/96), Apple Music, Amazon Music, Tidal, Deezer, Spotify, TH-cam Music...: th-cam.com/video/627SYQPJWPM/w-d-xo.html
Violin: Ruggiero Ricci
Piano: Brooks Smith
Recorded in 1961, at New York
New mastering in 2023 by AB for CMRR
🔊 FOLLOW US on SPOTIFY (Profil: CMRR) : spoti.fi/3016eVr
🔊 Download CMRR's recordings in High fidelity audio (QOBUZ) : bit.ly/370zcMg
❤ If you like CMRR content, please consider membership at our Patreon or Tipeee page.
Thank you :) www.patreon.com/cmrr // en.tipeee.com/cmrr
Spanish violinist and composer Pablo de Sarasate (1844-1908) follows in the footsteps of the Franco-Belgian violin school. His exceptional talent earned him a scholarship to work in Madrid with Manuel Rodríguez Sáez. Queen Isabelle II took notice of him and allowed him to study at the Paris Conservatoire, where he was admitted in 1856; he attended the classes of Delphin Alard (violin) and Henri Reber (harmony), winning first prizes in violin and solfeggio in 1857, followed by a harmony prize in 1859. His international career quickly took off.
Pablo de Sarasate's vertiginous technique impressed both the general public and the most discerning amateurs. His style was very new, compared to that of Joseph Joachim, considered the greatest violinist of the time: rapid vibrato, varied and perfectly controlled portamento, a quest for the most charming sonorities, rhythmic agility and precision, but also classical purity of expression. This rigor and sobriety, mistaken for coldness at the time, earned him much criticism; it's never easy to be ahead of one's time.
Yet the composers of the day were fascinated, and made no mistake. Witness the many works composed for Pablo de Sarasate, including Max Bruch's Second Violin Concerto and Scottish Fantasy, Antonín Dvořák's Mazurek, Édouard Lalo's Symphonie espagnole and Violin Concerto, Camille Saint-Saëns' Third Violin Concerto, Op. 61, and Introduction et rondo capriccioso, Henryk Wieniawski's Second Violin Concerto; Joachim himself wrote the Variations for violin and orchestra for Sarasate. All of which hints at Sarasate's extraordinary means and expressive qualities. Sarasate formed a string quartet (1860-1870) that often included Brahms' quartets in its programs, while the triumphant soloist always refused, for reasons that remain unexplained, to perform the latter's Violin Concerto.
By contrast, his repertoire extends to composers such as Joachim Raff and Karl Goldmark. Schubert's difficult Fantasy for violin and piano, in C major, D 934, is one of his most remarkable hobbyhorses. Pablo de Sarasate played on many precious violins, including two Stradivari - the 1713 "Boissier" and a 1724 instrument, his favorite, which is kept at the instrumental museum of the Paris Conservatoire - and the famous 1742 Guarnerius del Gesù, which had belonged to Ferdinand David, creator of the Mendelssohn concerto, and which passed through the hands of Jascha Heifetz.
Ironically, Ruggiero Ricci (1918-2012) used to say that "behind every child prodigy lies an ambitious parent...", referring to his father's abusive role in his early life. An amateur trombonist, he forced each of his seven children to play an instrument (one of his sisters and one of his brothers each went on to become a professional musician). The young boy wanted to take up the keyboard, but his father convinced him to study the violin by giving him a collection of bows.
From the age of six, Ricci worked with the assistant of Louis Persinger (1887-1966), the teacher of another violin prodigy, Yehudi Menuhin, four years his senior, and then with Persinger himself, who quickly recognized the boy's exceptional talent. (Persinger also trained Isaac Stern, among others, and it's worth noting that his master accompanied Ricci on piano, in concert and on record, notably in fantasy pieces by Paganini and Sarasate).
At the age of fourteen, Ruggiero Ricci made his first European tour, performing with all the major orchestras. He achieved considerable success everywhere. During the war, from 1942 to 1945, he became Entertainment Specialist Ricci, giving numerous concerts for the US Air Force, which enabled him to hone a vast repertoire of serious pieces and virtuoso fantasies (a genre he would come to love).
He soon made his first 78 rpm recordings and recorded his first concertos and sonatas for Decca, followed by a considerable number of other discs (also for other labels) displaying not only his formidable technique but also his extraordinary musicality.
😮😮nc
Semplicemente ..fantastico ..c è virtuosismo e calore musicale spagnolo...☀️👍
Wunderschöne und lebhafte Interpretation dieser acht romantischen und ethnisch komponierten Tänze in verschiedenen Tempi mit seidigem doch gut phrasiertem Ton der genialen Violine und zurückgehaltenem doch klarem Klang des ebenso genialen Klaviers. Wunderbar und atemberaubend zugleich!
Me encantan estas obras de Sarasate!
23:35 😢😢🎉подвластно все.ни в чем никаких трудностей!!!
Complete Remastered edition (Sarasate: Danzas Españolas & Pieces by Ruggiero Ricci) available on: Qobuz (Hi-Res 24/96), Apple Music, Amazon Music, Tidal, Deezer, Spotify, TH-cam Music...: th-cam.com/video/627SYQPJWPM/w-d-xo.html Spanish violinist and composer Pablo de Sarasate (1844-1908) follows in the footsteps of the Franco-Belgian violin school. His exceptional talent earned him a scholarship to work in Madrid with Manuel Rodríguez Sáez. Queen Isabelle II took notice of him and allowed him to study at the Paris Conservatoire, where he was admitted in 1856; he attended the classes of Delphin Alard (violin) and Henri Reber (harmony), winning first prizes in violin and solfeggio in 1857, followed by a harmony prize in 1859. His international career quickly took off.
Pablo de Sarasate's vertiginous technique impressed both the general public and the most discerning amateurs. His style was very new, compared to that of Joseph Joachim, considered the greatest violinist of the time: rapid vibrato, varied and perfectly controlled portamento, a quest for the most charming sonorities, rhythmic agility and precision, but also classical purity of expression. This rigor and sobriety, mistaken for coldness at the time, earned him much criticism; it's never easy to be ahead of one's time.
Yet the composers of the day were fascinated, and made no mistake. Witness the many works composed for Pablo de Sarasate, including Max Bruch's Second Violin Concerto and Scottish Fantasy, Antonín Dvořák's Mazurek, Édouard Lalo's Symphonie espagnole and Violin Concerto, Camille Saint-Saëns' Third Violin Concerto, Op. 61, and Introduction et rondo capriccioso, Henryk Wieniawski's Second Violin Concerto; Joachim himself wrote the Variations for violin and orchestra for Sarasate. All of which hints at Sarasate's extraordinary means and expressive qualities. Sarasate formed a string quartet (1860-1870) that often included Brahms' quartets in its programs, while the triumphant soloist always refused, for reasons that remain unexplained, to perform the latter's Violin Concerto.
By contrast, his repertoire extends to composers such as Joachim Raff and Karl Goldmark. Schubert's difficult Fantasy for violin and piano, in C major, D 934, is one of his most remarkable hobbyhorses. Pablo de Sarasate played on many precious violins, including two Stradivari - the 1713 "Boissier" and a 1724 instrument, his favorite, which is kept at the instrumental museum of the Paris Conservatoire - and the famous 1742 Guarnerius del Gesù, which had belonged to Ferdinand David, creator of the Mendelssohn concerto, and which passed through the hands of Jascha Heifetz.
Ironically, Ruggiero Ricci (1918-2012) used to say that "behind every child prodigy lies an ambitious parent...", referring to his father's abusive role in his early life. An amateur trombonist, he forced each of his seven children to play an instrument (one of his sisters and one of his brothers each went on to become a professional musician). The young boy wanted to take up the keyboard, but his father convinced him to study the violin by giving him a collection of bows.
From the age of six, Ricci worked with the assistant of Louis Persinger (1887-1966), the teacher of another violin prodigy, Yehudi Menuhin, four years his senior, and then with Persinger himself, who quickly recognized the boy's exceptional talent. (Persinger also trained Isaac Stern, among others, and it's worth noting that his master accompanied Ricci on piano, in concert and on record, notably in fantasy pieces by Paganini and Sarasate).
At the age of fourteen, Ruggiero Ricci made his first European tour, performing with all the major orchestras. He achieved considerable success everywhere. During the war, from 1942 to 1945, he became Entertainment Specialist Ricci, giving numerous concerts for the US Air Force, which enabled him to hone a vast repertoire of serious pieces and virtuoso fantasies (a genre he would come to love).
He soon made his first 78 rpm recordings and recorded his first concertos and sonatas for Decca, followed by a considerable number of other discs (also for other labels) displaying not only his formidable technique but also his extraordinary musicality.
🔊 FOLLOW US on SPOTIFY (Profil: CMRR) : spoti.fi/3016eVr
🔊 Download CMRR's recordings in High fidelity audio (QOBUZ) : bit.ly/370zcMg
❤ If you like CMRR content, please consider membership at our Patreon or Tipeee page.
Thank you :) www.patreon.com/cmrr // en.tipeee.com/cmrr
Ricci was great and as well a very nice and honest man! Eric Shumsky
Muchísimas gracias, esto es bellísimo!!!
¡Sí! Es realmente muy inspirado
Bravísimo. I love this music, I can feel it so deeply!
БРАВО!!!👋👋👋❤❤❤
:)
This is utterly out of this world. What a beauty just discoverng today. Thanks for the uploading a truly gift❤. The bravo also goes to the interpreters and what a master was maestro Ricci👌
Sarasate must hace studied Paganini❤.
Sarasate par Ricci, la perfection !
Non allez écouter Gil Shaham..ou Perlman ou Vengerov tt autre chose.
@@philippegerboin6266 None of them comes close.
Full volume!
Super good - TY
💘
🥰
The 5th number in this set Was it composed by PS or RR lt was to my ear Andaluzian
all were composed by sarasate
Disagree with his interpretation, overusing vibrato. This is not O Sole mio song.This is Spanish temperament piece, he missed.
You’re absolutely right, Spanish temperament is well known for its hatred of emotion and expressiveness 😳………………………….
@@jeanpralica462 You are exaggerating my comment of player's exaggeration.
😛
Just kidding mate, it was too tempting 😜 peace.
@@jeanpralica462 Welcome any time. Good vibes to you friend.
And to you, my friend.
Pas bon trop poussif Le Zapateado