Paul Butterfield Blues Band -Losing Hand (Live)
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- เผยแพร่เมื่อ 16 ก.ย. 2024
- Paul Butterfield Blues Band
Harmonica, Piano, Vocals -- Paul Butterfield
Guitar -- Ralph Wash
Bass, Vocals -- Rod Hick
Drums -- George Davidson
Baritone Saxophone -- Trevor Lawrence
Keyboards -- Ted Harris
Producer -- Todd Rundgren
Trumpet -- Steve Madaio
Vocals, Tenor Saxophone,
Soprano Saxophone -- Brother Gene Dinwiddie
Engineer -- Ray Thompson, Todd Rundgren
The East-West album cover is framed and hanging in my den. Coolest album and cover ever. Giants standing among giants.
The Butterfield Band influenced everyone from Eric Clapton to the Allman brothers to Santana. These guys were breaking musical barriers in the mid sixties like nobody's business.
The stones influenced Clapton . Butterfield has happening parallel to the blues scene in London . The stones were THEE blues act in the early 60's . Butterfield was watching the likes of muddy and wolf live . The stones were copying what they heard on Robert Johnson and Elmore James records . Clapton joined the yardbirds who took what the stones were doing before they "sold out" to write their own pop records .
The genius that was Paul Butterfield lives in this track
The best and most tasteful harp player for a generation. 2 people gave a thumbs down. That's hilarious! Must have been standind on their heads
I don't think they were standing on their heads I think they were brain dead.
I learn something new every time I listen to Paul play on... and on...
The best live band of all time.
If this really was part of the Troubadour session for the Butterfield Live album, the one I really can't believe that's not on the album was Gene's Tune.
Butterfield was deeply into Jazz and it really shows in these older recordings with Bloomfield. 2 geniuses that got screwed by their label and their crooked lawyer Rothschild. Bay area Bloomfield left Earth penniless and the Butterman was almost flat broke too in No Hollywood. I was a big fan as early as 1962 when the band played in Southern CA clubs for years....I first heard his band in Huntington Beach. I began playing harmonica when I heard him then and still blow now. Probably the only harp player that didn't ever copy any of Little Walter Jacobs licks. A genius and original. Bloomfield was certainly no slouch either. Thank you two artists! RIP
Let's not forget Elvin Bishop!
I saw Butterfield at the Golden Bear in Huntington Beach in '67 or '68.
These guys were classic. Building on the tradition and rocking the house. Challenge to the younger generation. Go for it y"all.
ı am spreading the news in istanbul., you are most welcome. just let me know when you are comin' :)))))
The only white guy who could seriously play the blues. One of the greatest instrumentalists ever known. And I was lucky to be blessed with his friendship. R.İ.P. Paul
I think you have to add Michael B. to that list.
Agree, Paul was the greatest but there were other white guys who could play the blues. Sheesh ! Pfft !
Brian Jones . He should be in the blues hall of fame.
You'd better consider Memphis Charley Musselwhite, or Charlie Musselwhite as he became known.
Paul was the best, white or black, but Charlie was, and is, no slouch.
@@mitchgawlik1175 I will check Charlie right now. Thanks. Please let me know when you are around İstanbul. :)))
Saw him in 68 with the “Pigboy Crabshaw” line up at Toronto’s Massey Hall. Full house, jazzy sound, spectacular band. Left a big impression on this
Eighteen year old. The Pigboy Crabshaw album was brilliant and was played at many of our house parties. Elvin Bishop was terrific on guitar and I remain a fan to this day.
So did I. I will never forget that concert.
Great reoording! One of my biggest heros. Saw the band 13 times thru many permutations: Bloomfield, Bishop, Dinwiddy/Sanborn , young Buzzy Feiten another wiz kid. My favorite drummer was Phil Wilson. Elvin Bishop really stepped up when he became #1 when Bloomfield left ( "resurrection of Crabshaw) Probably my favorite album of all time. Great singer, harp player, and band leader who knew how to find and organize the best talent. (I think maybe Jerry Ragavoy did the amazing horn arrangements, but not sure) Nothing like a Butterfield show!
Have to agree Larry Gag. Absolutely NOTHING like a live Butterfield show. Their virtuousity would make you pay attention and make time go away for a little. The blues ain't nothing if it ain't happy. And Butter's bands were always happy and they exuded. that happiness to the audience. True professionals. I loved this band in all its versions.
WOW ! I have never heard this before. Really Paul, his big band was the best. more !!!
Paul Butterfield is simply the best of the best.
This is marvelous..Soulful, great players......Wow......
Very nice pics to this wizard musican. He sure could play the harp...........
"Wizard musician," Wow! Good description of Paul Butterfield. He could drive his audience into a frenzy when he blew his harp. UNbelievable to watch.
The venue is The Troubadour in Los Angeles in 1970, not Monterey Pop '67, or even the Monterey Jazz Fest, where Butter played in September 1966.
What a solo! From the best of the best and a great band.
Awesome!!!
Brilliant. Beautiful.
This live piece is quite excellent. However, the studio version is my favorite PBB song. And that's a mouthful. The Resurrection of Pigboy Crabshaw is one of my fovorite albums.It's a shame most of these guys are gone.
Amazing photos here guys,,,pay attention,,stuff never seen before,,,
wonderfull!!
You've got all of the musicians and players mixed up, I was friends with these guys good friend of Paul's who is playing harmonica and doing vocals, Rod Hicks God Rest his Soul is on Bass, Steve Madaio Trumpet, Gene Dinwiddie RIP Tenor Sax..Ralph Walsh Guitar...and so on..
If you were lucky enough to have been friends with these talented musicians your a very fortunate man. Wish I could say I called them friends.
War ein fantastischer munti Blueser
Bestbest
Let’s not forget to note Mike Bloomfield, ok ?
Song key Dm, C harp (3rd position)
I love it when he steps away from the close-mic and goes acoustic, lets his actual tone come through.