I know that my Nikon F mount lenses can be adapted to M mount, so can K-mount lenses. Would that make those even more adaptable than m-mount lenses? Would you say M-mount is more desirable because it of how thin the adapters are for mirrorless? I’ll still be purchasing vintage AI-S lenses since my film camera is a Nikon but I’m curious about this M-mount.
The only cine lens I own is the Vespid prime 40mm and being thinking of buying the 21mm but still saving for it. do you think I can pair the Thypoch 21mm with the Vespid Primes?
Leica R lenses have a classic, non-intrusive look. They’re well-balanced, not too modern, but not overly vintage either, which makes them versatile and suitable for any project. Leica R lenses never go out of style particularly the Walter Mandler designs.
Leica R lenses have a classic, non-intrusive look. They’re well-balanced, not too modern, but not overly vintage either, which makes them versatile and suitable for any project. Leica R lenses never go out of style particularly the Walter Mandler designs.
Yes, that chromatic aberration really got to me. It reminded me of a Schneider 75mm Cine Lens I had. I used it twice before I had to get rid of it. Mechanically, it was perfect, compact, light, cine-style, well-sized, and well-priced, but the chromatic aberration made it unusable. I don’t need an apochromatic lens for every shot, but the chromatic aberration on this lens had me running...
@@levon-atkinson Under controlled lighting maybe the lens performs well. The problem arises when you need something flexible for shooting outdoors in different scenarios or client settings. In such cases, if the lens has too much chromatic aberration, it becomes challenging.
@@EinsteinRiesenfeldJourney Absolutely. I understand these are vintage style designs but it would seem that they aren't using any kind of coatings to control CA. That level of CA would mean outdoor shots with high contrast could prove problematic if not unusable. A bit disappointing to be honest.
Oh hell yeah! I want this set so badly, but I was waiting for a trusted source to review it. 2:30 also I was wondering what lenses you used for these shots.
It would be interesting to see a comparison between Thypoch Simera-C and Dulens APO Mini Prime at 7:03
The colours and image quality are outstanding.
My dream kit is 21, 40 and 75. Every cinema kit needs a 40, I won't compromise with a 35 or 50.
Use the 35 on a APSC
@@breveganlyfe that would make it a 50mm
Been waiting for this one, Josh! Thanks.
You’re welcome. Thanks for watching!
I know that my Nikon F mount lenses can be adapted to M mount, so can K-mount lenses. Would that make those even more adaptable than m-mount lenses? Would you say M-mount is more desirable because it of how thin the adapters are for mirrorless? I’ll still be purchasing vintage AI-S lenses since my film camera is a Nikon but I’m curious about this M-mount.
The only cine lens I own is the Vespid prime 40mm and being thinking of buying the 21mm but still saving for it. do you think I can pair the Thypoch 21mm with the Vespid Primes?
Mucho grande!!!
Thank you for the review! Modern vintage “cinema“? They don’t even color match, 900€ each, difficult to justify the price for me
same, feels like they are justifying bad lenses with "character"
How do they compare to your Leica R's, Josh? Thanks.
Unfortunately I don’t have my Leica R’s anymore. I sold them to a friend to buy more cameras 🤦🏻
Leica R lenses have a classic, non-intrusive look. They’re well-balanced, not too modern, but not overly vintage either, which makes them versatile and suitable for any project. Leica R lenses never go out of style particularly the Walter Mandler designs.
Leica R lenses have a classic, non-intrusive look. They’re well-balanced, not too modern, but not overly vintage either, which makes them versatile and suitable for any project. Leica R lenses never go out of style particularly the Walter Mandler designs.
Tiny. That CA is rough.
Yes, that chromatic aberration really got to me. It reminded me of a Schneider 75mm Cine Lens I had. I used it twice before I had to get rid of it. Mechanically, it was perfect, compact, light, cine-style, well-sized, and well-priced, but the chromatic aberration made it unusable. I don’t need an apochromatic lens for every shot, but the chromatic aberration on this lens had me running...
That's the worst CA I've ever seen and I've shot lots of lenses over the years!
Fr even some cheap options like 7artisan's CIne lenses don't have that much CA
@@levon-atkinson Under controlled lighting maybe the lens performs well. The problem arises when you need something flexible for shooting outdoors in different scenarios or client settings. In such cases, if the lens has too much chromatic aberration, it becomes challenging.
@@EinsteinRiesenfeldJourney Absolutely. I understand these are vintage style designs but it would seem that they aren't using any kind of coatings to control CA. That level of CA would mean outdoor shots with high contrast could prove problematic if not unusable. A bit disappointing to be honest.
Oh hell yeah! I want this set so badly, but I was waiting for a trusted source to review it.
2:30 also I was wondering what lenses you used for these shots.
All of the sample footage that I showed in this video was shot on the Simera-C 35mm and 75mm lenses.
I will wait to buy them secondhand. The new price is a bit to high for me. Great Review bdw.
I knew you could do it! ;-)
Another "vintage" or "character" marketing jargon for bad lens design. I like DZO stuffs but they're often hit or miss nowadays.
Once again, a budget lens not available for the RF mount system. Getting annoyed with this. It’s not just canon but also RED that is affected by this…
Got to blame the lens company since there’s no autofocus in these
You can buy the M-mount version of these lenses, and an adapter.
M Mount to RF .. Solved
I don't think Canon allows third party lenses to be manufactured for the RF range.
@ if it’s a fully manual lens it doesn’t matter what they do or don’t allow… there’s nothing stopping the camera from using the lens…