Where else.. This has happened way too many times at Carnegie Hall, it was recorded multiple times. For example in Yundi's performance of the 4th chopin ballade, which also is on youtube
Actually, it is because Pogorelich had played it so well at the last octave chords... Almost all performers would do ritardando because of the extreme difficulty but he didn't
Saw Pogorelich in London during his golden period. He was unforgettable. He played Schumann's dreaded op.7 as securely as he did on the record for DG - and looked like a romantic prince while he did it.
@@mihaelmazuran932 different is not always better.....his performance of Schumann's piano concerto is quite interesting, especially the last few minutes. But I will not praise his "new" perfomances just for the sake of novelty, it should sounds "logic". If logic means some alterations I will not complain but the music must "flow".....
@@mihaelmazuran932 hey, what is your damn problem? The fact I critize Pogorelich doesn't mean I knew classical music only because of Bang Bang. Apologize or leave 😠
Wanted to be the first boy on the block to be in possession of his recording of the Tchaikovsky First so I got on a plane a flew to London and was at Rose Records before the doors opened as they were the first to get the product from DG. For those that don’t, DG being a European distributor, distributes throughout Europe and then to USA. The doors opened at 10:00 and by 11:30, the shipment was sold out. Claudio Abbado led the London Symphony Orchestra. This is one of my most treasured recordings of my collection.
Be grateful he is still alive and bringing forth his incandescent musical creations for this generation to relish in and grow to understand that his creative musical mind goes far beyond that plane where the general pianists tend to congregate intellectually. Pogorelich gets his musical inspirations from the buddhic plane, far above general humanity's lower mind plane where all the garbage gets collected.❤❤❤❤
8:30 “bruavuo!!!!” after 2:11 he tought “Holy Shit I have to speed up the tempo of this Fucking Piece and skip all the rests before they applaud again”
I keep coming back to listen to this video !!❤❤❤❤ Our generation should be consumately grateful to the powers that be that we can listen and have a documented videos and recordings of this superlative, steatospheric artist and virtuoso such as Pogo. These recordings are a legacy he is giving the new generation of young piano artist virtuosos to the study and meditate about musically and artistically. An Artist and virtuoso like Pogo are only once in a lifetime manifestation in any culture, civilization. There are always hundreds of equally virtuoso pianists, but coupling great musicality, great uniqueness is rare, and we should thank Pogo for all he has DONATED TO THE MUSICAL WORLD, through his incandescent musicality
@@tobiolopainto How nice to hear from you--if you still have my old email address with the 2001 in it, it's the same--please contact me and I'll message you right back.
7:13 to the end ... Pogorelich taking uncredible risks at Carnegie Hall ......... this has guts. And the music ........... a wonderful epic battle ...........
@@APPLE2557XD You are allowed to ask. If you are a pianist, you know that the most little hesitation (a millisecond), or a little divergence can lead to a complete disaster. At this speed, it's complete danger.
Merci pour cette video fabuleuse il n'y a pas de mot pour décrire IvoPogorelich, c'est un génie du piano, je suis éblouie pas sa technique qui dépasse l'entendement, Islamey est une splendeur
Ivo was not only one of the very best pianists- he still is! I myself liked his performances from the first moment and it didn't change over the years. I only can recommend to join a concert if there's a chance. Heard im again in November 21 playing the 2nd piano-concerto in f-minor from Chopin. It was breathtaking and Ivo translated the language of Chopin ! That was music from heaven!
Efectivamente, la selecta audiencia aplaudió indebidamente antes de la terminación de esta compleja obra pianística, fue un aplauso de gran admiración en forma INVOLUNTARIA demostrando una vez más el enorme talento de Ivo Pogorelich, que más bien parece un EXTRATERRESTRE! Existe otra obra pianística sumamente difícil como el tercer fragmento de Gaspar de la Noche de Maurice Ravel. Gracias! Por compartir esta excelente grabación.
Yes, I've heard many versions of Islamey (included his performance live in '90s)! This is my opinion anyway... do you know a pianist who plays it better (from your point of view)?
Congrats on the most moronic TY comment of the week! How about this? This is my favorite performance of the ones I've heard, NOT the "Best Ever" or Best anything. Simple .
Many times i have wondered if Pogorelich is not the reincarnation of the great master Beethoven. Pogorelich has been so immersed in the SOUNDS of the music he is recreating by playing it as well as studying the compositions over so many years. Even Ivo has stated that one of the most important acts in studying musical works has to do with LISTENING. ..and we all know from history that the master LVBeethoven was totally deaf from his late thirties on until his death at age 57.
I heard him play Islamey in a smaller hall around this time. As the piece progressed his yoga style breathing became so loud even in the very back of the hall that it practically overpowered the piano. Very odd moment
UNBELIEVABLE! How could a Carnegie Hall audience not know better?! Still mindblowing how incredibly expressive and elegant his playing remained after the interruption. He is such a genuine maestro!
I’d like to respectfully offer an alternative view. In my few visits to Carnegie, I’ve found that the audience there is one of the most knowledgeable. I’ve met conductors and musicians that have travelled long distances along the eastern seaboard to listen to a concert at Carnegie. In a performance of Ravel’s Daphnis et Chloe, many were able to notice technicalities like missed entrances to stylistic choices like tempo variations and applauded according to the actual quality of the performance rather than just applauding raucously in hopes of getting their money’s worth from a few forced encores like many other American audiences. Applauding after a performer nails a particularly impressive virtuosic passage or between movements was not all that uncommon in the past!
Mylord, because it's a male-female lovesque story behind the notes. A masterpiece, only surpassed in "difficulty" by Ravel's Gaspard de la Nuit. Russian masters always talk greatly thru the piano, love stories...
@@RenatoPernett No Eric Rouach is correct -- its really cheap music and usually incredibly tedious but Pogorelich makes something of it.Kudos to him! (And the guy who filmed it too!!!)
Although Horowitz recorded it, I believe live, his wife didn’t want him to play it in public. She felt it was too showy. If you can, listen to his recording. I’m surprised strings didn’t start snapping.
Tobias Mostel There were surely recordings by great pianists other than Brendel by 1992?!!😉e.g.Gilels,Cziffra, Horowitz,Gavrilov... One way of guarding against ignoramuses like these is to put approximate timings of pieces in the programme...😊
@@fa-la-mi-mi-re I'm familiar with all the recordings. Katchen is very good, but lacks some fire. The fact is that only Brendel played it at Carnegie Hall in the 60s, and no one programmed it after that in that hall. Then Pogorelich came along and played the piss outta that piece. The audience was excited. I was there. Pogorelich was the first of the new pianists who had the tone of a Horowitz or a Richter. He had their technique, too. A very great pianist and still a favorite of mine. The others on this page should note that that Hall doesn't make the audience intelligent. It's studying the music that gives knowledge. Clearly most of the audience didn't know that piece. I did, but I do my homework.
@@tobiolopainto I went through your poast again and confirm you are right.I listened to Katchen's rendition this morning and since it is a studio recording:no fire of course.This Pogo...is live and full of enthusiasm due to the live.So is his Scriabin's sonata n°4(which I listen to over and over again )but not the 2005 Carnegie-but the Los Angeles and Carnegie of 1990) I just discovered Ivo and came to the same conclusion:he is my favourite after Richter(who will remain my PIANIST.)
Whats with Carnegie hall audience not knowing standard repertoire??? They've also started clapping during the pause before in the ballade 4 coda in yundi li's recital
@@kzelmer To someone not familiar with the piece, it sounded a lot like it was over at that point. All it takes is a handful of people to make the mistake, and then the rest are bound by social conformity to clap as well. By some definitions, this clapping could be considered disrespectful, but that's just a word, its just a concept. When you really think about it, are they in the wrong for clapping? That is the most important question here. The answer is no. Since they were not aware that it wasn't over and thus were not intentionally being "disrespectful", they made a mistake, but an innocent one. Many of them were probably clapping because of how impressed they were by this great performance. Others clapped because they have been conditioned to do so, regardless of their personal feelings towards the performance. Either way, the majority of people were not morally unjust for clapping at that moment.
😊 BORIS BEREZOVSKY RENDITION IS RIGHT UP THERE IN THE STRATOSPHERIC LEVEL WITH POGORELICH. BEREZOVSKY IS ON YTUBE ALSO. CHECK OUT BEREZOVSKY PERFORMANCE!! THESE ARE TWO STUPENDOUS ARTIST MUSICIANS OF OUR MODERN ERA !!!🎉
@@winningsmile5423 Yeah... but this is not a standardized piece. This is Russian folk music. Only 1 out of 700 inside the audience can fully understand what Balakirev's Islamey is all about.
Au Théâtre des Champs-Élysées à Paris Pogorelich avait produit le même jeu de scène (se décoller du tabouret au grand accord en ré b M pour susciter l'impression de fin de l'œuvre). Pour ce très grand pianiste incapable de parler à son public, sans doute la seule façon d'entrouvrir la porte à un échange oral, fut-il bref ...
Is it really disrespectful to clap? It's music! If they're so emotionally pushed by it as to simply have to show their appreciation and awe immediately in some way.. why not? Why keep things so incredibly strict? Perhaps this mindset is what leads people to think that classical music is stuffy and boring?
If it forces the performer to pause in the middle of a piece of music, it's ceding the composer's and performer's artistic intent to the loudest person(s) in the room. Is that what we really want when we go to hear music?
@@ryushev2000 This kind of comment only discourages people who are new to classical recitals from going to them. Yes, they should have waited to clap, yes I think the performance is in some sense ruined by it, but the intent was simply to show their appreciation for this incredibly skilled performer, and I think that's understandable.
Like child's play. Wondering if Argerich, especially early Argerich, ever played it? The audience interruption/laughter in the middle of the piece was ignorant, gross and inappropriate.
It sounds too fast for you because you have "slow ears" and "quasimodo hearing". As a trained conservatory pianist (many years ago), I did not think it was too fast at all; It sounded to my trained ears as highly articulate and musically defined. I understood every lyrical line, hidden and uncovered, so I disagree with your intellectual assessment. It is a most thrilling rendition and the greatest rendition of this ouvre, bar none !! Cheers.!❤❤❤
Not in this recital, but I saw a video in which he broke a string on the piano, and while he kept one hand on the last chord he played just before the string broke, he stood up and looked into the string bed and with his free left hand found which string had broken and lifted it up, if I recall correctly, and moved it out of the bed of strings and then sat down and continued playing. All done with a non-plussed attitude and nonchalant behavior. I am sure he has been used to having such things happen to him over the years with his practicing. Perhaps that maybe why his playing has changed somewhat over the years. He is now 66 years, born in 1958 in Croatia. ❤❤🎉🎉😮😮
@@Sahasrarasmi-Sancodite It's too fast at the concluding pages. Also he starts at one speed and unaccountably he slows down dramatically a couple of minutes in; it doesn't work for me. Never mind insulting my level of hearing; don't get personal. Anyway I have perfect pitch as well as a good sense of rhythm. Other versions of the piece seem less 'frantic'.; he makes 'heavy weather' of the piece near the end. I too am conservatory trained and taught children piano and all aspects of music at schools/music school in my home town.
@@davidbutterworth5258❤❤ My apologies for my remarks that you found as personal insults. Nothing "personal" was intended, as I simply read the words in the comment and suddenly, the comparisons to "slow ears" and "quasimodo hearing" popped up In my thoughts, which I thought was too comical and hilarious a comparison, to keep it to myself. I am grateful you commented on my remarks, and basically gave me a "right fist k/o" to the chin, which I humbly accept as your human right to defend your own ideas and thoughts, and my well-earned knockout punch to my chin. Additionally, I laud your acknowledgement of conservatory training and entering the auspicious teaching profession, especially with young children. God bless you for spending your life in such an august profession. Unfortunately, I never felt the "calling" to teach music at any level, and although I adored the piano and all the compositions created for it by those great Maestros of music, I never wanted to make concertizing a profession either. I had some health issues and felt any stress would send me to an early grave. Hence my professional career was as a software developer/analyst, from which I retired from a major us corporation that builds both software products and computer hardware, and I am grateful I made that decision. Today as of this writing I am 82 yo, and hopefully, I can live at least up to age 100+ as so many are doing at this time. As you can perhaps notice, your comment to me opened the floodgates of communication for me in this genre, of yt comments. Again, thank you for your wise remarks, honesty, and glorious musical talent and profession. The world needs so many more individuals such as yourself who take your talents and education to the innocent ones, the children, as your lifelong dedication. Take care, be well and safe and God bless always to you and yours. Mrs. D.E.S. (Mozart Requiem) ❤❤❤❤❤❤
2:11 can't believe this happened in Carnegie Hall.
😠😠
Where else.. This has happened way too many times at Carnegie Hall, it was recorded multiple times. For example in Yundi's performance of the 4th chopin ballade, which also is on youtube
wow :~0
But how he handled it!
America
Clapping and appreciation is all right, but for Carnegie Hall audience not knowing Islamey doesn't end after damn 2 mins is not.
Is not that surprising, very few pianists play Islamey. From all great, I don't remember any,
@@Paroles_et_Musique Horowitz, Cziffra, Emil Gilels
@@Paroles_et_Musique Too hard. Didn't want to risk live failure.
Actually, it is because Pogorelich had played it so well at the last octave chords... Almost all performers would do ritardando because of the extreme difficulty but he didn't
Laughed my ass off at that, good to see Ivo was so good humored about it.
I would be pissed.
Mind boggling. When he was younger, Pogorelich was the greatest pianist of all.
Indeed since his 2000 recordings onwards are not as thrilling!
@@fa-la-mi-mi-re yep, young Ivo was a legend
Old ivo is just more mature guys..
@@Hyde2997 Yes. And his technique is just old, unfortunately...
Absolutely
Saw Pogorelich in London during his golden period. He was unforgettable. He played Schumann's dreaded op.7 as securely as he did on the record for DG - and looked like a romantic prince while he did it.
2:11
So glad it was filmed.
Otherwise, who would have believed that?
Young Ivo was really a phenomenal pianist.
@@mihaelmazuran932 different is not always better.....his performance of Schumann's piano concerto is quite interesting, especially the last few minutes. But I will not praise his "new" perfomances just for the sake of novelty, it should sounds "logic". If logic means some alterations I will not complain but the music must "flow".....
@@mihaelmazuran932 hey, what is your damn problem? The fact I critize Pogorelich doesn't mean I knew classical music only because of Bang Bang. Apologize or leave 😠
@@mihaelmazuran932 Yes, indeed.
2:08 min. That applause/reaction from the audience is totally undertandable... He was on fire, Stunning
Wanted to be the first boy on the block to be in possession of his recording of the Tchaikovsky First so I got on a plane a flew to London and was at Rose Records before the doors opened as they were the first to get the product from DG. For those that don’t, DG being a European distributor, distributes throughout Europe and then to USA. The doors opened at 10:00 and by 11:30, the shipment was sold out. Claudio Abbado led the London Symphony Orchestra. This is one of my most treasured recordings of my collection.
One of greatest Pianists ever existed...
I really miss the days when he was young.❤😊
Be grateful he is still alive and bringing forth his incandescent musical creations for this generation to relish in and grow to understand that his creative musical mind goes far beyond that plane where the general pianists tend to congregate intellectually.
Pogorelich gets his musical inspirations from the buddhic plane, far above general humanity's lower mind plane where all the garbage gets collected.❤❤❤❤
Is that how he manages to take the spanish and the dance out of a spanish dance?😢@@Sahasrarasmi-Sancodite
One of the great landmark performances in technical and musical piano mastery. Ever.
8:30 “bruavuo!!!!”
after 2:11 he tought “Holy Shit I have to speed up the tempo of this Fucking Piece and skip all the rests before they applaud again”
Mercy me, this is incredible. This piece is so difficult, it's merciless, sadistic, diabolical, it's.... Ivo!
I keep coming back to listen to this video !!❤❤❤❤
Our generation should be consumately grateful to the powers that be that we can listen and have a documented videos and recordings of this superlative, steatospheric artist and virtuoso such as Pogo.
These recordings are a legacy he is giving the new generation of young piano artist virtuosos to the study and meditate about musically and artistically.
An Artist and virtuoso like Pogo are only once in a lifetime manifestation in any culture, civilization.
There are always hundreds of equally virtuoso pianists, but coupling great musicality, great uniqueness is rare, and we should thank Pogo for all he has DONATED TO THE MUSICAL WORLD, through his incandescent musicality
Stunning--and even terrifying!--mastery of the piano. Beauty, terror, and an unintentional goofball humor thrown into the mix. This one's a keeper!
LOL! That's incredible--I mean, it's great that the crowd is so enthusiastic, but poor Ivo. Right in the middle of the piece, and at Carnegie even.
Ivo... Sei FENOMENALE!!
POSSO DIRE LA MIGLIORE DI TUTTE LE VERSIONI ASCOLTATE!!
Wow, it's finally here--the video of it! I have had the audio for years...
Hi, Zsolt. I hope you are well.
@@tobiolopainto How nice to hear from you--if you still have my old email address with the 2001 in it, it's the same--please contact me and I'll message you right back.
@@richterkleiber I do not have it. I'm at tobias.mostel@gmail.com
perhaps there's a way to get that outta there. I don't know (geezer-skills)
@@richterkleiber Same here-no more news!
7:13 to the end ... Pogorelich taking uncredible risks at Carnegie Hall ......... this has guts.
And the music ........... a wonderful epic battle ...........
If I may ask, how was that risky?
@@APPLE2557XD it is risky because the audience generally are very stupid people.
@@APPLE2557XD
You are allowed to ask.
If you are a pianist, you know that the most little hesitation (a millisecond), or a little divergence can lead to a complete disaster.
At this speed, it's complete danger.
Merci pour cette video fabuleuse il n'y a pas de mot pour décrire IvoPogorelich, c'est un génie du piano, je suis éblouie pas sa technique qui dépasse l'entendement, Islamey est une splendeur
Ivo was not only one of the very best pianists- he still is! I myself liked his performances from the first moment and it didn't change over the years. I only can recommend to join a concert if there's a chance. Heard im again in November 21 playing the 2nd piano-concerto in f-minor from Chopin. It was breathtaking and Ivo translated the language of Chopin ! That was music from heaven!
8:03 look at the left hand !! Going faster than the right one. Great, great pianism, this is epic !
POGORELICH IS A TITAN OF THE ART OF PIÀNO PLAYING !!
A TITANOSAUROS OF THE VIRTUOSO WORLD. !!❤❤❤❤
Wow ...there are no words!!!! 💜
Potpuno genijalno.Tak nitko nije i.nikada nece ovak genijalno odsvirati ovu kompoziciju.💗💞💟
Efectivamente, la selecta audiencia aplaudió indebidamente antes de la terminación de esta compleja obra pianística, fue un aplauso de gran admiración en forma INVOLUNTARIA demostrando una vez más el enorme talento de Ivo Pogorelich, que más bien parece un EXTRATERRESTRE! Existe otra obra pianística sumamente difícil como el tercer fragmento de Gaspar de la Noche de Maurice Ravel. Gracias! Por compartir esta excelente grabación.
la musica de balakirev me hace venir a la mente una pequeña finca en el campo muy montañoso esta musica debe ser un reflejo de donde vivia balakirev
Absolutely spectacular pianist, one of a kind, and my fellowman from Belgrade 😉
more from this recital please! fantastic
Awsome and just mind blowing.
Who’s here from Twoset, this is awesome!
Which video?
Me
@@Smortnt 10 epic piano performances with Sofie Oui Oui
@@Smortnt The Most Difficult Piano Pieces of All Time (Ft. Sophie)
Thank you so much for this video.
Absolutely phenomenal performance. The interruption from the audience early on was quite distracting for the overall structure of the piece
Really really outstanding, best rendition ever! Pogorelich is an absolute genius!!! Thank you
So, by making that statement "best rendition ever" I assume you've heard every other performance and recording? Right?
Yes, I've heard many versions of Islamey (included his performance live in '90s)! This is my opinion anyway... do you know a pianist who plays it better (from your point of view)?
Frank Romano maybe we didn't hear your version 😂😂
Congrats on the most moronic TY comment of the week! How about this? This is my favorite performance of the ones I've heard, NOT the "Best Ever" or Best anything. Simple .
Mirko Invernizzi - try Boris Berezovsky for TELDEC
AMAZING!!!!
Spectacular ❤
Nothing short of spectacular!
The dual voicing after 3.55 is beautiful.
3:55
Braaaaavooooo ❤❤❤
Wonderful!
His hair-trigger reflexes are amazing. Matched only by perhaps Katsaris and Cziffra.
Awesome Pogorelich! 👏👏👏
Amazing !
Amazing!!!!!
pogorelich is unbelievable here. i mean...after this, every other islamey just seems labored.
THE GODZILLA OF PIANO VIRTUOSITY. !!
Thanks so much.
Incroyable perfect hands
Thank you.
Indubitably superb!!!
Thank you so much for posting this video! Do you have any more videos of his playing?
o un recuerdo de vida pasada donde yo escuchaba su musica
Many times i have wondered if Pogorelich is not the reincarnation of the great master Beethoven. Pogorelich has been so immersed in the SOUNDS of the music he is recreating by playing it as well as studying the compositions over so many years.
Even Ivo has stated that one of the most important acts in studying musical works has to do with LISTENING. ..and we all know from history that the master LVBeethoven was totally deaf from his late thirties on until his death at age 57.
I heard him play Islamey in a smaller hall around this time. As the piece progressed his yoga style breathing became so loud even in the very back of the hall that it practically overpowered the piano. Very odd moment
UNBELIEVABLE! How could a Carnegie Hall audience not know better?! Still mindblowing how incredibly expressive and elegant his playing remained after the interruption. He is such a genuine maestro!
What makes you think a Carnegie Hall audience has any culture or awareness?
I’d like to respectfully offer an alternative view. In my few visits to Carnegie, I’ve found that the audience there is one of the most knowledgeable. I’ve met conductors and musicians that have travelled long distances along the eastern seaboard to listen to a concert at Carnegie. In a performance of Ravel’s Daphnis et Chloe, many were able to notice technicalities like missed entrances to stylistic choices like tempo variations and applauded according to the actual quality of the performance rather than just applauding raucously in hopes of getting their money’s worth from a few forced encores like many other American audiences. Applauding after a performer nails a particularly impressive virtuosic passage or between movements was not all that uncommon in the past!
It was 100% ok to applaud after that passage...
Unfortunately they did the same thing during Yundi Li's Chopin concert in 2016... Just before the 4th Ballade's final...
@@m0ment219ignoramus 🙄
Always loved the sound of piano. Only really just started to really dive in though....this is amazing.
He must feel like god playing this
"Not yet!"
The performance is better than the piece; i never understood what people find in this music that got famous only by its level of difficulty...
Mylord, because it's a male-female lovesque story behind the notes. A masterpiece, only surpassed in "difficulty" by Ravel's Gaspard de la Nuit. Russian masters always talk greatly thru the piano, love stories...
@@RenatoPernett No Eric Rouach is correct -- its really cheap music and usually incredibly tedious but Pogorelich makes something of it.Kudos to him! (And the guy who filmed it too!!!)
Although Horowitz recorded it, I believe live, his wife didn’t want him to play it in public. She felt it was too showy. If you can, listen to his recording. I’m surprised strings didn’t start snapping.
BTW, his hands are so damn big😱
Such a Phenomenal performance
SWEET JEEEEEEBBBBUUSSSS. This guy is astonishing.
窒息的美
Carnegie hall, people don't even know the bloody piece 😂😂😂😂
That's because no one played it. Before Pogorelich, I only heard Brendel play it and he wasn't exciting, at all, compared to this.
Tobias Mostel There were surely recordings by great pianists other than Brendel by 1992?!!😉e.g.Gilels,Cziffra, Horowitz,Gavrilov...
One way of guarding against ignoramuses like these is to put approximate timings of pieces in the programme...😊
@@tobiolopainto I agree but Katchen did record it too-but not as close to Ivo
@@fa-la-mi-mi-re I'm familiar with all the recordings. Katchen is very good, but lacks some fire. The fact is that only Brendel played it at Carnegie Hall in the 60s, and no one programmed it after that in that hall. Then Pogorelich came along and played the piss outta that piece. The audience was excited. I was there. Pogorelich was the first of the new pianists who had the tone of a Horowitz or a Richter. He had their technique, too. A very great pianist and still a favorite of mine. The others on this page should note that that Hall doesn't make the audience intelligent. It's studying the music that gives knowledge. Clearly most of the audience didn't know that piece. I did, but I do my homework.
@@tobiolopainto I went through your poast again and confirm you are right.I listened to Katchen's rendition this morning and since it is a studio recording:no fire of course.This Pogo...is live and full of enthusiasm due to the live.So is his Scriabin's sonata n°4(which I listen to over and over again )but not the 2005 Carnegie-but the Los Angeles and Carnegie of 1990)
I just discovered Ivo and came to the same conclusion:he is my favourite after Richter(who will remain my PIANIST.)
Whats with Carnegie hall audience not knowing standard repertoire??? They've also started clapping during the pause before in the ballade 4 coda in yundi li's recital
So funny that the audience clapped in the middle 😂
that was unbelievably disrespectful, glad in the 1990's performance they did not clap.
@@kwkarlwang Dude, it WASN'T disrespectful. It is not a standardly played piece. Many of them just didn't know. Please, get a grip.
Neil Galanter it WAS disrespectful, just because they didn’t know doesn’t mean that they were not disrespectful. Please, get a grip
@@galantxxx it was disrespectful. If you don't know a piece, just wait and dont clap, just enjoy it.
@@kzelmer To someone not familiar with the piece, it sounded a lot like it was over at that point. All it takes is a handful of people to make the mistake, and then the rest are bound by social conformity to clap as well. By some definitions, this clapping could be considered disrespectful, but that's just a word, its just a concept. When you really think about it, are they in the wrong for clapping? That is the most important question here. The answer is no. Since they were not aware that it wasn't over and thus were not intentionally being "disrespectful", they made a mistake, but an innocent one. Many of them were probably clapping because of how impressed they were by this great performance. Others clapped because they have been conditioned to do so, regardless of their personal feelings towards the performance. Either way, the majority of people were not morally unjust for clapping at that moment.
This was much before cell phones how was this performance captured ?
This is how Islamey should go! Pogorelich and Gilels. Forget Horowitz and the rest, who bull their way through it.
😊 BORIS BEREZOVSKY RENDITION IS RIGHT UP THERE IN THE STRATOSPHERIC LEVEL WITH POGORELICH. BEREZOVSKY IS ON YTUBE ALSO. CHECK OUT BEREZOVSKY PERFORMANCE!!
THESE ARE TWO STUPENDOUS ARTIST MUSICIANS OF OUR MODERN ERA !!!🎉
2:09 :(
2:11 WTF
This guy is incredible. Did he do Prok 2?
Ime je BALAKIREV
Stunning technique, a sense of ease that defies belief. Too bad the music is pretty much unlistenable.
2:09 you can't blame the crowd.
Why is that so?
@@princianorvz The crowd thought it was finished because that one part was just like boom
@@winningsmile5423 Yeah... but this is not a standardized piece. This is Russian folk music. Only 1 out of 700 inside the audience can fully understand what Balakirev's Islamey is all about.
no one gets hurt in the live performance, and everyone is getting butt hurt in the comment section : )
Au Théâtre des Champs-Élysées à Paris Pogorelich avait produit le même jeu de scène (se décoller du tabouret au grand accord en ré b M pour susciter l'impression de fin de l'œuvre). Pour ce très grand pianiste incapable de parler à son public, sans doute la seule façon d'entrouvrir la porte à un échange oral, fut-il bref ...
Could we get this video with better audio?
Search on TH-cam. There are other performances of Pogo of this piece
7:11
2:19 what did he say?
“Not yet”
❤❤❤❤😮😮😮😮😅😾😽😼😽💜💜💜💜💓💓💖💖🤍🤍🩶👍👍👍
Staggering pianism.
2:11 wat
On this HOLY EASTER SUNDAY 03/31/2024, we give thanks and glory to Jesus Christ the Lord and Saviour of our humanity.
who came from twoset and was curious what happened after the clapping
Is it really disrespectful to clap? It's music! If they're so emotionally pushed by it as to simply have to show their appreciation and awe immediately in some way.. why not? Why keep things so incredibly strict? Perhaps this mindset is what leads people to think that classical music is stuffy and boring?
clapping isnt disrespectful. Interrupting someones performance because youre too ignorant to know when its over fucking is
If it forces the performer to pause in the middle of a piece of music, it's ceding the composer's and performer's artistic intent to the loudest person(s) in the room. Is that what we really want when we go to hear music?
@@ryushev2000 This kind of comment only discourages people who are new to classical recitals from going to them. Yes, they should have waited to clap, yes I think the performance is in some sense ruined by it, but the intent was simply to show their appreciation for this incredibly skilled performer, and I think that's understandable.
@@Daniel_1223 its as simple as waiting for others to clap first
Like child's play. Wondering if Argerich, especially early Argerich, ever played it? The audience interruption/laughter in the middle of the piece was ignorant, gross and inappropriate.
It’s normal when audiences thinks the piece finish or it’s too good
And also when he said not yet, it is kinda funny
And this piece is underrated during the time, so don’t blame audiences
the resolution is too low my friend
chill man, it is from 1992
No I meant it should be in 480p, not 240
I wonder if at 480p there might be some distortion since the tape is so old...
ADGO it is VHS tape.
Thank the God's ,,,,
Surrprised he didn't break a string! For me its too fast and loses 'definition'.
It sounds too fast for you because you have "slow ears" and "quasimodo hearing".
As a trained conservatory pianist (many years ago), I did not think it was too fast at all; It sounded to my trained ears as highly articulate and musically defined.
I understood every lyrical line, hidden and uncovered, so I disagree with your intellectual assessment.
It is a most thrilling rendition and the greatest rendition of this ouvre, bar none !!
Cheers.!❤❤❤
Not in this recital, but I saw a video in which he broke a string on the piano, and while he kept one hand on the last chord he played just before the string broke, he stood up and looked into the string bed and with his free left hand found which string had broken and lifted it up, if I recall correctly, and moved it out of the bed of strings and then sat down and continued playing.
All done with a non-plussed attitude and nonchalant behavior.
I am sure he has been used to having such things happen to him over the years with his practicing.
Perhaps that maybe why his playing has changed somewhat over the years. He is now 66 years, born in 1958 in Croatia.
❤❤🎉🎉😮😮
@@Sahasrarasmi-Sancodite It's too fast at the concluding pages. Also he starts at one speed and unaccountably he slows down dramatically a couple of minutes in; it doesn't work for me. Never mind insulting my level of hearing; don't get personal. Anyway I have perfect pitch as well as a good sense of rhythm. Other versions of the piece seem less 'frantic'.; he makes 'heavy weather' of the piece near the end. I too am conservatory trained and taught children piano and all aspects of music at schools/music school in my home town.
@@davidbutterworth5258❤❤ My apologies for my remarks that you found as personal insults. Nothing "personal" was intended, as I simply read the words in the comment and suddenly, the comparisons to "slow ears" and "quasimodo hearing" popped up In my thoughts, which I thought was too comical and hilarious a comparison, to keep it to myself.
I am grateful you commented on my remarks, and basically gave me a "right fist k/o" to the chin, which I humbly accept as your human right to defend your own ideas and thoughts, and my well-earned knockout punch to my chin.
Additionally, I laud your acknowledgement of conservatory training and entering the auspicious teaching profession, especially with young children.
God bless you for spending your life in such an august profession.
Unfortunately, I never felt the "calling" to teach music at any level, and although I adored the piano and all the compositions created for it by those great Maestros of music, I never wanted to make concertizing a profession either. I had some health issues and felt any stress would send me to an early grave.
Hence my professional career was as a software developer/analyst, from which I retired from a major us corporation that builds both software products and computer hardware, and I am grateful I made that decision.
Today as of this writing I am 82 yo, and hopefully, I can live at least up to age 100+ as so many are doing at this time.
As you can perhaps notice, your comment to me opened the floodgates of communication for me in this genre, of yt comments.
Again, thank you for your wise remarks, honesty, and glorious musical talent and profession.
The world needs so many more individuals such as yourself who take your talents and education to the innocent ones, the children, as your lifelong dedication.
Take care, be well and safe and God bless always to you and yours.
Mrs. D.E.S.
(Mozart Requiem)
❤❤❤❤❤❤
Banjo Gottschalk - Fantaisie Grotesque op 15 - Dragoslav. M_Piano
th-cam.com/video/EdyAw_vQYJE/w-d-xo.html
🥵🤭
ㅋㅋ내가 생각해도 이쁘다
not actual ending: 2:12
actual ending: 8:31
호영!ㅋㅋ드디어 나 얼공했답!ㅋ
@Hoyeong Jin ㅇ