Thanks for watching guys. Just wanted to clarify one thing - this is just an approach, my personal approach to dialling in amp EQ, as per many requests on previous videos to do so. I feel some people have taken this like I’m saying this is ‘The’ way. Truth is there’s no right or wrong with this stuff. But I hoped the video might have been helpful in some way to some people struggling with their tone. Anyway, just wanted to clear it up. Thanks again for watching
It was definitely helpful, I never thought of turning up bass/treble as depth/presence goes down and vice versa, your tips and insight on tone have shaped my playing and sound for many years. Your ear for tone is unmatched man keep it up!! (and a video like this with the QC would be fantastic)
Would love to see this type of video on building and dialing in Quad Cortex scenes for Live performance. I sometimes have issues with getting a full rich pushed "amp drive tone" from my quad" when dialing things in.
Very much appreciate you comparing the EQ between a 'regular' guitar and a baritone, I find it can be challenging to get a good amp EQ dialed in with a baritone or something as low as a Bass VI
Nice slider shots! 😄 Great informative video. Thanks for really diving deep with the tone knowledge! It's always super interesting to see cool approaches to finding tone, and this lays your framework out nicely. Great stuff!
I've noticed that there tends to be 2 broad camps for tone seekers; those that dial in their sound primarily for the bridge pickup and use the neck as a warmer or quieter version and those who dial in primarily for the neck and use the bridge as a more focused/punchier version. I fall into the latter (and tend to play voxy amps and low-medium gain rock) where the neck pickup snap is really important to me. Bea seems to be a bridge pickup guy which makes so much sense for the heavier tones he loves.
Soldano is my favorite amp in Helix Native and this video helped me a lot to get a really nice tone, much more like it sounded in my head. Imagine how it would be in a real amp! A dream!
Idk, to me it sounds more articulate and punchy at 20:06 that's essentially my go-to EQ on most high gain amps/amp sims, to include my soldanos rythmn tone unless I'm going for a darker sound, great vid mate 💯
Hey man, just want to say your set up looks very amazing! I kinda fell off for a bit and didn’t watch, had stuff going on so stayed away from music. Happy you’re doing well, and please keep doing these vids, keep it up! you are amazing. Thanks bruh much Mahalos 🙏🤙
Something I never hear mentioned, but many old amps were designed for E standard or Eb tunings as almost nobody played in drop tunings or extended range 40+ years ago so vintage style amps sound 'best', still, in more conventional tunings...that's what they were designed for.
So weird to hear Bea without reverb... 😅 Also, I think that add a room mic would help you a lot to make it feel 'more comfortable' in this scenario. Lov u bro.
What I am trying to figure out is: How to best track my guitar amp into my DAW. Do I just run a single, mono track? I tend to not get the slamming sound I do in the room. Is it better to mix it with an IR and dial each slightly Left and Right? I know when recording, it's best to record separate takes but what about single take recordings?? How do I get that MASSIVE sound I am hearing out of my guitar cab to reflect through my studio monitors?
That was fun! How about you invite a mean friend over and they have to choose an amp and a few pedals and you have to make a sound with that ... would be fun xD
I would like to get a clean sound, a heavy rhythm, and a deep lead sound. I have a 5150, and a prs torer o, which I should get to have these three faces. You are always very instructive, greetings from Argentina
Would be awesome if these amps had some digital encoders instead of knobs and the possibility to A/B 2 different settings. NB : not to mention remote control with phone / tablet /laptop app, just like on the Torpedo stuff for instance.
wonderful, thx! I would likecto create some riffs ( octaves for example)using a clean sound ...going into feedback. Obviously this is nearly impossible without either much db nor quiet some gain or compression. Whats your take on this "problem"? The sound should be as clean as possible! Thank you!
I had hx stomp. I tried so many things but gave up due to so many tweaking. I just use neural gojira for high gain and cory wong for cleans. Almost 0 tweaking. For high gain you can try badonk amp though in helix. Sounds tight.
Would absolutely love a similar video on dialing in different models, captures, and cabs/IRs on the QC. You have hands down the best sounding amp captures on the cortex cloud, maybe a rundown of all your public captures and how you use them? Or a comparison between stock models and captures you like? You were my inspiration to get a QC and I couldn't be happier with it!
Any difference is completely inaudible and not because of the wood itself but the vibration of other parts. It doesn't matter at all. As long as the string can vibrate freely and effect the magnetic field you have a sound and none of you would be able to discern anything different. Also it's not like woods species are some material that has no variance. It's a joke to talk about a piece of maple like another piece of maple would be alike. The variance is quite large, obviously.
i have a mark v 35 i like the fat clean mode with dist/od pedals in the front end and the halo dual delay in the loop i find i ad more tone on the secondary function of the halo i usually have the amp eq as follows treble at 2:30 mid at 10:30 bass at 1:30 and presence at 2 or 3 o clock and the front end pedals are the(suhr woodshed comp,keeley super at mod ,boss super octave oc-2 wampler pantheon deluxe and finally the jhs angry charlie v3) I also like the jhs at plus, and thewampler andy wood signature gearbox, if i want a single marshall in a box style pedal ill just use my ns-2 noise suppressor and either my friedman be-od deluxe dual drive pedal or my wampler plexi drive deluxe or finally my carl martin panama for that hot rodded modded marshall in a box style pedal real awesome cool vid rabea love your tones and great playing brother keep rockin man!!!
Nice video. I liked your final tones you got more than some other peoples tones. You didn't put the bass high like some do plus you didn't put the mid knob super low or all the way to 0 which makes for more clarity in a mix with a bass guitar live or in studio.
Its a soldano. One of the easiest amps to dial in that have ever existed. Would have been better to use a amp that is hard to dial in like a Mesa mark series.
@@Keplerf-vn2ld The Mark is very specific in terms fo controls, most amps are not like that, whereas most amps are a bit like a Soldano in terms of available controls, how the tonestack acts, etc.
I would watch a film in which Daniel DayLewis does the dishes for an hour and a half. I will watch any number of TH-cam videos in which Rebea fiddles with knobs and noodles.
Dialling in eq for live circumstances versus recording is something that is misunderstood. I remember seeing a fairly well known heavy uk hand and there was no mid range at all on their downtuned guitars. Their recordings were full of mids but live is was just bottom end and nothing else. I couldn't undertand it.
If it was a decent size venue it could be that he had o control of the sound people and the front of house. If you open for a big band too sometimes is pretty tough and you barely get any rehearsal or sound test at all. It's a shame but that's how it works out of the PA sometimes
@@William_Earl - Sure have. On acoustic guitars, the body is the speaker. Everything matters there. Ever hear an acoustic guitar plugged into a PA system? All that nuance goes away.
@@Burnt_Gerbil I'll agree that acoustic guitar pickups usually destroy any character a guitar has, but my experience with electric guitar pickups is a bit different. Different woods have different densities, causing the instrument to resonate or vibrate differently. In my experience softer woods usually have darker tones, and denser woods have brighter tones and are usually louder. Best video example of this would be Paul Reed Smith demonstrating wood resonance by simply tapping different boards. In my experience, I've even noticed something like Ibanez RG's both with EMG 81's (which make everything sound similar) sound different when one guitar is made of basswood and has a rosewood board vs the ash RG with an ebony board. Aside from tone wood, I've also noticed a difference in tone when it comes to fret material. Stainless steel having a brighter tone. Aristides material tends to resonate at a relatively high volume compared to wood guitars. IMO source tone matters, otherwise we wouldn't have so many options and guitar companies would find the cheapest, universal material. Just my two cents.
I still hate you a little bit what you said about the Shuriken and the Helix. My boys and me are waiting with a hair-clipper for your afro. Good luck boy 🍀
Wood does matter. There is a reason guitars meant for high gain do not have bodies made from super dense woods. You will never see hard maple or walnut used for the entire body of a high gain guitar. They have too much treble content. Mahogany and basswood are preferred in a high gain scenario. Of course tonewood selection is only a piece of the overall tone but choosing the correct wood makes a difference.
Wood matters less the more "rigid" the part of the guitar we're talking about is. Alder vs Ash body strats? Yeah, hardly matters. Mahagony vs. Maple neck on the same PRS? Oh boy, play one for yourself, the difference is there.
That's a clickbait video. We all know how to eq an amp. We don't need your "out of this world" suggestions. Yes, you are a famous TH-camr. This doesn't mean that you know what you're taking about.
Hahaha dude it was requested by people who watch My channel. Nothing click bait about it. People asked for it so I made a video. There’s nothing ‘out of this world’ about it. Some people get a bit stumped on what to do with their tone, maybe this video helped them work some things out. I never even suggested that any approach in this video is ‘the’ way to dial in an amp. I said it’s my approach, and for my personal approach, I know what I’m talking about hence making this video. Don’t be so negative my dude. No need to feel offended by this video or anything I’m doing on TH-cam or otherwise. Good day to you
This is the definition of a video that is NOT clickbait.. why would you call out a guy whose one the most down to earth straightforward no BS dudes out there lol. People actually like to watch this shit… if u feel compelled to ruin it with negativity, maybe go to a nursing home and tell everyone how un-athletic they are. You would probably get more satisfaction. Sorry @rabeaMassaad you have to deal with these dudes.
Thanks for watching guys. Just wanted to clarify one thing - this is just an approach, my personal approach to dialling in amp EQ, as per many requests on previous videos to do so. I feel some people have taken this like I’m saying this is ‘The’ way. Truth is there’s no right or wrong with this stuff. But I hoped the video might have been helpful in some way to some people struggling with their tone. Anyway, just wanted to clear it up. Thanks again for watching
It was definitely helpful, I never thought of turning up bass/treble as depth/presence goes down and vice versa, your tips and insight on tone have shaped my playing and sound for many years. Your ear for tone is unmatched man keep it up!! (and a video like this with the QC would be fantastic)
I have to say u changed my look at how music feels to me Thanks
Would love to see this type of video on building and dialing in Quad Cortex scenes for Live performance. I sometimes have issues with getting a full rich pushed "amp drive tone" from my quad" when dialing things in.
02:36 the point you made about the Master volume effect on the tone is soooo important and so overlooked imo...
Very much appreciate you comparing the EQ between a 'regular' guitar and a baritone, I find it can be challenging to get a good amp EQ dialed in with a baritone or something as low as a Bass VI
Nice slider shots! 😄 Great informative video. Thanks for really diving deep with the tone knowledge! It's always super interesting to see cool approaches to finding tone, and this lays your framework out nicely. Great stuff!
I knew well enough what's dialing. Here the Trash hold is never the same one day with the other. And I spend a lot of time saving presets. Namastè.
Exactly what I needed. Also this is a really great amp, have the 30 version, absolutely amazing amp.Thank you!
Very cool. Would love a similar take on lower gain amps like the Victory Copper.
I run a five band graphic eq (classis V) in the effects loop and an 808 in front of the amp. Crank the presence. Brought the amp to life.
Really nice video. Rabea you are the best.
I've noticed that there tends to be 2 broad camps for tone seekers; those that dial in their sound primarily for the bridge pickup and use the neck as a warmer or quieter version and those who dial in primarily for the neck and use the bridge as a more focused/punchier version.
I fall into the latter (and tend to play voxy amps and low-medium gain rock) where the neck pickup snap is really important to me.
Bea seems to be a bridge pickup guy which makes so much sense for the heavier tones he loves.
Soldano is my favorite amp in Helix Native and this video helped me a lot to get a really nice tone, much more like it sounded in my head.
Imagine how it would be in a real amp! A dream!
Rabea! I would love to see dialing in for Drop D or how to dial in over heavy synth layers! :)
Extremerly useful as usual! Thanks Bea!!!
That finish on the Ernie Ball Strat is just ughh.. So siick, & sounds friggin great!
Idk, to me it sounds more articulate and punchy at 20:06 that's essentially my go-to EQ on most high gain amps/amp sims, to include my soldanos rythmn tone unless I'm going for a darker sound, great vid mate 💯
Hey man, just want to say your set up looks very amazing! I kinda fell off for a bit and didn’t watch, had stuff going on so stayed away from music. Happy you’re doing well, and please keep doing these vids, keep it up! you are amazing. Thanks bruh much Mahalos 🙏🤙
Thanks for the vid, really useful info!
Great video Rabea
Great video! Would love to see what it looks like for solid state and modelers.
Something I never hear mentioned, but many old amps were designed for E standard or Eb tunings as almost nobody played in drop tunings or extended range 40+ years ago so vintage style amps sound 'best', still, in more conventional tunings...that's what they were designed for.
Thanks man very helpfull 🔥
So weird to hear Bea without reverb... 😅 Also, I think that add a room mic would help you a lot to make it feel 'more comfortable' in this scenario. Lov u bro.
What I am trying to figure out is: How to best track my guitar amp into my DAW. Do I just run a single, mono track? I tend to not get the slamming sound I do in the room. Is it better to mix it with an IR and dial each slightly Left and Right? I know when recording, it's best to record separate takes but what about single take recordings?? How do I get that MASSIVE sound I am hearing out of my guitar cab to reflect through my studio monitors?
That was fun!
How about you invite a mean friend over and they have to choose an amp and a few pedals and you have to make a sound with that ... would be fun xD
Man kills every video
I would like to get a clean sound, a heavy rhythm, and a deep lead sound. I have a 5150, and a prs torer o, which I should get to have these three faces. You are always very instructive, greetings from Argentina
Would be awesome if these amps had some digital encoders instead of knobs and the possibility to A/B 2 different settings.
NB : not to mention remote control with phone / tablet /laptop app, just like on the Torpedo stuff for instance.
Quad Cortex stereo rig 🙏
How would you dial in an Andy Timmons type of tone ?
Can you show how you dial high gain solid state?
Thanks
You were supposedly demo-ing a "cruch" tone; it still sounded pretty roaring high-gain to my ears.
wonderful, thx! I would likecto create some riffs ( octaves for example)using a clean sound ...going into feedback. Obviously this is nearly impossible without either much db nor quiet some gain or compression. Whats your take on this "problem"? The sound should be as clean as possible!
Thank you!
I just bought a Helix LT. I would love if you showed me how to get a great high gain Drop-C tone setting. clean too THANKS
I had hx stomp. I tried so many things but gave up due to so many tweaking. I just use neural gojira for high gain and cory wong for cleans. Almost 0 tweaking.
For high gain you can try badonk amp though in helix. Sounds tight.
What is that guitar you’ve got there Rebea I don’t know what company that is
Music man cutlass
You're awesome bro
Would absolutely love a similar video on dialing in different models, captures, and cabs/IRs on the QC. You have hands down the best sounding amp captures on the cortex cloud, maybe a rundown of all your public captures and how you use them? Or a comparison between stock models and captures you like? You were my inspiration to get a QC and I couldn't be happier with it!
Any difference is completely inaudible and not because of the wood itself but the vibration of other parts. It doesn't matter at all. As long as the string can vibrate freely and effect the magnetic field you have a sound and none of you would be able to discern anything different. Also it's not like woods species are some material that has no variance. It's a joke to talk about a piece of maple like another piece of maple would be alike. The variance is quite large, obviously.
@@Keplerf-vn2ld okay?
replied to the wrong comment my bad - sorry@@Rattlehead522
i have a mark v 35 i like the fat clean mode with dist/od pedals in the front end and the halo dual delay in the loop i find i ad more tone on the secondary function of the halo i usually have the amp eq as follows treble at 2:30 mid at 10:30 bass at 1:30 and presence at 2 or 3 o clock and the front end pedals are the(suhr woodshed comp,keeley super at mod ,boss super octave oc-2 wampler pantheon deluxe and finally the jhs angry charlie v3) I also like the jhs at plus, and thewampler andy wood signature gearbox, if i want a single marshall in a box style pedal ill just use my ns-2 noise suppressor and either my friedman be-od deluxe dual drive pedal or my wampler plexi drive deluxe or finally my carl martin panama for that hot rodded modded marshall in a box style pedal real awesome cool vid rabea love your tones and great playing brother keep rockin man!!!
Братан, ништяк конечно видос, мне очень инетесно, как бы ты настроил этот Soldano на процессоре Ampero2 stomp)
NB : for amps like the Mesa Recto / Rectifier, the poweramp character is a big part these amp's tone.
Ever consider a dB meter for the new space?
Ola Englund enters*
That baritone is BAE
☠️☠️☠️☠️cool☠️☠️☠️☠️amplifier 🔥
Pro tip : use a looper pedal and loop some riffs, instead of going back and forth between playing the guitar and tweaking amp settings
🔥🔥🔥🔥🔥
Nice video. I liked your final tones you got more than some other peoples tones. You didn't put the bass high like some do plus you didn't put the mid knob super low or all the way to 0 which makes for more clarity in a mix with a bass guitar live or in studio.
Its a soldano. One of the easiest amps to dial in that have ever existed. Would have been better to use a amp that is hard to dial in like a Mesa mark series.
@@Keplerf-vn2ld The Mark is very specific in terms fo controls, most amps are not like that, whereas most amps are a bit like a Soldano in terms of available controls, how the tonestack acts, etc.
Get some Silo's in that baritone asap! ;-)
Hearing those Toska riffs 💔
I would watch a film in which Daniel DayLewis does the dishes for an hour and a half. I will watch any number of TH-cam videos in which Rebea fiddles with knobs and noodles.
Come to Argentina bea!
Plug ins pls
Does anyone here know what "Flabby" guitar mean?
Dialing in amps to be neutral and pedal friendly? 😎 Maybe even making the best of poor amps for those not so fortunate
Do you miss Rita,?
Lovely Rita
Soldano has Depth not Resonance lol just messin with you
Dialling in eq for live circumstances versus recording is something that is misunderstood.
I remember seeing a fairly well known heavy uk hand and there was no mid range at all on their downtuned guitars. Their recordings were full of mids but live is was just bottom end and nothing else. I couldn't undertand it.
If it was a decent size venue it could be that he had o control of the sound people and the front of house. If you open for a big band too sometimes is pretty tough and you barely get any rehearsal or sound test at all. It's a shame but that's how it works out of the PA sometimes
That’s his sig guitar? Cutlas ?musicman
He has the custom cutlass and axis baritone, but I believe in previous videos he’s said that his sig will be based on the sabre
First one
Ran so fast to the comments when he mentioned tone wood 👀
I'm sure no one picked up on that 😅
Amplifiers have EQ controls. “Tone woods” do not. Simple as that. 🤷♂️
@@Burnt_Gerbil Ever listened to two acoustic guitars of same size made of different woods?
@@William_Earl - Sure have. On acoustic guitars, the body is the speaker. Everything matters there. Ever hear an acoustic guitar plugged into a PA system? All that nuance goes away.
@@Burnt_Gerbil I'll agree that acoustic guitar pickups usually destroy any character a guitar has, but my experience with electric guitar pickups is a bit different. Different woods have different densities, causing the instrument to resonate or vibrate differently. In my experience softer woods usually have darker tones, and denser woods have brighter tones and are usually louder. Best video example of this would be Paul Reed Smith demonstrating wood resonance by simply tapping different boards. In my experience, I've even noticed something like Ibanez RG's both with EMG 81's (which make everything sound similar) sound different when one guitar is made of basswood and has a rosewood board vs the ash RG with an ebony board.
Aside from tone wood, I've also noticed a difference in tone when it comes to fret material. Stainless steel having a brighter tone. Aristides material tends to resonate at a relatively high volume compared to wood guitars.
IMO source tone matters, otherwise we wouldn't have so many options and guitar companies would find the cheapest, universal material. Just my two cents.
I still hate you a little bit what you said about the Shuriken and the Helix. My boys and me are waiting with a hair-clipper for your afro. Good luck boy 🍀
I was on board until you said wood matters. Stop saying that nonsense, it isn't true.
How about you cry more. 😢
How about you quit defending lies and liars. @@Fitzpa14
Wood does matter. There is a reason guitars meant for high gain do not have bodies made from super dense woods. You will never see hard maple or walnut used for the entire body of a high gain guitar. They have too much treble content. Mahogany and basswood are preferred in a high gain scenario. Of course tonewood selection is only a piece of the overall tone but choosing the correct wood makes a difference.
Wood matters less the more "rigid" the part of the guitar we're talking about is.
Alder vs Ash body strats? Yeah, hardly matters.
Mahagony vs. Maple neck on the same PRS? Oh boy, play one for yourself, the difference is there.
I have the same bridge pickup
In 2 different guitars, and boy does it sound different. So yes, this convinced me that wood does matter
That's a clickbait video. We all know how to eq an amp. We don't need your "out of this world" suggestions. Yes, you are a famous TH-camr. This doesn't mean that you know what you're taking about.
Hahaha dude it was requested by people who watch My channel. Nothing click bait about it. People asked for it so I made a video. There’s nothing ‘out of this world’ about it. Some people get a bit stumped on what to do with their tone, maybe this video helped them work some things out. I never even suggested that any approach in this video is ‘the’ way to dial in an amp. I said it’s my approach, and for my personal approach, I know what I’m talking about hence making this video.
Don’t be so negative my dude. No need to feel offended by this video or anything I’m doing on TH-cam or otherwise.
Good day to you
This is the definition of a video that is NOT clickbait.. why would you call out a guy whose one the most down to earth straightforward no BS dudes out there lol. People actually like to watch this shit… if u feel compelled to ruin it with negativity, maybe go to a nursing home and tell everyone how un-athletic they are. You would probably get more satisfaction. Sorry @rabeaMassaad you have to deal with these dudes.
lol WTF so much negativity for no reason. Keep up with the great content Rabea!
@@EricSabag12 I hate him and his curly hair.
@@matteomidas638 just don't watch his (free) content ffs