A.Vizzutti, Georg Solti Brass Ensemble A.Vizzutti:Fire Dance

Georg Solti Brass Ensemble:Tóth Balázs, Hegedűs Imre, Szőnyi Gábor, Tóth Péter, Tóth Bálint, Stürzenbaum Róbert, Gyivicsán György, Juhász István, Frolov Ákos, Szentpáli Roland www.georgsoltibrassensemble.com
Contact: [e-mail]
/ 135027786984

[@alonshofar]

Its amazing how Mr Vizzutti plays at his age

[@deniemen5535]

Nggak ada bosannya gua dengar, salam 🇮🇩

[@trompetinly]

Simplemente perfecto

[@JCtheMusicMan_]

Wow.

[@bachstrad1994]

yeah maybe he was under the weather. there are other recordings of him owning this song

[@AlexandreOliveira-cc8lj]

Vc é muito bom trompetista ...

[@sergeykrasnopolsky9976]

классный чувак !

[@felixtrompetaoaxaca]

gran trompetista

[@mhstpt]

@mhstpt Mr. Vizzutti has several good method books that you may want to look into with your teacher. I have used them with some of my students, as well.

[@mhstpt]

@SchwarzeDose21 Warming down is softening your lips through pedal tones, long tones and note bends. I usually play for about five minutes after a long work-out, just giving the lips a chance to soften, because they become hard and stiff and less flexible. I generally do not wake up with swollen lips, nor have I developed "hamburger lips". I don't have a very broken up top lip, even though I have played lead trumpet for many years, as a result. That is true of many of my friends, too.

[@SchwarzeDose21]

@mhstpt thanks, what is warming down? you mean playing long and deep notes at the very and of practising? and what would be your system of practising, i'm everyday a bit confused, I mean I warm up with slurs, mouthpiece, and long tones, and then I play a bit scales, and everday two technical things (slurs and scales, double and triple tonguing, intervals and arpeggios), and basics (much thompson-buzzing exerc.), and then repertoire, thats what i do when i have time, i dont know if its efficient

[@mhstpt]

@SchwarzeDose21 You are probably right that very few will ever have his control, his range, his breathless power. My point was what it really takes is complete dedication. I practice with a friend of Mr. Vizzutti's from Eastman School of music. He told me Allen often practiced for seven or even eight hours every single day. If you practice like that for ten years with a good teacher, you will become a wonderful player.

[@SchwarzeDose21]

@mhstpt yes, my point was, that not everyone is able to play 7 hours a day, so, i'm 15 and when i practise(not rehearse(?)) 4 hours on a day, my lips are so tired, that it would destroy them, if I'd play longer. I could practise 6 hours, but only with making veery much and also a few long breaks...

[@kgoerbig]

I think he must of had a bad cold or the flu in this vid. He didn't look well, and didn't circular breath during his cadenza like he usually does

[@SchwarzeDose21]

@mhstpt not many young people has the power in their lips, to play this long..butit's right, what you say :)

[@mhstpt]

This is why brass students practice hour after hour in Arbans. You, too, can play like Allen. All you have to do is practice 6 or 7 hours every day for 10 years straight and then start performing, while continuing to practice every day on top of that. Simple!

[@mhstpt]

@SchwarzeDose21 You should not practice without a good teacher to regulate your practice routine. You need to space it out over time - even 4-hours is a lot. You need to warm up, warm down, and work on a variety of different elements of practice, including: long tones, tonguing, sight reading, range development, endurance. loud and soft, scales, musical style, and trumpet repertoire. There is a lot to work on and you are just 15. Take it slow and steady. Don't over play and ruin yourself!