Henryk Górecki - Op.44 Miserere (w/brief analysis)

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  • เผยแพร่เมื่อ 19 พ.ย. 2024

ความคิดเห็น • 9

  • @Signore_S
    @Signore_S  2 ปีที่แล้ว +5

    Edit: The score has an error at bars 26 and 29. The notes should be C-D-B, not C-D-C. It seems that I somehow skipped over this error while proofreading.
    Structure (Korean and Japanese translations in the reply to this comment):
    This work is divided into 11 sections. Throughout the piece, only the white-key notes are used, with emphasis on the stacking of the thirds. Also, almost all of the sections are marked 'Błagalnie' (Imploringly).
    (0:00) The first section, marked Lento Błagalnie, starts with the second base, presenting the melody in A Aeolian, very silently. The first 10 sections, including this one, are set to the word “Domine Deus Noster”.
    (3:19) The second section, marked Lento Błagalnie. Dolce cantabile, introduces the first bass (in C Ionian), and both of the melodies can be called variants of the previous second bass melody.
    (5:23) In the third section, marked Lento Błagalnie. Poco espressivo, the second tenor joins in E Phrygian.
    (7:39) The fourth section, marked Lento Błagalnie. Molto espressivo, features the first “climax” as the dynamic goes above mf for the first time, and the added tenor 1 part (G Mixolydian) features some rhythmic variations.
    (10:01) The fifth section, Meno mosso-Lento molto tranquillo Błagalnie-ezule, the second alto joins in B Locrian.
    (13:28) The sixth section starts with a short introduction, a silent chorale marked Molto lento. After, the first alto joins in D Dorian.
    (17:48) The seventh section also features a short introduction, also marked Molto lento. The second soprano then joins in F Lydian.
    (21:02) The short eighth section, marked Lento Błagalnie - affettuoso, is an exception to the addition of the voices shown till now, as the first soprano doesn’t enter in this section, but the second soprano’s melody change to E Phrygian.
    (22:28) The sudden and gigantic ninth section, is one of the two main climaxes of this piece, and it starts out very triumphantly, yet as the music dies out, it proceeds to a mood far from victory.
    (26:00) The tenth section starts out very quietly, but it builds up and up till the final climax on the word “Domine”. Afterward, it quietly dies out, and transitions to the final section.
    (29:17) The final section is the only one with a different text, set to “MISERERE NOBIS” (the composer boldfaced the text in the manuscript). It returns the tonal center to A Aeolian, and it features repeated A minor chords with only slight variations each time. With the final prayer of “Lord, have mercy on us”, the music fades away, like an echo.

    • @Signore_S
      @Signore_S  2 ปีที่แล้ว

      한국어:
      이 곡은 총 11개의 섹션으로 나눌 수 있습니다. 곡 전체에서 피아노의 하얀 건반의 음들만 사용되고, 특히 3도의 화음에 집중하고 있습니다. 참고로, 거의 대부분의 섹션에는 Błagalnie (애원하는) 이라는 지시어가 붙어있습니다.
      (0:00) 첫 섹션에서는 2번 베이스가 A 에올리아 선법으로 멜로디를 제시합니다.
      (3:19) 두번째 섹션에서는 1번 베이스가 C 이오니아 선법으로 추가됩니다.
      (5:23) 세번째 섹션에서는 2번 테너가 E 프리기아 선법으로 추가됩니다.
      (7:39) 네번째 섹션에서는 1번 테너가 G 믹소리디아 선법으로 추가되고, 작은 클라이막스를 포함합니다.
      (10:01) 다섯번째 섹션에서는 2번 알토가 B 로크리아 선법으로 추가됩니다.
      (13:28) 여섯번째 섹션은 짧은 인트로를 포함하고 있으며, 1번 알토가 D 도리아 선법으로 추가됩니다.
      (17:48) 일곱번째 섹션도 짧은 인트로를 포함하고 있으며, 2번 소프라노가 F 리디아 선법으로 추가됩니다.
      (21:02) 8번 섹션은 우리의 예상을 벗어나 1번 소프라노가 추가되지 않고, 2번 소프라노의 멜로디가 E 프리기아 선법으로 바뀔 뿐입니다.
      (22:28) 그러다가 아홉번째 섹션으로 오면, 클라이막스로 들어가게 되는데, 매우 웅장하고 화려한 분위기로 시작하나, 점점 잦아들며 어두운 분위기로 변하게 됩니다.
      (26:00) 열번째 섹션은 조용히 시작해 점점 달아오르는 섹션으로, "주여"라는 단어에서 클라이막스를 맞고 나면, 곧바로 식어 마지막 섹션을 향해 가게 됩니다.
      (29:17) 마지막 섹션은 11개의 섹션 중 유일하게 “MISERERE NOBIS” 를 가사로 하고 있으며, 처음에 나왔던 A 에올리아 선법으로 멜로디가 돌아옵니다. 이 섹션의 멜로디는 A단조 화음이 전부인데, 등장할 때마다 조금씩 변형되어 갑니다. 그리고, 마지막 기도를 끝으로, 메아리와도 같이 서서히 사라지다가 곡이 끝납니다.

    • @Signore_S
      @Signore_S  2 ปีที่แล้ว

      日本語:
      この曲は11個のセクションに分かれています。曲全体でピアノの白の鍵盤の音しか使わなくて、特に3度の和音をよく使っています。そして、ほぼすべてのセクションにはBłagalnie (嘆く) という指示語がついています。
      (0:00) 最初のセクションでは2番ベイスがAエオリアンでメロディを表します。
      (3:19) 2番目のセクションでは1番ベイスがCアイオニアンで加えられます。
      (5:23) 3番目のセクションでは2番テノールがEフリジアンで加えられます。
      (7:39) 4番目のセクションでは1番テノールがGミクソリディアンで加えられます。
      (10:01) 5番目のセクションでは2番アルトがB ロクリアンで加えられます。
      (13:28) 6番目のセクションは小さいイントローがあって、1番アルトがDドリアンで加えられます。
      (17:48) 7番目のセクションも小さいイントローがあって、2番ソプラノがFリディアンで加えられます。
      (21:02) 8番目のセクションは1番ソプラノが加えられなく、2番ソプラノのメロディがEフリジアンに変わるだけです。
      (22:28) しかし、9番目のセクションになったら、クライマックスになって、荘厳な雰囲気で初めて、最後には暗いものになります。
      (26:00) 10番目のセクションは静かに初めて、クライマックスに進むセクションで、「Domine」の単語でクライマックスになって、すぐ冷えて最後のセクションに進みます。
      (29:17) 最後のセクションは11個のなかで由一「MISERERE NOBIS」の歌詞をもっていて、最初に出たAエオリアンが返ってきます。このセクションのメロディは繰り返されるA短調の和音がすべてで、消えて行って、エコーのように静かに曲を終わらせます。

  • @brennentaggart494
    @brennentaggart494 2 ปีที่แล้ว +2

    This is so potent- listening while studying and this has me thinking about life and what it means to exist without and ego that holds me back

  • @antoniaezac4653
    @antoniaezac4653 ปีที่แล้ว +1

    The score has a mistake on bar 26 (repeated bar 29): the 3 crotchet should be a B, not a C

    • @Signore_S
      @Signore_S  ปีที่แล้ว +3

      Thank you for pointing that out! I was using manuscript score to engrave this, but seems like I somehow did not notice that while proofreading :(

    • @antoniaezac4653
      @antoniaezac4653 ปีที่แล้ว

      @@Signore_S You're very welcome, thank you for posting the score in the first place, I should have said that straightaway !

  • @L1102
    @L1102 ปีที่แล้ว +1

    Thank you very much. For me this interpretation is a bit too obscure and unclear in sound. Idk if its the vocal vibrato or the acoustics or something else, but for my taste i would love to hear the harmonies more clearly and the tensions and resolutions should be more translucent

    • @Signore_S
      @Signore_S  ปีที่แล้ว +4

      I think it is the acoustics. I don't know where or how this recording was made, but there seems to be some reverb. Perhaps they were recording the piece in a chapel instead of a recording studio.