Ready to learn more? Watch the rest of Daniel Fisher’s free synth master class, Synth Clips, here 👉 th-cam.com/play/PLlczpwSXEOybYYaBCTcjxxKz1QmxytbIf.html
Hey Daniel… thanks for another outstanding SynthClip. I’m responding to your most excellent demo of the Moog Model 10 and have a specific Moog Modular ask. Is there a remote possibility of you illustrating how the “Clamp Trig” portion of the Moog 921 module works and can be accessed or controlled with or (in my case) without a 953 keyboard controller? As I become more and more familiar with my Model 15 the clamping point feature still stumps me. What’s the scope of it’s application in sound design? And… is there a patching strategy one could apply to creating glissando, again, without using a 953 controller? Excellent presentations! I love SynthClips.
Hi multistring. A few years ago, I read a forum post that went deeper into the uses of Clamp Trig on the Moog 921. I understood some of it but, seeing as I don't have regular access to a Moog 921 Oscillator, I didn't get to try it out immediately. But what I gathered is that when the Clamp Trig is fired, the oscillator is reset. But, unlike a normal Osc Sync, you can choose what level it resets to (instead of always resetting to zero on Osc Sync). This will result in new wave shapes. Hope that helps a little. -Daniel
@@JaniceLalla again no, a Floyd rose has one way it wants to be. the level of key tracking applied to any given source is variable depending on artistic choice.
Ready to learn more? Watch the rest of Daniel Fisher’s free synth master class, Synth Clips, here 👉 th-cam.com/play/PLlczpwSXEOybYYaBCTcjxxKz1QmxytbIf.html
It never crossed my mind until now, setting amp level on Key-tracking. That's gold! 🙂
Masterclass! These have been very helpful. Thank you Daniel Fisher!
@4:10 exactly what I needed to know, thank you for these videos!
Thanks Daniel. I really enjoy these videos. Very helpful. Enjoying my Hydrasynth even more.
Great video 👍. I know what key tracking is but watching Daniel present is always enjoyable - even when he makes sounds that make my teeth hurt! 😁
Hey Daniel… thanks for another outstanding SynthClip. I’m responding to your most excellent demo of the Moog Model 10 and have a specific Moog Modular ask. Is there a remote possibility of you illustrating how the “Clamp Trig” portion of the Moog 921 module works and can be accessed or controlled with or (in my case) without a 953 keyboard controller? As I become more and more familiar with my Model 15 the clamping point feature still stumps me. What’s the scope of it’s application in sound design? And… is there a patching strategy one could apply to creating glissando, again, without using a 953 controller? Excellent presentations! I love SynthClips.
Hi multistring. A few years ago, I read a forum post that went deeper into the uses of Clamp Trig on the Moog 921. I understood some of it but, seeing as I don't have regular access to a Moog 921 Oscillator, I didn't get to try it out immediately. But what I gathered is that when the Clamp Trig is fired, the oscillator is reset. But, unlike a normal Osc Sync, you can choose what level it resets to (instead of always resetting to zero on Osc Sync). This will result in new wave shapes. Hope that helps a little. -Daniel
Nice one ☝🏼 🎹
Super helpful!
Such a great series!
100th likes do I win a prize?
Thanks for clearing this up for us. I knda understood before but now I fully get it. Thanks! 🎹
Informative
Cool
I prefer setting my key tracking at zero. I get the best performance when using effects! Nice demo Daniel! 🎛 🔈 🔉 🔊
I'm an illiterate person when it comes to this kind of stuff but can i make a similarity between this and setting up a floyd rose in a guitar?
No, no similarities really between those two things.
@@graxjpg i mean the constant adjustment to get the right setting
@@JaniceLalla again no, a Floyd rose has one way it wants to be. the level of key tracking applied to any given source is variable depending on artistic choice.
Mine goes to 150%