Great voices, extraordinary interpretation, perfect intonation, goes deep to the heart and at the same time very smart. Hoping for more, thanks a lot for sharing!
Wunderschön... Das hab ich - mit 50 Jahren Bühnenerfahrung als Chorsänger - auch schon häufig mit aufgeführt. Chapeau! In einem Konzert wäre das durchaus sehens- und hörenswert. Applaus wäre Euch sicher. Bei einer Musikkonserve muss es aber Kritik geben. Was mir missfiel: An einigen Stellen wird der Sprung zu einem höheren Ton "angeschliffen", bitte gleich präzise den Folgeton zu treffen würde dort zu dem Werk besser passen. Und wenn Ihr als Ensemble aktiv werden wollt, macht Euch auch bitte Gedanken über corporate-identity für das Ensemble. Das Auge hört mit.
Unfortunately the crescendo-decrescendo on every note destroys any possibility of a legato line, and this also manifests visually in the swinging postures of the singers. This cresc-decresc habit is one commonly seen in amateur groups, and is exceedingly unmusical. Definitely something worth undoing, because the overall sound quality of the group is quite pleasant.
Good evening from Austria! The fact in "crescendo-descrecendo" comes from the local choral tradition in the Austrian state of Carinthia, and goes against the Anglo-American choral tradition, which thinks and sings in "legato bows". Carinthian choral singing is an intangible UNESCO world cultural heritage. - The Viennese choral tradition with the large number of compositions from the Viennese classics also differs from the Anglo-American one - the doyen of the Viennese choirs, including the "Vienna Boys' Choir", named Hans Gillesberger, was the school's educational figure for many decades. See also performances by the Vienna “Arnold Schoenberg Choir”. Erwin Ortner studied with Hans Gillesberger. With kind regards and wishes from Vienna! th-cam.com/video/FWyl0wtpLqk/w-d-xo.html th-cam.com/video/g56GcXDXBY0/w-d-xo.html th-cam.com/video/oyZA5YVtJQM/w-d-xo.html th-cam.com/video/V-mhJWgNFh0/w-d-xo.html th-cam.com/video/JxCu9Q85yek/w-d-xo.html
![[ENGSUB] UNPRODUCTIVE DAY ใช้ชีวิต (เปื่อยๆ) ด้วยกัน 1 วัน! | OUROAD CLOSEFRiEND SS2 EP.9](http://i.ytimg.com/vi/pyYKZ3kra9w/mqdefault.jpg)
Great voices, extraordinary interpretation, perfect intonation, goes deep to the heart and at the same time very smart. Hoping for more, thanks a lot for sharing!
fantastic.🙏🙏🙏🙏❤
Auch dieses gesang sehr gut! Gruss Utrecht
Wunderschön, Danke!
Wow, goosebumps! Very balanced sound, but you can still hear all voices. And can we talk about the warmness in tone of the bass at 0:52
Very beautiful singing, thank you guys
doppelchörig mit 10 Personen... fantastisch
Love your singing! Hello from Canada:)
Wunderschön...
Das hab ich - mit 50 Jahren Bühnenerfahrung als Chorsänger - auch schon häufig mit aufgeführt. Chapeau!
In einem Konzert wäre das durchaus sehens- und hörenswert. Applaus wäre Euch sicher. Bei einer Musikkonserve muss es aber Kritik geben.
Was mir missfiel: An einigen Stellen wird der Sprung zu einem höheren Ton "angeschliffen", bitte gleich präzise den Folgeton zu treffen würde dort zu dem Werk besser passen.
Und wenn Ihr als Ensemble aktiv werden wollt, macht Euch auch bitte Gedanken über corporate-identity für das Ensemble. Das Auge hört mit.
❤
stunning 🥲
Perfect!😊❤👍
🎁❤️👍
Superschön! 💛💛💛🎶
Wunderbar gesungen, aber die körperliche Unruhe (Gestik) finde ich irritierend. Das Auge hört mit🥲
Unfortunately the crescendo-decrescendo on every note destroys any possibility of a legato line, and this also manifests visually in the swinging postures of the singers. This cresc-decresc habit is one commonly seen in amateur groups, and is exceedingly unmusical. Definitely something worth undoing, because the overall sound quality of the group is quite pleasant.
Good evening from Austria!
The fact in "crescendo-descrecendo" comes from the local choral tradition in the Austrian state of Carinthia, and goes against the Anglo-American choral tradition, which thinks and sings in "legato bows". Carinthian choral singing is an intangible UNESCO world cultural heritage. - The Viennese choral tradition with the large number of compositions from the Viennese classics also differs from the Anglo-American one - the doyen of the Viennese choirs, including the "Vienna Boys' Choir", named Hans Gillesberger, was the school's educational figure for many decades.
See also performances by the Vienna “Arnold Schoenberg Choir”. Erwin Ortner studied with Hans Gillesberger.
With kind regards and wishes from Vienna!
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