Bar 113-114 is wild. Looks like he’s playing an A major pentatonic over the Bb13. (2:11) He then continues with the A major pentatonic idea over a tritone subbed turnaround - A7, Ab7, G7, Gb7. My favourite phrase for sure.
Wow! He played at least seven different styles and approaches in this less than 3 minute masterclass! Then he closes out with the octaves in the right and left hand improv! Super!
They are two very short hits, I remember spending some time when I transcribed it and slowing it down. Then it appeared to my ears as a double chromatic approach. I agree at full speed it sounds just like two Cs
Hi@@LucaDellAnna , Thanks for the response. I have been practicing this solo many times, and I greatly appreciate your transcription! I hear both a possible 2 Cs or two As (E-flat and A being the 3 and 7 of F7).
Bar 113-114 is wild. Looks like he’s playing an A major pentatonic over the Bb13. (2:11) He then continues with the A major pentatonic idea over a tritone subbed turnaround - A7, Ab7, G7, Gb7. My favourite phrase for sure.
Wow! He played at least seven different styles and approaches in this less than 3 minute masterclass! Then he closes out with the octaves in the right and left hand improv! Super!
glad kenny played this transcription of my solo. im honored
Wow. Thanks for this. Would hear Kenny with Ron so many times and also with Ted.
HAI TRASCITTO ANKE LA MANO SINISTRA GRANDISSIMO!!!! GRAZIE GRAZIE GRAZIE
악보 만드시느라 정말 힘드셨을텐데 수고하셨습니다!
감사합니다 THANK YOU FOR YOUR EFFORT!!
GRAZIE PER LA CONDIVISIONE LUCA GRANDISSIMOOO!!!!!
Lots of study material here. Or better yet must have material. Thank you Kenny,
nice!
Great outside-to-inside playing, a lot of #11 and b9 targets
Fantastic! Thank you!
Eb traiad on F7, F#major scale on F7 sounds really cool. Groove is also great. Damn! killin'
Ottimo lavoro, grazie per aver condiviso la trascrizione di questo stupendo solo, fantastico! 🤩
Whoa!
Kenny is one "sick" pianist (THAT'S GOOD BTW)! If I could just learn to play this one blues, I would be in heaven!
Fantastisch! ❤❤❤
nice work，thank you！
Smooooooooth
╔═╗ ╦░╦ ╔═╗ ╔═╗ ╦═╗
╚═╗ ║░║ ╠═╝ ╠═░ ╠╦╝
╚═╝ ╚═╝ ╩░░ ╚═╝ ╩╚╝ ▂ ▃ ▄ ▅ ▆ █ 100 % COOOOoooL !!!!
Ufff!!!! Sbam!!!!! 💪🏼💪🏼💪🏼💪🏼🙌🏼🙌🏼👍🏼
too much too much too much too much this is a great as anything anyone ever played ever
On measure 120, are you sure there is a B natural in the first chord on the left hand (2:21)
They are two very short hits, I remember spending some time when I transcribed it and slowing it down. Then it appeared to my ears as a double chromatic approach. I agree at full speed it sounds just like two Cs
Hi@@LucaDellAnna ,
Thanks for the response. I have been practicing this solo many times, and I greatly appreciate your transcription! I hear both a possible 2 Cs or two As (E-flat and A being the 3 and 7 of F7).
👌
Difficult to impossible to make a purchase of pdf
Contact me privately at info{at}Lucadellanna.net
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ギタリストの KeNNyしか知っていなかった私にとって この方のピアノは…ショックだった (菰田 修)
Perché scrivi free se poi è a pagamento?
Ciao! Grazie per la segnalazione, dove c’è scritto free? Se mi è scappato ho sicuramente sbagliato. Grazie mille! 😊
@@LucaDellAnna No, ho sbagliato io. Scusa!
That is so disgusting and nasty ... do it again 😂
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