Thanks, you made our show happen as I given an old LS9 for our gig. Your clear step through allowed me to literally plug in and play and make the right adjustments. Afterwards, feedback was it was it was the best sound at the party for a long time.
I agree - the audio is far from optimal. But because of struggling with the LS-9 initially, I made this video at work (with an iPhone 4), just to help my fellow co-workers who've never used this console. Had no idea that others would ever even look at or benefit from this video as well, but it makes me happy to know that some have!
It's personal preference. Bypassing the Stereo Bus is often desirable, for direct connection to the AUX, regardless of the Stereo Bus' position, such as a Pre-Fader setup.
So what are you using auxes for in this case ? I normally use them for stage monitors and use a matrix for the main PA. If I have any leftover auxes I’ll use them for group processing.
Effects assignment on the Custom Fader Layer is the same as other layers. In the DISPLAY ACCESS section, press the [RACK 1-4] key and [RACK 5-8] key simultaneously to access the VIRTUAL RACK screen. From the VIRTUAL RACK screen, highlight the GEQ/EFFECT field & press ENTER. There, you can select the effect that you would like to insert.
Go to the channel you want to copy from, select the EQ section & press the ENTER button, so that the EQ popup screen appears. Once you do that, small "tool buttons" will appear at the top of the popup screen, with the options: LIB, DEF, COPY, PASTE & COMPARE. Select COPY & press the ENTER button. Then go to the channel you want to past to, select the EQ section & press the ENTER button, so that the EQ popup screen appears again, highlight the PASTE "tool button" and press ENTER. This procedure is the same for copy/paste functions for the channels' High Pass Filter, Dynamics and Graphic EQ and Effect Library.
I made this video at work (with an iPhone 4 & no microphone), just to help my fellow co-workers who've never used this console. Had no idea that others would ever even look at or benefit from this video as well.
I agree - the audio is far from optimal. But because of struggling with the LS-9 initially, I made this video at work (with an iPhone 4), just to help my fellow co-workers who've never used this console. Had no idea that others would ever even look at or benefit from this video as well, but it makes me happy to know that some have!
I agree - the audio is far from optimal. But because of struggling with the LS-9 initially, I made this video at work (with an iPhone 4), just to help my fellow co-workers who've never used this console. Had no idea that others would ever even look at or benefit from this video as well, but it makes me happy to know that some have!
Correct. It is my setup (and pretty common in the corporate audio world). Because of struggling with the LS-9 initially, I made this video at work, to help my fellow co-workers who've never used this console.
Sorry, but I have only used the LS-9 in a live scenario, not in the studio. So I am not familiar with the console's talkback functionality. In the studio, I use a UAD Apollo x6, utilizing its talkback/dim function.
Thanks, you made our show happen as I given an old LS9 for our gig. Your clear step through allowed me to literally plug in and play and make the right adjustments. Afterwards, feedback was it was it was the best sound at the party for a long time.
Thanks so much ! I solved my problem on my church using the LS9-32. From S.KOREA
It makes me happy to hear that your congregation is benefitting from the knowledge. :)
Why most of the TH-cam tutorials about audio gear or audio in general, usually sound crap?
This could be a good video, but it is almost inaudible.
Not quite sure what video you've been watching but this sounds good to me!
I agree - the audio is far from optimal. But because of struggling with the LS-9 initially, I made this video at work (with an iPhone 4), just to help my fellow co-workers who've never used this console. Had no idea that others would ever even look at or benefit from this video as well, but it makes me happy to know that some have!
best video ever…straight to the point no fluff
Thanks for your kind words! That was the idea. :)
The best video that shows step by step the basic setup of the LS9 :)
Thank you. :)
I find that when I pan a channel in the mix bus, FOH mix also gets panned. How do you pan channels in the mix bus without affecting the FOH mix?
Do I have to do this everytime I use the mixer or I can save and just play
Yes. Once you've configured the setup, you can just it as a scene, then recall whenever you are mixing a show.. No need to go through setup each time.
on an input channel, shouldnt we highlight stereo so that the signal goes to the stereo bus and then to the matrices?
It's personal preference. Bypassing the Stereo Bus is often desirable, for direct connection to the AUX, regardless of the Stereo Bus' position, such as a Pre-Fader setup.
So what are you using auxes for in this case ? I normally use them for stage monitors and use a matrix for the main PA. If I have any leftover auxes I’ll use them for group processing.
how to assign effects on coustom fader layer
Effects assignment on the Custom Fader Layer is the same as other layers. In the DISPLAY ACCESS section, press the [RACK 1-4] key and [RACK 5-8] key simultaneously to access the VIRTUAL RACK screen. From the VIRTUAL RACK screen, highlight the GEQ/EFFECT field & press ENTER. There, you can select the effect that you would like to insert.
How to copy and paste EQ?
Go to the channel you want to copy from, select the EQ section & press the ENTER button, so that the EQ popup screen appears. Once you do that, small "tool buttons" will appear at the top of the popup screen, with the options: LIB, DEF, COPY, PASTE & COMPARE. Select COPY & press the ENTER button. Then go to the channel you want to past to, select the EQ section & press the ENTER button, so that the EQ popup screen appears again, highlight the PASTE "tool button" and press ENTER. This procedure is the same for copy/paste functions for the channels' High Pass Filter, Dynamics and Graphic EQ and Effect Library.
Thanks for the video, why do you call channels "mixes"?
we don't. channels are channels and mixes are mixes. Also, Matrices are matrices. There's three level and the Stereo L+R mix
PHENOMINAL !!! THANK YOU
im sure its a good vid, but no mic on the vocal? I can't hear what is being said...
I made this video at work (with an iPhone 4 & no microphone), just to help my fellow co-workers who've never used this console. Had no idea that others would ever even look at or benefit from this video as well.
I cant hear and sounds muffled
Start with the one that makes us hear you lmao
I agree - the audio is far from optimal. But because of struggling with the LS-9 initially, I made this video at work (with an iPhone 4), just to help my fellow co-workers who've never used this console. Had no idea that others would ever even look at or benefit from this video as well, but it makes me happy to know that some have!
Bj quelqu'un peut me rediriger vers un tutoriel sur le ls9 en francais svp merci
Si vous activez les sous-titres, puis sélectionnez "traduction automatique", vous pouvez alors sélectionner le français comme langue.
fix audio
I agree - the audio is far from optimal. But because of struggling with the LS-9 initially, I made this video at work (with an iPhone 4), just to help my fellow co-workers who've never used this console. Had no idea that others would ever even look at or benefit from this video as well, but it makes me happy to know that some have!
Traduire en français pour moi
অনেক ভালো কিন্তু এটার প্রাইস টা জানলে ভাল হত
ইবেতে, LS-9 বর্তমানে প্রায় $1500 USD, যা প্রায় 112569.75 টাকায় বিক্রি হয়
That's the basic? That's your setup not the standards....
Correct. It is my setup (and pretty common in the corporate audio world). Because of struggling with the LS-9 initially, I made this video at work, to help my fellow co-workers who've never used this console.
Able to also demo talk back. Someone speaks music lower down by itself
Sorry, but I have only used the LS-9 in a live scenario, not in the studio. So I am not familiar with the console's talkback functionality. In the studio, I use a UAD Apollo x6, utilizing its talkback/dim function.
Please improve your audio , a mixer tutorial should have decent audio.
I could hear it all fine…
He’s recording in one hit on a camera - why should he involve the desk?