Sebastian Bohren - Violin Partita No. 3 in E Major, BWV 1006: III. Gavotte en rondeau
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- เผยแพร่เมื่อ 14 มิ.ย. 2018
- Music video by Sebastian Bohren performing Violin Partita No. 3 in E Major, BWV 1006: III. Gavotte en rondeau. (C) 2018 Sony Music Entertainment Switzerland GmbH
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For me is the best music from Bach
I also think so! 🤔😊
Your playing is world case and near absolute perfection. This piece is not easy and your sound is amazingly excellent,
Currently learning this piece for a performance. It’s an amazing piece
Same
1:08 that accented powerful low note is too satisfying to hear
One of my personal favorite performances of this piece. Thank you.
Man, to be able to play in a space like that😍
You guys remember hearing this on James and the Giant Peach the movie?
I just came here after watching it for the first time
Bravo, Sir.
This very piece here is the reason why Bach for me is my favorite and greatest composer to ever live.
It's so great! :) Love your performance!~
Thank you!!!!
Fancy and well played!! Love it!!
Sabía que esta melodía me sonaba de algo. Aparece un pequeño fragmento en "James y el melocotón gigante", interpretada al violín por el saltamontes. Más de 20 años después, la he encontrado 🥲
simplemente hermosa interpretacion sin duda J.S.BACH era todo un genio
Magnifique!!!
Top, lieber Sebastian! Einfach weltklasse! 👍
Fantastisch !!
Impressive performance and great interpretation 👍
this piece is so beautiful
Such lovely playing! Thank you.
Referencia a metal family ✨❤️
Angelic sound
Beautiful! Thank you.
Superb technique!
I thought Augustin Hadelich's rendition was good but for yours sir I have to make an exemption, this was beautiful.
One of my fav pieces and you nailed it...nice video
You are too much adorable!
Essential of Bach musik!
Bravo ! Muito lindo.
Very nice
¡Muy buena interpretación!
I HEARD THIS WHEN I WAS SMALL IDK WHEN
lovely!
awesome playing, sir! 🎻
Hello there Heifetz! 😱😊😂
Thank you!!!
is it just me but pieces in e major are just automatically good 👍🏻, secret to good piece, put the piece in e major 🎼😀
Everything sounds identical in all keys... Only higher or lower respectively... Sure you can't go too low or too high with some things and some things seem like they fit perfectly in one specific key over others for seemingly no reason, but really, specific keys are pretty irrelivant in effecting the sound of piece other then just making it higher or lower.
some pieces sound better on violin in some keys. If you play a piece in D flat on the violin, there won't be many open string resonances like in this piece. Similarly, if you play cello in E major, not as much resonance
@@dickrichard626 maybe you're thinking of the piano. the violin or other string instruments will absolutely have different resonant advantages in one key over another. Also, a piano is tuned with well tempered or decimal tuning while the violin is in perfect 5ths. This, again, has an effect on the resonance.
@@chinncannon You can tune to any note you want. Nothing says that for example the 6 string guitar has to be tuned to E standard or even a specific frequency. Different instruments sound intrinsically different and that is refered to as timbre. Timbre has to do with the overtones that are produced by an instrument and different instruments can play the same notes, but still sound different. If you hypothetically have 2 instruments that are producing identical Harmonics. They would actually combine and all you percieve is an increase in volume and not 2 instruments at all. "Resonance" is just a continued long note or can refer to a reverbating echo. It is simply put a sound that lasts for a period of time for some reason. "The note resonates." = "The note continues to voice." It has nothing to do with timber or tuning... It's important to learn what words mean what in music theory otherwise your going to always be lost and confused.
@@chinncannon You create more variation by changing whatever pattern, scale or chord progression then you do by playing a riff/scale or chord progression in one key compared to another. Any pattern sounds identical in all keys only relatively higher or lower. I admit that some contexts elude to being played in a higher key as apossed to a lower one or vice versa and some might seem perfect in one specific key for some reason, but that's for you to decide. My point is that C Ionian sounds identical to D Ionian, which also sounds identical to A# Ionian and the only difference is that they are only higher or lower in comparison to each other and not particularly unique. Now that said specifically the Ionian mode is rather intrinsically bright and happy so it seems to not lend itself to making music in a very low bass octave and is easier to work with in higher octave. Not saying it's impossible though. Feeling out the bass in Ionian is much easier with some chords or melody in a higher octave already being there. While in contrast Aeolian or some kind of dark minor/ chaotic scale can easily be used to start creating with a bass line and will feel more appropriate lower, not that these scales can't be used in higher octaves obviously. Playing in one key over another just does very little to change things in reality without there being a big difference of octaves, which really all in all has a barbers pole effect in the grand scheme of things.
Metal family me trajo aquí :3
Tambien a mi
Why am I crying...
Lmao don’t lie this didn’t make you cry
Watch Cosmos with Carl Sagan, you will think of possibilities and not cry ....
This piece is really energetic
HTF did you cry?!
Cringe
Your gay
Bach is #1
Me lembra "as quatro estações" primavera de Vivaldi ❤
This is beautiful. Any tips on how to play this piece? I'm practicing it and it's really hard
What are you struggling with
@@lilin1222 The double stops and getting the tuning right for the key signature its in
@@namechanger3889 I feel you. I'm so stuck with the part at 00:53.. how does it sound so easy?!
I always tell my students to make sure to play the melody line in the double stops solo many times but with the fingers in place (if no open string) for the accompanying notes. The bow will only be on one string but fingers on both. This usually highlights intonation and tone issues caused by your posture/tension. I know it's hard, but always be thinking about relaxing. Then switch to only playing the accompanying notes but again, fingers on both strings. i see this was 2 years ago so hopefully you conquered the piece but maybe someone else needs the advice.
Violin partita no.3 in e major, bwv 1006
❤❤4
0:26
MA-RA-VI-LLO-SO
👏👏👏🇧🇷
1番音がよい
0:53
0:26
Who also came here because of Evangelion Death soundtrack?