Mozart Requiem D minor K 626 Nikolaus Harnoncourt

Wolfgang Amadeus Mozart
Requiem in D minor K 626
Nikolaus Harnoncourt conducts Concentus Musicus Wien
Rachel Yakar (soprano), Ortrun Wenkel (alto), Kurt Equiluz (tenor), Robert Holl (bass),
Vienna State Opera Chorus
Introitus : Reqiem 0:00
Kyrie 4:40
Sequentia: Dies irae 7:25
Sequentia: Tuba mirum 9:22
Sequentia: Rex tremendae 12:55
Sequentia: Recordare 14:49
Sequentia: Confutatis 20:25
Sequentia: Lacrimosa 22:45
Offertorium: Domine Jesu 25:44
Offertorium: Hostias 29:32
Sanctus 32:40
Benedictus 34:25
Agnus Dei 39:28
Communio: Lux aeterna 42:44

[@rosemarie1283]

quels souvenirs d'écouter cette extraordinaire interprétation! merci à "sonorum ..." et à Nikolaus Harnoncourt qui imprègne le Requiem d'une force et de convictions peu communes. J'espère que Mozart aurait été en phase.

[@renaudpontier]

Interprétation magistrale d'Harnoncourt. Beaucoup d'intensité et de nuances. Certainement la meilleure avec celle de K. Boehm.

[@oguzochka_dura]

Блистательный Арнонкур! Учитывая его страсть к аутентичному исполнению, верю в то, что именно так и должен звучать этот одухотворённый шедевр. Идеальный темп, гармония в каждой детали

[@marioduparc4097]

Enfin...J'ai retrouvé mon CD perdu...Car Harnoncourt est le sublime Chef pour " interpréter " Mozart dans toute sa splendeur et sa complexité....Merci Maestro...et Paix à Vous ...!

[@tlagudtjq]

Could you upload the better quality version? Especially the sound quality is way too compressed and has a lot of noise.

[@bachlover65]

Despite of its little imperfections still the best interpretation for me. What dramatism & lyricism! What an overwhelming dramaturgical structuring of each movement and the whole mass! Good old Nicky, we miss you so much!

[@Rthierry]

What would be the imperfections?

[@bachlover65]

@@Rthierry

[@bachlover65]

The little imperfections in my eyes are: the bass clarinets (Bassetthörner) are a bit flat, not completely in tune at the opening section of the Introitus; at 16:14 (Recordare) one of the first violinists plays a B flat instead of B natural; In the postlude of the same movement the violins are quite out of tune; the size and sound of the choir is not ideal (it much too often covers the orchestra sound, the vibrato of the choir singers is a bit too strong) etc. But most of these are there because it is a live recording and are all balanced by the enormous musical quality that makes this performance unbeatable to me. On the LP (later CD) version most of them are corrected.

[@Rthierry]

@@bachlover65 Tysm for your answer!

[@dejanstevanic5408]

Thank you.

[@danielber1920]

This is such an excellent version!! top 10 for sure.

[@user-wt1fh9fo1v]

Темп прекрасен! Это Арнонкур Царство ему небесное!

[@euledj79]

since so many years still the best Interpretation. The CD-recording however is way better than this live-performance. I always liked the dualism of the period-instrument-hip-orchestra and that thick wagnerian sound-wall of the Vienna State Opera Choir.

[@autosignout]

Rachel Yakar (soprano), Ortrun Wenkel (alto), Kurt Equiluz (tenor), Robert Holl (bass),
Vienna State Opera Chorus,
Concentus Musicus Wien,
Nikolaus Harnoncourt (conductor)

[@sonorumconcentusclassicism8417]

thanks

[@beverliecgensler]

What year? Looks like '79ish.

[@marcverhaegen7943]

Ongelooflijk mooi!

[@lucasleo5475]

22:00

[@helgadegraaf4859]

Applaus!!!!

[@jazsssss]

28:03

[@noemiserra3366]

tenor: Kurt Equiluz..... etc.?

[@autosignout]

Rachel Yakar (soprano), Ortrun Wenkel (alto), Kurt Equiluz (tenor), Robert Holl (bass).

[@noemiserra3366]

Robert Holl i Equiluz van cantar la passió segons Sant Joan. Equiluz feia d'evangelista i Holl de Jesús.

[@ignatziusturret5641]

Bravo

[@swingingdaniel]

10 seconds and you know this will not be good.

[@VexaS1n]

the hostias tempo is terrible