Lemme tell you. Over the last 5-7 years , this dude has transformed my playing and understanding of music more than anyone. Listen to him. Watch all his videos, buy his books....its all gold. Im so appreciative of all the free knowledge he has given to all of us....truly a great man and musician, and hes so passionate about it.
Even during the pandemic when he started The Practice Room videos was awesome it was like I couldn't wait for the next episode lol Thank You Janek blessings to you🙏💯
6:50 - I'd rather go with right hand that way: Right Hand Technique: I - Index finger M - Middle finger S - Slide P - Pull-off Three-String Raking Pattern: IIIM - Index finger on the first string, index finger on the second string, index on the third string and middle finger on third string IMIM - Alternating between index and middle fingers on three strings. Articulated Version: SIIM - Slide with the index finger on the first string, followed by the index finger on the second and third strings and middle finger on third string PIMI - Pull-off on the third string, followed by index, middle, and index fingers on the third, second and first strings.
I used to make myself learn scales in a similar way. When I was too impatient and wanted to nail a new shape/scale/pattern, depending on how much time and how hard I was finding the material, I would repeat each note 4 times, climbing and descending through the scale , then 3, then 2, then 1. Naturally, the more repetitions of each note, there longer I had to stay there giving me thinking time to get to the next more accurately allowing my brain time to absorb the new information. Each time I dropped a note, I was also moving on one beat sooner, decreasing thinking time and driving towards the end goal. I still use that kind of approach in my own practice and with my students. To extend this idea, I would used my metronome and find the slowest comfortable speed for the exercise and run the whole routine at that speed. I would then increase the tempo of the whole routine as it became more secure and therefore less challenging. You are an amazing and inspirational player and teacher! Thanks for the videos
Infeel very comfortable watching your videos. The lighting is nice, how you record your voice and of course your theory/practical advice. Inspiring me to practice more.
Goodness I'm a beginner bass player who just got back to it after a gap (because a solder broke!) and for some reason it all clicked much better... and here you are with what looks like an excellent approach, glad the algorithm came across you!
Best regards, gentleman Gwizdala, I find its content fabulous and it has helped me a lot in my practice with the bass, which I must be grateful for; I was wondering if you know anything about bass sounds, what type of strings sound best and on what type of instrument and genre? Once again, best greetings and see you always.
Just released a new music project and now in that quiet time before beginning something new. The best time to learn more , so I'm very grateful to stumble upon your videos online. Your quality of playing & teaching are both enjoyable and inspiring. Thank you
On top of doing these type of exercises the thing that allows consistent progress with them is doing them daily for at least a short period. Even 10 minutes focused on one thing every day and rotating new challenges in over time has a huge cumulative effect that you can't get by jumping around and doing many different things or trying to cram learning into one long practice session.
Great tips!!! If I could piggyback with an accelerator, one of the best tips I got and try to pass on is a rhythm component. If you’re doing eighth notes, run it three ways: straight, dotted 8th 16th, then 16th dotted eight. This really helps especially with cleaning up shifts. I’m sure you know this, but I feels it’s underutilized, or rarely spoken of. Great vlog!! ❤
JANEK, know that you are appreciated and listened to from Puerto Morelos just south from Cancún Mexico. I want to get your books as soon as i figure out the way to purchase them. YOU ARE THE MAN!
Another very inspiring vid Gwiz! Thank you. Here's another fingering idea for 10ths, that I use on upright bass, is: M10=1-4 and m10=1-3 This helps to reinforce the major and minor harmony of the scale degrees.
this was a good one. i look for brief yet profound lessons all over you tube. many times theyre over my head. This one is particularly useful. Thank you.
Janek, you have the technique to play all the fast stuff! How do you manage to NOT fall into the trap of your fingers to play fast and, instead, listen to melodys in your head and take your time? Thank you, you're a big inspiration!
I think that has come from spending most of my life listening to and admiring music that had nothing to do with how fast or slow it was played. I understood from a young age that some of the worlds greatest technicians are also the worlds worst musicians. I care about melody, harmony, song form, communication, interaction, and the experience of live music with an audience. The only reason I have developed the technique necessary to play incredibly fast, is because some of the musical ideas I hear end up containing elements that require a wide range of basic technique to execute them. I was never driven by technique though. It was always by melody.
Hi Janek, Firstly thank you for your calm and grounded manner in yr wonderful presentations.. a welcome break from many other hyped-up presenters who are trying too hard to be clever/funny, rapidly becoming insufferable.. (eg. a famous SW London music store - tho great content etc..).. We have too much noise in our lives as it is..! :) Your video: At first it had me doing my head in finding the ref chords (key) until I noticed that I'd somehow missed seeing the chart.. @1:37.. but.. by visual & ear your first note was 'A' whereas on the chart it is Bb.. in other words you were starting the performance exercise on the second bar..(??) Then it all fell into place. I wonder if anyone else had the same problem? Best regards to you and many thanks for your generous guidance. Geof Harris, Southend on Sea, Essex UK - active bassist for approx 55yrs - aware that there's no point of arrival..! :D
I love this vid, I use the II-V exercise a lot in my warm up routine, and I think it was in your first book as well. Well definitely use the tenth exercise, thank you Janek
@@janekgwizdala Right! I wondered because they are dark. That's what I would have guessed. Great sound! Thanks. Already ran the 4/4, 2/2, 1/1 reps today, excellent. Much appreciated.
That is some insanely helpful advice...Having fun is the #1 thing. Thanks Janek! I'm struggling to just get "slapping" down right. I've been looking for just basic techniques/exercises to become better at it.
We could skip all these concepts (which are great BTW) and just get right to the _meat and potatoes_ and that's the *Bass Face* The best way to get *better faster* is to assume the role and get in the groove! by locking in on a *Bass Face* we can achieve this better & faster! but proper *bass face* is crucial, and proper timing for the *bass Face* is imperative. Would love to see a video exclusively on *Bass Face* technique, You my friend are the master, and exhibit it even while teaching, well played 👏
Great exercises, spot on for improving on the instrument by deliberate practice. Thank you Janek 🙏. I do have a question tho. Do you have any resources on left hand technique? I've been playing bass for 15 years (really intermittently lol) and I think I got very close to be an intermediate with the instrument during the first three of four years (in which I developed a left hand mild swelling in the muscle below the pinky on the outer edge of the hand which I never properly addressed). Long story short, life happened and I rediscovered my love for bass last year so I've been taking it seriously since then, thing is, recently I learned a song my private instructor suggested (Better by Cory Wong) and it triggered that swelling along with a mild cramp on the outer edge of the wrist and it hurts in some specific points along my forearm all the way to the elbow, nowadays I stopped playing bass for a few weeks until I completely recover from this pain and in the meantime I'm looking for exercises and resources to resume my practice by re-learning the fundamentals and playing really really slow but with a healthier left-hand technique. (I think it may also happen because I grip really hard with my left hand when I'm playing a challenging song for me, like 'Better'). Any help will be heavily appreciated. Greetings from Colombia!
Hey Janek, I've been watching your content for years and I love your approach to music. You've inspired to me to start transcribing more, but can you explain the process of getting the ideas developed and part of your ear/music you hear before you play?
Janek, I admire your playing so much. I assume the majority of your tone comes from your technique and playing for so many years. If you don’t mind me asking, what kind of signal processing do you use when you make your videos? Are you going through a compressor, the Stomp, a DI into your audio interface, other?
Hello there! Hope everything's alright! I really liked this lesson, but I'm wondering... is there a "right"/proper way to place your fretting hand thumb on the neck? Or is it "just" a matter of doing what feels comfortable? Don't know if it makes any sense, but I'm finding myself having troubles keeping a consistent placement while playing :/ Thx in advance!!!!! You rock!!
For me technique was not difficult. The difficult thing was been awareness that the root isn't the first note of the phrase. Hahaha. Thanks for sharing your knowledge Janek 🙏
Hey Janek, how about the plucking hand? You are plucking the last note of the 1st four notes AND the 1st note of the 2nd four notes both with your middle finger. Wouldn’t it be better to continue alternate plucking so that you begin plucking the 2nd four notes with your index finger? I’m going to try that later today, I may discover I’m wrong. I’m not questioning you, just asking. You ARE the master !!… although as I continue the video I see that when you actually run through the exercise, you slide into that note rather than pluck it. Or hammer on if you are accending.
Thanks for posting this! As a self-taught bassist, I'm always on the hunt for new ideas and techniques to add to my playing. This was a great find. A sub for you! Are there any books you might recommend? I've been playing for 20 years and I'd like to grow on my playing via method books and exercises in the same way I did at University when I studied clarinet.
Appreciate you taking the time to comment. In terms of method books, it all depends on your level and what you’re looking to improve right now. All my books available here janekgwizdala.com/store accommodate all levels of player. If you’re looking to improve jazz vocabulary, chords, sight reading, or just dial in your warm up there’s something for everyone.
Question. Great video. So helpful.but is there a reason why you use a P bass for some of these lessons? You also used it on the 'Altered' vid. I'm guessing it's the fundamental nature of the instrument?
It's to make sure no one feels left out. When people who consider themselves more "advanced" players see a 5-string strung E-C they immediately do one of two things: 1. Freak out that they don't have that exact tuning and move on to the next video 2. Freak out that they don't have that exact tuning and move on to the next video and the complain in the comments that the video should have been made for a 4-string. And when a beginner sees the video, they might just not understand what a 5-string with a High-C is right away, so it helps take away anxiety from the process for newer players which I think is a positive thing. The irony (for the "advanced" player at least) is that the concepts in literally every lesson-video I've ever made can be transferred not just to any bass tuning, but to any instrument. At some point, it was pointless holding on to "my" thing (the 5-string), and it's also a nice change of pace to play language on the 4-string that I don't normally practice in that setting. A win win for everyone I think.
Fellow stubby here. I'm 3 months into Josh's BassBuzz course. He has digits that remind of the 'face sucker' in Alien. (Me? I can only do four frets when I'm past fret 5. #SMH )
I'm having great difficulty fretting the 10th exercises. One key difference I can see is that you seem to be holding the bass more like a classical guitar from what I can see. I don't see a strap, so how are you supporting the bass?
This position is very much from my days as a classical guitarist. The leg supports the entire weight of the bass, and leaves the hands and arms with a very low amount of stress.
Thank you Janek, I have your II-V-I book but I haven’t opened it in a couple months, but I’m inspired to get back into it. Btw, I took it to an office supply store where they cut off the binding and put a spiral binding on it so it will lay flat. Maybe you should offer the option of a spiral binding for an up charge? It cost me about $12-14 to have it done and was well worth it. Peace !
Incredible content, I’ll definitely “steal”, but…could have been a 6 minute video with a lot of dialogue cut out, but understanding the what’s and why’s are as critical to getting the ability to do it.
Lemme tell you. Over the last 5-7 years , this dude has transformed my playing and understanding of music more than anyone. Listen to him. Watch all his videos, buy his books....its all gold. Im so appreciative of all the free knowledge he has given to all of us....truly a great man and musician, and hes so passionate about it.
As a lefty, THANK YOU for saying "plucking hand" and "fretting hand."
The amount of free information you give away should be criminal. Thanks for everything, Janek.
I agree! Thank you Janek!
Even during the pandemic when he started The Practice Room videos was awesome it was like I couldn't wait for the next episode lol Thank You Janek blessings to you🙏💯
Sharing is what we are supposed to do 👍
I strongly agree
Thank u sir
Concur 🎵🎶🎸
I love the “foundational” nature of this: Regardless of what you’re working on, how to get better faster!
GUYSSS, this is the secret of how to get better at any instrument faster. Practice what this man is preaching. This video is 🔥🔥🔥🔥🔥
Kwowing how to build a practice routine is a key to keep the will and the motivation. Thank you Janek.
6:50 - I'd rather go with right hand that way:
Right Hand Technique:
I - Index finger
M - Middle finger
S - Slide
P - Pull-off
Three-String Raking Pattern:
IIIM - Index finger on the first string, index finger on the second string, index on the third string and middle finger on third string
IMIM - Alternating between index and middle fingers on three strings.
Articulated Version:
SIIM - Slide with the index finger on the first string, followed by the index finger on the second and third strings and middle finger on third string
PIMI - Pull-off on the third string, followed by index, middle, and index fingers on the third, second and first strings.
Thank you Janek for reminding us to take a break every 90 mins or so. This is very important for our mind and body.❤
I’m not good in English, but you make it easy to me to understand the skills and knowledges who ever never told me in past 20yeats
I used to make myself learn scales in a similar way. When I was too impatient and wanted to nail a new shape/scale/pattern, depending on how much time and how hard I was finding the material, I would repeat each note 4 times, climbing and descending through the scale , then 3, then 2, then 1. Naturally, the more repetitions of each note, there longer I had to stay there giving me thinking time to get to the next more accurately allowing my brain time to absorb the new information. Each time I dropped a note, I was also moving on one beat sooner, decreasing thinking time and driving towards the end goal. I still use that kind of approach in my own practice and with my students. To extend this idea, I would used my metronome and find the slowest comfortable speed for the exercise and run the whole routine at that speed. I would then increase the tempo of the whole routine as it became more secure and therefore less challenging. You are an amazing and inspirational player and teacher! Thanks for the videos
The root + 10th is my favorite interval! Thanks for the tips to make it even better 🤘
Infeel very comfortable watching your videos. The lighting is nice, how you record your voice and of course your theory/practical advice. Inspiring me to practice more.
Brilliant Janek I desperately need some regimented drills in my practice, thanks
Wow! This is phenomenal!
Thank you Janek. Great lesson. Peace ✌
New to bass, this is an inspiration.
Great concepts! Thanks friend.
Goodness I'm a beginner bass player who just got back to it after a gap (because a solder broke!) and for some reason it all clicked much better... and here you are with what looks like an excellent approach, glad the algorithm came across you!
Best regards, gentleman Gwizdala, I find its content fabulous and it has helped me a lot in my practice with the bass, which I must be grateful for; I was wondering if you know anything about bass sounds, what type of strings sound best and on what type of instrument and genre?
Once again, best greetings and see you always.
Just thank you for all you contribute to letting people make music 🎵🎶🎵😊
Just released a new music project and now in that quiet time before beginning something new. The best time to learn more , so I'm very grateful to stumble upon your videos online. Your quality of playing & teaching are both enjoyable and inspiring. Thank you
On top of doing these type of exercises the thing that allows consistent progress with them is doing them daily for at least a short period. Even 10 minutes focused on one thing every day and rotating new challenges in over time has a huge cumulative effect that you can't get by jumping around and doing many different things or trying to cram learning into one long practice session.
Been watching your videos everyday for the past weeks. You're a great instructor man and great content always! Thanks for the free information!
Sound of the voice is amazing
You had me at like a saxophone player.
Another great source of inspiration, as always. Thank you so much for all the material and content you bring to us.
Informative and great as always. I love your content here, Janek. THANK YOU.
Great tips!!! If I could piggyback with an accelerator, one of the best tips I got and try to pass on is a rhythm component. If you’re doing eighth notes, run it three ways: straight, dotted 8th 16th, then 16th dotted eight. This really helps especially with cleaning up shifts.
I’m sure you know this, but I feels it’s underutilized, or rarely spoken of. Great vlog!! ❤
I just subscribed to your channel. All your videos are very informative. Be blessed, Sir!
I seem to be a slow learner on the four instruments I play. I will need to study this approach intently..but believe I already have been doing this
WoW... New to Bass. Looking forward to getting better to be able to apply this. Thanks for sharing.
JANEK, know that you are appreciated and listened to from Puerto Morelos just south from Cancún Mexico. I want to get your books as soon as i figure out the way to purchase them. YOU ARE THE MAN!
TY. I'm a NOOB at this. I'm only 3 months in. I do a lot of finger exercises!
.....book 2. 5 1..love it.
Another very inspiring vid Gwiz! Thank you.
Here's another fingering idea for 10ths, that I use on upright bass, is:
M10=1-4 and m10=1-3
This helps to reinforce the major and minor harmony of the scale degrees.
this was a good one. i look for brief yet profound lessons all over you tube. many times theyre over my head. This one is particularly useful. Thank you.
Janek, you have the technique to play all the fast stuff! How do you manage to NOT fall into the trap of your fingers to play fast and, instead, listen to melodys in your head and take your time?
Thank you, you're a big inspiration!
I think that has come from spending most of my life listening to and admiring music that had nothing to do with how fast or slow it was played.
I understood from a young age that some of the worlds greatest technicians are also the worlds worst musicians. I care about melody, harmony, song form, communication, interaction, and the experience of live music with an audience. The only reason I have developed the technique necessary to play incredibly fast, is because some of the musical ideas I hear end up containing elements that require a wide range of basic technique to execute them.
I was never driven by technique though. It was always by melody.
Thank Janek!
I often practice the scale in 10ths on my fretless for intonation. (Also scale in octaves). My other big exercise for scales is broken thirds.
Great lesson, Janek! Eye-opening and useful. Thanks very much.
I appreciate all of the great information you share, thank you from Canada.
Great lesson. Really starting to tune into your wavelength now and getting so much from your work. Thank you.
Thanks for elevating my game sir! I've always been a fan of yours. Also, your pentatonic book is awesome for those who don't have a copy.
Fantastic stuff! Hope to buy a book soon.
Hi Janek, Firstly thank you for your calm and grounded manner in yr wonderful presentations.. a welcome break from many other hyped-up presenters who are trying too hard to be clever/funny, rapidly becoming insufferable.. (eg. a famous SW London music store - tho great content etc..).. We have too much noise in our lives as it is..! :)
Your video: At first it had me doing my head in finding the ref chords (key) until I noticed that I'd somehow missed seeing the chart.. @1:37.. but.. by visual & ear your first note was 'A' whereas on the chart it is Bb.. in other words you were starting the performance exercise on the second bar..(??) Then it all fell into place. I wonder if anyone else had the same problem?
Best regards to you and many thanks for your generous guidance. Geof Harris, Southend on Sea, Essex UK - active bassist for approx 55yrs - aware that there's no point of arrival..! :D
Thank you Janek ! You gave me some very nice exercises to work on during my daily routines
That beginning riff!!!
I love this vid, I use the II-V exercise a lot in my warm up routine, and I think it was in your first book as well. Well definitely use the tenth exercise, thank you Janek
Ok, I’m motivated!
Excellent exercises approach and knowledge share with a beautiful production touch. New subscriber let’s GO!
you ledge you, youtube needs to put these videos in front of more noses, such great info so well put together
Great video, both books are excellent.
Really great advice. I’m working on a difficult piece right now and im going to take this approach to nailing it. Thx dude.
Great tips, great video, thank you!! Will be trying these runs today. Question, what strings are you using? You’ve got a beautiful sound.
These are very old (15 years?) nylon tape wound flats.
@@janekgwizdala Right! I wondered because they are dark. That's what I would have guessed. Great sound! Thanks. Already ran the 4/4, 2/2, 1/1 reps today, excellent. Much appreciated.
That is some insanely helpful advice...Having fun is the #1 thing. Thanks Janek! I'm struggling to just get "slapping" down right. I've been looking for just basic techniques/exercises to become better at it.
There’s lots of beginning slap videos out there
Good luck
This is such a good lesson! Thank you
What is going on with your camera, I love the effect. Thank you so much for all the great bass learning tips!
We could skip all these concepts (which are great BTW) and just get right to the _meat and potatoes_ and that's the *Bass Face* The best way to get *better faster* is to assume the role and get in the groove! by locking in on a *Bass Face* we can achieve this better & faster! but proper *bass face* is crucial, and proper timing for the *bass Face* is imperative. Would love to see a video exclusively on *Bass Face* technique, You my friend are the master, and exhibit it even while teaching, well played 👏
Yeah🤙🏾 more lessons 🙏🏽 like the old days
Such killer advice. Appreciate it!
This was a great lesson !!!
Just jumped into this channel, great content. Thank you sir! You got a new sub!
Great exercises, spot on for improving on the instrument by deliberate practice. Thank you Janek 🙏. I do have a question tho. Do you have any resources on left hand technique?
I've been playing bass for 15 years (really intermittently lol) and I think I got very close to be an intermediate with the instrument during the first three of four years (in which I developed a left hand mild swelling in the muscle below the pinky on the outer edge of the hand which I never properly addressed).
Long story short, life happened and I rediscovered my love for bass last year so I've been taking it seriously since then, thing is, recently I learned a song my private instructor suggested (Better by Cory Wong) and it triggered that swelling along with a mild cramp on the outer edge of the wrist and it hurts in some specific points along my forearm all the way to the elbow, nowadays I stopped playing bass for a few weeks until I completely recover from this pain and in the meantime I'm looking for exercises and resources to resume my practice by re-learning the fundamentals and playing really really slow but with a healthier left-hand technique. (I think it may also happen because I grip really hard with my left hand when I'm playing a challenging song for me, like 'Better').
Any help will be heavily appreciated. Greetings from Colombia!
Hey Janek, I've been watching your content for years and I love your approach to music. You've inspired to me to start transcribing more, but can you explain the process of getting the ideas developed and part of your ear/music you hear before you play?
You talking creativity, inspiration?
Janek, I admire your playing so much. I assume the majority of your tone comes from your technique and playing for so many years. If you don’t mind me asking, what kind of signal processing do you use when you make your videos? Are you going through a compressor, the Stomp, a DI into your audio interface, other?
After 40 years in the biz. I’m convinced that 90% of the “flavor” is in the fingers.
Invest your time in YOURSELF before running after the gear.
Great
Thanks👍
Muchas gracias
Badass! I hope you are doing well. 💯
Hello there! Hope everything's alright! I really liked this lesson, but I'm wondering... is there a "right"/proper way to place your fretting hand thumb on the neck? Or is it "just" a matter of doing what feels comfortable?
Don't know if it makes any sense, but I'm finding myself having troubles keeping a consistent placement while playing :/
Thx in advance!!!!! You rock!!
I love that you are using the P Bass, so that other bass players don't have an excuse. Haha.
😂😂😂
For me technique was not difficult. The difficult thing was been awareness that the root isn't the first note of the phrase. Hahaha. Thanks for sharing your knowledge Janek 🙏
Beautiful
Hey Janek, how about the plucking hand? You are plucking the last note of the 1st four notes AND the 1st note of the 2nd four notes both with your middle finger. Wouldn’t it be better to continue alternate plucking so that you begin plucking the 2nd four notes with your index finger? I’m going to try that later today, I may discover I’m wrong. I’m not questioning you, just asking. You ARE the master !!… although as I continue the video I see that when you actually run through the exercise, you slide into that note rather than pluck it. Or hammer on if you are accending.
great video / content
Thanks❤
Legend!
great video and explaining!!! I will defenetively order your books! btw what strings are on that bass?
Thanks for posting this! As a self-taught bassist, I'm always on the hunt for new ideas and techniques to add to my playing. This was a great find. A sub for you!
Are there any books you might recommend? I've been playing for 20 years and I'd like to grow on my playing via method books and exercises in the same way I did at University when I studied clarinet.
Appreciate you taking the time to comment.
In terms of method books, it all depends on your level and what you’re looking to improve right now.
All my books available here janekgwizdala.com/store accommodate all levels of player. If you’re looking to improve jazz vocabulary, chords, sight reading, or just dial in your warm up there’s something for everyone.
Question. Great video. So helpful.but is there a reason why you use a P bass for some of these lessons? You also used it on the 'Altered' vid. I'm guessing it's the fundamental nature of the instrument?
It's to make sure no one feels left out. When people who consider themselves more "advanced" players see a 5-string strung E-C they immediately do one of two things:
1. Freak out that they don't have that exact tuning and move on to the next video
2. Freak out that they don't have that exact tuning and move on to the next video and the complain in the comments that the video should have been made for a 4-string.
And when a beginner sees the video, they might just not understand what a 5-string with a High-C is right away, so it helps take away anxiety from the process for newer players which I think is a positive thing.
The irony (for the "advanced" player at least) is that the concepts in literally every lesson-video I've ever made can be transferred not just to any bass tuning, but to any instrument.
At some point, it was pointless holding on to "my" thing (the 5-string), and it's also a nice change of pace to play language on the 4-string that I don't normally practice in that setting. A win win for everyone I think.
@@janekgwizdala Totally makes sense. Thanks for taking the time to respond and for continuing to inspire. Be well!
🙏 gold thank you
OMG. Look at the lengths of his fingers. I’m embarrassed to show my stubs for digits. Great video :)
Fellow stubby here. I'm 3 months into Josh's BassBuzz course. He has digits that remind of the 'face sucker' in Alien. (Me? I can only do four frets when I'm past fret 5. #SMH )
😂 LoL, ya, a great likeness- Alien.
Which of your books is the first sax 🎷 like speed building lesson in?
My jazz vocabulary book: janekgwizdala.com/store/p/jazz-vocabulary-251
How do i get your chord book, you make this soo understanding
janekgwizdala.com/store
I'm having great difficulty fretting the 10th exercises. One key difference I can see is that you seem to be holding the bass more like a classical guitar from what I can see. I don't see a strap, so how are you supporting the bass?
With this technique the bass is holding with the legs, you need to place it correctly but it is with the legs
This position is very much from my days as a classical guitarist. The leg supports the entire weight of the bass, and leaves the hands and arms with a very low amount of stress.
Dropping a 🍪to feed/reward the algorithm for the recommendation.
I was on a Carnival Cruise last week and the bass player had that same p bass
Do you like that dt880 headphones for bass?
👍👍👍👍👍👍👍
How do you like tapewounds on your PBass? I was thinking about doing the exact same thing, so the timing of this video was wild to see.
I love them. Super responsive and an incredible fat and warm sound. I’ve had these on this bass for almost 15 years without changing them.
Awesome, thank you. I must try some now.@@janekgwizdala
What kind of strings are those? They look like Black Beauties but don’t have the bite, but the clarity is insane.
I wondered that too. I think they’re tape wounds.
pretty sure they're xl Black Nylon Tapewounds
These are an old set of D’Addario nylon tape wounds from about 15 years ago.
@@janekgwizdala thanks Janek!
I used to do something similar to the first concept, but instead of moving up the neck chorally my teacher would have me do the circle of 4th.
Playing 10ths… gonna have to try that one thx
Which keyboard is in the background?
Native Instruments Komplete Kontrol S88
@@janekgwizdala Thank you.
Unrelated to the message, but I’d love to know what headphones you’re wearing in this!
I know they're Beyerdynamic, and I think they're the DT PRO range, but I forget which number. maybe the 1990's?
in the chordal segment it took me a minute or two to realize the 10th's are B phrygian
At 7m14s = the basic idea behind "Blackbird"!!...
Enjoying is FUN-damental 🤣
Thank you Janek, I have your II-V-I book but I haven’t opened it in a couple months, but I’m inspired to get back into it. Btw, I took it to an office supply store where they cut off the binding and put a spiral binding on it so it will lay flat. Maybe you should offer the option of a spiral binding for an up charge? It cost me about $12-14 to have it done and was well worth it. Peace !
Great idea, and it’s something we’re looking into for a new book that’s in the works right now.
Incredible content, I’ll definitely “steal”, but…could have been a 6 minute video with a lot of dialogue cut out, but understanding the what’s and why’s are as critical to getting the ability to do it.
I try to pick every note in the II-V exercise, because I am a glutton for punishment.
Great video but that slow moving camera makes me very uncomfortable for some reason
Just noticed it, yea its a bit weird
😁🤙