Wolfgang Amadeus Mozart - Mass in C major, K 167 (Mass. No. 7)

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Wolfgang Amadeus Mozart (1756-1791)
Mass in C major, K 167 "Missa in honorem Sanctissimæ Trinitatis" (Mass. No. 7 - 1773)
I. Kyrie [0:00]
II. Gloria [3:05]
III. Credo [7:23] (Et incarnatus est [9:47] - Et in Spiritum Sanctum [13:24] - Et unam sanctam [16:36] - Et vitam venturi saeculi [17:39])
IV. Sanctus [20:22]
V. Benedictus [21:33]
VI. Agnus Dei [25:13] (Dona nobis pacem [28:32])
Audio from: • W. A. Mozart - KV 167 ...
Score from: imslp.org/wiki/Mass_in_C_majo...)
♪♫♪ Listen and Watch COMPLETE Schubert's Masses here → • Franz Schubert - *COMP... ♪♫♪

[@evgeniyaermolova5879]

Wonderful, energizing, heavenly music. I'm so grateful to the performers. Mozart gives us the feeling of Lord!

[@robbywarren7050]

The key signatures are in the keys of C major, F major, and G major. The time signatures are in 2/2 time, 3/4 time, and 4/4 time. The tempos are in adagio, andante, allegretto, and allegro.

[@threeworlds131]

Mass 7 is the most beautiful that I have heard from Mozart. We are honored for sharing in this way.

[@alexnomad5382]

Shades of Requiem in this astonishing stretch of genius ... 9:45 Nice little fugue at 17:38 and the final fugue at 28:31 is, as mentioned in another comment below, surely the inspiration for Beethoven's 9th 4th movement fugue "Seid umschlungen."

[@RoeBonebrake]

The fugues in this piece are fun to sing but damn they can be hard especially in credo

[@mrknesiah]

Beethoven seems to nod his hat at Mozart in his 9th Symphony's brilliant and unprecedented 4th movement with hint (@ Seid Umschlungen) of this final fugue (Dona Nobis) 28:32 as well as the Ode to Joy theme which is derived from another Mozart choral work.

[@danielverdon6888]

Très belle musique, qui élève l'âme.

[@RoeBonebrake]

I sing alto in this song and all i can say is there are so many sols

[@consultoriaproyectossusten4591]

hahahhah same

[@lacorchea955]

😄

[@carlocardinale5630]

Grazie di esistere

[@sabineschett6277]

Vielen Dank

[@mrknesiah]

The Dona Nobis subject sounds like Beethoven's 9th 4th movement fugue "Seid umschlungen". th-cam.com/video/ixpfgm_xxSE/w-d-xo.html The well-known ode to joy theme also appears in another another Mozart choral work.

[@bloodwrage]

5:53

[@SPscorevideos]

I. Kyrie [0:00]
II. Gloria [3:05]
III. Credo [7:23] (Et incarnatus est [9:47] - Et in Spiritum Sanctum [13:24] - Et unam sanctam [16:36] - Et vitam venturi saeculi [17:39])
IV. Sanctus [20:22]
V. Benedictus [21:33]
VI. Agnus Dei [25:13] (Dona nobis pacem [28:32])
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[@Nooticus]

Mozart wrote this when he was only 17... such stunning near-perfect beauty with such great great counterpoint too! Clearly the widely repeated 'fact' that he learned counterpoint after studying Bach in his later life isn't true!

[@elias69420]

Who is singing "Creee-do in u-num De-e-e-umm" at the beginning of the Credo? It's not specified anywhere in the score.

[@SPscorevideos]

It's common practice for music Masses: the first line of Gloria and Credo were usually sang in plain chant, and the text set in music starts on the following words.
This habit was gradually dropped since the end of 1700 / start of 1800.

[@elias69420]

@@SPscorevideos Nice

[@vittoriomarano8230]

@@SPscorevideos ... correct explanation!🌺🎼

[@christianwouters6764]

Very nice. I wonder why a viola part is allways absent in Mozart's religious music.

[@SPscorevideos]

Most times it's just because it was commissioned by a small church ensemble that didn't have any viola. :)

[@bachfan1006]

@twosetviolin

[@user-fk7ew6mv7k]

그의 나이 겨우 17세.....ㅋㅋㅋ