Questa è la dimostrazione che Accardo non era solo tecnica , aveva anche un suono nei cantabili meraviglioso ed un fraseggio ineguagliabile, uno tra i più grandi nel mondo di tutti i tempi.
Honestly, I love Salvatore Accardo and his interpretations of many pieces, especially Paganini’s caprices. He has every hallmark of a fabulous violinist from a magnificent technique to that rich sound that separates those with merely fine technical skills (take note most of the young “celebrities” of today’s new crop of violinists) from the truly great musicians. However, this is far to fast. It feels rushed, like he’s nervously jumping from one section of the piece to the next to get through it as quickly as possible. It feels less like a performance and more like an exercise. For me, Leonid Kogan still takes the crown as one of the finest to attempt this piece!
@fedegroxo I really have to agree with you. The fullness of his sound, his power, the control of his vibrato, the way he takes exactly the right amount of time with every individual note-extraordinary🤩
Non ci sono parole per confermare la bravura di questo musicista; bisogna solo ascoltare per rendersene conto. È uno dei più grandi violinisti al mondo che porta in alto il nome dell'Italia.
Adesso però c'é anche il giovane e bravissimo Giuseppe Gibboni, allievo di Accardo, che ha vinto nel 2021 il Premio Paganini. Sono in molti a credere che sarà uno dei migliori....
@@veloqis are you raised up as a democrat ? then you should know that everybody may say his opinion. and even if I was a shoe cleaner in a little village, but had good ears, you could not prevent me of saying my impression. what are your qualities to argue like you do ? and if you want to get an answere about my legitimation to judge Salvatore: I have played this piece many. many times. are you satisfied now ? and if you read my comments correct I never said that he doesn´t master his instrument. in contrary I said that he played UNDER his normal standard !!!
@@manfred4766 : My favorite performance of this piece is by Leonid Kogan (which you can view at th-cam.com/video/WamJfADBKQU/w-d-xo.html ). Unfortunately, Mr. Kogan's huge talent was undermined and overshadowed by the great and charismatic Heifetz. I had the distinct pleasure of playing with the Phoenix Symphony in 1966 when Mr. Kogan was invited to play the Brahms. And his Bach encore was absolutely mesmerizing. Regarding this Paganini piece, I'd find it quite interesting to hear how it would be performed by Tedi Papavrami, and also by Alexander Markov.
@@danielakbari5637 i agree, no doubt this guy is a master violinist but with all that speed the piece stops being music, it just seems like an exercise
have all of you no ears ? Or don´t you know the piece ? Terrible bad playing. See Kavakos, Ning Feng or the old Prihoda. What a difference ! To play fast but incorrect is stupid !
That's an odd title for this piece. Accardo is certainly brilliant. I think I first heard him in 1964 - I don't remember exactly. He played the Sibelius concerto and one Paganini Caprice encore, the first one.
what's funny is that no one uses the bow hold paganini used lol... also do violinists think 2nd as first position and 1st as just an extention lower the way paganini did?
@@giuseppeettoremantovani2465 Paganini didn't use the franco-belgian, Russian, or any commonly used "grip"... look it up lol, I play viola and I know this
@@giuseppeettoremantovani2465 He had Vuillaume make him special bows, from rolled metal that were longer than the "new" Tourte bow length. This was because Paganini held his bow up the stick, much further from the frog... like almost a 1/4 the way up. There's a reason, but I don't believe Paganini ever explained why he chose this grip, however he did remark on the rolled metal bows being his favorite to use.
C'est le philosophe Vladimir Jankelevitch (2'16), et sur sa gauche, le compositeur Pierre Petit, longtemps directeur de l'Ecole Normale de Musique à Paris. A cette même époque (vers 1970), Salvatore Accardo était venu à Paris , au Théatre des Champs Elysées, et avait interprété les 6 Sonates et Partitas de JS Bach et les 24 caprices de Paganini en trois concerts successifs : c'était une vraie prouesse, et j'ai gardé un merveilleux souvenir de ces concerts ...
Accardo has insane virtuosic ability but this performance was so unbelievably rushed that every variation was riddled with intonation and phrasing issues.
hmm, kind of sloppy. i was a fan of his, when i first heard his recordings of the 6 concertos, which i assume were made sometime near this video, early 70's. but here, he's just missing too many notes, sounds kind of careless. i prefer Massimo Quarta - cleaner playing, more attention to detail.
@@henrykszeryng5900 just listen to the beginning, find another video of this piece and compare, his playing speed is wavering it too fast and too slow, and he’s just playing the notes with no real rhythm
@@henrykszeryng5900 ok, it is not shit. He actually can play. But it is like flight of the bumblebee. It is not have to be played too fast. Otherwise music disappeares. If you listened to the Ben Lee's playing you can understand me. I don't know why Salvatore played it so fast. He is like f*cking around. And it is not very clean at that speed.
@@harrysarada2710 Paganini wrote this piece for the sole purpose of, well, showing off. It's truly the epidemy of a violin "show piece". No, piano or orchestra to accompany the soloist, just him and his violin. When you are at Maestro Accardo's level you can play this piece at any tempo you want.
Accardo destroys the music piece with speed and his amazing virtuosity, a great example of his abilities, but a bad performance of the piece. Watch Ziyu He, only 16 years old, here in youtube and you will see a much better, paused and controlled performance, way better than this
Sorry, but he makes too many mistakes. If you don´t know the piece you won´t realize it. Compared with all others, who play this piece, its by far the worst version. Sorry, Maestro ! See Vasa Prihoda. Thats completely another league !!!!
We are not looking for someone who plays "Every note", we looking for interesting ways of playing the piece by the musicality, that's why that's great.
![The Best Paganini Cadenza - Philippe Hirschhorn [Live, 1967]](http://i.ytimg.com/vi/LUKxJlsKkkc/mqdefault.jpg)
![The Best Paganini Cadenza - Philippe Hirschhorn [Live, 1967]](/img/tr.png)
Questa è la dimostrazione che Accardo non era solo tecnica , aveva anche un suono nei cantabili meraviglioso ed un fraseggio ineguagliabile, uno tra i più grandi nel mondo di tutti i tempi.
Grandissimo Maestro! Il migliore, senza ombra di dubbio
Maestro Accardo, il miglior violinista italiano.
Paganini?
@@pR-ms4cr ovviamente dopo lui...
Massimo Quarta
Salvatore mi rende orgoglioso, un grande italiano.
Not for my taste. Aldo Ferraresi was on the top in his prime
He made that look way too easy.
Ecco il grandissimo giovane Accardo,già era fenomenale.Premio N.Paganini.
Honestly, I love Salvatore Accardo and his interpretations of many pieces, especially Paganini’s caprices. He has every hallmark of a fabulous violinist from a magnificent technique to that rich sound that separates those with merely fine technical skills (take note most of the young “celebrities” of today’s new crop of violinists) from the truly great musicians. However, this is far to fast. It feels rushed, like he’s nervously jumping from one section of the piece to the next to get through it as quickly as possible. It feels less like a performance and more like an exercise. For me, Leonid Kogan still takes the crown as one of the finest to attempt this piece!
I doubt Kogan's recording of this piece will be topped, it's sublime.
@fedegroxo I really have to agree with you. The fullness of his sound, his power, the control of his vibrato, the way he takes exactly the right amount of time with every individual note-extraordinary🤩
twoset needs to see this
like really
Non ci sono parole per confermare la bravura di questo musicista; bisogna solo ascoltare per rendersene conto. È uno dei più grandi violinisti al mondo che porta in alto il nome dell'Italia.
Sono d'accordo
Adesso però c'é anche il giovane e bravissimo Giuseppe Gibboni, allievo di Accardo, che ha vinto nel 2021 il Premio Paganini. Sono in molti a credere che sarà uno dei migliori....
I love how I can't find this video because the thumbnail is not the violinist but instead some random dude
Reading comprehension is an important thing to learn
The random dude happens to be Vladimir Jankélévitch....
When Vladimir Jankélévitch is regarded as "some random dude"...
Maestro Accardo fenomeno assoluto
Un colosso ...
Wow! In his heyday, Mr. Accardo was truly an amazing musician!
but this performance was no good reputation for him !
@@veloqis Do I need another person when I have ears ? !!!
@@veloqis are you raised up as a democrat ? then you should know that everybody may say his opinion. and even if I was a shoe cleaner in a little village, but had good ears, you could not prevent me of saying my impression. what are your qualities to argue like you do ? and if you want to get an answere about my legitimation to judge Salvatore: I have played this piece many. many times. are you satisfied now ? and if you read my comments correct I never said that he doesn´t master his instrument. in contrary I said that he played UNDER his normal standard !!!
@@manfred4766 : My favorite performance of this piece is by Leonid Kogan (which you can view at th-cam.com/video/WamJfADBKQU/w-d-xo.html ). Unfortunately, Mr. Kogan's huge talent was undermined and overshadowed by the great and charismatic Heifetz. I had the distinct pleasure of playing with the Phoenix Symphony in 1966 when Mr. Kogan was invited to play the Brahms. And his Bach encore was absolutely mesmerizing. Regarding this Paganini piece, I'd find it quite interesting to hear how it would be performed by Tedi Papavrami, and also by Alexander Markov.
For me this is the best interpretation of this piece !
I agree
For me this is the worst interpretation of this piece !
@@danielakbari5637 why do you say that Daniel
@@GustavAhlbrand it’s not bad, it’s cool; but compared to other performances (for example Kogan) this just feels like he’s playing and going
@@danielakbari5637 i agree, no doubt this guy is a master violinist but with all that speed the piece stops being music, it just seems like an exercise
Мой любимый исполнитель любимого композитора! Супер!
Certamente il più importante violinista italiano
Grandioso maestro Salvatore accardo,interpretando il canone de el maestro paganini.
Have anyone notice the great resemblance the gentleman at 2:19 have with Franz Liszt?
Ahahahah....Do not really understanf who was He?ahahahah
Pigi
@@pierluigiqui3007 oh, I don't know sir. Please tell me
not with Liszt, but with the Pianist Cortot !
The gentleman is Vladimir Jankélévitch!
He is Vladimir Jankelevich, a great philosopher of the 20th century
MY HERO!! THE MOST WONDERFULL VIOLINIST x
have all of you no ears ? Or don´t you know the piece ? Terrible bad playing. See Kavakos, Ning Feng or the old Prihoda. What a difference ! To play fast but incorrect is stupid !
@@manfred4766 my favorite interpretation is the Leonidas...
@@manfred4766 Yea how can anyone enjoy accardo's playing, this is earrape.
@@manfred4766Kogan is the best. He didn't make a single mistake in his interpretation. And his sound is very rich.
My God, how incredible !!!😲👍👍👍
Happy birthday maestro
Straordinario!
I love it. Just had a thought:"Would he pass with this interpretation the 1st round of a competition nowadays?"
of course
He should easily win any competition nowadays.
I think so. But I know where you are coming from. Interpretation and listening have changed since then. Still a master and a pleasure to hear
Probably not... he made quite a lot of mistakes although he is a Master!
@FrankWithTheViolin he's a fantasctic player! One of the few making real music!
Premio Nobel al Grandissimo Maestro Accardo 👏👏
Bravo!
Wow...!
holi shet, wonderful blistering sound
Simpily amazing!
The piece you play when you wanna flex on everyone in the room
In my case I play twinkle twinkle little star
Bravoooooooo!!!!!!!
Non posso dire niente!!!
The master of Paganini
👋👋👋👋👋
BRAVOOOO!!! ...
👍👍👍👍👍
Amazing performance
Finishes piece, fixes glasses. badass
Genius
wow never seen anyone playing like this.
someone is practicing in the background
I think that this man knows a lot about the violin!!!!
Um show de técnica
Clean af
Ziyu He :v
The elderly man at 2:17 looks like the reincarnation of Franz Liszt.
I think he's in Genua, and playing Paganini's violin, "Il Cannone".
nope this is not the Cannon' I think it's a stradivarius.
@@wolfie8748 "Il Cannone is a Guarneri. Nothing to envy to the Stradivari, superb violin....
Not really, this is Siena, Accademia Chigiana and that's his own Strad not "Il Cannone"...
Все слушатели с такими лицами серьезными, будто на научной конференции
Great musicians: Niccolò and Totore....
That's an odd title for this piece. Accardo is certainly brilliant. I think I first heard him in 1964 - I don't remember exactly. He played the Sibelius concerto and one Paganini Caprice encore, the first one.
Cualquier versión de nel cor piu non mi sento acelera la x10 y te da esta versión jajaja
Bisogna chiudere gli occhi. Accardo nn si fa coinvolgere, superconcentrato.
👍👍👍
what's funny is that no one uses the bow hold paganini used lol...
also do violinists think 2nd as first position and 1st as just an extention lower the way paganini did?
what?
@@giuseppeettoremantovani2465 Paganini didn't use the franco-belgian, Russian, or any commonly used "grip"... look it up lol, I play viola and I know this
@@greenviolist34 The Viola is actually my main instrument. But I do play both daily. I would really like to know what you're talking about. Elaborate?
@@giuseppeettoremantovani2465
He had Vuillaume make him special bows, from rolled metal that were longer than the "new" Tourte bow length. This was because Paganini held his bow up the stick, much further from the frog... like almost a 1/4 the way up. There's a reason, but I don't believe Paganini ever explained why he chose this grip, however he did remark on the rolled metal bows being his favorite to use.
Só a elite assistindo....rsrs
I prefere the leonidas kavakos interpretation, but he is very impressive too.
on peut voir Pierre Petit
沒有誰比阿卡多的Paganini拉的更好的了⋯⋯
Is that Liszt in the audience?...
2:16
C'est le philosophe Vladimir Jankelevitch (2'16), et sur sa gauche, le compositeur Pierre Petit, longtemps directeur de l'Ecole Normale de Musique à Paris.
A cette même époque (vers 1970), Salvatore Accardo était venu à Paris , au Théatre des Champs Elysées, et avait interprété les 6 Sonates et Partitas de JS Bach et les 24 caprices de Paganini en trois concerts successifs : c'était une vraie prouesse, et j'ai gardé un merveilleux souvenir de ces concerts ...
Ling Ling teacher
I really think he gives Pearlman a run for his money.....tied for second then.....
Ok
Коган лучше в этом произведении
Accardo has insane virtuosic ability but this performance was so unbelievably rushed that every variation was riddled with intonation and phrasing issues.
32 sec wtf bro
got here cuz of twoset
Рекомендуем th-cam.com/video/IyLKm2csZmI/w-d-xo.html
is that vladimir jankelevich?
Yes it is
that is not his best performance
Exactly. But everyone calls it genius etc. They have Cerumen in their ears !
He even miss several notes
No é tutto discostato
hmm, kind of sloppy. i was a fan of his, when i first heard his recordings of the 6 concertos, which i assume were made sometime near this video, early 70's. but here, he's just missing too many notes, sounds kind of careless. i prefer Massimo Quarta - cleaner playing, more attention to detail.
Chord progression is too easy
It is not so good...
The interpretation is S H I T but the playing itself is flawless...
Why would you think that the interpretation is shit?!
@@henrykszeryng5900 just listen to the beginning, find another video of this piece and compare, his playing speed is wavering it too fast and too slow, and he’s just playing the notes with no real rhythm
Ok ive watched it again and i can kind of get what u mean but i would get as far to call this interpretation shit
@@henrykszeryng5900 ok, it is not shit. He actually can play. But it is like flight of the bumblebee. It is not have to be played too fast. Otherwise music disappeares. If you listened to the Ben Lee's playing you can understand me. I don't know why Salvatore played it so fast. He is like f*cking around. And it is not very clean at that speed.
@@harrysarada2710 Paganini wrote this piece for the sole purpose of, well, showing off. It's truly the epidemy of a violin "show piece". No, piano or orchestra to accompany the soloist, just him and his violin. When you are at Maestro Accardo's level you can play this piece at any tempo you want.
Playing like someone is having a seizure.
Accardo destroys the music piece with speed and his amazing virtuosity, a great example of his abilities, but a bad performance of the piece. Watch Ziyu He, only 16 years old, here in youtube and you will see a much better, paused and controlled performance, way better than this
Sorry, but he makes too many mistakes. If you don´t know the piece you won´t realize it. Compared with all others, who play this piece, its by far the worst version. Sorry, Maestro ! See Vasa Prihoda. Thats completely another league !!!!
piss off. he is way better than other versions.
@@TheOperamore saying this is way better than all the other versions is just as ridiculous as saying this is by far the worst version, but ok
We are not looking for someone who plays "Every note", we looking for interesting ways of playing the piece by the musicality, that's why that's great.
Paganini's Nel cor non più mi sento is awful to listen and this performance is one of the best, i'm a pianist and i don't care of the correct notes
Uhh Twoset can prove you wrong