PROGRAMME: Concierto de Aranjuez (Joaquín Rodrigo) 01:11 | Allegro con spirito 07:29 | Adagio 11:35 | Solo 13:54 | Cadenza 17:59 | Allegro gentile Encores: 25:19 | Recuerdos de la Alhambra (Francisco Tárrega) 29:58 | Brian Boru's March (Irish traditional) 34:30 | Phantasia Nr. 2 (David Kellner) ▀▀▀ SEE ALSO: Yepes plays the Aranjuez with Yevgeny Svetlanov in Moscow, 1980: th-cam.com/video/xaetfUUTgDw/w-d-xo.html Yepes plays the Aranuez with Rafael Frühbeck de Burgos in Frankfurt, 1979: th-cam.com/video/tIHeP9mQY4E/w-d-xo.html Yepes plays the Adagio with Esa-Pekka Salonen in Geneva, 1986: th-cam.com/video/ARdwm0b3YEo/w-d-xo.html Yepes plays the Aranjuez with Manuel Galduf in Valencia, 1987 (version 1): th-cam.com/video/MB1cNQzWGJE/w-d-xo.html Yepes plays the Aranjuez with Manuel Galduf in Valencia, 1987 (version 2): th-cam.com/video/ZdsFRQzMDAg/w-d-xo.html Yepes plays the Aranjuez with Odón Alonso in Madrid, c. 1970s: th-cam.com/video/6leyNAhFBWw/w-d-xo.html Yepes rehearses the Adagio, c. late 1980s: th-cam.com/video/03cthevz4ws/w-d-xo.html Yepes rehearses the Adagio in Lille, 1970: th-cam.com/video/7mrZlDM7ZxI/w-d-xo.html Yepes plays the Aranjuez with Riccardo Muti in Milan, 1968: th-cam.com/video/JxGhdagbt4g/w-d-xo.html
This is a fantastic restoration. Thanks! It's the best I've seen in terms of demonstrating the Maestro's right and left hand techniques. The lighting and position of the camera fully reveal the underlying techniques of Yepes' performance. Thanks ever so much for restoring this. I've learned a great deal from it.
Extraordinaria presentación del maestro Yepes. Su aplomo y seguridad son sorprendente, así como su musicalidad. El maestro Narciso Yepes está en su mejor forma. Histórica presentación. Gracias por compartirla.
This guy is such a joy to watch. He is one of my favorite guitar masters ever. Because of him, I studied classical guitar. My favorite is when he plays alone in his recitals. AMAZING beyond belief. I have many of his cds. If you don't, you should.
Superbe vidéo. La maîtrise technique (quelle main droite ! ) et musicale de Yepes est totale. Son Aranjuez est de toute beauté. C'est plus que de la guitare... C'est magique.
LOVELY! Sir Joaquin playing himself! SUPERB!!!! Glory to God! You can hear all the spanish nuances too. He’s absolutely BRILLIANT with the Chile orchestra. Obviously he felt more of a kinship with them and they total honor and respect. They don’t dare outshine his sound his ego his genius. THAT evening was very very special! THIS is the version I heard on WNYC Classical Radio in 2012. It grabbed my soul’s attention most completely.
2 ปีที่แล้ว +3
Lo ví ese mismo año por televisión, tenía 14 años. Hoy lo encuentro de nuevo tras décadas de busqueda. Muchas gracias por subirlo.
Muchísimas gracias por subir este vídeo restaurado, los comentarios del otro video de Yepes en Chile tocando el Aranjuez subido recientemente me estaban sacando de quicio.
Yepes not Segovia who made classical guitar very popular instruments in Japan during 1960-80's. It was difficulit find people who had not heard him play Romance from the French movie Jeux interdits. Every time he had concerts in Japan, his encores never ended until he palyed Romance. Segovia was super hero among classical music fans and classical guitarists including me, however Yepes was the greatest influencer to the ordinary peoples those days.
Yes. I fully agree. I was a neophyte guitarist in the 1970's and it was Yepes, not Segovia, who took classical guitar to the small schools and villages in foreign countries. Both Segovia and Yepes played the big venues, but Yepes also played to small audiences in remote and rural places. He truly was a wonderful ambassador for the classical guitar, and he probably kept many people (self included) studying the instrument when otherwise they would have just given up and done something else as a hobby. I'm grateful to Yepes, and also to the content creator who's kept his legacy relevant and accessible. Bravo!
He is the ONLY guitarist that stands next to Segovia. He truly is the best - what he did for guitar and his UNIQUE skill. What I would give to have a masterclass with him.
8:31 He picks the wrong string here. He seems a little unfocused here because he seems to enjoy it as an easy exercise. But the mastery is to just keep going. It's impressive that this was the only wrong note I ever heard from Yepes.
There are a couple of others in other performances. As Fritz always says, Narciso didn't practise; he did his practising as a boy; this is just how he played off the cuff. But I wouldn't say "an easy exercise." I'd say he's doing something with the music; he's interpreting; he's expressing something; he's doing something more and different than just playing the notes (more than an easy exercise); so the focus isn't only on note 'accuracy' but also on saying something with/between the notes. I'd go further and say some people today play so-called flawlessly, but it's often one big mistake from beginning to end, either because the tone isn't what the guitar *can* be when approached a different way, or because they're not expressing much of anything more and different than the written notes (regardless of incongruous *facial* expressions), or both. That's the difference between an artist like Yepes and today's crop of 'flawless' players. I'd take a miss-struck note in a *musically* expressive interpretation over a 'flawless' execution with incongruous *facial* expressions every day. :)
PROGRAMME:
Concierto de Aranjuez (Joaquín Rodrigo)
01:11 | Allegro con spirito
07:29 | Adagio
11:35 | Solo
13:54 | Cadenza
17:59 | Allegro gentile
Encores:
25:19 | Recuerdos de la Alhambra (Francisco Tárrega)
29:58 | Brian Boru's March (Irish traditional)
34:30 | Phantasia Nr. 2 (David Kellner)
▀▀▀
SEE ALSO:
Yepes plays the Aranjuez with Yevgeny Svetlanov in Moscow, 1980: th-cam.com/video/xaetfUUTgDw/w-d-xo.html
Yepes plays the Aranuez with Rafael Frühbeck de Burgos in Frankfurt, 1979: th-cam.com/video/tIHeP9mQY4E/w-d-xo.html
Yepes plays the Adagio with Esa-Pekka Salonen in Geneva, 1986: th-cam.com/video/ARdwm0b3YEo/w-d-xo.html
Yepes plays the Aranjuez with Manuel Galduf in Valencia, 1987 (version 1): th-cam.com/video/MB1cNQzWGJE/w-d-xo.html
Yepes plays the Aranjuez with Manuel Galduf in Valencia, 1987 (version 2): th-cam.com/video/ZdsFRQzMDAg/w-d-xo.html
Yepes plays the Aranjuez with Odón Alonso in Madrid, c. 1970s: th-cam.com/video/6leyNAhFBWw/w-d-xo.html
Yepes rehearses the Adagio, c. late 1980s: th-cam.com/video/03cthevz4ws/w-d-xo.html
Yepes rehearses the Adagio in Lille, 1970: th-cam.com/video/7mrZlDM7ZxI/w-d-xo.html
Yepes plays the Aranjuez with Riccardo Muti in Milan, 1968: th-cam.com/video/JxGhdagbt4g/w-d-xo.html
This is a fantastic restoration. Thanks!
It's the best I've seen in terms of demonstrating the Maestro's right and left hand techniques. The lighting and position of the camera fully reveal the underlying techniques of Yepes' performance.
Thanks ever so much for restoring this. I've learned a great deal from it.
Thank you very much! I'm glad it has been of help. And I appreciate the support.
El Sr Yepez , un guitarrista excepcional , tiene una calidad única ; la dulzura en sus cuerdas.
Estoy de acuerdo. Gracias.
Extraordinaria presentación del maestro Yepes. Su aplomo y seguridad son sorprendente, así como su musicalidad. El maestro Narciso Yepes está en su mejor forma. Histórica presentación. Gracias por compartirla.
This guy is such a joy to watch. He is one of my favorite guitar masters ever. Because of him, I studied classical guitar. My favorite is when he plays alone in his recitals. AMAZING beyond belief. I have many of his cds. If you don't, you should.
Maestro Yepes...Muestra la candidez de un niño con su juguete preferido en una Madurez musical que solo los Gênios detienen...
Increible Viktor😊😊😊😊😊😊😊muchisimas gracias
Superbe vidéo. La maîtrise technique (quelle main droite ! ) et musicale de Yepes est totale. Son Aranjuez est de toute beauté. C'est plus que de la guitare... C'est magique.
Merci pour vos remarques avisées.
LOVELY!
Sir Joaquin playing himself! SUPERB!!!! Glory to God! You can hear all the spanish nuances too. He’s absolutely BRILLIANT with the Chile orchestra. Obviously he felt more of a kinship with them and they total honor and respect. They don’t dare outshine his sound his ego his genius. THAT evening was very very special! THIS is the version I heard on WNYC Classical Radio in 2012. It grabbed my soul’s attention most completely.
Lo ví ese mismo año por televisión, tenía 14 años. Hoy lo encuentro de nuevo tras décadas de busqueda. Muchas gracias por subirlo.
Phew what a performance. I could listen to this all night!
What a pleasure to see this great master at work.
Glad you enjoyed.
Impresionante, Yepes no tiene nada que envidiarle al gran Andrés Segovia, seguridad, técnica y musicalidad, un saludo ¡¡¡
Muchísimas gracias por subir este vídeo restaurado, los comentarios del otro video de Yepes en Chile tocando el Aranjuez subido recientemente me estaban sacando de quicio.
Los comentarios son una muestra de miedo y un intento de controlar la narrativa.
tremendo artista🛐
Yepes not Segovia who made classical guitar very popular instruments in Japan during 1960-80's. It was difficulit find people who had not heard him play Romance from the French movie Jeux interdits. Every time he had concerts in Japan, his encores never ended until he palyed Romance. Segovia was super hero among classical music fans and classical guitarists including me, however Yepes was the greatest influencer to the ordinary peoples those days.
Thank you.
Yes. I fully agree.
I was a neophyte guitarist in the 1970's and it was Yepes, not Segovia, who took classical guitar to the small schools and villages in foreign countries. Both Segovia and Yepes played the big venues, but Yepes also played to small audiences in remote and rural places. He truly was a wonderful ambassador for the classical guitar, and he probably kept many people (self included) studying the instrument when otherwise they would have just given up and done something else as a hobby.
I'm grateful to Yepes, and also to the content creator who's kept his legacy relevant and accessible. Bravo!
He is the ONLY guitarist that stands next to Segovia. He truly is the best - what he did for guitar and his UNIQUE skill. What I would give to have a masterclass with him.
Awesome!!! Thank you! 👏👏👏👏🙌🙌
Mil gracias Viktor 🙏🏻
You are welcome.
Magnifique!
Genial!!!!!
Wonderful!
Glad you enjoy it!
Yes, I am very thankful
The Orchestra is Great together with Narciso
Is it difficult to restore recordings or Films,I thought this was impossible.Good you do
The Marche Irlandese is beautiful
Wonerful!
8:31 He picks the wrong string here. He seems a little unfocused here because he seems to enjoy it as an easy exercise. But the mastery is to just keep going. It's impressive that this was the only wrong note I ever heard from Yepes.
There are a couple of others in other performances. As Fritz always says, Narciso didn't practise; he did his practising as a boy; this is just how he played off the cuff. But I wouldn't say "an easy exercise." I'd say he's doing something with the music; he's interpreting; he's expressing something; he's doing something more and different than just playing the notes (more than an easy exercise); so the focus isn't only on note 'accuracy' but also on saying something with/between the notes. I'd go further and say some people today play so-called flawlessly, but it's often one big mistake from beginning to end, either because the tone isn't what the guitar *can* be when approached a different way, or because they're not expressing much of anything more and different than the written notes (regardless of incongruous *facial* expressions), or both. That's the difference between an artist like Yepes and today's crop of 'flawless' players. I'd take a miss-struck note in a *musically* expressive interpretation over a 'flawless' execution with incongruous *facial* expressions every day. :)
Felicitaciones gran registro por casualidad no tendrás la ultima visita de yepes a chile ?creo que fue en el 96 si no me equivoco
Prefiero las interpretaciones más antiguas de Yepes con guitarra de 6 cuerdas, con Argenta. No obstante esto es insuperable.