so i watched this in 0.25x speed and here’s what i noticed: - they animated mostly straight ahead for this particular animation (rather than pose to pose) - they often used coloured brushes for the rough animation to distinguish between layers - at some point, they changed the colour of the onion skin to distinguish between layers - they used the vector brush for lineart (even for the rough animation) - they used the same circle from the rough animation for the lineart, rather than re-doing the circle - they used a few different layers for different parts (eg the rope is on a different layer than the shirt/body), rather than having ALL the lineart on one layer - they transformed the eyes a lot (squash and stretch) to make it look less stiff - they did the lineart and colouring on the same layer - the rope has been transformed rather than redrawn for every single frame (squash and stretch go BRRRR) - they changed the background from white to grey when doing colouring - this helps you ensure the colour values are good? (well rem was colour-picking off their reference sheet, so the background change may have just been because grey is easier on the eyes) - for juno, they made a clipping mask for the highlights (YELLO) and then a clipping mask on top for the shadows (BLU), offsetting the BLU to reveal the YELLO :D - camera layer go BRRR - will wood sounds absolutely deranged at 0.25x speed 😭
dang you got them all right and very detailed too! hats off to you mate just wanna add on that the reason the circle in the rough is used on the final is a base on how many keyframes there are for the final animation! After storyboarding, I animate the circle on another layer to indicate the movement better when I get to linearting the roughs. My rough animation layer is separated from that circle movement (final animation layer) Hope that made sense!
OMG TYSMMMM FOR THIS VIDEO! i'm a fellow procreate and toonsquid user and this helps a lot! how long does it usulaly take to do a short scene like that?
One layer where the main anim is overlayed to yellow (add) and the other layer is overlayed to blue (hard light). Blue overlay layer must be on top of the yellow layer, select all the frames in that blue layer, and move them all at once and there you have it! You might wanna slow down to that segment and pause if you wanna see it better!
![How Bad Can I Be? [COMPLETE ANYTHING MULTI-ANIMATOR PROJECT]](http://i.ytimg.com/vi/yacoX8MIzpI/mqdefault.jpg)
TIMESTAMP
0:06 - rough storyboard
0:59 - rough animation
1:09 - lineart process
2:43 - coloring process
3:01 - finished coloring
3:12 - additional details
3:20 - background
3:39 - compositing
4:29 - FINAL OUTPUT
hope you guys learned a thing or two! :D
I swear this looks like a tv serie I would luckily watch
REAL
omg i literally have no idea how to use toonsquid but this gives me so much motivation to give it another go!! love the animation
If lucidity lacerate was a show I would watch it over and ocer
will wood as the background music goes crazy
Real
:0 no way bro can do all that i can't even animate a stick figure D:
you make it look so easy!!!
WOOHOO!!! this is so fun to watch 😭!! ive been thinking about moving on from flipaclip and this is really interesting!! thanku for showing us this :]
omg i used to use flipaclip but then i tried toonsquid… and im never going back 😍
so i watched this in 0.25x speed and here’s what i noticed:
- they animated mostly straight ahead for this particular animation (rather than pose to pose)
- they often used coloured brushes for the rough animation to distinguish between layers
- at some point, they changed the colour of the onion skin to distinguish between layers
- they used the vector brush for lineart (even for the rough animation)
- they used the same circle from the rough animation for the lineart, rather than re-doing the circle
- they used a few different layers for different parts (eg the rope is on a different layer than the shirt/body), rather than having ALL the lineart on one layer
- they transformed the eyes a lot (squash and stretch) to make it look less stiff
- they did the lineart and colouring on the same layer
- the rope has been transformed rather than redrawn for every single frame (squash and stretch go BRRRR)
- they changed the background from white to grey when doing colouring - this helps you ensure the colour values are good? (well rem was colour-picking off their reference sheet, so the background change may have just been because grey is easier on the eyes)
- for juno, they made a clipping mask for the highlights (YELLO) and then a clipping mask on top for the shadows (BLU), offsetting the BLU to reveal the YELLO :D
- camera layer go BRRR
- will wood sounds absolutely deranged at 0.25x speed 😭
dang you got them all right and very detailed too! hats off to you mate
just wanna add on that the reason the circle in the rough is used on the final is a base on how many keyframes there are for the final animation! After storyboarding, I animate the circle on another layer to indicate the movement better when I get to linearting the roughs. My rough animation layer is separated from that circle movement (final animation layer) Hope that made sense!
@@Remkae yippee!! yup that makes sense! tfw you animate the circle going WEEWOO and you can just SEE the vision for your animation: 😩👌
Will you ever do a live stream?
2 rem videos in a span of a week… is ts a christmas gift.
I know right? :D (so happy rn)
My Fav Animator like my fav Artist am i in heaven!?
I really admire the pacience for make animations like this
it's awesome- 😭
Well this was the pushing point for me grabbing this app. Thanks!
YAY THANK YOU REMKAE I LOVE THIS SO MUCHHHH >////
OMG TYSMMMM FOR THIS VIDEO! i'm a fellow procreate and toonsquid user and this helps a lot! how long does it usulaly take to do a short scene like that?
A month because I was busy, but if I exclude the times I wasn't able to work bc of college, prolly could've finished for about 3 days! :]
End was best part
“GAAAAAAAUUUUUGGGGGGGHHHHHHHHHH”
I might start animating with toonsquid, flipaclip is kind of annoying
i used to animate on flipaclip, but i highly recommend giving toonsquid a try! there’s no stupid subscription or anything, you pay once and that’s it
How long does it take you to do this?
oops sorry just saw this! I replied to another comment, but this took me a month due to college
But if I exclude the days I couldn't work, 3 days!
HOW DID YOU DO THE RIM LIGHTING LINE THINGYYYYY ??
I’ve been trying to figuring it out but it’s not working so plzzz tell me 😭😭😭😭
One layer where the main anim is overlayed to yellow (add) and the other layer is overlayed to blue (hard light). Blue overlay layer must be on top of the yellow layer, select all the frames in that blue layer, and move them all at once and there you have it! You might wanna slow down to that segment and pause if you wanna see it better!
Im sorry but.... WHO HAD THE IDEA TO PUT TOONSQUID ONLY ON !PAD 😭
(ANDROID USERS ARISEEE PLSSS!! or the people that use playstore... Like me-)
so goofy