It's got a similar temperament and figuration to Scriabin's op. 11 n. 14, though as others point out the influence was more likely in the other direction
If you love this piece - I suggest Scriabin's op11 set of preludes - particularly the ones in B minor, Eb minor and F minor. Those three feature aggressive repeated octaves such as this prelude. Scriabin was extremely highly influenced by Chopin but from the very beginning was developing new ways to push the style. I like to think there was a great "passing of the torch" between the two - Scriabin taking up where Chopin left off. Lyadov is also worth a mention as a bridge composer between the two.
It says Molto Agitato and later sempre più agitato so it should accelerate constantly towards the end and also molto crescendo with that last chord as the climax. And what a contrast the next prelude, so peaceful...
sounds like early Scriabin's prelude/etude.
other way around- Scriabin was one of the great Chopin imitators, later better developing his own style ofc.
Still scriabin > chopin
It's got a similar temperament and figuration to Scriabin's op. 11 n. 14, though as others point out the influence was more likely in the other direction
@@defentel5686 Well, duh
@@defentel5686agree
If you love this piece - I suggest Scriabin's op11 set of preludes - particularly the ones in B minor, Eb minor and F minor. Those three feature aggressive repeated octaves such as this prelude.
Scriabin was extremely highly influenced by Chopin but from the very beginning was developing new ways to push the style. I like to think there was a great "passing of the torch" between the two - Scriabin taking up where Chopin left off. Lyadov is also worth a mention as a bridge composer between the two.
Most aggressive but... also one of my favourites...Chopin' s genius in harmonic sequences at its best!
Great Choice.
Stunning music and performance!
@@josesouza9820 pogorelich plays it like no one else
@@Alessandro.h Chopin's music, who else?
Why all the dislikes (unless my extension is bugged)? This is an awesome animation!
Thanks, your animations are a source of inspiration to me :)
This is what we like to see, we need more people like Wolowowowowowo, and I have found one. Great work
İ noticed this octave runs in Ballade op 52, at 3:20 and at the end of the coda, so brutal
3:20?
@kofiLjunggren i mean 3:55 in Zimmerman's recording
One of my favourite preludes (like whole op 28 xd)
It says Molto Agitato and later sempre più agitato so it should accelerate constantly towards the end and also molto crescendo with that last chord as the climax. And what a contrast the next prelude, so peaceful...
Agitato doesn’t necessarily imply an accelerando ;)
Chopin: "me cansé de ser buena onda"
Prime POGO
Awesome 👍
Octaves rampage
Great !!!! Like wolowolowolowolo you are all goat🎉
How about the scherzo from his 2nd sonata?
@@pianoromano1640 Just the A section of that scherzo is really aggressive, the rest of the piece is incredibly tender
@Alessandro.h true that
Etude Op. 25 no. 10 is the champion of aggressiveness.
I'd say ballede op.23 coda is more aggressive imo
or his etude op.25 no.10
Ballade 2 presto passage + coda also works
Blechacz preformence is best!
And so called "right hand composer"
@@Xantares2003 LOL