Bartoli is a musician....that is ONE! She can switch between high mezzo, lower soprano parts and hit the soprano notes. But even can sing in the lower chest voice, very dark. Her voice has even gone UP in the last years, still she is a gem! One note and you know it's Bartoli.
Some people insist that she is a Soprano. Yes, she can hit really high Soprano notes but she ain't gonna stay on pitch, her natural and comfortable range is Mezzo-Soprano. She indeed has the high extension...that's why she is called a Coloratura Mezzo-Soprano!!!!!!
Yep, I agree with you! Vocal fach is not only about your range. It's so much about where your voice feels at home, where it sounds best, where your tessitura is/where you sing at ease, which roles your voice loves. Your vocal timbre. Your age. Your personality. If she calls herself mezzo, she'll be one. I'd bet that she knows her voice QUITE well. xD But actually this whole idea of "fach" is weird. In the past, singers didn't had differents fachs. They just sang roles that were written for them or that suited their voices well. I think using this as a measurement for the roles you sing is a much better choice than choosing your roles because of the fach of these roles.
I think she is a Dugazon Soprano, a hybrid voice. A dark soubrette soprano(listen to her high notes they are very light), with a mezzo bottom and very comfortable with agility in the middle and upper register. (good for vivaldi, Hadel and Mozart)
A brilliant coloratura mezzo, from the bottom to the top. By the way, to the people who think that she's a soprano: firstly, no matter what, her voice doesn't have the colouring of a true soprano. Second, the difference in tessitura. Her comfort range is obviously at a mezzo range instead of at a soprano range. Her C6 and up, even her Bb5 on some occasions have sounded like someone reaching to their top range unlike how a soprano's easy ascension should sound.
Never, never , NEVER judge a voice type by where its deficiencies lie or by what it DOESN'T have!. Judge by where its FACILITIES lie, and by what it HAS naturally and easily. Never ever suggest that a voice is mezzo simply because it appears not to have high notes. And don't assume that Bartoli is a mezzo because her bottom notes appear to be strong. She goes onto FULL chest to accomplish that. The true mezzos and, especially, the contraltos can produce a large sound in the bottom while remaining in the mixed voice, and it is seamless from middle through bottom. You can hear Bartoli switching gears on the way down. Again, to be clear, I am a huge fan of Bartoli, but vocal fact is vocal fact. She is a soprano with some very skillful timbre manipilations.
my field is dance not Opera though I have a very great appreciation. leaving aside all of the technical terms the thing that grabs me about Bartoli is that she goes all in. she throws everything into her performance digging right to the bottom and raised him right to the top which is very difficult to do as an artist and to do it consistently makes her a gifted artist.
Esa es la idea de una mezzo soprano, que pueda tener un amplio registro de voz, al igual que el barítono, que él también puede llegar a rangos de los tenores y bajos...
Being able to sing high notes doesn't simply make a singer a soprano! It's also about tessitura, timbre and where your voice feels and sounds best, which is mostly mezzo-repertoire in her case. Maria Callas could go just as low as Cecilia Bartoli can, but that didn't make her a mezzo-soprano, did it?
It's not unusual to for a Mezzo to be able to access the Soprano range. They just can't consistently sing in that range comfortably for long periods of time without tiring
@Turkish Pegasister 2000 THANK YOU THANK YOU THANK YOU. Exactly right. Thank you. I am so weary of being the only person willing to try and educate the masses in vocal pedagogy.
This is not really a bad thing though considering that she is a mezzo-soprano. I think that is the beauty of her voice. She is able to sing into, really the extremes of the soprano register while still maintaining the umph in her voice that makes her a mezzo.
to the person who asks how Bartoli characterizes her voice here is a clip (in Spanish) where she says at 4:15 "Yo tengo una voz de mezzo-soprano", which means "I have a mezzo-soprano voice" /watch?v=nOdNkPSQ4AE
I know Jessye Norman's repertoire was very different, but how can one chose between the two of them? I am lucky enough to have heard both her and Bartoli live more than once. I hope to hear Bartoli again once we get back to something more like a normal way of life.
Bartoli es una auténtica soprano sfogato, lo que fue Malibran, su voz se parte a 3 distintas, no es homogénea, y cambia al subir o bajar notas, ni Callas logro una técnica así de regia, parte desde Cenicienta, por Norma hasta Sonámbula, simplemente fantástica, algo así pasó con Tetrazzini, que empezó como contralto, o con Moffo, que en Curtis la catalogaron como contralto, o un contrario con Besanzoni, que comenzó en su adolescencia como soprano y lograba el Fa6 y acabo como la más grande y profunda Carmen contralto de los años 10s y 20s, e incluso con doña Magda Olivero que comenzó ligera a sus 18 y sus grandes éxitos los logro ya pasando los 50 años, más madura, Bueno, así es la naturaleza de engañosa.
Israel Alanís mmm.... teatral, en este caso es imposible decir esa palabra, su técnica no le permite dejar de hacer esas muecas tan raras, claro, hay casos excepcionales como Cristina Deutekom que gorgoreaba sin dificultad alguna, o Mado Robin al alcanzar notas sobreagudas.
There's recorded E natural in staccato in aria de Genio "Al tuo seno fortunato " from L'anima del Filosofo by Haydn (around 5 min 19 in the Studio recording), but you put also some video samples of this aria for the C# - so a better quality then the one in her vocal lessons with her mother.
She IS a soprano. She is not a mezzo. Anyone who really understands voices will tell you that. The mezzo-like bottom is manufactured--very very skillfully manufactured, but manufactured. The darkness you think y ou are hearing in the top is probably a result of excessively dark coloring in the bottom two-thirds of the range. Listen more to various weights of coloratura voices. There are plenty of dramatic coloraturas that are just as dark on top.
I agree with you. I forgive Cecilia all the chicken-clucking and other odd moments because, overall, I believe her to be a singer of great integrity and spirit. Clucking or not, she achieves great precision much of the time, and TRUE velocity that few can rival. She also works very hard to keep some obscure but wonderful music alive and heard by audiences that are become less and less educated as the years go by. And her spirit, such exultation while singing! A joy for me to watch.
Not a mezzo, never was, but she has very skillfully manufactured a mezzo-like bottom range. But listen to the lower end--there is a definite break down there. The true dark and weighty voices don't have a break down there. And the top is a soprano top. I think she just created that whole mezzo persona so she could concentrate on fast, precise coloratura and worthwhile repertoire, and not have to get neurotic and stressed over high notes. Works for me, I love her. But she "ain't" a mezzo.
Does anyone know how la Bartoli (not critics or fans) characterizes her voice? Does she think of herself as a mezzo, a soprano, or a singer who performs both repertoires?
I wish she had pursued pop music instead. Her voice is too interesting and unique for the old-fashioned tradition of opera. Why do so many people dislike her? I really like the fact that she stands out.
AJRA They dislike her because they do not Like her voice Or her expressions Or the fact that they cannot place her in a specific category such as soprano or mezzo soprano Or the fact that she has specific period pieces such as barocco or Rossini Or they disdlike the types of gorgheggi that she can emit easily Or some find her limited public appearances rare Or her repertoire and operatic roles not sufficient Bartoli is a phenomenon in a class of itself Her voice is relatively small but her success attest to the appreciated bravura world-wide by many
Insufficiency in a higher tessitura has never been justification to classify the voice as one of lower fach. You know how many sopranos and tenors with inadequate upper-range control have taken refuge in a lower fach re-classification? Listen to how Bartoli's voice behaves through quick registral adjustments in the low middle--it betrays itself as a light instrument again and again. The tessitura concerns you mention can easily result from slight habitual over-adduction in the lower middle.
I can't help but say this: she is not a mezzo nor a soprano! She is a darker colored soubrette soprano (soubrette spinto) , or a lyrical-coloratura mezzo soprano. I call it a soprano Dugazon, there is a video on youtube about the voice type :)
Soubrette spinto?? does it exist?? she's a light mezzosoprano she has a little voice nothing compared with horne's she can't never sing Carmen or Eboli
She has a lightness and to her voice (real or manufactured), which is the key to her vocal agility. I do concede her sound does have a pushed quality to it.
Bel raggio is nice but I would not call it a coloratura tour de force. actually it's one of the easiest in the rossini soprano aria. not so high, even mezzo can do it, and you can even do some rubati in the coloraturas to breathe if you need. there are SOOO many other real Rossini's coloratura tour de force: Ah non potrian resistere from le Nozze di Teti e di Peleo, Tanti affetti from la Donna del lago, En proie à la tristesse from le Comte Ory, Riedi al soglio from Zelmira, and so many others :)
well it is not THAAAAAT uncommon, she can get high for an average mezzo however and she is fucking amazing. But it is not entirely the register what defines the kind of voice you have
Mezzo-Soprano?? Según la tesitura de una soprano va desde el do4 hasta do6, la soprano de coloratura como máximo un F6. Entonces que es ella??? O.O JAJAJA
Mezzosoprano, esos F6's no me suenan muy bien, su nota mas alta con resonancia es Eb6, la tesitura de una soprano va normalamente de do4 a do6, pero no siempre es asi, hay sopranos capaces de dar hasta fa#3 con resonancia, y en pop (donde se pueden usar microfonos) incluso hasta mi3
Comment personne ne s’est encore aperçu que Bartoli est un robot venu de la planète Zigomat : sa voix ? une machine à fabriquer les sons les plus étrangers au bel canto : bientôt nos scènes seront inondées de ce genre de machines ! En 40 ans de mises en scène avec les plus grands chanteurs (des bons et des moins bons !) je n’ai rien trouvé de pire : hystérie, n’importe quoi, acrobaties de cirque, mauvais goût, et surtout imbécilité et inculture de ceux qui la portent aux nues : à renvoyer sur sa planète ou a démonter pièce par pièce . J’ai moi aussi chanté et mon professeur fut Germaine Lubin qui fut l’élève de Félix Litvinne elle même élève de Pauline Garcia- Viardot sœur de Malibran et toutes deux filles Manuel Garcia un des plus grands techniciens de la voix au XIX siècle. Ce que l’on entend maintenant sur nos scène ce sont des « fake » chanteurs !
Oh god, not one of you people. There is no comparison. Opera singers are without doubt much more superior to any other singers out there, also considering vocal range. Why? Because their voices don't show breaks, it's all one piece, all registers are perfectly mixed up, with the vocal chords closing perfectly the entire time (if they sing opera correctly). With pop singers like Mariah Carey this is not the case. Her voice is full of breaks and shifts, she's audibly either singing in chest-voice, head-voice or whistle-register, her vocal chords are closing approximately....NEVER. Her chest-voice is breathy, chords not closing. Her head-voice is produced with a high larynx, chords not closing. Her whistle-register is produced in an unhealthy way, chords not closing, you can even HEAR the airflow in her whistle-register; it's painful to listen to. You can't compare a pop singer's range to an opera singer's range. I sing opera and in my opera-range I have about 2 1/2-3 octaves. When I sing in whistle-register, I can go much higher than I can in my head-voice, naturally. I can also produce the most breathy, hooter-like sound (just like pop-singers do) and go really low. Most opera singers are able to do that, you can be sure of that. They just don't want to, though, because it's much more difficult to acquire a big vocal range with completely blended registers and closing vocal chords. It's also not a desirable thing for opera to sing like pop singers. What pop singers do is not even coming close to what opera singers do. And a pop singer's huge vocal range is therefore not even close to being as impressive as an opera singer's huge vocal range.
Thiago Pavelisk its stupid to actually even compare when mariah does high headvoice its as if only air was coming out while opera singers can hit those at full volume and power
Thiago Pavelisk She isn't a contralto, her voice is light, her tone is silky, she doesn't have a lot of volume and she shines on upper belts, she is just a Lyric-Light Soprano whit good technique and developed lower register
I've seen you on several of her videos commenting. Seems like a poor use of your time for someone you don't like Ms. Szasz. The marvel of Bartoli is that she manages to bewitch even her haters.
![Head Voice in Opera [C6 - C7]](http://i.ytimg.com/vi/5l9Y6AlDDa4/mqdefault.jpg)
Bartoli is a musician....that is ONE!
She can switch between high mezzo, lower soprano parts and hit the soprano notes.
But even can sing in the lower chest voice, very dark.
Her voice has even gone UP in the last years, still she is a gem!
One note and you know it's Bartoli.
She's high contralto. Coloratura contralto. 0:17.
Soprano notes ? There’s no such thing ! Mezzos just like sopranos should have their low notes and high notes ,
Some people insist that she is a Soprano. Yes, she can hit really high Soprano notes but she ain't gonna stay on pitch, her natural and comfortable range is Mezzo-Soprano. She indeed has the high extension...that's why she is called a Coloratura Mezzo-Soprano!!!!!!
Chad Guindon She has sung Soprano Roles as well and they give her no trouble.
Yep, I agree with you!
Vocal fach is not only about your range.
It's so much about where your voice feels at home, where it sounds best, where your tessitura is/where you sing at ease, which roles your voice loves. Your vocal timbre. Your age. Your personality.
If she calls herself mezzo, she'll be one. I'd bet that she knows her voice QUITE well. xD
But actually this whole idea of "fach" is weird. In the past, singers didn't had differents fachs. They just sang roles that were written for them or that suited their voices well. I think using this as a measurement for the roles you sing is a much better choice than choosing your roles because of the fach of these roles.
I think she is a Dugazon Soprano, a hybrid voice. A dark soubrette soprano(listen to her high notes they are very light), with a mezzo bottom and very comfortable with agility in the middle and upper register. (good for vivaldi, Hadel and Mozart)
+Mar R I feel you are correct! A dark Soubrette she is! She seems to have no problem with high tessitura, she even sang sempre Libra and Casta Diva.
Chad Guindon she is a mezzo not because of her range but because of the quality of her sound it can reach high yes but it is thick and dark
A brilliant coloratura mezzo, from the bottom to the top. By the way, to the people who think that she's a soprano: firstly, no matter what, her voice doesn't have the colouring of a true soprano. Second, the difference in tessitura. Her comfort range is obviously at a mezzo range instead of at a soprano range. Her C6 and up, even her Bb5 on some occasions have sounded like someone reaching to their top range unlike how a soprano's easy ascension should sound.
shes trills on a Bb5
She's coloratura but contralto.
Never, never , NEVER judge a voice type by where its deficiencies lie or by what it DOESN'T have!. Judge by where its FACILITIES lie, and by what it HAS naturally and easily. Never ever suggest that a voice is mezzo simply because it appears not to have high notes. And don't assume that Bartoli is a mezzo because her bottom notes appear to be strong. She goes onto FULL chest to accomplish that. The true mezzos and, especially, the contraltos can produce a large sound in the bottom while remaining in the mixed voice, and it is seamless from middle through bottom. You can hear Bartoli switching gears on the way down. Again, to be clear, I am a huge fan of Bartoli, but vocal fact is vocal fact. She is a soprano with some very skillful timbre manipilations.
@@Kurdyukov87pianist You do not KNOW what a contralto voice is. Listen to Stephanie Blythe, for example. THAT is a contralto.
She is indeed extremely precise as far as tone and rhythm is concerned. Very impressive. And she has soul, she exudes happiness when she sings.
Guys the wonderful aria at 0:19 is “Berenice che fai?” by Haydn
my field is dance not Opera though I have a very great appreciation. leaving aside all of the technical terms the thing that grabs me about Bartoli is that she goes all in. she throws everything into her performance digging right to the bottom and raised him right to the top which is very difficult to do as an artist and to do it consistently makes her a gifted artist.
The best mezzo I've ever heard!
Agree
She's famous like mezzo but she is contralto. Nobody will believe me but I say truth. 0:17.
Coloratura contralto.
she is amazing,i love opera.
Esa es la idea de una mezzo soprano, que pueda tener un amplio registro de voz, al igual que el barítono, que él también puede llegar a rangos de los tenores y bajos...
Her low-register 's perfect
No
@@Tkimba2 yes!
@@eegreque lm not surprised a Mariah fan thinks this clown's voice is perfect.
@@Tkimba2 I think, you have better voice than Bartoli's
@@Tkimba2 Cecilia Bartoli is coloratura contralto like Yma Sumac...
Being able to sing high notes doesn't simply make a singer a soprano! It's also about tessitura, timbre and where your voice feels and sounds best, which is mostly mezzo-repertoire in her case. Maria Callas could go just as low as Cecilia Bartoli can, but that didn't make her a mezzo-soprano, did it?
Diana Emilia actually Maria Callas had the sound of a mezzo in her mids and lows and a dramatic soprano on her higher notes.
It's not unusual to for a Mezzo to be able to access the Soprano range. They just can't consistently sing in that range comfortably for long periods of time without tiring
@Turkish Pegasister 2000 Bartoli is most definitely a mezzo-soprano
@Turkish Pegasister 2000 THANK YOU THANK YOU THANK YOU. Exactly right. Thank you. I am so weary of being the only person willing to try and educate the masses in vocal pedagogy.
This is not really a bad thing though considering that she is a mezzo-soprano. I think that is the beauty of her voice. She is able to sing into, really the extremes of the soprano register while still maintaining the umph in her voice that makes her a mezzo.
La cara en su Mib6 se ve super feliz hay que estar entrenado para llegar a esas notas sin incomodidad
to the person who asks how Bartoli characterizes her voice here is a clip (in Spanish) where she says at 4:15 "Yo tengo una voz de mezzo-soprano", which means "I have a mezzo-soprano voice"
/watch?v=nOdNkPSQ4AE
I know Jessye Norman's repertoire was very different, but how can one chose between the two of them?
I am lucky enough to have heard both her and Bartoli live more than once. I hope to hear Bartoli again once we get back to something more like a normal way of life.
Incredible agility, amongst my favorite mezzo's.
Bartoli es una auténtica soprano sfogato, lo que fue Malibran, su voz se parte a 3 distintas, no es homogénea, y cambia al subir o bajar notas, ni Callas logro una técnica así de regia, parte desde Cenicienta, por Norma hasta Sonámbula, simplemente fantástica, algo así pasó con Tetrazzini, que empezó como contralto, o con Moffo, que en Curtis la catalogaron como contralto, o un contrario con Besanzoni, que comenzó en su adolescencia como soprano y lograba el Fa6 y acabo como la más grande y profunda Carmen contralto de los años 10s y 20s, e incluso con doña Magda Olivero que comenzó ligera a sus 18 y sus grandes éxitos los logro ya pasando los 50 años, más madura, Bueno, así es la naturaleza de engañosa.
Israel Alanís mmm.... teatral, en este caso es imposible decir esa palabra, su técnica no le permite dejar de hacer esas muecas tan raras, claro, hay casos excepcionales como Cristina Deutekom que gorgoreaba sin dificultad alguna, o Mado Robin al alcanzar notas sobreagudas.
yo la considero una mezzosoprano muy agil con un rango amplio
She's coloratura contralto.
Más de 3 octavas. Increíble
There's recorded E natural in staccato in aria de Genio "Al tuo seno fortunato " from L'anima del Filosofo by Haydn (around 5 min 19 in the Studio recording), but you put also some video samples of this aria for the C# - so a better quality then the one in her vocal lessons with her mother.
Ah, I love that! I think it's so beautiful, a very dark high note. It's like... more powerful. But obviously, that's just opinion.
Bravo... I like part of 3: 37 😀😀👏👍
One of the best Mezzi of Our time, no question about it!
No. Ni de cerca. Está lejísimos de considerarse buena cantante
I'm sorry, but you do not know how to appreciate a talent like hers. But thanks for the comment and the access, only helped me.
Wow
😱 OMG!!!
This Lady is crazy wicked!!!!
I wanaa be able to sing like that!! (though am a male) lol
😁😁😁😁
True, the notes sounds dark and heavy.
She IS a soprano. She is not a mezzo. Anyone who really understands voices will tell you that. The mezzo-like bottom is manufactured--very very skillfully manufactured, but manufactured. The darkness you think y ou are hearing in the top is probably a result of excessively dark coloring in the bottom two-thirds of the range. Listen more to various weights of coloratura voices. There are plenty of dramatic coloraturas that are just as dark on top.
She's coloratura contralto like Yma Sumac.
Divina❤
I agree with you. I forgive Cecilia all the chicken-clucking and other odd moments because, overall, I believe her to be a singer of great integrity and spirit. Clucking or not, she achieves great precision much of the time, and TRUE velocity that few can rival. She also works very hard to keep some obscure but wonderful music alive and heard by audiences that are become less and less educated as the years go by. And her spirit, such exultation while singing! A joy for me to watch.
Let's stop trying to find an adjective for Cecilia Bartoli, because her name has become an adjective itself!!!
Great video, very educational! I personally think an accurate definition would be "soprano spinto".
She's coloratura contralto which can take soprano notes.
Minha mezzo predileta ❤️ mesmo com suas caretas.
Not a mezzo, never was, but she has very skillfully manufactured a mezzo-like bottom range. But listen to the lower end--there is a definite break down there. The true dark and weighty voices don't have a break down there. And the top is a soprano top. I think she just created that whole mezzo persona so she could concentrate on fast, precise coloratura and worthwhile repertoire, and not have to get neurotic and stressed over high notes. Works for me, I love her. But she "ain't" a mezzo.
She is coloratura contralto.
Soprano Falcon!
Dugazon :)
Does anyone know how la Bartoli (not critics or fans) characterizes her voice? Does she think of herself as a mezzo, a soprano, or a singer who performs both repertoires?
willworkforwages
Mezzo
@@angelabender8132 no she characterises herself as a mezzo-soprano not a mezzo
@@jackwhitbread4583 Same thing
I wish she had pursued pop music instead. Her voice is too interesting and unique for the old-fashioned tradition of opera. Why do so many people dislike her? I really like the fact that she stands out.
AJRA
They dislike her because they do not Like her voice
Or her expressions
Or the fact that they cannot place her in a specific category such as soprano or mezzo soprano
Or the fact that she has specific period pieces such as barocco or
Rossini
Or they disdlike the types of gorgheggi that she can emit easily
Or some find her limited public appearances rare
Or her repertoire and operatic roles not sufficient
Bartoli is a phenomenon in a class of itself
Her voice is relatively small but her success attest to the appreciated bravura world-wide by many
Opera is not old fashioned it's fkn art you borish pleb. Pop is worse than dogshit
Old-fashioned is an expression only stupid people could use for opera.
Lol this comment was probably made by someone who knows nothing about opera
What is the name of the song she sings those low notes E♭3 and F3?
Insufficiency in a higher tessitura has never been justification to classify the voice as one of lower fach. You know how many sopranos and tenors with inadequate upper-range control have taken refuge in a lower fach re-classification? Listen to how Bartoli's voice behaves through quick registral adjustments in the low middle--it betrays itself as a light instrument again and again. The tessitura concerns you mention can easily result from slight habitual over-adduction in the lower middle.
3:34 is this a Polish aria? "KURWA to! KURWA to! mrrrrrrrrr!
?? Tambour battant
I can't help but say this: she is not a mezzo nor a soprano! She is a darker colored soubrette soprano (soubrette spinto) , or a lyrical-coloratura mezzo soprano.
I call it a soprano Dugazon, there is a video on youtube about the voice type :)
I agree with you.
Soubrette Spinto sounds hilarious.
Lyric-coloratura-mezzo sounds just right for her. For a mezzo she has a very good top, but a very good low voice as well and her agility is legendary.
Soubrette spinto?? does it exist?? she's a light mezzosoprano she has a little voice nothing compared with horne's she can't never sing Carmen or Eboli
She has a lightness and to her voice (real or manufactured), which is the key to her vocal agility. I do concede her sound does have a pushed quality to it.
Where are her G3 G#3 Bb4 C4 F5 Bb5 and Eb6 performances from
Soprano Falcón
What's the name of the aria where she hits the A3?
th-cam.com/video/fX60UUZ7E7M/w-d-xo.html
What is the Piece of 2:49.....Urgent..
You have probably figured it out by now but it's Bel Raggio Lusinghier from Semiramide, an absolute coloratura tour de force.
Bel raggio is nice but I would not call it a coloratura tour de force. actually it's one of the easiest in the rossini soprano aria. not so high, even mezzo can do it, and you can even do some rubati in the coloraturas to breathe if you need. there are SOOO many other real Rossini's coloratura tour de force: Ah non potrian resistere from le Nozze di Teti e di Peleo, Tanti affetti from la Donna del lago, En proie à la tristesse from le Comte Ory, Riedi al soglio from Zelmira, and so many others :)
sonqualnave yet there are so very few sopranos/mezzo who have managed to master it!
What song is she singing when she hits the Eb6?
Rossini: Riedi al soglio
What piece in 0:20 ?
Agitata da due Venti - Vivaldi.
Riedi Al Soglio - Rossini.
Good voice ;D
well it is not THAAAAAT uncommon, she can get high for an average mezzo however and she is fucking amazing. But it is not entirely the register what defines the kind of voice you have
What about a Dugazon Soprano? She is rumoured to have that vocal fach.
She's coloratura contralto like Yma Sumac.
what is the name of that aria 03:39??
Rataplan
3:35 what's the name of this aria?
@Dimitri lerner thank you.
Mezzo-Soprano?? Según la tesitura de una soprano va desde el do4 hasta do6, la soprano de coloratura como máximo un F6. Entonces que es ella??? O.O JAJAJA
***** Correct!!!!!!
mezzo soprano, por conta do timbre não da extensão
Mezzosoprano, esos F6's no me suenan muy bien, su nota mas alta con resonancia es Eb6, la tesitura de una soprano va normalamente de do4 a do6, pero no siempre es asi, hay sopranos capaces de dar hasta fa#3 con resonancia, y en pop (donde se pueden usar microfonos) incluso hasta mi3
There in the same place her red lace dress
what song is she singing at 3:35, D6?
Elias Theocharidis Rataplan by Maria Malibran
With C6 or upper and she's exploiting (Eb6-E6)... I prefer a Simionato, Ledwig, Horne or Berganza... they're most humble or less comercial.
I don't believe she's a mezzo soprano
Wunderbare Stimme, aber warum kein deutscher Kommentar.
3:35- 3:39 Goddam.
Ma veramente la nota più acuta è un mi naturale, non un fa diesis...
I think she knows that's she is contralto coloratura she just performing in mezz-soprano role because mezz-soprano repertoire more wide.
thats why shes a mezzo soprano!
She's contralto.
@@Kurdyukov87pianist actually shes not!! Look up her bio and every interview she's done she said she's a mezzo-soprano..
@@Kurdyukov87pianist bullshit
she's a soprano
@@adah6759 Your lie turn back to you.
@@adah6759 she just takes off vocal position.
0:14, 0:17, 0:19, 0:32, 0:41, 0:48, 0:57, 1:08, 2:03, 3:28,
Singing in high registers carries glory, only God can give that to. This is beyond my understanding of the Universe. I'm sorry that I am potty
Wait that F#6 doesn't count lol. I guess the highest she can manage is Eb.
the F6 definitely counts tho
Comment personne ne s’est encore aperçu que Bartoli est un robot venu de la planète Zigomat : sa voix ? une machine à fabriquer les sons les plus étrangers au bel canto : bientôt nos scènes seront inondées de ce genre de machines ! En 40 ans de mises en scène avec les plus grands chanteurs (des bons et des moins bons !) je n’ai rien trouvé de pire : hystérie, n’importe quoi, acrobaties de cirque, mauvais goût, et surtout imbécilité et inculture de ceux qui la portent aux nues : à renvoyer sur sa planète ou a démonter pièce par pièce .
J’ai moi aussi chanté et mon professeur fut Germaine Lubin qui fut l’élève de Félix Litvinne elle même élève de Pauline Garcia- Viardot sœur de Malibran et toutes deux filles Manuel Garcia un des plus grands techniciens de la voix au XIX siècle. Ce que l’on entend maintenant sur nos scène ce sont des « fake » chanteurs !
What an awful voice! Pity for ears!
Mariah Carey E2-Bb7
Oh god, not one of you people.
There is no comparison. Opera singers are without doubt much more superior to any other singers out there, also considering vocal range. Why?
Because their voices don't show breaks, it's all one piece, all registers are perfectly mixed up, with the vocal chords closing perfectly the entire time (if they sing opera correctly).
With pop singers like Mariah Carey this is not the case. Her voice is full of breaks and shifts, she's audibly either singing in chest-voice, head-voice or whistle-register, her vocal chords are closing approximately....NEVER. Her chest-voice is breathy, chords not closing. Her head-voice is produced with a high larynx, chords not closing. Her whistle-register is produced in an unhealthy way, chords not closing, you can even HEAR the airflow in her whistle-register; it's painful to listen to.
You can't compare a pop singer's range to an opera singer's range. I sing opera and in my opera-range I have about 2 1/2-3 octaves. When I sing in whistle-register, I can go much higher than I can in my head-voice, naturally. I can also produce the most breathy, hooter-like sound (just like pop-singers do) and go really low. Most opera singers are able to do that, you can be sure of that. They just don't want to, though, because it's much more difficult to acquire a big vocal range with completely blended registers and closing vocal chords. It's also not a desirable thing for opera to sing like pop singers. What pop singers do is not even coming close to what opera singers do. And a pop singer's huge vocal range is therefore not even close to being as impressive as an opera singer's huge vocal range.
Me E-53 - F#92
Her consistent supported range at her best moment was E3-F#5 (in Daydream), and her headvoice has never been developed
Thiago Pavelisk its stupid to actually even compare when mariah does high headvoice its as if only air was coming out while opera singers can hit those at full volume and power
Thiago Pavelisk She isn't a contralto, her voice is light, her tone is silky, she doesn't have a lot of volume and she shines on upper belts, she is just a Lyric-Light Soprano whit good technique and developed lower register
No voice great technique
Dont like her singing...vulgar..
I've seen you on several of her videos commenting. Seems like a poor use of your time for someone you don't like Ms. Szasz. The marvel of Bartoli is that she manages to bewitch even her haters.