I love being able to see this painting close up, to see the brush strokes. Cindy gives us a nice tie into today's circumstances and inspires us to see the paintings relevance for today. Thanks
I love Bonnard but am frustrated by not being able to see some works hung so high and in dim light like his “woman writing”. So thank you for this close-up look.
Thank you so much for discussing this painting. I was taking a course on Bonnard and Matisse that was cancelled because of the quarantine. Hearing his work being discussed is wonderful. I truly enjoy these “ take out” moments. I can’t wait to return to the Foundation once it reopens!
What a wonderful and unselfish idea. Although we have visited the Barnes only twice, it is our favorite by far. I learned more about the three paintings, then I ever knew. A warm and inviting diversion from our current troubles. I will be watching every single day. Thank you
Is she wearing her hat? That same blueish shape on her back? I watched this on my phone. Might have been too small but if it's her hat, shoved off and back, that would certainly lend urgency and motivation to her wonderfully frantic letter writing. These Barnes minutes are fabulous. I can't wait to visit some day. Maybe in 2020 if we're all lucky.
The Barnes Takeout series has allowed me to engage with these individual works through your unique perspectives. I so look forward to these daily video art sessions! Thank you for your willingness to share your expertise! My next visit to the Barnes will be all the richer as a result.
I have loved ALL of the various "Takeouts", and I look forward to the time when we are released from this lock-down and allowed to once again visit this glorious collection in person. In the meantime, learning more of the detail about each of these works is absolutely fascinating! I must also add that I am particularly appreciative of seeing up close those works that are definitely above my eye level in the Barnes collection, such as this one! Thank you!!
Thank you for picking this work - I love the light that Bonnard creates in it through the window and the color on the walls contrasting with the red tablecloth. I liked your thoughts on the empty chair and what she might be writing. I thought that maybe the object around the paper pieces on the table might be a box of tissues? Also I wonder why the artist has chosen to hide her face in this painting - feeling like her hair might cover a tearful face?
Thank you for these "takeouts"! My version of this painting - she has just returned from a rendezvous, and has rushed in , with her hat still pushed off her head, thus the lump on her back. She is filled with angst, or frustration, or extreme disappointment with the one with whom she was meeting. She is either desperately sad because the association must end, or furiously disappointed with something that she can no longer tolerate. She is trying to get the words just right as she expresses her feelings, and seems to be hiding her tearful face, which may be why there appears to be a box of kleenex on the table, as well as extra blank pieces of paper. LOVE these pieces that have been the subjects of these daily talks, which gives allows us to fill part of our days at home with our own contemplations. Thank you to all!!
What a wonderful treat! Thank you for a terrific series! I only wish the curator had discussed the black blob next to the armchair, and speculated on its artistic purpose and what it might represent.
Thanks for this feedback, which is helpful as we strive to improve the experience for all! While takeout offers appetizing bites, you might also be interested in checking out a full course through our ongoing online classes: www.barnesfoundation.org/classes
i love this painting-i have a print of it on my mantle. So enjoyed your descriptions! As soon as i wake up i have my coffee and watch the Barnes Takeout. Really begins my day in a beautiful way. I miss the Barnes, but this helps so much. Keep going!!
So just for fun: the red tablecloth indicates It’s Christmas time. She’s furiously trying to get her Christmas letters written. The letters and envelopes are spread out because Bonnard was supposed to put the letters in the envelopes and address the envelopes. She’s angry and hunched over the letters because Bonnard just sits there painting! The chair has been moved up against the wall, away from the window so the Christmas tree could go in front of the window. Bonnard hasn’t gone up to the attic to get the Christmas decorations so there isn’t any other ornaments visible. He just keeps painting! Enjoying the Barnes Takeout!
Poor Bonnard ... his paintings are hung above doorways and,,, for years in the stairwell outside a gallery at the old MOMA in New York in the early 1990's (Kirk Varnedoe ... was the Chief Curator of Painting and Sculpture at the Museum of Modern Art from 1988 to 2001, )
Paula Leeder ..I have the same question. Bonnard often put animals in pictures that are hard to identify at first glance....I wondered if that lump was the dog that has appeared in other pictures by Bonnard.
what did Bonnard have to say about this painting? Why is this painting grouped with the others on this wall, but placed so high. These details are difficult to see in person.
Not as good as it could have been. You leave out Dr. Barnes. You missed the point and read much too much of your own self into the image. Bonnard serviced clients at a time when the individual communications had to be hand done. Nothing in the images suggests a draft. The pile of paper in the middle services the task. The writer, an employee, writes the notes with pen and ink, throwing them down on the table to dry. We see the back of her head, not her face, a Clear indication she had no place other than as a worker. And your analysis of the colors is likewise uniforming. Do better.
Lots of unsubstantiated criticism. Barnes put hand the work - this is about the artist and the "work that was sent out into the world." From my perspective, you are the one reading yourself into the work...what kind of business would have an employee work in a room such as this? Was Bonnard so elitist that he would hide the face of a worker just because they are a worker? What you think is a possibility, as any thought is pure speculation, but I prefer the analysis presented. Methinks the other side of the bed would be a better option. In some cases, through this series, it is the art work itself I don't prefer but the presenters are all top notch - couldn't do any better.
Thank you for taking the time to share your feedback, which helps inform how we can make Barnes Takeout more appetizing for all. We appreciate you tuning back in, Lorin.
![[Live] : ONE 168 วันนี้!! "โจนาธาน vs ซุปเปอร์เล็ก"](http://i.ytimg.com/vi/0jIN65KgJsI/mqdefault.jpg)
I love being able to see this painting close up, to see the brush strokes. Cindy gives us a nice tie into today's circumstances and inspires us to see the paintings relevance for today. Thanks
I love Bonnard but am frustrated by not being able to see some works hung so high and in dim light like his “woman writing”. So thank you for this close-up look.
Thank you so much for discussing this painting. I was taking a course on Bonnard and Matisse that was cancelled because of the quarantine. Hearing his work being discussed is wonderful. I truly enjoy these “ take out” moments. I can’t wait to return to the Foundation once it reopens!
What a wonderful and unselfish idea. Although we have visited the Barnes only twice, it is our favorite by far. I learned more about the three paintings, then I ever knew. A warm and inviting diversion from our current troubles. I will be watching every single day. Thank you
What an enjoyable edition of Takeout! I love this painting, and really appreciate Cindy’s thoughts about it.
Bonnard is one of my favorite artists because of his lovely, colorful interiors. Thanks for sharing this.
Is she wearing her hat? That same blueish shape on her back? I watched this on my phone. Might have been too small but if it's her hat, shoved off and back, that would certainly lend urgency and motivation to her wonderfully frantic letter writing. These Barnes minutes are fabulous. I can't wait to visit some day. Maybe in 2020 if we're all lucky.
The Barnes Takeout series has allowed me to engage with these individual works through your unique perspectives. I so look forward to these daily video art sessions! Thank you for your willingness to share your expertise! My next visit to the Barnes will be all the richer as a result.
Looking forward to having you back at the Barnes, Ronna!
Not mine.
I have loved ALL of the various "Takeouts", and I look forward to the time when we are released from this lock-down and allowed to once again visit this glorious collection in person. In the meantime, learning more of the detail about each of these works is absolutely fascinating! I must also add that I am particularly appreciative of seeing up close those works that are definitely above my eye level in the Barnes collection, such as this one! Thank you!!
Thank you for picking this work - I love the light that Bonnard creates in it through the window and the color on the walls contrasting with the red tablecloth. I liked your thoughts on the empty chair and what she might be writing. I thought that maybe the object around the paper pieces on the table might be a box of tissues? Also I wonder why the artist has chosen to hide her face in this painting - feeling like her hair might cover a tearful face?
I am so enjoying these talks! I feel like I’m back in Art History class. I can’t thank you enough for doing this. What a WONDERFUL idea!
Thanks for sharing your knowlege.
Thank you. My appreciation of this work is so much better now.
Thank you for these "takeouts"! My version of this painting - she has just returned from a rendezvous, and has rushed in , with her hat still pushed off her head, thus the lump on her back. She is filled with angst, or frustration, or extreme disappointment with the one with whom she was meeting. She is either desperately sad because the association must end, or furiously disappointed with something that she can no longer tolerate. She is trying to get the words just right as she expresses her feelings, and seems to be hiding her tearful face, which may be why there appears to be a box of kleenex on the table, as well as extra blank pieces of paper. LOVE these pieces that have been the subjects of these daily talks, which gives allows us to fill part of our days at home with our own contemplations. Thank you to all!!
We love hearing your interpretation, Pamela!
What a wonderful treat! Thank you for a terrific series! I only wish the curator had discussed the black blob next to the armchair, and speculated on its artistic purpose and what it might represent.
Lovely explanations from the speaker. Thank you!
I enjoy these short talks immensely. I would like, however, a bit more substance offered on painter’s style as well as color on pallets used.
Thanks for this feedback, which is helpful as we strive to improve the experience for all! While takeout offers appetizing bites, you might also be interested in checking out a full course through our ongoing online classes: www.barnesfoundation.org/classes
love this series. thank you. any work by vuillard you can explicate?
i love this painting-i have a print of it on my mantle. So enjoyed your descriptions! As soon as i wake up i have my coffee and watch the Barnes Takeout. Really begins my day in a beautiful way. I miss the Barnes, but this helps so much. Keep going!!
thank you!
So just for fun: the red tablecloth indicates It’s Christmas time. She’s furiously trying to get her Christmas letters written. The letters and envelopes are spread out because Bonnard was supposed to put the letters in the envelopes and address the envelopes. She’s angry and hunched over the letters because Bonnard just sits there painting! The chair has been moved up against the wall, away from the window so the Christmas tree could go in front of the window. Bonnard hasn’t gone up to the attic to get the Christmas decorations so there isn’t any other ornaments visible. He just keeps painting! Enjoying the Barnes Takeout!
Poor Bonnard ... his paintings are hung above doorways and,,, for years in the stairwell outside a gallery at the old MOMA in New York in the early 1990's (Kirk Varnedoe ... was the Chief Curator of Painting and Sculpture at the Museum of Modern Art from 1988 to 2001, )
What is the black lump behind the woman writing? I don't see how that is part of her body.
Paula Leeder ..I have the same question. Bonnard often put animals in pictures that are hard to identify at first glance....I wondered if that lump was the dog that has appeared in other pictures by Bonnard.
what did Bonnard have to say about this painting? Why is this painting grouped with the others on this wall, but placed so high. These details are difficult to see in person.
Not as good as it could have been. You leave out Dr. Barnes. You missed the point and read much too much of your own self into the image. Bonnard serviced clients at a time when the individual communications had to be hand done. Nothing in the images suggests a draft. The pile of paper in the middle services the task. The writer, an employee, writes the notes with pen and ink, throwing them down on the table to dry. We see the back of her head, not her face, a Clear indication she had no place other than as a worker. And your analysis of the colors is likewise uniforming. Do better.
Lots of unsubstantiated criticism. Barnes put hand the work - this is about the artist and the "work that was sent out into the world." From my perspective, you are the one reading yourself into the work...what kind of business would have an employee work in a room such as this? Was Bonnard so elitist that he would hide the face of a worker just because they are a worker? What you think is a possibility, as any thought is pure speculation, but I prefer the analysis presented. Methinks the other side of the bed would be a better option. In some cases, through this series, it is the art work itself I don't prefer but the presenters are all top notch - couldn't do any better.
Thank you for taking the time to share your feedback, which helps inform how we can make Barnes Takeout more appetizing for all. We appreciate you tuning back in, Lorin.
@@brucemaatta5859 Thanks for your thoughts. We appreciate the thought-provoking conversations and different perspectives art inspires here!
I agree!