Arvo Pärt: Cantus in memoriam Benjamin Britten
ฝัง
- เผยแพร่เมื่อ 20 ก.ย. 2018
- Terje Tønnesen, conductor
Norwegian Chamber Orchestra
Stay connected with us!
► Subscribe to our TH-cam channel: bit.ly/2r9tVde
► Follow us on Facebook: / detnorskekammerorkester
► Follow us on Instagram: / detnorskekammerorkester
► Follow us on Twitter: / kammerorkester - เพลง
It's truly incredible
pärt's music is a religion to me
an addictive song, honestly
RIP Alexei Navalny. For his family and for the Russian people: Personne n'a un plus grand amour que de donner sa vie pour ceux qu'il aime
What a patently foolish and out of place remark, actually showing disrespect for both men mentioned.
Arvo Pärt always hits different. Simple yet magnificent.
Cantus in Memoriam Benjamin Britten
Il suono che ascolta il nostro dolore. Quando scrisse il "Cantus in memory of Benjamin Britten" Pärt viveva ancora in Unione Sovietica, dove la sua musica non era molto amata. Il compositore ricorda così l’effetto che fece su di lui la notizia della morte di Britten: «Negli anni passati abbiamo dovuto piangere molte perdite nel mondo della musica. Perché il giorno della morte di Benjamin Britten - il 4 dicembre 1976 - mi ha toccato così nel profondo? A quel tempo ero evidentemente arrivato a comprendere l’immensità di questa perdita. Era nato in me un inspiegabile senso di colpa. Avevo riscoperto Britten, e poco prima della sua morte ho cominciato ad apprezzare l’insolita purezza della sua musica. Ho anche desiderato incontrarlo di persona - ma non era destino». Pärt concepisce dunque questo Cantus come una breve trenodia, e la costruisce con semplici materiali diatonici, ma con il medesimo rigore della musica seriale, tanto da essere stato definito come «un’ingegnosa dichiarazione di guerra all’atonalità». Il brano è costruito su due dimensioni: quella verticale, degli archi, che partono da registri molto alti, in una cadenza regolare ad intervalli discendenti, arrivano alla fine ad uniformarsi in un tono (forse attorno ad un Sol, ad orecchio non-assoluto), che è come una tenebrosa vibrazione di fondo. La rappresentazione immediata che viene alla mente è quella del passaggio dalla vita (note altissime) alla morte (registro basso). A questa discesa verticale è associata una dimensione orizzontale, regolare anche questa ma ad intervalli più larghi, di una campana: batte il ritmo della vita, ma il suono è significativamente di tono grave, a rammentare che ogni momento della vita è un passo verso la morte (il rintocco finale). Musica che emoziona, come poche altre comunque - in fondo imperscrutabile.
I think it‘s a shame to play an advertisement during the video!
Not a shame.. it's illegal..
Just pay 1 buck for yt premium
Shows that people sometimes posting stuff they don't really know...
Get Opera (or any free vpn) we are not in china. ;-)
This piece should have no end.
Nicky Minaj or some flavor of the week will get millions of views and this has,as of now, just over 45.000. Something is wrong with this planet
I feel like I've just learned the meaning of life and every philosophical theory at the same time
The most beautiful music I've ever heard. It still hits every cell in my body in a special way.
This composition's so beautiful that my heart stopped for a moment!
You should see a doctor about that
Oh, a funny man, hey?
Ah. This piece gives me sadness and serenity at the same time!
Always thanks for beautiful music.
absolute life. thank you
After hearing this masterpiece, I'm now searching for Benjamin Britten
Like Arvo wanted - he unfortunately never got to meet him but his music touched him so much that he wrote this incredible tribute to him.
I find this music so intriguing!
It‘s a steady sound but still going infinitely down.
Hautingly beautiful and comforting.
Truly wabi-sabi to have the moments of transcendent beatific sound interrupted by an ad.
That tintinabulli mahn.... gets you every time
Unglaublich schön mit Worten zu beschreiben unmöglich, danke für ihr Werk. Danke das ich das hören darf.
Marvelous
Contemporary composers who write 'music' with no shape, no melody, no rhythm have much to learn from the simplicity of this sublime piece. I'm hearing it live in a few days and can't wait.
What a gorgeous piece. I've heard a little bit about how it was composed but I'm curious to learn more now!
Absolutely gorgeous
Quelle merveilleuse interprétation, envoûtante et intemporelle musique.... J'ai beau la réécouter encore et encore, la magie opère toujours, entre tension et apaisement !
There are no words that could do justice to the power of Arvo Part's music and art. He has the power to awaken the Holy Spirit. This is the saddest and most mournful song I've ever heard - and yet, it is also not sad. It has too much love in it to be ultimately sad. There is joy in it, at the end, in that last ringing of the bell - sustaining the whole world before it fades to silence. The miracles are in the paradoxes - and Arvo Part's music is a kind of miracle, that one man could summon such power through music.
Thank you Mr. Part, and thank you to the Norwegian Chamber Orchestra for this beautiful and heartfelt rendition! You are a gift to the world.
A page really sublime, moreover an outstanding performance!! Bravi! Bravi!! Bravissimi!!!
Evocative of Orthodox chant...
This made me feel things o.o. Amazing Work!!!
WHO PUTS IN AD IN THE MIDDLE OF A PIECE!? 😡
Beautiful, thanks for sharing!
This made me cry for the Human spirit. Sadness with hope for better Humanity. Slava Ukraine.
Einfach wunderbar!!!
Oh my....it came beautifully into me...thanks for sharing!!
Thats what she said. 😉
That guy having to play the same note 32 times is the hero.
I'm so glad for him that he didn't mess up the last one and come in late. That would have been terrible.
Perfection.
Sublime
sheer beauty
Maravilhosoooooooo!!!!!!!
Great
Sublime performance. The perfect balance between the pulsing bell and the ever-so-slowly growing crescendo. Something the French orchestra with the Japanese director botched from the beginning, playing far too loud (another performance on TH-cam)! Thank you for sharing this !!!!!
I think that recording was just poorly done. Mics were probably too sensitive or something like that. In this Norwegian recording, you can hear the conductor turn his page loud and clearly. It shows how different the quality of the recording is. The French one was too sensitive and especially towards the middle strings.
ashes to ashes, dust to dust
Nice performance 👍🏻
🌍
Spirit left.....snowfall
❄️.....❄️.......❄️
.....❄️......❄️....
..........❄️........
Tata..
جمال
BRASIL 2021 💕
リヒャルト・シュトラウスのアルプス交響曲が聴こえる
Barber en su adagio on strings emprende algo parecido
종 치는군.
FLINK!!!
Stop.