With all due respect, you wound't have to avoid putting the first glaze layer into the shadows if a truly transparent yellow like earth oxide yellow (faster drying) or indian yellow (slow drying) were used instead of ochre. Ochre actually isn't very transparent. A mix with Transparent oxide yellow and red, as well as any dark transparent blue like ultramarine (medium drying speed), prussian (faster drying) or Phthalo (slow drying) can make any glaze hue and be much darker and more transparent. It would look great over the shadows. We shouldn't have to add a medium to make a pigment that isn't very transparent more transparent. Transparent pigments already exist, such as the alizarin which was a good call. Using black with raw umber as well wouldn't be needed because a mix with the three primaries I mentioned above can make a color so dark in its mass tone, that it can be zero on the Munsel scale. In it's glaze, you could achieve any color with that mix - the ultimate glaze: dark for the shadows in the mass tone and colourful and easily grazable without adding medium.
Thank you for the reply. My apologies if I sounded like a "know it all" in my previous comment. From my understanding, the mid-tones and highlights in lighter skin can be a glaze but a lighter opaque mix; mostly white+ochre+red+blk in descending order (for example). The transition into shadows will keep most of the glaze without white, with slightly more saturation in the warm red/browns. The shadows should have no white or opaque pigments like ochre. Only the dark transparent glaze pigments I mentioned before over a dark umber underpainting. Cheers. @@maxkoch3232
Thank you so much for this tutorial. I’m currently 2/3 through a master study of Rembrandt’s The Night Watch on a 5ft canvas right now so this helps a ton!
Mucisimas gracias!! que fabulosa sorpresas!!! de tanto mirar y mirar por fin he encontrado tu video...con diccionario en mano...viendo el procedimiento en cada paso de la pintura me ha quedado muy claro...Extraordinaria clase!!! clara, precisa, y con la informacion necesaria para realizar mezclas, cómo usar el color y los pinceles...Wow !!! thank you so very much a really great master class!!
absolutely love these glazing tutorials, thanks so much. Would these shades apply to strong daylight falling on sitter, or would it change? these shades have a soft light feel to them.
Really found your tutorial helpful - Thank you! I need to ask the same question as below though... I am working on a portrait from a photograph in the sun and don't know what to use to get rid of the face looking almost completely white. There is very little colour in the photo. Do you have any pointers that may help?
Pretty much how I go, though I use Liquin. Pity you don't havetime to reply comments but I suppose you give much info as possible during the process. Thanks!
Hi! Yes, I have painted people of different skin complexions/ethnicities. I do agree that the old master paintings lack variety! I will incorporate as much variety as possible in the future :)
Rublev transparent mummy? Or burnt Sienna which is relatively transparent (any brand). Rublev orange ochre is a nice earthy transparent color also. Thanks for watching! 🎨🎨
I've seen no one teaching this technique, and i've been lookin for it for years, thx i'll share your channel
Cuong Nguyen teaches the verdacchio (vehr-DEE-kee-oh) technique in pastel pencils and oils. I have his books.
I love my days when I can what’s you paint you are so elegant and humble to be simple is to be he greatest.
Amazing to watch you paint. You are so very talented sir. Thankyou for sharing 👍🏼
Thank you for the demonstration!
With all due respect, you wound't have to avoid putting the first glaze layer into the shadows if a truly transparent yellow like earth oxide yellow (faster drying) or indian yellow (slow drying) were used instead of ochre. Ochre actually isn't very transparent. A mix with Transparent oxide yellow and red, as well as any dark transparent blue like ultramarine (medium drying speed), prussian (faster drying) or Phthalo (slow drying) can make any glaze hue and be much darker and more transparent. It would look great over the shadows. We shouldn't have to add a medium to make a pigment that isn't very transparent more transparent. Transparent pigments already exist, such as the alizarin which was a good call. Using black with raw umber as well wouldn't be needed because a mix with the three primaries I mentioned above can make a color so dark in its mass tone, that it can be zero on the Munsel scale. In it's glaze, you could achieve any color with that mix - the ultimate glaze: dark for the shadows in the mass tone and colourful and easily grazable without adding medium.
Hey it seems to me u know what u are talking about! Can you explain how to make glazes for lighter skintones without getting too saturated or dark?
Thank you for the reply. My apologies if I sounded like a "know it all" in my previous comment. From my understanding, the mid-tones and highlights in lighter skin can be a glaze but a lighter opaque mix; mostly white+ochre+red+blk in descending order (for example). The transition into shadows will keep most of the glaze without white, with slightly more saturation in the warm red/browns. The shadows should have no white or opaque pigments like ochre. Only the dark transparent glaze pigments I mentioned before over a dark umber underpainting. Cheers. @@maxkoch3232
it seems like he covered up his glazes with opaque colors...am i wrong here?
So beautiful artwork with wonderful ending, you have a great talent, looking so amazing, have a great day
This was very useful for me. Thank you.
Thank you so much for this tutorial. I’m currently 2/3 through a master study of Rembrandt’s The Night Watch on a 5ft canvas right now so this helps a ton!
Thank you, such great work and the real time pace greatly appreciated
Mucisimas gracias!! que fabulosa sorpresas!!! de tanto mirar y mirar por fin he encontrado tu video...con diccionario en mano...viendo el procedimiento en cada paso de la pintura me ha quedado muy claro...Extraordinaria clase!!! clara, precisa, y con la informacion necesaria para realizar mezclas, cómo usar el color y los pinceles...Wow !!! thank you so very much a really great master class!!
Can't wait to see the next glazes !
Very nice flash tone thank U Sir 🎉❤
It's a daunting task to set out to copy a Rembrandt portrait. I have never seen anyone do it effectively.
absolutely love these glazing tutorials, thanks so much. Would these shades apply to strong daylight falling on sitter, or would it change? these shades have a soft light feel to them.
Really found your tutorial helpful - Thank you! I need to ask the same question as below though... I am working on a portrait from a photograph in the sun and don't know what to use to get rid of the face looking almost completely white. There is very little colour in the photo. Do you have any pointers that may help?
the ear appears like a megaphone...i dont understand how you will proportion it...very good talent you share.
🥧🥧🥧Amazing drawing skills. ~~ ^^😎😎😎😎😎
Pretty much how I go, though I use Liquin. Pity you don't havetime to reply comments but I suppose you give much info as possible during the process. Thanks!
Very good 👍 thanks
if it is not gray and is green is not called Verdaccio?
Verdaccio simply refers to a “green-ish” underpainting. Just a fancy way of saying a monochrome painting with a touch of green. Thanks for watching!
Great!!!
What is glaze colour!!??
What about painting people of color
Hi! Yes, I have painted people of different skin complexions/ethnicities. I do agree that the old master paintings lack variety! I will incorporate as much variety as possible in the future :)
Can anybody here name transparent color. Will be helpful
Rublev transparent mummy? Or burnt Sienna which is relatively transparent (any brand). Rublev orange ochre is a nice earthy transparent color also. Thanks for watching! 🎨🎨
@@YupariArtist thanks alot
Al final lo quemaste con El Blanco...
Gloves..😂
The nose kind of bugs me...not quite right, but then again maybe you'll fix it...
Too much of the simple American dream!!!! No shame no humility, no knowledge!!!!
Very hepful 2me.🎉
Thank you, really good glazing tutorial!