14:45 The 2nd Voice cadenza here is really interesting and probably the biggest indicator that BWV1064 for 3 Harpsichords used to be a violin concerto such as this reconstruction (although it‘s possible that the ritornello was added later. A version with just 3 violins is possible and somewhat likely as the accompaniement has a similar role to the one in BWV1061 that exists without the ritornell accompaniement as well)
In the baroque period performers often decorated the music to their preferences. Sometimes there may even be drastic differences to what the score reads. There was a recording of a Corelli Concerto Grosso performed Largo where the score read Vivace.
@@-rf7tj Usually, the performer should follow the indicated tempo, because while ornaments do make a difference, the tempo is one of the most important facets. Therefore, very rarely would the performer drastically change the tempo, unless when the performer has incredible evidence to support their decision of playing it at a different tempo. The Corelli I was talking about was in the form of a "sonata da chiesa", which usually have movements played slow-fast-slow-fast. I have heard other recordings of the Concerto Grosso at the marked tempo. The point I was really trying to make earlier was that small details can be changed to the performer's taste in the Baroque era, and I really shouldn't have used the tempo changes as an example. Hope this clears things up.
I am so grateful for this careful score scroll for one of my favorite of all of Bach's movements -- the third one here.
my favorite song by bach i think
It's not a song.
The greatest writer in musical history.
Are you mean composer？
i realize I am kinda randomly asking but does anyone know of a good place to watch new movies online?
@Kash Kingston i watch on FlixZone. Just google for it =)
14:45 The 2nd Voice cadenza here is really interesting and probably the biggest indicator that BWV1064 for 3 Harpsichords used to be a violin concerto such as this reconstruction (although it‘s possible that the ritornello was added later. A version with just 3 violins is possible and somewhat likely as the accompaniement has a similar role to the one in BWV1061 that exists without the ritornell accompaniement as well)
👍Great Bach piece thank you👍
Amazing piece. Thanks for the upload and work that goes into these scrolling videos!
Wow Johann Sebastian Bach did it again so beautiful melody
Wonderful concert!
Le debut de 3 mouvement est comme un vertige d approbation , une envolee de ferveur incontrolee dont je ne vois aucun équivalent
The recording is in C Major, not D.
Nice.
@@bartjebartmans It's french Baroque Pitch so it sounds a Minor Third Lower than written.
@@bartjebartmans It's at 432 so it's down a Minor Third from what's written
@@-rf7tj Yep. Barenreiter Verlag has a good score written in D Major along with a Piano Reduction score.
@@RockStarOscarStern634
quiere decir A=432 Hz?
Eso no llega a ser un semitono más bajo que A=440.
Qué significa una tercera menor más bajo?
Saludos!
Bartje Bartmans Here's a really interesting score:musopen.org/music/3511-concerto-for-3-violins-in-d-major-bwv-1064r/
❤❤❤
Brandenburg reworked?
Brandenburg 3 & 6 remix lol
Wunderbar - allerdings doch etwas arg tief, selbst für Historische-Aufführungspraxis-Verhältnisse … ;-)
Details in he arrangement in the score don’t match the performance.
Was the only one I could find. Anything else you don't like?
@@bartjebartmans There's another type from barenreiter
In the baroque period performers often decorated the music to their preferences. Sometimes there may even be drastic differences to what the score reads. There was a recording of a Corelli Concerto Grosso performed Largo where the score read Vivace.
@@-rf7tj Usually, the performer should follow the indicated tempo, because while ornaments do make a difference, the tempo is one of the most important facets. Therefore, very rarely would the performer drastically change the tempo, unless when the performer has incredible evidence to support their decision of playing it at a different tempo. The Corelli I was talking about was in the form of a "sonata da chiesa", which usually have movements played slow-fast-slow-fast. I have heard other recordings of the Concerto Grosso at the marked tempo. The point I was really trying to make earlier was that small details can be changed to the performer's taste in the Baroque era, and I really shouldn't have used the tempo changes as an example. Hope this clears things up.
Segun entiendo este es el acompañamiento, o deberia serlo