i happened to read "acht mizuta is dead, now dedf1sh is left to carry on that will" right as the calamari inkantation melody kicked in, this song is really cool methinks
Oh using the ebb and flow demo in this was an incredible decision. The flattened out drums at the beginning just feel like a boss fight really beginning after an intro, and the fact that it is the ebb and flow demo makes such interesting feelings and implications.
The E10+ version would be making it "my beach." As in "life's a beach and then you dive." But sometimes you just gotta add that extra spice, y'know? (If I can somehow replicate the singing voices of Off The Hook, then this song will actually be the first part of a longer work I've got planned, in which Acht proves that she both _can_ and _will._ It'll be a longshot to produce tho. 😬)
this composition as a whole is great but the calamari inkantation and #19 bless mashed together are so cool… both songs are so grand and imposing and fit well together musically but the vibes they give off and lore behind them is so starkly opposite in tone so it feels almost menacing and hollow in this context . really clever and interesting choice there
*Hidden Power Station* _"Gotta catch em all!"_ Find and defeat all enemies in the time limit! Yes, i know this is meant to be side order, but I wanted to create a theoretical octo expansion scenario where this would fit better than #16 salty. Perhaps if side order was more station-based it could progress the story in some way, revealing something about either marina or dedf1sh, somewhat like the escape sequences in octo expansion and return of the mamalians?
I really like how You made the sound byte of Marina being cut off and drowed out by what sounds more like what Octavio would use and play to his octolings. As if her idea of freedom is being snuffed out at the start
This is super good! Like, REALLY super good! The bitcrushed sampling of the Calamari Inkantation sorta...makes it feel like it's a "fallen angel" version of the song, if you know what I'm saying? Like, on top of sounding warped and angelic at the same time, you can tell deep underneath it's the same song, but warped and twisted into something nearly unrecognizable from its former glory by way of its own hubris...and at the same time, it's like it's trying to futilely grasp back to what it once was when the song reaches its peak. In that way, it's sort of reflective of your version of Acht: she fell from glory because she "flew too close to the sun" in an attempt to master her craft, leading to her getting Sanitized, and now what remains of her is permanently distorted as a reminder of her own arrogance, as she tries to cling onto one of the last vestiges of her old life, that being Marina. I guess one could say these traits sort of also make it into Acht's BIG SHOT, if you stretch it! ...it also kind of reminds me of ENA's soundtrack, if that means anything.
I am so glad I waited for this, it’s awesome! The lore is always so interesting and the music always captures the style you are going for so well! Amazing job.
Absolutely love this song so much..!! I had a random question though, was the similarities in the progression at 0:54 with Investigation Core 2007 from Apollo Justice intentional? (Occurs around 10sec into that track) It's super cool even if unintended, it's one of my fave parts of this composition
I've never heard that song before now, and the progression isn't an exact match, but I am very happy the comparison was raised because that song's a banger.
2 things 1. This is actually dope as hell 2. Did you use a rip of a dog bus remix from Metaroom in the main melody of the song; if so you did a very good job with the mixing. It was place in seamlessly.
That I did, from the end of qwaston's mix. Additionally, elements are included from the sample pack that Metaroom uploaded to facilitate that remix contest in the first place (mainly the drum breaks and some ending stuff). I'm happy that the mixing turned out so well! Thanks! I was worried for a bit, since my composition professor pointed out that the sample didn't jive with the rest of the build-up, so I added some saturation and a subtle phaser to the left channel to de-emphasize the stereo in the right spots. Great to know that it worked out.
I happened to be listening to this while i saw someone that had created humanized versions of the bees in Bee Swarm lol Best part: 1:21 The song really makes you lock in
I cannot confirm or deny that there's a funny story behind that. The reference that may or may not be here used to be much more explicit. Moola and I frequent the same Discord server, and instead of asking "hey, may I borrow your melody for my song" like a regular person, Past Me sagely decided to dangle a pirate flag emoji in his face and go "ooh lookit me im stealing ur thang for my own malicious leitmotivic purposes uwu." He was very nonplussed at this. In any event, Moola Mixtape treats his compositions far more personally than I do, which is understandable. We reached the agreement that, if I _was_ going to copy his homework, to not do it word for word. Swapping a buncha notes around and filing the serial numbers off didn't take long. _Hypothetically._ Whether there's actually a reference here isn't something I can say one way or the other. 😉
![30 ชั่วโมงคนเดียว บนรถไฟชั้น 3 โซเวียต [Around The World Ep. 2]](http://i.ytimg.com/vi/MlE9boAVqDA/mqdefault.jpg)
![⭐ฮิตในTikTok!! ( หมูเด้ง MooDeng ) Ver. แดนซ์โจ๊ะๆ ReMix BY [ ดีเจกิต รีมิกซ์ ]](http://i.ytimg.com/vi/3krsyfWUeHU/mqdefault.jpg)
"We are whoever we choose to be. And I have chosen to be the one who takes things away from you - if only out of obligation. You know how it is."
Cold.
i happened to read "acht mizuta is dead, now dedf1sh is left to carry on that will" right as the calamari inkantation melody kicked in, this song is really cool methinks
acht mizuta is FUCKIN' BACK, BABY! 🎉🎉🎉🎉🎉
Weird how acht and dedf1sh are the same octoling
Oh using the ebb and flow demo in this was an incredible decision. The flattened out drums at the beginning just feel like a boss fight really beginning after an intro, and the fact that it is the ebb and flow demo makes such interesting feelings and implications.
"What if I could make the Inkantation my bitch?" goddamn you didn't have to go that hard
The E10+ version would be making it "my beach." As in "life's a beach and then you dive." But sometimes you just gotta add that extra spice, y'know?
(If I can somehow replicate the singing voices of Off The Hook, then this song will actually be the first part of a longer work I've got planned, in which Acht proves that she both _can_ and _will._ It'll be a longshot to produce tho. 😬)
@@GlassesFreekJr. would love to hear, staying tuned
@@GlassesFreekJr. This is such a fantastic concept!!! Absolutely looking forward to any updates in the future
no bítches? too bad because the calamari inkanatation is mine now
-acht 2024 ME
We makin it outta the simulation with this one!
this composition as a whole is great but the calamari inkantation and #19 bless mashed together are so cool… both songs are so grand and imposing and fit well together musically but the vibes they give off and lore behind them is so starkly opposite in tone so it feels almost menacing and hollow in this context . really clever and interesting choice there
*Hidden Power Station*
_"Gotta catch em all!"_
Find and defeat all enemies in the time limit!
Yes, i know this is meant to be side order, but I wanted to create a theoretical octo expansion scenario where this would fit better than #16 salty. Perhaps if side order was more station-based it could progress the story in some way, revealing something about either marina or dedf1sh, somewhat like the escape sequences in octo expansion and return of the mamalians?
I really like how You made the sound byte of Marina being cut off and drowed out by what sounds more like what Octavio would use and play to his octolings. As if her idea of freedom is being snuffed out at the start
This is super good! Like, REALLY super good! The bitcrushed sampling of the Calamari Inkantation sorta...makes it feel like it's a "fallen angel" version of the song, if you know what I'm saying? Like, on top of sounding warped and angelic at the same time, you can tell deep underneath it's the same song, but warped and twisted into something nearly unrecognizable from its former glory by way of its own hubris...and at the same time, it's like it's trying to futilely grasp back to what it once was when the song reaches its peak. In that way, it's sort of reflective of your version of Acht: she fell from glory because she "flew too close to the sun" in an attempt to master her craft, leading to her getting Sanitized, and now what remains of her is permanently distorted as a reminder of her own arrogance, as she tries to cling onto one of the last vestiges of her old life, that being Marina. I guess one could say these traits sort of also make it into Acht's BIG SHOT, if you stretch it!
...it also kind of reminds me of ENA's soundtrack, if that means anything.
Did you also catch the references to #8 regret and #19 bless?
WOOOOO LET'S GOOO IM GONNA BE SO NORMAL ABOUT THIS
another banger song. i love the lore you wrote for this one and how the song title fits in with it. the concept is very interesting
I am so glad I waited for this, it’s awesome! The lore is always so interesting and the music always captures the style you are going for so well! Amazing job.
i have never sent a song to my 'banger fan made splatoon ost' playlist so fast
Absolutely love this song so much..!! I had a random question though, was the similarities in the progression at 0:54 with Investigation Core 2007 from Apollo Justice intentional? (Occurs around 10sec into that track) It's super cool even if unintended, it's one of my fave parts of this composition
I've never heard that song before now, and the progression isn't an exact match, but I am very happy the comparison was raised because that song's a banger.
ebb & flow jumpscare
Man after hearing this after playing Side Order…I now kinda wish Dedf1sh would’ve been a villain 😂
2 things
1. This is actually dope as hell
2. Did you use a rip of a dog bus remix from Metaroom in the main melody of the song; if so you did a very good job with the mixing. It was place in seamlessly.
That I did, from the end of qwaston's mix. Additionally, elements are included from the sample pack that Metaroom uploaded to facilitate that remix contest in the first place (mainly the drum breaks and some ending stuff).
I'm happy that the mixing turned out so well! Thanks!
I was worried for a bit, since my composition professor pointed out that the sample didn't jive with the rest of the build-up, so I added some saturation and a subtle phaser to the left channel to de-emphasize the stereo in the right spots. Great to know that it worked out.
this is so good wth
Wow so creepy yet realistic! Nintendo should hire you to be a music designer for the dlc!
oh *hell* yes.
I happened to be listening to this while i saw someone that had created humanized versions of the bees in Bee Swarm lol
Best part: 1:21
The song really makes you lock in
THIS IS SO AWESO
Awesome mix, I want to betray my tabletop party to this song.
God please tell me you’re actually a sploon dev leaking more and songs from side order this goes illegally hard
OKAYYYY
goes so hard
Hi I went crazy about this on Tumblr but GOD I LOVE THIS SONG KEEP UP THE GREAT WORK RAAAGHHH
I’ve gotta ask, are you referencing MoolaMixtape’s fanmade villain Marina track? This sounds amazing!! I love the idea of villain Acht!
I cannot confirm or deny that there's a funny story behind that.
The reference that may or may not be here used to be much more explicit. Moola and I frequent the same Discord server, and instead of asking "hey, may I borrow your melody for my song" like a regular person, Past Me sagely decided to dangle a pirate flag emoji in his face and go "ooh lookit me im stealing ur thang for my own malicious leitmotivic purposes uwu." He was very nonplussed at this.
In any event, Moola Mixtape treats his compositions far more personally than I do, which is understandable. We reached the agreement that, if I _was_ going to copy his homework, to not do it word for word. Swapping a buncha notes around and filing the serial numbers off didn't take long. _Hypothetically._
Whether there's actually a reference here isn't something I can say one way or the other. 😉
Thank you for explaining (hypothetically)! In any case, I’m really enjoying this may-or-may-not-be spin on Marina’s motif!!
How did you get the final boss music early?
This is amazing!! Would you be okay with me posting this? I’d of course credit you. I want to encourage people to come see your work!
Fine by me!
WHAT??