Buongiorno cara Enrica lei è superba nella tecnica è nella esecuzione piena di sentimento ,le piace fare musica 🎶 e si sente, complimenti grande brano e splendido strumento,molto toccante, auguri per la sua carriera, di strada ne ha fatta già tanta, un abbraccio Ignazio da Roma ❤❤❤❤❤❤❤❤❤❤
Love it - it is always what I have heard the piece saying, but, guitar players are always too busy making sound to pay attention to the actual piece. Not you. You just play, listening very carefully, without using the piece to you own ends. Also, kudos to you for selecting this guitar for this piece, as the very flat major 6ths tuned into the braces on the back give this guitar a kind of fragile autumnal nostalgic landscape that, so very prevalent in the nocturnes of John Field, is so very ideal for this piece. Again, bravo...
I just read what you've written. Thank you so much for your words, it is so poetic your picture of a nostalgic autumn, and I totally feel it! This work is lovely, it is so delicate and at the same time affirmative, and the sound of that guitar is really something. Thank you again!
Wow, that's a beautiful piece of music and beautifully played! Does anyone know what type of guitar that is? What time period it was used? I know that Baroque guitars were smaller than the modern/current guitar. I believe they were tuned higher. Anyway, please let me know. I saw the link above, but I only speak english. Thanks!
There is a link in the description. It's an 1826 Rene Lecote. It is a romantic guitar, basically the same as modern guitars but the body shape is a little different. She uses gut strings with the tension supposedly used in the era. There's more info on her website as well. If you look around you can find more videos of people playing these style of guitars, there's on on sicca's guitars and Drew Henderson.
@@zDonaldson1 Folks used every kind of tension strings in the old days, Dear Zachary - just as we do now, and, just like now, that depended on the guitar and what sort of sound the guitarist desired to make on it.
Dear Captain - this Lacote guitar is typical of his building before 1840, and, as well, very typical of the kind of guitars that were being produced in France, during the early decades of the 19th century - especially in the Mirecourt area of Les Vosges in central Eastern France. Generally speaking, the aesthetic of that time and place required a dry bass sound with a fragile lute-like treble section. Unlike the grand romantic Spanish guitars to come, later in the 19th century, these guitars have a great capacity for realize straightforward music, with Alberti basses, with a lot of humour and wit. These guitars always try to influence the player to be subtle in his turns of phrase and the vocality of his chanterelle tone. Part of the reason why they are this way is because of the narrow and shallow bodies, and, as well, the backs, so often veneered with Spruce, on the inside that would produce the measured dryness of tone.
Thanks! I understand what you say, historical instruments are a completely different sound world. In my experience, I arrived to understand their beauty when I stopped comparing them with modern guitars, as they really speak different languages with different voices!
Enrica:
Just exquisite. :)
Give me a month and I could not think of enough nice things to say about the way you play this piece. :)
Bravo ! :)
Antoine
Buongiorno cara Enrica lei è superba nella tecnica è nella esecuzione piena di sentimento ,le piace fare musica 🎶 e si sente, complimenti grande brano e splendido strumento,molto toccante, auguri per la sua carriera, di strada ne ha fatta già tanta, un abbraccio Ignazio da Roma ❤❤❤❤❤❤❤❤❤❤
Grazie di cuore Ignazio, lei è molto gentile, mi fa molto piacere le piaccia! 😘
Una hermosa recreación del siglo XIX en su totalidad: la música, la guitarra, el salón y los muebles.
she is such a worthy performer. thanks so much for your youtube offerings. they are much appreciated.
Beautifully played Enrica ,and like Fernando Sor you play without nails to give a mellow sound.
Very nicely done! One of the very few guitar recordings where one can hear the natural sound of the instrument as much as possible.
So absolutely delightful 🙏.
Thank you so much!
Хата - класс. Нервы успокаивает, такие мягкие цвета и декор.
Großartig! Bravo!
Thank you!! 😊
Bravissima!!!
Grazie Mille Gaetano!!
Très joli, good tone !(no nail)
This is the real art world of F.Sor works. Enrica-san's interpretation lead me how to play his works. Thanks a lot.
Piú bello !!!
まるで Fernando Sor が目の前で、私一人の為に、彼の愛用のギターを奏でてくれているようだ… ありがとうございます。
19世紀ギターで奏でるソルの曲は、やはり良いですね。
彼女もまるでソルの生まれ変わりのようです。
GREAT
Beautiful music ,beautifully played by Enrica Savigni ! xxxxxxx
Amazing
Thank you ❤
Me encanta como toca. Una interpretación muy libre, un fraseo muy natural.
Amazing piece and amizing performance!!
Thank you very much @Nylon_and_Gut-MatteoLaurenzi :)
It is an absolutely amazing guitar play on this romantic guitar .⚘
Thank you very much for sharing.
Best regards to you ,Enrica 🤗
Heike
Thank you so much Heike!! ❤
Without nails(?), Italian kind of classical piece by Sor. Very stylish and well played
Thank you!! And sorriso for this delayed comment :) (and exactly, no nails 😉)
Très belle video!
I have to say....... I like your playing and sound. I digress
excellent.
Great 👍
Beautifull .
This piece always reminds me of Schubert.
Que lindo🎶
Lovely sound 👍
Beautiful...
Great job, Enrica. Your playing is so poignant and deep. Love. G
Love it - it is always what I have heard the piece saying, but, guitar players are always too busy making sound to pay attention to the actual piece. Not you. You just play, listening very carefully, without using the piece to you own ends.
Also, kudos to you for selecting this guitar for this piece, as the very flat major 6ths tuned into the braces on the back give this guitar a kind of fragile autumnal nostalgic landscape that, so very prevalent in the nocturnes of John Field, is so very ideal for this piece.
Again, bravo...
I just read what you've written. Thank you so much for your words, it is so poetic your picture of a nostalgic autumn, and I totally feel it! This work is lovely, it is so delicate and at the same time affirmative, and the sound of that guitar is really something. Thank you again!
A fine looking woman playing fine music!
Wow, that's a beautiful piece of music and beautifully played! Does anyone know what type of guitar that is? What time period it was used? I know that Baroque guitars were smaller than the modern/current guitar. I believe they were tuned higher. Anyway, please let me know. I saw the link above, but I only speak english. Thanks!
There is a link in the description. It's an 1826 Rene Lecote. It is a romantic guitar, basically the same as modern guitars but the body shape is a little different. She uses gut strings with the tension supposedly used in the era. There's more info on her website as well. If you look around you can find more videos of people playing these style of guitars, there's on on sicca's guitars and Drew Henderson.
@@zDonaldson1 Thanks so much!
@@zDonaldson1 Folks used every kind of tension strings in the old days, Dear Zachary - just as we do now, and, just like now, that depended on the guitar and what sort of sound the guitarist desired to make on it.
Dear Captain - this Lacote guitar is typical of his building before 1840, and, as well, very typical of the kind of guitars that were being produced in France, during the early decades of the 19th century - especially in the Mirecourt area of Les Vosges in central Eastern France.
Generally speaking, the aesthetic of that time and place required a dry bass sound with a fragile lute-like treble section.
Unlike the grand romantic Spanish guitars to come, later in the 19th century, these guitars have a great capacity for realize straightforward music, with Alberti basses, with a lot of humour and wit. These guitars always try to influence the player to be subtle in his turns of phrase and the vocality of his chanterelle tone.
Part of the reason why they are this way is because of the narrow and shallow bodies, and, as well, the backs, so often veneered with Spruce, on the inside that would produce the measured dryness of tone.
@@beasheerhan4482 The guitar was probably made by Lacote to appeal to the English market, hence the Panormo style head.
What guitar does she play ? Wonder how much one costs ?
It is an original René Lacote of the 1830/40s.
Good. Try to play without nail if you want a much nicer, finer tone as Fernando Sor would have preferred.
Lovely piece but to my ear historical guitars have this "toy" like sound to them.
Thanks! I understand what you say, historical instruments are a completely different sound world. In my experience, I arrived to understand their beauty when I stopped comparing them with modern guitars, as they really speak different languages with different voices!
I do not like the guitar
........tak choď do riti a zverejňuj svoj názor na iných mediálnych kanáloch.