IMPORTANT: if your camera does not shoot in 10 bit color do not use an aggressive LOG. My Sony a6600 shoots in 8 bit, so I use gentle picture profiles such as Cine 4. Aggressive logs like S-LOG try cram too much color detail into 8bits so you’ll end up with some weird color noise or banding while doing your color correction. If you have a camera that shoots 8 bit video, play around with your picture profiles to see what works best for you and your camera.
Your iso doesn’t matter for black magic raw. (With black magic cameras) You just have to choose one or the other if it’s dual iso and make sure you aren’t clipping. If you’re using something like Ursa mini without dual iso, it really doesn’t matter. I mainly use it for focus, but it doesn’t affect your exposure at all.
Fist of all, can you tell me how to get my *kodak easy share Zxxx to stop eatin batterys and how to make the images not blurry with horrible focus?* *yeah… even know I love cameras of the DSLR size format, I am not spending thounds when my iPhone works fine… plus I don’t have to waste time setting it up just to relise the sunset or/and the clouds have already moved…*
@@reyesproductionDK iso should set to what is needed ALWAYS，to let cmos boosted with simulation signal then send to ad converter，if you do other way，it's much easier to loose informative signal becuz it's too week that ad will never catch it，can't fix digitally. 2nd is an easy one，exposure should set to the main object as that's the area your eyes spend 80% of time，it's like no matter how side dishes is yummy as hell，you got weird main course taste，would you give the restaurant an above average rating？
First when exposing LoG footage you should expose slightly overexpose, usually around 30-50 percent depending on your subject, it might look burn on the precio but actually Log is highly capable of recovering highlight instead of shadows, so if you expose “your highlights” instead of your shadows, you will end with a noise image poor in detail on the shadows (apply only for log footage). And about the native iso is right to use your navite most of the times, but you just said that if you increase your iso you lose dynamic range that’s it’s also half true, you also lose dynamic range by using low iso too.
really splitting hairs here. 1. yes, you should expose brighter for log footage but it you expose to the point of clipping the highlights there's no coming back. 2. Shooting in a log color profile will give you more perceived dynamic range by allowing you to tune in the highlight and shadows in post rather than baking it in camera. 3. Typically native ISO's are on the lower lower numbers such as 400 or 640 so in most cases you are increasing the ISO and that's where most people are going to notice the change in dynamic range. You are correct that going lower does decrease dynamic range but you're really getting into the weeds here.
Probably just the base iso, such as 100. But on some picture profiles on Sony it will set your lowest iso to a higher iso such as 200. But if you need to you can crank the iso up to around 1000 and still have a decent image, it’s better to crank iso a little rather than having to crank exposure in post. Shooting high iso is never ideal but sometimes you have to, these newer Sony cameras are generally pretty good when it comes to high clarity. I shoot on a Sony a6600 and have done video with ISO of several thousand and the image isn’t even that bad. In simple terms, shoot as low ISO as possible to get proper exposure, but don’t be afraid to use higher ISO’s.
Bit of nonsense there, the dynamic range is set in stone and cannot be improved. You can only shoot within its limits. Either of the scene or the camera you are using
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IMPORTANT: if your camera does not shoot in 10 bit color do not use an aggressive LOG. My Sony a6600 shoots in 8 bit, so I use gentle picture profiles such as Cine 4. Aggressive logs like S-LOG try cram too much color detail into 8bits so you’ll end up with some weird color noise or banding while doing your color correction. If you have a camera that shoots 8 bit video, play around with your picture profiles to see what works best for you and your camera.
Thanks bro🫶
Your iso doesn’t matter for black magic raw. (With black magic cameras) You just have to choose one or the other if it’s dual iso and make sure you aren’t clipping. If you’re using something like Ursa mini without dual iso, it really doesn’t matter. I mainly use it for focus, but it doesn’t affect your exposure at all.
bonus tip: if you dont have log because you use a cheaper camera (like i used to with a t7i) a polarizer can help you get some sky😊
Fist of all, can you tell me how to get my *kodak easy share Zxxx to stop eatin batterys and how to make the images not blurry with horrible focus?*
*yeah… even know I love cameras of the DSLR size format, I am not spending thounds when my iPhone works fine… plus I don’t have to waste time setting it up just to relise the sunset or/and the clouds have already moved…*
not all yters can get 2 out of 3 wrong and be so confident…good luck
What he said wrong?:)
@@reyesproductionDK iso should set to what is needed ALWAYS，to let cmos boosted with simulation signal then send to ad converter，if you do other way，it's much easier to loose informative signal becuz it's too week that ad will never catch it，can't fix digitally. 2nd is an easy one，exposure should set to the main object as that's the area your eyes spend 80% of time，it's like no matter how side dishes is yummy as hell，you got weird main course taste，would you give the restaurant an above average rating？
Well. I won't say anything :D Interesting thinking.@@user-lt9xu9zb9g
Log profile takes a lot of space 😭
One vid on s23 ultra
For some reason my computer can’t read the c-log files from my cannon r8 why is this?
In editing software or even can't open with a media player on your PC?
Probably need to be in editing software first.
@@reyesproductionDK both I can’t view or edit log footage
First when exposing LoG footage you should expose slightly overexpose, usually around 30-50 percent depending on your subject, it might look burn on the precio but actually Log is highly capable of recovering highlight instead of shadows, so if you expose “your highlights” instead of your shadows, you will end with a noise image poor in detail on the shadows (apply only for log footage). And about the native iso is right to use your navite most of the times, but you just said that if you increase your iso you lose dynamic range that’s it’s also half true, you also lose dynamic range by using low iso too.
really splitting hairs here. 1. yes, you should expose brighter for log footage but it you expose to the point of clipping the highlights there's no coming back. 2. Shooting in a log color profile will give you more perceived dynamic range by allowing you to tune in the highlight and shadows in post rather than baking it in camera. 3. Typically native ISO's are on the lower lower numbers such as 400 or 640 so in most cases you are increasing the ISO and that's where most people are going to notice the change in dynamic range. You are correct that going lower does decrease dynamic range but you're really getting into the weeds here.
My camera can’t shoot log
D:
Sure? What camera is it?
@@gabrielzorzan4451 a6000 :)
Create your own picture profil
Its a Canon M50 mk II
So how do i know my camera’s native iso? I own a Canon Rebel T7
Your Canon Rebel T7 has a native ISO of 100
native iso sony zve10
Probably just the base iso, such as 100. But on some picture profiles on Sony it will set your lowest iso to a higher iso such as 200. But if you need to you can crank the iso up to around 1000 and still have a decent image, it’s better to crank iso a little rather than having to crank exposure in post. Shooting high iso is never ideal but sometimes you have to, these newer Sony cameras are generally pretty good when it comes to high clarity. I shoot on a Sony a6600 and have done video with ISO of several thousand and the image isn’t even that bad. In simple terms, shoot as low ISO as possible to get proper exposure, but don’t be afraid to use higher ISO’s.
What's native iso of a6400?
100
100-32000
32.000 is not a native iso. You can set from 100 to 32k.
But the base iso is 100. You should use that to get the most dynamic range.@@mateleber
chill with that shutter click sound and ting sound my guy.
Dude! You are so wrong, it’s noticeable you have no experience at all with cameras, log footage or anything about 😢
How so?
Bit of nonsense there, the dynamic range is set in stone and cannot be improved. You can only shoot within its limits. Either of the scene or the camera you are using