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So much detail that was ultimately drowned in Jari's poor mastering. It's wonderful being able to hear the song in a completely different perspective like this! Thank you, wExtras
If you actually want to be honest, the problem (I don't there is) is not the mastering or mixing, but just the overblown composition. Can't really fit 1000 tracks of loud sounds on to a record and make them all discernible. I love the album for what it is though.
@@parlamedia I get that and that on its own is also true. However, I've heard some fan remasters where they simply adjusted the volume and compression of mostly the drums and vocals and it made such a difference in the overall experience. I could differentiate between the layers more and it made it instantly more enjoyable
@@ilikevideos4868he didn't work on Time II at all in those 12 years since Time I, he simply waited until he found the sound through working on other albums
@@Rafael-fo9spso many things can affect perception of a mix. How many people are listening on reference gear? Few I'd say. It's just a different take on it, not better or worse to me. If dropping drums a few DB fixes it then it can't be that poor to begin with. There is just too much going on to be able to hear everything.
What the actual fuck?! This is insane. It's like a modern day symphony written by Vivaldi.
Bach
1:18 When the Dark Soulss hardest boss arrives...
This is so fucking crazy. 3:58 so monster-like. This is the thing that makes you value Jari's vocals. He's a beast.
Please, make only orchestrations of Time II, because it's interesting yo hear Time II without vocals, thanks
Jeah!!!
Finally I can hear Teemu and Jukka in the background
So much detail that was ultimately drowned in Jari's poor mastering. It's wonderful being able to hear the song in a completely different perspective like this! Thank you, wExtras
Lmao poor Jari, spent 12 years mixing and mastering but the #1 thing people complain about is the mixing and mastering
If you actually want to be honest, the problem (I don't there is) is not the mastering or mixing, but just the overblown composition. Can't really fit 1000 tracks of loud sounds on to a record and make them all discernible. I love the album for what it is though.
@@parlamedia I get that and that on its own is also true. However, I've heard some fan remasters where they simply adjusted the volume and compression of mostly the drums and vocals and it made such a difference in the overall experience. I could differentiate between the layers more and it made it instantly more enjoyable
@@ilikevideos4868he didn't work on Time II at all in those 12 years since Time I, he simply waited until he found the sound through working on other albums
@@Rafael-fo9spso many things can affect perception of a mix. How many people are listening on reference gear? Few I'd say. It's just a different take on it, not better or worse to me. If dropping drums a few DB fixes it then it can't be that poor to begin with. There is just too much going on to be able to hear everything.
Death Orchestra