Ivo is managing physical handicap as did Beethoven. It's all in there - but expression eventually or sooner is limited by the body. And if 'it's in there' your soul and spirit cannot lose it but intensify it. We then struggle even more to get it past our natural physical decline. He is exceptional. A raging beauty stilled against and by nature. The greatest are not always those with the greatest performance, but those who 'have it'. We can connect and hear it from them. Echoes of the soul. Imagination. And thank God.
No, he lost his minds after his beloved was gone then now he puts himself before the music and calls it "listening". Yet he is the one to butcher almost everything he plays. He tells platitudes there.
@@Paroles_et_Musique I agree - he's chopping every line and kills every possible flow. His performance sounds like me sight reading... But in one point I totally agree with him: deep listening is the key for different sound colours. Impossible to play pieces like this without listening with your inner ear and wanting to imitate an orchestra.
@@excelsior999 I still listen to him because he was one of my most worshiped artists, when young. So, I still have hope the retrieves his minds one day, didn't happen recently. Of course is my opinion that he only butchers now, however this opinion now makes consensus in the classical world, he basically isn't invited anymore in any known concert hall. More power to you if you like what he is doing, but one thing is reality, pianists are supposed to bring the composer music and intentions to the public, and not using it to express their personal level psychodrama.
it's not that he wasn't listening when he was a young pianist... I like his modesty though. Great man! Very inspiring! Thank you very much Ivo Pogorelich, for your sacrifices, determination, authenticity, and sharing yourself even with those nasty conservatively critical voices against you all the time.
All the negative emotions subside as we listen to this song in the way it is played. A discreet presence that has the power to offer with his playing , peace, devotion and love to fellow human beings.
Ivo Pogorelich doesn't play the music; he BECOMES the music, and one can feel (some of) his pain in every note. Those who are familiar with his Backstory know what I mean. When I think of Music and Suffering I think of Beethoven and Pogorelich.
" The problem was always the conflict and the difference between the absolute and the relative quality. Beauty in music is like in diamonds, the purest diamond in the world is the Koh-i-Noor, it is the absolute beauty to which others with relative beauty are compared. One should always try as much as possible to rediscover music as though one is hearing it for the first time, searching everywhere for new meanings and new depths. Sound becomes metaphysical only when you have completely explored all physical possibilities. You should explore until reaching the absurd. Music takes you to another universe of eternity that remains with you after the concert is finished." Ivo Pogorelich
@@Chopin4321 Well basically ivo puts himself before the composers and call it "rediscover music". Then all we get is butchering because his soul is clearly hurt for ever. But it has nothing to do with the music he plays.
@@Paroles_et_Musique music is energy, universal energy, does not belong to anyone, but to God alone, respect a sacred art, respect ivo who once was a genius, the greatest ever. th-cam.com/video/nc7A-oO1vKc/w-d-xo.html unsurpassed liszt sonata, and for decades to come.
Well, that was stunning! Sort of what I was not familiar with but have to think also that Ivo is a very talented pianist and has certainly thought it through in a very distinctive way. He has to understand Sibelius much better than an average finnish streetgoer (as I) does. Anyhow, nice calm dance rhythm throughout.
The First Prize winner at a Finnish Junior High School Piano Competition might be "a very talented pianist." Using that phrase to describe what Ivo Pogorelich does with 88 piano keys is like calling Rembrandt "a very talented painter."
Like all the great Ivo is a Continent: for some it is immense, for someone else ... "too many mosquitoes", for someone else still, too complicated or too dangerous and so on ... It is interesting to read the travel notebooks that they reveal little about Ivo and much about the lucky travelers. I really respect the art of Pogorelich.
Well (and cleverly) put. We should consider ourselves privileged even to get a glimpse of Ivo Pogorelich's Universe. To actually live there would be much too much for most of us ordinary people.
Hello! Thank you for this amazing video of our maestro Pogorelich. I listened uncountable times❤❤❤ I have a question: you upload many recordings of concert, woth which apparaat fo you fo it? Today i did a recording for the firsg time with a ptoper thing: Tascam dr-07. He played this piece!!! So unimaginable beautiful and deep.... we are out of this world. Very clear sound noghing to compare with my mobile But the orientation of micro and adjusting the recording level is difficult yo choose! If you have more experience with the silimar system i would love to have an advice. Thank you! 🙏
Ivo is listening to the duration of the resonance and only starting the next note of the melody once the previous duration has ended, so it has a very melting feeling
I appreciate the fact that he mekes every passage understandable, unlike the most of the pianists who just want to show off playing very fast when it's not required at all. But he phrases so much that it's hard to catch the tempo. Sometimes it seems a odd time signature... I'm sorry but I found it boring. At least few bars with a real Valts pulse would have been nice...
@@розамимоза-у9ш прочитала недавно интервью с Иво, он отзывался о Московской консерватории не очень лестно, вот дословно "Московская консерватория представляла из себя ни что иное, как мясорубку для талантов. Власть КГБ, коррумпированные профессора. Я числился у двух выпускников Нейгауза. Когда-то мой первый педагог в Москве Евгений Михайлович Тимакин сказал, что музыканту надобно посещать концерты не только для того, чтобы слушать, как надо играть, но также и для того, чтобы слушать, как не надо играть. Так вот мое время в консерватории я могу описать как время, когда в течение пяти лет я слушал, как не надо играть. Я принадлежу западно-русской пианистической школе с корнями в Санкт-Петербурге"
Сколько внутренней экспрессии и мудрости в этом исполнении! Спасибо, Иво! Ты украшаешь наш мир! Люблю тебя!
Ivo is managing physical handicap as did Beethoven. It's all in there - but expression eventually or sooner is limited by the body. And if 'it's in there' your soul and spirit cannot lose it but intensify it. We then struggle even more to get it past our natural physical decline. He is exceptional. A raging beauty stilled against and by nature. The greatest are not always those with the greatest performance, but those who 'have it'. We can connect and hear it from them. Echoes of the soul. Imagination. And thank God.
what a frkin genius. one of the few true artists who wasnt butchered by the industry, but rose above it and now we can see him levitate.
No, he lost his minds after his beloved was gone then now he puts himself before the music and calls it "listening". Yet he is the one to butcher almost everything he plays. He tells platitudes there.
@@Paroles_et_Musique I agree - he's chopping every line and kills every possible flow. His performance sounds like me sight reading...
But in one point I totally agree with him: deep listening is the key for different sound colours. Impossible to play pieces like this without listening with your inner ear and wanting to imitate an orchestra.
@@t19smaksk you should see Ervin Nyiregyhazi
@@t19smaksk Not every "line" is meant to flow. Do you know what the musical term "Rest" means?
@@excelsior999 I still listen to him because he was one of my most worshiped artists, when young. So, I still have hope the retrieves his minds one day, didn't happen recently.
Of course is my opinion that he only butchers now, however this opinion now makes consensus in the classical world, he basically isn't invited anymore in any known concert hall.
More power to you if you like what he is doing, but one thing is reality, pianists are supposed to bring the composer music and intentions to the public, and not using it to express their personal level psychodrama.
it's not that he wasn't listening when he was a young pianist... I like his modesty though. Great man! Very inspiring! Thank you very much Ivo Pogorelich, for your sacrifices, determination, authenticity, and sharing yourself even with those nasty conservatively critical voices against you all the time.
Absolutely magical playing. A sound tapestry colored by pure emotion.
solo un genio assoluto può interpretare così. Un dono del cielo che tuutti dovrebbero intendere
All the negative emotions subside as we listen to this song in the way it is played. A discreet presence that has the power to offer with his playing , peace, devotion and love to fellow human beings.
Брависсимо!!! Иво, спасибо!!! Ты лучший!!!
obrigada pela generosa partilha
Ivo Pogorelich doesn't play the music; he BECOMES the music, and one can feel (some of) his pain in every note.
Those who are familiar with his Backstory know what I mean. When I think of Music and Suffering I think of Beethoven and Pogorelich.
Fantastic artist best version by far
" The problem was always the conflict and the difference between the absolute and the relative quality.
Beauty in music is like in diamonds, the purest diamond in the world is the Koh-i-Noor, it is the absolute beauty to which others with relative beauty are compared.
One should always try as much as possible to rediscover music as though one is hearing it for the first time, searching everywhere for new meanings and new depths.
Sound becomes metaphysical only when you have completely explored all physical possibilities. You should explore until reaching the absurd.
Music takes you to another universe of eternity that remains with you after the concert is finished."
Ivo Pogorelich
Vous avez écrit exactement la même chose sur un extrait précédent !...
@@brigittequerre8319
oui, bien sûr, le sublime sera répété jusqu'à l'éternité, comme les paroles et la musique de pogorelich
Genius
@@Chopin4321 Well basically ivo puts himself before the composers and call it "rediscover music". Then all we get is butchering because his soul is clearly hurt for ever. But it has nothing to do with the music he plays.
@@Paroles_et_Musique music is energy, universal energy, does not belong to anyone, but to God alone, respect a sacred art, respect ivo who once was a genius, the greatest ever.
th-cam.com/video/nc7A-oO1vKc/w-d-xo.html
unsurpassed liszt sonata, and for decades to come.
Piano genius ❤️
Well, that was stunning! Sort of what I was not familiar with but have to think also that Ivo is a very talented pianist and has certainly thought it through in a very distinctive way. He has to understand Sibelius much better than an average finnish streetgoer (as I) does. Anyhow, nice calm dance rhythm throughout.
The First Prize winner at a Finnish Junior High School Piano Competition might be "a very talented pianist." Using that phrase to describe what Ivo Pogorelich does with 88 piano keys is like calling Rembrandt "a very talented painter."
The last notes are chilling. I wish there were more interviews of this in English!
Check out Pogorelich in Nara
Like all the great Ivo is a Continent: for some it is immense, for someone else ... "too many mosquitoes", for someone else still, too complicated or too dangerous and so on ... It is interesting to read the travel notebooks that they reveal little about Ivo and much about the lucky travelers. I really respect the art of Pogorelich.
Well (and cleverly) put. We should consider ourselves privileged even to get a glimpse of Ivo Pogorelich's Universe. To actually live there would be much too much for most of us ordinary people.
遅く弾くということはとてつもなく難しいことなのだろう。この信じがたいほど素晴らしい音を聴くとそう思わないわけにはいかない。譜めくりの女性の食い入るような目と優雅な所作まで素晴らしい。
Yes.
Precious! But we want the whole interview eheh
U have another part of interview in Ivo Pogorelich Shades of Nara
Ivo Pogorelich in Nara you have one hour play and music😻👍
chopin meets ravel in the house of scriabin
Hello! Thank you for this amazing video of our maestro Pogorelich. I listened uncountable times❤❤❤ I have a question: you upload many recordings of concert, woth which apparaat fo you fo it? Today i did a recording for the firsg time with a ptoper thing: Tascam dr-07. He played this piece!!! So unimaginable beautiful and deep.... we are out of this world. Very clear sound noghing to compare with my mobile
But the orientation of micro and adjusting the recording level is difficult yo choose! If you have more experience with the silimar system i would love to have an advice. Thank you! 🙏
🌚🖤🖤🖤🖤🖤
Ivo is listening to the duration of the resonance and only starting the next note of the melody once the previous duration has ended, so it has a very melting feeling
Could you please elaborate what "across" listening does he mean?
It may be that only Pogo knows.
Yugoslavia genius Ivo Pogorelic !
Русская школа !
Olga Ilic yep,he is internationally loved and recognised❤️
I appreciate the fact that he mekes every passage understandable, unlike the most of the pianists who just want to show off playing very fast when it's not required at all. But he phrases so much that it's hard to catch the tempo. Sometimes it seems a odd time signature... I'm sorry but I found it boring. At least few bars with a real Valts pulse would have been nice...
русский акцент у человека, ого
Ивушка (Иво Погорелич)учился в Московской консерватории !
@@розамимоза-у9ш прочитала недавно интервью с Иво, он отзывался о Московской консерватории не очень лестно, вот дословно "Московская консерватория представляла из себя ни что иное, как мясорубку для талантов. Власть КГБ, коррумпированные профессора. Я числился у двух выпускников Нейгауза. Когда-то мой первый педагог в Москве Евгений Михайлович Тимакин сказал, что музыканту надобно посещать концерты не только для того, чтобы слушать, как надо играть, но также и для того, чтобы слушать, как не надо играть. Так вот мое время в консерватории я могу описать как время, когда в течение пяти лет я слушал, как не надо играть. Я принадлежу западно-русской пианистической школе с корнями в Санкт-Петербурге"
Да он учился в Московской консерватории!!!
Wish it was someone else doing the interview！😒
Joe Rogan?
С ума сойти! Нет слов..😢
Not even a Shigeru...