Jay, my teacher suggested I watch this video and it turned out to be an outstanding tutorial. I'm 51 years old and have been playing sax for more than four decades, and I've never had vibrato (and the associated listening and practical exercises) explained so clearly. It has been a revelation for me!
I just bought a sax and started learning from scratch using videos and books. I've watched a ton of your videos and they are all clear and to the point. I'm on day 3 and already producing smooth notes and now with this video starting vibrato training, thank you very much for making these I greatly appreciate it.
well, this was certainly enlightening. I always thought vibrato was just a natural occurrence! I'm a 67 year old lady who just bought my first used saxophone, got it back from the shop which replaced all the pads, etc and I'm enjoying these videos. I'm gonna go for it! :)
I've always been curious about vibrato (classical clarinet player). I once heard an argument with a vocalist, cellist, and oboist about how exactly pitch is effected by vibrato. Wether it's "correct" to start at pitch, scoop flat, then return to pitch, vs start at pitch, ride sharp, then flat, then at pitch, vs vibrato being an alternation of timbre/volume while aiming to always be at pitch. Cool stuff.
Great advice for students. I only sometimes teach sax, but I am always interested in how other teachers help their students. I have some helpful advice about playing in a sax section in a big band. Jay is giving some very good advice about learning to be flexible with your vibrato, because you will have to be flexible in a sax section. Of course, if you are playing in unison with the other saxes, you don't use vibrato. When you are playing harmony with the other saxes, you always listen to the lead alto and match the style of the lead altoist's vibrato on the sustained notes that are harmonized. Jay is definitely getting you ready for this by teaching you to be flexible and learn more than one speed in working on your vibrato. Listen carefully to the lead altoist and try to match his style of vibrato. I played with some very good lead alto players (I was always lead tenor player). Some alto players will change their vibrato depending on the style of the music. For example some lead alto players like to use a wider vibrato when playing an older style like Glen Miller and a more narrow vibrato when playing the modern style tunes. I said to not use vibrato if you are playing unison notes in a sax section. I have heard some exceptions to this from very advanced sax players who can match their vibratos exactly (they make it sound like one sax player) on unison lines, but the general rule is to not use vibrato on the unison lines... only on the sustained harmony notes.
Easy to follow your class on vibrato. I am a self learning student of Alto sax, I was struggling to get on track with vibration. I found your tutorial is easy to follow. Thanks
After not playing sax for over 10 years, for some reason this one thing came naturally to me, but I still work on it in different ways to make it sound better. Great video!
Awesome explanation; I played the alto sax for 7 years from 6th grade til I graduated high school in 2015 and haven't played it since then. I was actually pretty talented (I didn't have much respect for it during that time though), but never looked for opportunity to continue playing afterwards, but I recently was encouraged by the worship team at my new church to start practicing and playing with them, so I have a reason to pick it up again! I was never taught or learned vibrato in high school, so this was a perfect video to help me start so I can use it now 🙂 Thanks a ton!
Thanks very helpful!! I'm in 7th grade band and I'm searching the web for good sax videos and I've been subscribed for 4 months now and this video is very helpful!!! 😉
Woah easy buddy first learn your 12 scales Pentatonic scales overtones every note obviously and chromatic scale and then you can move on to harder stuff like vibrato ,altissimo, growling and so on
Hi Jay, really good lesson. I appreciated the examples and the fact that you don't tell the student what style to play, but rather show examples of different styles.
Good, simple lesson on vibrato. I played flute before picking up the sax. I taught myself the wrong way on the flute and then had to relearn, but that experience helped me learn how to use vibrato on the sax after I had been playing for a while.
Thank you Sir... Good comments about playing in a section or group. I generally have been playing 2nd alto in a jazz band.. The Lead alto player generally has a bigger fuller vibrato than I...we both sound good just different. Now when there is a solo duet of sorts (soli ?) with the altos..I have learned to pretty much match her style and vibrato and we sound good together. However, during most of the song I tone down or partially eliminate my vibrato, because it's difficult to constantly match her style throughout various songs. Now, playing lead alto in a concert band I tend to play with my own vibrato and expression, except when I have to try to match similar parts from other sections.
A sax player from Cleveland, Duke Marsic, played with Jimmy Dorsi I believe said it was mandatory in the big bands to play a controlled vibrato. So many pulses per beat. Every player in the section was required to be able to play vibrato based on pulses per beat. This way the each player in the section matched vibrato pulses and sounded like one player. I believe that's how they did it in the big bands.
Thanks, Jay, I am working on this now and this was very helpful. As you said is good to hear the "greats" to develop the proper criteria to produce the vibrato, then practice and practice and then get the feeling with the music and let it go.
Another Great lesson. You are using the "Vocal" approach. (If you can SING it you can PLAY it). Don't tell anyone this, but if I could sing like SINATRA I would get a hair-cut, buy a decent suit & have my own dressing room on every gig. Reality = No. Tnr/Clt are my Musical voices. Knowing the lyrics helps with phrasing & articulation, & to play like a singer without the benefit of words makes YOU consider what you're trying to say. Fast fingers don't make music. We have to sing to the AUDIENCE through a curly looking instrument that sounds pleasing. It's the most fun you can have standing up. You are a very good teacher. Thank you for sharing your knowledge. Best wishes to you.
Have you heard of the band Chicago? I can sing lead, but they play TONS of stuff that's "unsingable." I understand the concept and agree, but don't get married to that having to sing it, bit. :)
Another great video Jay. One player who you didn’t mention, and I think has an excellent tone and vibrato, is the great Baritone player, Joe Temperley. Worth listening too. Fall offs would be something of interest for future lessons. Thanks again
Tremolo is amplitude control and vibrato is slight pitch shifting. I am also a string player and when we say vibrato we pitch shift . If it calls for tremolo then we bow accordingly. But a lot of sax players are using tremolo instead of vibrato because they are pulsing the air instead, So appreciate that you started with the slow pitch shifting. One thing that I'd like to hear is progressive vibrato as well, no vibrato then get stronger as the note progresses. Last bad habit is using vibrato when you should just be doing decrescendo. But in general if it serves the music, I don't get bothered much even if folks are not doing "vibrato" . In general I like subtle vibrato or none at all
I didn’t even know Vibrato my teacher was amazed that I can do it without any hazard I was doing it freely with out looking at videos I finally understand what it is the teacher thought I was grade 9 he’s a lesson teacher so we just met well I feel cool now lol
I love your videos. You are great at explaining things in a simple and fun way and your brand of humor sets well with me. I taught myself the technique of vibrato by listening to artists from Coleman Hawkins to Kenny G. It was apparent to me after listening, that they more often used breath control from the diaphragm as the source of vibrato. And many times they used the jaw technique that you described along with the diaphragm breath control. I've learned to use my embouchure and breath control in unison on the higher register notes and mostly just breath control in the lower tones. I love listening to you play brother. Thanks for taking the time to create these videos.
very good video man, it helped me a lot. but in your diagram at 8.40 you use the messure + 3-5 cents and - 3,5 cents, that wpuld be near an imperceptible vibrato, having in mind that a fructation of half a tone is 100 cents
thank you thank you so much for this video.. I'm a music ed major and my vibrato is really lacking but the way my prof has been explaining vibrato to me hasn't really clicked- this video helped so much though!! will definitely doing the long tone vibrato exercises once I hit the practice room tomorrow morning!
I've been playing for about 6 decades and u can always benefit from going back to basics. Great video, sound advice. U can use diaphragm vibrato on sax & clarinet or a combo and it can be useful but ya gotta be judicious. A la David Sanborn. Also take in more mouthpiece and get a breathier one (not for beginners). Jay u got a really nice vibrato and as long as I've played I still got use from this video
I don’t have much interest in learning the saxophone. I prefer playing the piano or guitar, but there is something magical about this instrument. Some of the most intriguing pieces of music I’ve heard, that just capture your soul and wonder have been played with the sax. Truly a timeless and magical instrument.
As a sax player I may be biased, but I certainly agree. I practice piano and enjoy it, but it doesn't create the same emotional response from me. A wind instrument is very personal. It's like it becomes a part of you, especially if you have an instrument that's special to you. I am still using the first sax I ever played as a kid. When I play it, it connects me to the person I used to be...that history, that connection can't be replaced. I think that's part of the magic. Cheers.
Nayland Collier Still trying to develop a vibrato style without overdoing it. A very nice lesson. I have recordings of most if not all of the artist represented. going to concentrate on the jaw technique.
Hi It’s funny you are playing « Alone together « in the background . I just practiced that tune today ! Thank you for the better sax and the videos. Th instrument has a great sound ! I have had it for 2 month and I love it 😁
after how many years of learning saxophone, will i be able to make a vibrato ? i ve been learning 5 years now and still incapable of doing vibratos ! Thanks for your videos, they 're pretty cool ! Hello from France ! 😀
over the summer i taught myself how to play my moms old sax. i brought it into band and it’s over 20 years old so i sent it into the shop. ITS BEEN THERE SINCE AUGUST. mind you, today is march 6. hopefully i have it over spring break.
Excellent video...glad I found this one. I had requested a video on this topic in another one of your videos - and then I stumbled across this...you had already done it! Thanks, Jay!
I love your videos. I have been playing sax since the mid 90s and vibrato had always been a challenge for me because I have a huge profound underbite. With that, for the most part, any tricks with the sax like vibrato, altissimo, and note bending that requires you to alter your embouchure is very difficult for me. Even though I know the correct technique for vibrato my mouth is just frozen on the mouthpiece because of my jaw shape.
I find notes that are naturally sharp are harder to play with vibrato. I've been working on this for a few months now, and it's coming along. But I can see it's going to take a long time get this where I want it.
Definitely like your lessons though I am a(n) (old) young player ! Thanks for sharing all your tips... Seriously considering subscribing to your blues foundation courses...
Hello Jay! Thank You SO much for a great and inspiring video. I have found it really helpfull. As always You explain all very clearly with great examples! See You :)
Guilty as charged. I also sing and play the flute so it was natural to do it, but I'm willing to change so I sound the way I want. I like that smooth soulful sound.
Apistosig Scooping is a pitch bend. You make it by playing out of tune then rising into being in tune. In this video when widening your mouth by saying “Wah” And then rising your lip, that is a scoop. You can think of it like half a vibrato, you would start low and go high or vice versa
Anand JJ , I have also played trumpet, and just now started on a saxophone. You say that one ”tongues on a reed”. Can you explain what that means? 😊 I have wondered if or how tongue is to be used with saxophone (it has not been discussed at least yet on the beginner courses at bettersax).
Damn, it's so much more natural for me do do it like flute, with diaphragm breathing. It s that not a great way? I'll practice your technique. I love all your videos. Thank you Jay!
In Western European classical music as from the Romantic period, Renaissance and earlier (for example Mozart, Händel, Bach, Debussy, Saint-Saens …) vibrato was no go. You have for example precisely placed ‘tr.’ (alternating very quickly between the note and half a tone lower. Start and end with the lower one in Baroque). There are more embellishments possible but no vibrato.
I only just picked up the saxophone and I get a vibrato I can't get rid of 😥😂 So idk if my muscles are just tired and trembling, it doesn't sound bad but I'd rather get a straight tone out first 😂
Hi Jay: thanks for the video...I like everything you produce, as there is always some great background and perspective to your training videos that is valuable to learning the skill, but rarely included on other videos on the same subjects. Question for you (and that other students of yours might wonder about)...I was taught to play vibrato with the sax by using tongue movement rather than lowering jaw...basically mimicking or vocalizing the word "doy, doy, doy, doy, doy..." Do you have any perspective on this method of producing vibrato . -- plusses or negatives?
Lance, there are other methods for producing vibrato on saxophone, but they are much less used and taught. If it is working for you then great. Try this method out and see if you prefer the result once you're used to it. I have never done vibrato that way, but I imagine you would be limited in the width of the wavelength.
I thought (was taught) that this technique (of moving the jaw) was to be avoided. Rather, to produce vibrato we had to use our diaphragm to pulsate the flow of air. Are you saying that that method is wrong ? Yes, I am confused.
i wonder how much info from this channel i can use on the Nuevo jSax? i ordered it but havent received it yet. Id like to learn to play but starting at 38 i dont know if i want to invest in an actual instrument yet.
Hi Jay, thanks for your lessons, you are awesome and helps a lot! I have a question in another subject: I play for a while with a tuner (as you recommended), and now most of my notes are pretty much in tune. but there is still one note (middle C#) that is always way out of tune (too low, closer to C than to C#). I tried to change my mouth positions, but it doesn't help and it's still out of tune. [by the way, a professional checked my sax and said that everything is Ok with it] Please help me understand- what am I doing wrong? 🤔🎷
Im not sure if you are familiar with long tones, but look them up. Helps me a ton. Never stop doing them. Thats the secret to get an amazing sound too.
It's not you. It's the C#. Work long tones with the tuner. And, for longer C#'s, especially in a descending melodic pattern, use 'long C#' fingering (low C# fingering with the octave key).
Vent the C# with the side C key. That will bring up the pitch. You can raise pitches by venting, and lower them by adding fingers. Find fingering tricks by experiment.
Thanks for another useful video although, maybe just my opinion, I found the constant background sax playing to be a distraction while taking in what you were saying.
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Great video! Just a note for myself
5:30 - tutorial starts
LMAO thanks I have a very short attention span
Thanks....some of these people talk too much. My attention span is very short sometimes...lol
@@juvellianthebeeabhahaha after a fee minutes i had to skip around bc i was so done😭
When you say “listen to great players “ the one teaching the video is one of them!!!!!🎷🎷🎷🎷🎷🎷🎷
I learned the guitar first so on the clarinet I still find myself trying to add vibrato using my fingers. What a goof I am.
Same here
You could trill
Same on piano
I went from sax to the flute and I still try to use jaw vibrato😂😂
JAJAAJJ i do the sameee idk why 😭😭😭but a normal vibrato with the finger movements at the same time😭
ALways a pleasure to watch these lessons. Been playing sax for 60 years and am still learning stuff from your videos
Good to hear, thanks.
बहुत बढ़िया
द वेस्ट आ प्रोसेस, ,,, ,,,,, हरहर महादेव
A great video. Thanks
Hi.. Would you recommend me sax instrumental and the artist? Thanks..
Jay, my teacher suggested I watch this video and it turned out to be an outstanding tutorial. I'm 51 years old and have been playing sax for more than four decades, and I've never had vibrato (and the associated listening and practical exercises) explained so clearly. It has been a revelation for me!
Great to hear this thanks Scott.
What do you mean piano doesn’t have vibrato, I just have two people beside me to shake the piano for me 😂🤣
Lol, that's actually common sense tho😂😂😂
😄😄😄
Lmao
I just bought a sax and started learning from scratch using videos and books. I've watched a ton of your videos and they are all clear and to the point. I'm on day 3 and already producing smooth notes and now with this video starting vibrato training, thank you very much for making these I greatly appreciate it.
“I strongly recommend to listen to you favorite saxophone player”
I immediately went to saxologic
Love him!
well, this was certainly enlightening. I always thought vibrato was just a natural occurrence! I'm a 67 year old lady who just bought my first used saxophone, got it back from the shop which replaced all the pads, etc and I'm enjoying these videos. I'm gonna go for it! :)
I've always been curious about vibrato (classical clarinet player). I once heard an argument with a vocalist, cellist, and oboist about how exactly pitch is effected by vibrato. Wether it's "correct" to start at pitch, scoop flat, then return to pitch, vs start at pitch, ride sharp, then flat, then at pitch, vs vibrato being an alternation of timbre/volume while aiming to always be at pitch. Cool stuff.
You’re the best. You have the most clear explanations. Thank you so much.
Thanks!
Great advice for students. I only sometimes teach sax, but I am always interested in how other teachers help their students. I have some helpful advice about playing in a sax section in a big band. Jay is giving some very good advice about learning to be flexible with your vibrato, because you will have to be flexible in a sax section. Of course, if you are playing in unison with the other saxes, you don't use vibrato. When you are playing harmony with the other saxes, you always listen to the lead alto and match the style of the lead altoist's vibrato on the sustained notes that are harmonized. Jay is definitely getting you ready for this by teaching you to be flexible and learn more than one speed in working on your vibrato. Listen carefully to the lead altoist and try to match his style of vibrato. I played with some very good lead alto players (I was always lead tenor player). Some alto players will change their vibrato depending on the style of the music. For example some lead alto players like to use a wider vibrato when playing an older style like Glen Miller and a more narrow vibrato when playing the modern style tunes. I said to not use vibrato if you are playing unison notes in a sax section. I have heard some exceptions to this from very advanced sax players who can match their vibratos exactly (they make it sound like one sax player) on unison lines, but the general rule is to not use vibrato on the unison lines... only on the sustained harmony notes.
Great tips
Easy to follow your class on vibrato. I am a self learning student of Alto sax, I was struggling to get on track with vibration. I found your tutorial is easy to follow. Thanks
Thanks for the lesson. I have started to constantly play in tune on my alto so wanted to start learning vibrato, so this is good timing.
Great.
After not playing sax for over 10 years, for some reason this one thing came naturally to me, but I still work on it in different ways to make it sound better. Great video!
Thanks Ebony... Vibrato is one of the few things on the saxophone that's kinda easy...
@@bettersax yep, probably the only easy thing for me lol
Awesome explanation; I played the alto sax for 7 years from 6th grade til I graduated high school in 2015 and haven't played it since then. I was actually pretty talented (I didn't have much respect for it during that time though), but never looked for opportunity to continue playing afterwards, but I recently was encouraged by the worship team at my new church to start practicing and playing with them, so I have a reason to pick it up again! I was never taught or learned vibrato in high school, so this was a perfect video to help me start so I can use it now 🙂 Thanks a ton!
Don't give up. Spend atleast an hour a day
Facts
I'm so happy I found your channel, some of the very best lessons out there!
I just started playing sax again after swapping it for a bass guitar 30 years ago.. really enjoying your vids!!
Thanks very helpful!! I'm in 7th grade band and I'm searching the web for good sax videos and I've been subscribed for 4 months now and this video is very helpful!!! 😉
Glad it helps...
Woah easy buddy first learn your 12 scales Pentatonic scales overtones every note obviously and chromatic scale and then you can move on to harder stuff like vibrato ,altissimo, growling and so on
@@machamptrainer4828 lmfao okay gatekeeper
@@sylk8998 Ok boomer
@@machamptrainer4828 thats crazyyyy but who asked
Hi Jay, really good lesson. I appreciated the examples and the fact that you don't tell the student what style to play, but rather show examples of different styles.
Thank you Steven.
Good, simple lesson on vibrato. I played flute before picking up the sax. I taught myself the wrong way on the flute and then had to relearn, but that experience helped me learn how to use vibrato on the sax after I had been playing for a while.
Yeah flute vibrato is different physically, but the rhythmic concept is the same more or less.
Thank you Sir... Good comments about playing in a section or group. I generally have been playing 2nd alto in a jazz band.. The Lead alto player generally has a bigger fuller vibrato than I...we both sound good just different. Now when there is a solo duet of sorts (soli ?) with the altos..I have learned to pretty much match her style and vibrato and we sound good together. However, during most of the song I tone down or partially eliminate my vibrato, because it's difficult to constantly match her style throughout various songs. Now, playing lead alto in a concert band I tend to play with my own vibrato and expression, except when I have to try to match similar parts from other sections.
A sax player from Cleveland, Duke Marsic, played with Jimmy Dorsi I believe said it was mandatory in the big bands to play a controlled vibrato. So many pulses per beat. Every player in the section was required to be able to play vibrato based on pulses per beat. This way the each player in the section matched vibrato pulses and sounded like one player. I believe that's how they did it in the big bands.
Thanks, Jay, I am working on this now and this was very helpful. As you said is good to hear the "greats" to develop the proper criteria to produce the vibrato, then practice and practice and then get the feeling with the music and let it go.
This was great! So well explained. Got it immediately!
Another Great lesson. You are using the "Vocal" approach. (If you can SING it you can PLAY it). Don't tell anyone this, but if I could sing like SINATRA I would get a hair-cut, buy a decent suit & have my own dressing room on every gig. Reality = No. Tnr/Clt are my Musical voices. Knowing the lyrics helps with phrasing & articulation, & to play like a singer without the benefit of words makes YOU consider what you're trying to say.
Fast fingers don't make music. We have to sing to the AUDIENCE through a curly looking instrument that sounds pleasing. It's the most fun you can have standing up. You are a very good teacher. Thank you for sharing your knowledge. Best wishes to you.
Thanks Deryck. much appreciated.
Have you heard of the band Chicago? I can sing lead, but they play TONS of stuff that's "unsingable." I understand the concept and agree, but don't get married to that having to sing it, bit. :)
Another great video Jay. One player who you didn’t mention, and I think has an excellent tone and vibrato, is the great Baritone player, Joe Temperley. Worth listening too. Fall offs would be something of interest for future lessons. Thanks again
I agree, great baritone player...
who else is watching this the day before solo and ensemble? 😂
Elizabeth Carlson mE
MeEeeE
Yeet
Elizabeth Carlson oh shit she’s onto me
uh yeah pretty much
All what I can say now is thank you💕 from Nigeria
Jay; thanks mate; not just for this but for all the stuff you do, it’s been a great help to me me , magic my friend,
Tremolo is amplitude control and vibrato is slight pitch shifting. I am also a string player and when we say vibrato we pitch shift . If it calls for tremolo then we bow accordingly. But a lot of sax players are using tremolo instead of vibrato because they are pulsing the air instead, So appreciate that you started with the slow pitch shifting. One thing that I'd like to hear is progressive vibrato as well, no vibrato then get stronger as the note progresses. Last bad habit is using vibrato when you should just be doing decrescendo. But in general if it serves the music, I don't get bothered much even if folks are not doing "vibrato" . In general I like subtle vibrato or none at all
Ernie Watts has the greatest vibrato I've ever heard.
Johnny Hodges 😉
I didn’t even know Vibrato my teacher was amazed that I can do it without any hazard I was doing it freely with out looking at videos I finally understand what it is the teacher thought I was grade 9 he’s a lesson teacher so we just met well I feel cool now lol
I love your videos. You are great at explaining things in a simple and fun way and your brand of humor sets well with me.
I taught myself the technique of vibrato by listening to artists from Coleman Hawkins to Kenny G. It was apparent to me after listening, that they more often used breath control from the diaphragm as the source of vibrato. And many times they used the jaw technique that you described along with the diaphragm breath control.
I've learned to use my embouchure and breath control in unison on the higher register notes and mostly just breath control in the lower tones.
I love listening to you play brother. Thanks for taking the time to create these videos.
very good video man, it helped me a lot. but in your diagram at 8.40 you use the messure + 3-5 cents and - 3,5 cents, that wpuld be near an imperceptible vibrato, having in mind that a fructation of half a tone is 100 cents
thank you thank you so much for this video.. I'm a music ed major and my vibrato is really lacking but the way my prof has been explaining vibrato to me hasn't really clicked- this video helped so much though!! will definitely doing the long tone vibrato exercises once I hit the practice room tomorrow morning!
I've been playing for about 6 decades and u can always benefit from going back to basics. Great video, sound advice. U can use diaphragm vibrato on sax & clarinet or a combo and it can be useful but ya gotta be judicious. A la David Sanborn. Also take in more mouthpiece and get a breathier one (not for beginners). Jay u got a really nice vibrato and as long as I've played I still got use from this video
Thanks for this.
I don’t have much interest in learning the saxophone. I prefer playing the piano or guitar, but there is something magical about this instrument. Some of the most intriguing pieces of music I’ve heard, that just capture your soul and wonder have been played with the sax. Truly a timeless and magical instrument.
As a sax player I may be biased, but I certainly agree. I practice piano and enjoy it, but it doesn't create the same emotional response from me. A wind instrument is very personal. It's like it becomes a part of you, especially if you have an instrument that's special to you. I am still using the first sax I ever played as a kid. When I play it, it connects me to the person I used to be...that history, that connection can't be replaced. I think that's part of the magic. Cheers.
Nayland Collier
Still trying to develop a vibrato style without overdoing it. A very nice lesson. I have recordings of most if not all of the artist represented. going to concentrate on the jaw technique.
Hi
It’s funny you are playing « Alone together « in the background .
I just practiced that tune today !
Thank you for the better sax and the videos.
Th instrument has a great sound !
I have had it for 2 month and
I love it 😁
Thank you so much .This helps a lot
I love the way Kenny Dorham plays Alone together.
If you never heard check it out.
Lots of vibrato !
Thank you so much. This helped me a lot with understanding how I can do vibrato on saxophone.
after how many years of learning saxophone, will i be able to make a vibrato ? i ve been learning 5 years now and still incapable of doing vibratos ! Thanks for your videos, they 're pretty cool ! Hello from France ! 😀
please make a video about soft dynamics
What mouthpiece did you use in this video?? I love the sound of it!!
over the summer i taught myself how to play my moms old sax. i brought it into band and it’s over 20 years old so i sent it into the shop. ITS BEEN THERE SINCE AUGUST. mind you, today is march 6. hopefully i have it over spring break.
Amelia Reid what kind of sax is it? Either they forgot about it or they’re handling it extremely cautiously because of its value
Coderedpirate its an alto. Luckily I got it back a few weeks ago.
@@ameliareid2357 oh haha, I meant the brand. Now that I think about it a 20 year old horn is only about the late 90s.
Coderedpirate whoops. I know it’s a Yamaha, though I’m not sure of the model.
Excellent video...glad I found this one. I had requested a video on this topic in another one of your videos - and then I stumbled across this...you had already done it! Thanks, Jay!
I love your videos. I have been playing sax since the mid 90s and vibrato had always been a challenge for me because I have a huge profound underbite. With that, for the most part, any tricks with the sax like vibrato, altissimo, and note bending that requires you to alter your embouchure is very difficult for me. Even though I know the correct technique for vibrato my mouth is just frozen on the mouthpiece because of my jaw shape.
Hi.. What can you recommend me instrumental for sax and also the artist?
Thanks in advance..
Another great video. I simply drink lots of coffee before every gig. My favorite example is what Tom Scott does at the end of his phrases.
Thanks for the help. I’ve always wanted to know how to vibrato.
Hope it helps you...
Better Sax it definitely does.
Good so far I just got soprano sax which people say is going to be harder.
3:56
I am already listening to one of my favorite sax players Jay. :)
I find notes that are naturally sharp are harder to play with vibrato. I've been working on this for a few months now, and it's coming along. But I can see it's going to take a long time get this where I want it.
Thank you for sharing Jay 🎶🎶🎷😎✌🏽
Thanks Leo.
It's been helpful ❤
Great sir... Love you
God bless your soul you amazing human being.
Definitely like your lessons though I am a(n) (old) young player ! Thanks for sharing all your tips... Seriously considering subscribing to your blues foundation courses...
Your intro sounds very delicious!
Really great video editing; very nice definition on the video itself. Do you do your own editing / video work?
Yes I do thanks!
Thanks sir... Is very lovely.
On marimba, a vibrato-effect is essentially facilitated through a roll.
At last! The long awaiting video!!!
Hope it helps...
@@bettersax It helped a lot! Thank you again for another informative video :D
oh man, you gotta create some playlists for us...i love the songs you suggested and love your channel a lot!!
Hello Jay! Thank You SO much for a great and inspiring video. I have found it really helpfull. As always You explain all very clearly with great examples! See You :)
Another great video Jay!
Ive been using fluctuation in my breath this whole time...
Me too D:
same, and it's honestly really hard to switch when I've gotten so used to and proficient with it that way.
Guilty as charged. I also sing and play the flute so it was natural to do it, but I'm willing to change so I sound the way I want. I like that smooth soulful sound.
Excellent, thanks very much
Excellent lesson.🎷👍
Thank you so much it helped me so much
This is helping tremendously!
Thanks for this. That is the best lesson on vibrato I have seen. I always feel like practicing after watching your videos. And you did it again.
Can usually tell if someone learned Flute before taking up the Sax. They seem to make a vibrato by breath control.
Lol. Me. I use my diaphragm. That's why I'm learning this technique. Wah-Wah / Yah-Yah.
Great explanation!
excellent, clear and accurate as always. Thx
I need 2 work on my vibrato too❤
Jay - fabulous. How about growling and or scooping? - I mean what the hell is scooping?
Apistosig
Scooping is a pitch bend. You make it by playing out of tune then rising into being in tune.
In this video when widening your mouth by saying “Wah”
And then rising your lip, that is a scoop. You can think of it like half a vibrato, you would start low and go high or vice versa
Thank you sir 🎀
Yay no cap... you look good!
Thank you very much.
Im playing trumpet.. Its the same technique??
(Btw i love saxophone and your videos)
Quite different. We tongue a lot on the Reed. Yours is not woodwind so it's different.
@@anandjj5077 yeah that's true..
Anand JJ , I have also played trumpet, and just now started on a saxophone. You say that one ”tongues on a reed”. Can you explain what that means? 😊 I have wondered if or how tongue is to be used with saxophone (it has not been discussed at least yet on the beginner courses at bettersax).
Damn, it's so much more natural for me do do it like flute, with diaphragm breathing. It s that not a great way? I'll practice your technique. I love all your videos. Thank you Jay!
Diaphragm vibrato is also a thing for the saxophone, but is used to control INTENSITY, while jaw vibrato controls pitch
@@Mellow985 Thank you
Thank for the tutorial
You're welcome hope it helps.
Mr Metcalf
could you please add a video or post some comments on high register vibrato ?
In Western European classical music as from the Romantic period, Renaissance and earlier (for example Mozart, Händel, Bach, Debussy, Saint-Saens …) vibrato was no go. You have for example precisely placed ‘tr.’ (alternating very quickly between the note and half a tone lower. Start and end with the lower one in Baroque). There are more embellishments possible but no vibrato.
I only just picked up the saxophone and I get a vibrato I can't get rid of 😥😂 So idk if my muscles are just tired and trembling, it doesn't sound bad but I'd rather get a straight tone out first 😂
Excelente video. Thanks a lot. !
Thanks
Would you describe Sidney Bechet as having a fast and wide vibrato
JGSAX yeah, sidney smokin the vibrato.. on soprano and clarinet..
Hi Jay: thanks for the video...I like everything you produce, as there is always some great background and perspective to your training videos that is valuable to learning the skill, but rarely included on other videos on the same subjects. Question for you (and that other students of yours might wonder about)...I was taught to play vibrato with the sax by using tongue movement rather than lowering jaw...basically mimicking or vocalizing the word "doy, doy, doy, doy, doy..." Do you have any perspective on this method of producing vibrato . -- plusses or negatives?
Lance, there are other methods for producing vibrato on saxophone, but they are much less used and taught. If it is working for you then great. Try this method out and see if you prefer the result once you're used to it. I have never done vibrato that way, but I imagine you would be limited in the width of the wavelength.
@@bettersax Thanks Jay...will do.
I thought (was taught) that this technique (of moving the jaw) was to be avoided. Rather, to produce vibrato we had to use our diaphragm to pulsate the flow of air. Are you saying that that method is wrong ?
Yes, I am confused.
This is covered in the video.
@@bettersax Sorry Jay, but I didn't find any comments on producting vibrato by using our diaphragm instead of draw dropping. Did I miss it ?
i wonder how much info from this channel i can use on the Nuevo jSax? i ordered it but havent received it yet. Id like to learn to play but starting at 38 i dont know if i want to invest in an actual instrument yet.
I put vibrato on that pitch. Pitches love vibrato.
Hi Jay, thanks for your lessons, you are awesome and helps a lot!
I have a question in another subject: I play for a while with a tuner (as you recommended), and now most of my notes are pretty much in tune. but there is still one note (middle C#) that is always way out of tune (too low, closer to C than to C#). I tried to change my mouth positions, but it doesn't help and it's still out of tune.
[by the way, a professional checked my sax and said that everything is Ok with it]
Please help me understand- what am I doing wrong? 🤔🎷
Im not sure if you are familiar with long tones, but look them up. Helps me a ton. Never stop doing them. Thats the secret to get an amazing sound too.
It's not you. It's the C#. Work long tones with the tuner. And, for longer C#'s, especially in a descending melodic pattern, use 'long C#' fingering (low C# fingering with the octave key).
Vent the C# with the side C key. That will bring up the pitch. You can raise pitches by venting, and lower them by adding fingers. Find fingering tricks by experiment.
Bonjour, pourriez vous traduire vos vidéos en Français car il n’y a vraiment que vous qui faites des vidéos sur le saxophone et c’est triste...
buen video , favor de activar la traduccion
what about the diafragm vibrato, the same used by singers? is better, worse, usable?
Love your enthusiasm.
Thanks for another useful video although, maybe just my opinion, I found the constant background sax playing to be a distraction while taking in what you were saying.
Why disable subtitles ? It's difficult without mastering the language of Shakespeare