Clean, strong top class playing, where the geniality of the player comes from the forceful emergence of Beethoven's spirit and not from added personal inflections. By the way, the pianist... is Oborin.
Oborin's great musical partnership with Oistrakh stretched from 1935 well into the 1970s : and from 1940 the two, with cellist Sviatoslav Knushevitsky, formed one of the great piano trios. This is simply wonderful.
Absolutely number one interpretation! I can still remember it from my childhood, since the vinyl record was distributed in Poland in roundabout 70th of the last century..
This is one of the most beautiful inicial themes written by Beethoven. Like Stephanie Huynh says below, it's like a flower blooming in the springtime. And Oistrakh plays it perfectly, delicate, slowly as it should be, every note with its real value, without rushing.
Such a nice interpretation, and the stereo is giving me the violin on my right ear and the piano on the left. Thanks for posting this timeless jewel, a balm for my ears and my soul.
Beethoven sits comfortably on top of the composers' Everest and shares with Shakespeare and Rembrandt the three peaks of the artistic super powers. As for those who dislike this, one can only pity them. What a massive slice of the glory of being alive they are missing.
So true. I just listened to Anne Sophie Mutter playing the same piece, and I couldn't stand it for two minutes. Oistrakh is so much better. Such precision!
this is one of my favourites on violin, it's such a beautiful song with loads of contrast! I played the Allegro movement for my As level practical and got an A, it's such a beautiful song to learn and it fills me with joy to listen to :)
It's the same wonderful Oistrakh violin, in this Beethoven sonata with piano, as you hear in recording's of David Oistrakh playing major orchestral concertos for solo violin. Players of all ages can learn from this marvelous balancing of violin voicings in all musical formats and configurations!
the 29 people that disliked this clearly don't have a pulse. This is about as good as it gets for me and I've been playing this piece for the last year for my diploma exam.
Tank you very much for sharing this beautiful peace from Ludvig Van Beethoven, born in Belgium a Aix La Chapelle, ostrak en borodin was a great duo , merci beaucoup
Beethoven was born in Bonn, Germany, although his ancestors from the fathers side were originally from Mechelen (now Belgium) which at the time was part of the 'Austrian Netherlands'
These ten sonatas of Beethoven are in truth really more PIANO pieces with violin accompaniment than the other way 'round. It's idiotic for the violinist's name to appear often without even MENTIONING the pianist. This is, indeed, a great performance, but if you listened to ten or twelve other versions, you would find there is no such thing as THE greatest. All who have recorded these pieces have something wonderful to offer, although I agree with those who find Anne Sophie Mutter and Lambert Orris's heavy distortions through excessive use of rubato and frequent tempo changes to be highly objectionable. Often in their work the phrasings seems MUTILATED, Anne's beautiful gone notwithstanding. Mutter has deteriorated badly since Von Karan died. HE was the guiding genius behind her success.
I would disagree that this is piano piece with violin accompaniment, and I would also disagree if you would have said that it were a violin piece with piano accompaniment. However, assuming you were just defending the common misconception that Beethoven's sonatas are violin sonatas with a piano accompaniment, I agree. I have heard them many times, and I have to agree that both a mediocre violinist and pianist ruin the piece equally, meaning that to play it really well, one needs not only a violinist such as Oistrakh, but also pianist of the same level of playing, and even more importantly proper balance and communication between the artists, imagine what it would be like combining two separate recordings of a pianist and violinist playing the same sonata, it would be terrible, whereas with pieces where there is an obvious accompaniment, this can be done (and has been done). The correct way to put it is that Beethoven wrote these sonatas for violin and piano, which is precisely what the title of the sonatas implies. Anyway, Cheers.
Excellent interpretation due in large part to the immaculate timing. Although others such as Szeryng or Mutter produce a warmer timbre that lends itself better to this piece, Oistrakh is not misled by thoughts of Rubato (Mutter) and waits for each note to arrive naturally rather than hurries them along (Szeryng). The end result is first class and sets the benchmark for this marvellous work.
You are right about Mutter's rubato and Szeryng's hurring. I wrote my comment (see above) before reading yours and you can see that I agree with you when you say that Oistrak "waits for each note yo arrive naturally".
AMEN! But listen also to Kempff-Menhuin, Serkin-Busch, Claude Frank and Pamela Frank, Lili Kraus and Wlli Boskovsky, and several others each wonderful in its own way.
i think Mutter's version has too much vibrato, like too much sugar added that the piece is over-sweetened... i think Elman's version is also most beautiful, someone uploaded a 1955 version :)
This is the best interpretation of Beethovens Spring Sonata Opus 24, that I have yet heard. In my opinion, it beats my earlier favourit, Adolf Busch (v) and Rudolf Serkin (p) in a recording from 1933.
This is one of the best compositions better written by mankind and played by one of the best artists. I was able to listen to this sonata and more music like this on the radio before I emigrated to this country 38 years ago. Thanks to the internet I am able to enjoy this kind of music again. For some reason NPR have been playing mostly the most boring classical music. Makes me wonder what their real intentions are.
The Oistrakh - Oberin combination reached a level of divinity. You cannot add or take out anything from it. In this Paris recording, Oberin played a critical role in holding the thing together like an architect. No other pianists playing this piece can do that. I mention this because Oberin's role is often overlooked. Interestingly, when Oistrakh and Richter formed a partnership in Beethoven/Brahms sonata series in 1970, they did not perform this piece, except for the brief movement III as an encore when they were in New York's Avery Fisher Hall. Obviously, they considered playing this piece so they practiced it, but finally decided to scrap the plan. I think that's a wise decision, and they paid respect to Oberin by not playing this piece. Or you can honor someone by playing it. In 1975.10.27, Moscow Conservatory's Bolshoi Hall held a concert honoring David Oistrakh. In this concert, Richter finally got his wish to play the spring sonata, but with the young violinist Oleg Kagan. It's a very fine reading with much better acoustic quality, but not comparable to this one in artistic aspects. What Richter never expected was that he was to outlive both Oistrakh and Kagan by many years. That's fate. A few years after the death of David Oistrakh, his son Igor praised his father for being loyal to his old partner Oberin by only reluctantly played with Richter. It seems that Igor never realize how critical a role Oberin play in this duo as well as in the so-called Oistrakh Trio. Richter is my favorite solo pianist, but he cannot play the role of Oberin in chamber music.
David and Leo were geniuses, colleges and friends until Leo’s death.Btw the sound of Stradivari in Davids hands is unmatched, and Steinway produces such tender sounds- to match.
Beethoven, titanico musicista compositore delle sinfonie, della missa solemnis, della sonata appassionata e altri capolavori, in questa sonata (la primavera), come "per Elisa", si esprime con una dolcezza esemplare, vera rappresentazione dell'insorgere periodo romantico.
David Oistrakh made recordings for the Russian State classical music label, Melodiya. These recordings were marketing in the west under EMI Records, mainly on the Columbia Label and in the U.S. under Angel Records. Additionally, he made a few guest recordings with the Philadelphia Orchestra under the direction of Eugene Ormandy. These were issued in US by Columbia Records. Exceptionally, during 1962, Oistrakh in a duo with the pianist Lev Oborine, recorded the complete cycle of Beethoven's violin and piano Sonatas for the Philips label, which were pressed on the Very first Philips Hi-Fi Stereo Anamorphic Plum Label. Many of the Melodiya recordings have been reissued by Warner Classics, as its parent company that acquired EMI's classical catalog.
Superb performance of one of the icons of the Violin repertoire. I play this work, and wish I could play it with even half of the precision and warmth.
Escolto D.Oistrakh des d'infant, a casa. Ara ja sóc vell. L'haig comparat amb altres grans violinistes (Stern, Menuhin...). Continou pensant que D. Oistrakh era únic. Schon als Kind habe ich D.Oistrakh gehört, su Hause. Jetzt bin ich alt. Ich habe ihn mit anderen großen Geigen verglichen (Stern, Menuhin...). Ich denke immer noch, dass D. Oistrakh einzigartig war.
Spot on! Oistrakh also played with Emil Gilels and Sviatoslav Richter- his great mastery produced different style each time, but the results were always superb!
When I first heard it on a National geographic commercial, I suddenly knew that it's Mozart, and now even though after I see that all resources say it's Beethoven, It still not works to convince me that it's Beethoven ☺
David Oistrakh simply had irreplaceable tone. Such rich, warm and tasteful sound.
Oistrakh + Oborin: nails it
Me listening: he make it sound so easy
Me going back to practise: oh
Brilliant stuff!
Clean, strong top class playing, where the geniality of the player comes from the forceful emergence of Beethoven's spirit and not from added personal inflections.
By the way, the pianist... is Oborin.
Brandino Machiavelli strict adherence to rhythm is the key.
Lev Oberin was Vladimir Ashkenazy's teacher.
Oborin's great musical partnership with Oistrakh stretched from 1935 well into the 1970s : and from 1940 the two, with cellist Sviatoslav Knushevitsky, formed one of the great piano trios. This is simply wonderful.
Absolutely number one interpretation! I can still remember it from my childhood, since the vinyl record was distributed in Poland in roundabout 70th of the last century..
This is one of the most beautiful inicial themes written by Beethoven. Like Stephanie Huynh says below, it's like a flower blooming in the springtime. And Oistrakh plays it perfectly, delicate, slowly as it should be, every note with its real value, without rushing.
Did you forget that not Oistrakh is the only one playing? Or didn't you even notice? 😂
thankyou for being born Mr.Beethoven
Nope
Whether intentional or not this is a genius comment.
Thank his mum and dad
@@grapesofwrath361 yeah his dad whooped his ass which is probably why some of his music is so powerful.
And happy belated birthday
Can't imagine better interpretation. This is just ideal.
What a beautiful performance! It melts my heart. Beethoven & Oistrakh, great artists ❤
Ever since listening to the performance by Davide Oistrakh, no other violinist content me.
This is playing straight from the wonderfully sensitive soul of Oistrakh. Simply untouchable, by any other violinist past or present.
Grumiaux
The greatest violin sonata with smooth chord, i've loved it since i was a child.
My favorite 2 instruments playing a beautiful piece 👌
Perfection: Composer + Performers. No More Words.
Such a nice interpretation, and the stereo is giving me the violin on my right ear and the piano on the left. Thanks for posting this timeless jewel, a balm for my ears and my soul.
perfect rendition,captures the mood of spring,hope and joy,vitality.
Я наслаждаюсь каждым звуком этой чудесной музыки, этого прекрасного исполнения.
Beethoven sits comfortably on top of the composers' Everest and shares with Shakespeare and Rembrandt the three peaks of the artistic super powers. As for those who dislike this, one can only pity them. What a massive slice of the glory of being alive they are missing.
Stuart Russell Well said!
Truly beautiful playing of this magnificent work!
Il maestro del mio maestro.
Praticamente formidabile. Violino fantastico e interpretazione favolosa. Grazie!
This is the best interpretation I've heard!
So true. I just listened to Anne Sophie Mutter playing the same piece, and I couldn't stand it for two minutes. Oistrakh is so much better. Such precision!
i also love Elman's version, most lovely！
indeed, is the best!
no surprise, with the great Oistrakh
Agreed!
Forse il migliore interprete di questa sonata.
RIP we appreciated your gift so much!
this is one of my favourites on violin, it's such a beautiful song with loads of contrast!
I played the Allegro movement for my As level practical and got an A, it's such a beautiful song to learn and it fills me with joy to listen to :)
The adagio at 10.12 makes me cry of longing of my beloved immortal. Thanks for sharing.
"Spring Sonata" always makes me think of my ever-young wife.
Wonderful song! Thank you for creating the song, Mr. Beethoven!
....*inhales*
Its
A
PIECE!!!!!
(No hate meant)
He did it for you.
Listening to this beautiful work during quarantine.
I think we can all agree that movements 1,2,3 and 4 are the best.
It's the same wonderful Oistrakh violin, in this Beethoven sonata with piano, as you hear in recording's of David Oistrakh playing major orchestral concertos for solo violin. Players of all ages can learn from this marvelous balancing of violin voicings in all musical formats and configurations!
the 29 people that disliked this clearly don't have a pulse. This is about as good as it gets for me and I've been playing this piece for the last year for my diploma exam.
exactly. not pulse lol
I dont give a shit about your exam:) good luck with it
DIPLCM bitch
Wow it's a diploma piece? This is my Abrsm grade 8 piece
Charlotte Sweeney same omg
Leave us not neglect Mr. Oborin - He's no slouch either.
Grazie you tube per i gioielli che ci fai ascoltare
AHHH Beautiful playing rich warm sound! I love it!!!!!!!!
Lewis Brinin a
A wonderful piece, played by wonderful musicians.
Exquisite! A perfect fusion of Classical elegance with Romantic expressivity, made possible by an absolute technical mastery.
Tank you very much for sharing this beautiful peace from Ludvig Van Beethoven, born in Belgium a Aix La Chapelle, ostrak en borodin was a great duo , merci beaucoup
Beethoven was born in Bonn, Germany, although his ancestors from the fathers side were originally from Mechelen (now Belgium) which at the time was part of the 'Austrian Netherlands'
Strength and kindness the same time ... Oistrakh ... the greatest !!
And, to be fair, Oborin is not bad too.
These ten sonatas of Beethoven are in truth really more PIANO pieces with violin accompaniment than the other way 'round. It's idiotic for the violinist's name to appear often without even MENTIONING the pianist. This is, indeed, a great performance, but if you listened to ten or twelve other versions, you would find there is no such thing as THE greatest. All who have recorded these pieces have something wonderful to offer, although I agree with those who find Anne Sophie Mutter and Lambert Orris's heavy distortions through excessive use of rubato and frequent tempo changes to be highly objectionable. Often in their work the phrasings seems MUTILATED, Anne's beautiful gone notwithstanding. Mutter has deteriorated badly since Von Karan died. HE was the guiding genius behind her success.
I would disagree that this is piano piece with violin accompaniment, and I would also disagree if you would have said that it were a violin piece with piano accompaniment. However, assuming you were just defending the common misconception that Beethoven's sonatas are violin sonatas with a piano accompaniment, I agree. I have heard them many times, and I have to agree that both a mediocre violinist and pianist ruin the piece equally, meaning that to play it really well, one needs not only a violinist such as Oistrakh, but also pianist of the same level of playing, and even more importantly proper balance and communication between the artists, imagine what it would be like combining two separate recordings of a pianist and violinist playing the same sonata, it would be terrible, whereas with pieces where there is an obvious accompaniment, this can be done (and has been done). The correct way to put it is that Beethoven wrote these sonatas for violin and piano, which is precisely what the title of the sonatas implies. Anyway, Cheers.
Thank you for this music.
I hope I could see his playing in front of him.
Lev Oborin and David Oistrak wonderfull, very expressive interpretation of this beautiful piece.
wow so mellow, a true artists' expression.😔
Excellent interpretation due in large part to the immaculate timing. Although others such as Szeryng or Mutter produce a warmer timbre that lends itself better to this piece, Oistrakh is not misled by thoughts of Rubato (Mutter) and waits for each note to arrive naturally rather than hurries them along (Szeryng). The end result is first class and sets the benchmark for this marvellous work.
You are right about Mutter's rubato and Szeryng's hurring. I wrote my comment (see above) before reading yours and you can see that I agree with you when you say that Oistrak "waits for each note yo arrive naturally".
AMEN! But listen also to Kempff-Menhuin, Serkin-Busch, Claude Frank and Pamela Frank, Lili Kraus and Wlli Boskovsky, and several others each wonderful in its own way.
i think Mutter's version has too much vibrato, like too much sugar added that the piece is over-sweetened... i think Elman's version is also most beautiful, someone uploaded a 1955 version :)
Ya Wen Liu you "think" not me.😊
And why not Grumiaux/Haskil
This was my step-mother's favorite!
One of the most impressive piece of music I’ve ever heard.❤❤❤
I Like David Oistrakh he teaches my Teacher Mr . Zdenk Vioral 🌹
巨人が繊細な花束を編んでいるような演奏に聞こえます・・・Un esecuzione come un gigante compone un mazzo di fiore delicato...
Представители высочайшей Советской культуры.Огромное спасибо!
Они представители РУССКОЙ культуры.
Владимир Шуберт нет. Евреем
Beethoven aussi?
This is the best interpretation of Beethovens Spring Sonata Opus 24, that I have yet heard. In my opinion, it beats my earlier favourit, Adolf Busch (v) and Rudolf Serkin (p) in a recording from 1933.
You're welcome to your opinion, of course, but comparisons never cease to be obvious all the same.
I meant ODIOUS not obvious. Sorry!
Highly amusing ! So clear! So Bright! Thank you for sharing.
Zsering es mejor,quizás el mejor de todos lostiempos
the minute between 19:38 and 20:38 is absolutely divine.
The piano in (5:35 ~ 6:06) is good, too.
This is one of the best compositions better written by mankind and played by one of the best artists. I was able to listen to this sonata and more music like this on the radio before I emigrated to this country 38 years ago. Thanks to the internet I am able to enjoy this kind of music again. For some reason NPR have been playing mostly the most boring classical music. Makes me wonder what their real intentions are.
Maravilhosa interpretação, para mim Oistrakh é o melhor intérprete das sonatas de Beethoven
I think it is the bestest best interpretation ever of this song! Amazing.
Superb performance of this amazing composition of the “Great”Master.
마음이편안하고 아름다운곡입니다
The Oistrakh - Oberin combination reached a level of divinity. You cannot add or take out anything from it. In this Paris recording, Oberin played a critical role in holding the thing together like an architect. No other pianists playing this piece can do that. I mention this because Oberin's role is often overlooked.
Interestingly, when Oistrakh and Richter formed a partnership in Beethoven/Brahms sonata series in 1970, they did not perform this piece, except for the brief movement III as an encore when they were in New York's Avery Fisher Hall. Obviously, they considered playing this piece so they practiced it, but finally decided to scrap the plan. I think that's a wise decision, and they paid respect to Oberin by not playing this piece. Or you can honor someone by playing it. In 1975.10.27, Moscow Conservatory's Bolshoi Hall held a concert honoring David Oistrakh. In this concert, Richter finally got his wish to play the spring sonata, but with the young violinist Oleg Kagan. It's a very fine reading with much better acoustic quality, but not comparable to this one in artistic aspects. What Richter never expected was that he was to outlive both Oistrakh and Kagan by many years. That's fate.
A few years after the death of David Oistrakh, his son Igor praised his father for being loyal to his old partner Oberin by only reluctantly played with Richter. It seems that Igor never realize how critical a role Oberin play in this duo as well as in the so-called Oistrakh Trio. Richter is my favorite solo pianist, but he cannot play the role of Oberin in chamber music.
A lot of information, but unfortunately misspelling the name ObOrin.
Haw beatiful Mr.David Oistrakh Violin playing.l like him very mach &his stayel God give him full mersy😍🌹⚘🌷🌱🌿⚘
This is performance shows Oistrakh as a virtuoso.
A delicious music for my ears and heart !
J'ai été élevée (dans les deux sens du terme) avec cette version magnifique !
One of the summits of Music in Human Nature
allegro is so beautiful
Absolute magic to listen to ..so uplifting ..
Intro 0:00
A 0:51
B 1:31
C 1:42
D 2:10
After repeat 5:15
E 5:42
F 6:20
G 6:40
H 7:10
I 7:49
K 8:30
L 8:59
M 9:40
David and Leo were geniuses, colleges and friends until Leo’s death.Btw the sound of Stradivari in Davids hands is unmatched, and Steinway produces such tender sounds- to match.
nice remarks👍
wonderfully uplifting!!!
Maravilloso. 20-23. 🇮🇷🏆🤩❤️
Ой! Прелесть какая красивая песенка! 🤓😇🥰😌☺️😊
AMAZING ! THANK YOU !
I didn't want this to end....❤
The incomparable Oistrakh
Beethoven, titanico musicista compositore delle sinfonie, della missa solemnis, della sonata appassionata e altri capolavori, in questa sonata (la primavera), come "per Elisa", si esprime con una dolcezza esemplare, vera rappresentazione dell'insorgere periodo romantico.
Que sonata tan bella, grande Beethoven!
For me, still the benchmark performance.
David Oistrakh made recordings for the Russian State classical music label, Melodiya. These recordings were marketing in the west under EMI Records, mainly on the Columbia Label and in the U.S. under Angel Records. Additionally, he made a few guest recordings with the Philadelphia Orchestra under the direction of Eugene Ormandy. These were issued in US by Columbia Records. Exceptionally, during 1962, Oistrakh in a duo with the pianist Lev Oborine, recorded the complete cycle of Beethoven's violin and piano Sonatas for the Philips label, which were pressed on the Very first Philips Hi-Fi Stereo Anamorphic Plum Label. Many of the Melodiya recordings have been reissued by Warner Classics, as its parent company that acquired EMI's classical catalog.
Superb performance of one of the icons of the Violin repertoire. I play this work, and wish I could play it with even half of the precision and warmth.
This music reminds me of the quote that "April is the most cruelist month"
Un des meilleurs interprètes !
Fantastic!
Escolto D.Oistrakh des d'infant, a casa. Ara ja sóc vell. L'haig comparat amb altres grans violinistes (Stern, Menuhin...). Continou pensant que D. Oistrakh era únic.
Schon als Kind habe ich D.Oistrakh gehört, su Hause. Jetzt bin ich alt. Ich habe ihn mit anderen großen Geigen verglichen (Stern, Menuhin...). Ich denke immer noch, dass D. Oistrakh einzigartig war.
¡Es nada más y nada menos que el interprete "el genio del violín"!
Wow that's beautyful
molto bello!!!
0:00 - Allegro
10:12 Adagio Molto espressivo
16:16 - Scherzo
17:34 - Rondo
...nada más que un paseo por los jardines del Schoenbrunn...!
Quelle merveille cette sonate c est la perfection
I REALLY like this one. In my personal taste I prefer it over Ann Sophie Mutters, especially at the beginning
I realize that the Oistrakh pianist was Oborin. I meant to ask this question re the Milstein recording and put it on the wrong comment page.
nice recording!
Spot on! Oistrakh also played with Emil Gilels and Sviatoslav Richter- his great mastery produced different style each time, but the results were always superb!
So beautiful sound
This may have been recorded in 1962, but I have yet to hear anything that came after that can top it, except perhaps for one pianist in Kyoto.
wonderful
I know it´s too slow but I like it this way
the part at 1:27 is so catchy and dramatic!
When I first heard it on a National geographic commercial, I suddenly knew that it's Mozart, and now even though after I see that all resources say it's Beethoven, It still not works to convince me that it's Beethoven ☺
Tarek Daoud then??
3 dislikes...You must be deaf for to dislike Oistrakh...
Fergus Iokese o
Alan C. Elaborate?
@@zappy1812 whoosh
Rudy Pei ??? wdym i was just curious as to what he meant
@@zappy1812 Beethoven was deaf, hence he wouldn't have liked Oistrakh, as response to OP's post. It was a joke.
Who is the pianist? This work is as much for piano as it is for violin.
The pianist is Lev Oborin and yes, that is because this is chamber music.
Yep. More of a duet.
Robert Tuley Lev Oborin
yep its a duet
Wanneer ik Oistrach en Oborin de Frühling hoor spelen, weet ik dat de lente eeuwig is.
But summer, autumn and winter are eternal too, says Mr Vivaldi.
Beethoven: Sonata for Violin and Piano No.5 in F, Op.24 - "Spring"
A: 0:00 1:42
B: 1:42 2:10:||
C: 5:42
Coincidentally they both passed away in 1974 (and there was only 1 year difference in their births)
Dieter Verhofstadt The pianist and the violinist ?
Yes.
rip :P