I'm curious - you mention that the COS-11D can't be used because it's too sensitive. Can't you turn down the level or does it somehow clip before that moment of being able to turn the level down.
I would guess the Zoom F2 or other high dynamic range / FP32 recorders will handle it fine. For other systems, I honestly don’t know how to read all the mic + recorder specs to figure out if a mic is too hot. Some mics/sounds are just too hot for the lowest setting on recorders. I recall the Zoom H1 where some other the lowest settings would always peak (it just reduced the height, did not add any more range). Had a gaffer tape note on it regarding what was optimal recording level for medium sounds and what was lowest level without unnecessary peaking.
@@thatjordandrake by the way there are adapters you can buy that will convert the 3v TA5 connector to 48v XLR in case you want to do something that connects a cos-11 directly to a recorder. Also the best wireless lavalier microphone, and the one that is slowly taking over the industry is the DPA 4060 or the low profile 6060. I've worked on a number of Hollywood sets and have A/B'd those mics and the DPA is vastly superior. I have a 4061 (low sensitivity) but unfortunately I am having the same problem. And Trew Audio here in Vancouver is completely sold out :(
@@TimothyGordon If autofocus is necessary, I use other cameras, but for the most part I use manual focus lenses anyways. I generally shoot on cinema or vintage glass. So the panasonic cameras are perfect for me.
BEST Video ever! I laughed so hard. Please chris, don't stress our beloved jordan so much. ^^ You Guys are great! Thank you for all those entertaining videos. :)
Cameras are supposed to survive a couple of drops. My gh5 has had some bad falls without more than a couple of lens dents, no visual impact on the body.
Awesome video as always! I also use an S1H for a "Vice-like" documentary TH-cam channel as my job and it does exactly what we need from it. The LCD screen on it is extremely useful and easy to see in all conditions and the resolution makes it good enough to rely on for focus. The popular A7S3 is our B camera along the S1H (noise reduction on it prevents it from being our A camera). Still an amazing camera though!
RIGHT!!? Their lenses are fantastic, camera bodies feel amazing, great buttons, fantastic design, good customer support and yet horrible autofocus. We did the same thing and switched out based on necessity.
@@TimothyGordon exactly, I sold last December my last Lumix body and now everything Sony, I really miss the feel of the cameras, the user interface, the touch screen, everything was great but the Af, that was such a deal breaker
You guys are the most witty and funny camera reviewers out there. I personally would go with the em1 mark II or em5 mark iii for budget if you don't need 10bit video, the ibis and phase detect can't be beat for the price plus the colors are nice out of camera. It's just annoying they break video files down to 3.7gb segments.
I got some E-M1 IIs because of the reliable C-AF. The file chunking doesn't bother me, DaVinci Resolve easily arranges them using the timecode. What I miss is a log profile with 10bit, because i recognized some banding on skin tones with the 8 bit OM-Log 400. As a workaround, I use the flat profile, which does the job for my needs.
Definitely want to see a B-Roll episode. More time spent on the things other than camera and lenses because those reviews already exist. And the process of shooting the video and tips and tricks to save time. Talking about gear is one thing but using it efficiently is a whole different issue, and arguably the REAL part of making videos. Two youtubers can have the exact same gear, but it's the knowledge of how to use it effectively that makes the difference between amateur and pro content.
Ooh! Canon slam! Great video guys, I buy your central theme that you can produce great video without immense cost. I do think that Chris's choice of the Canon R5 for shooting Jordan amounts to censorship tho...
Really appreciate seeing what you choose when you have access to so many options and the budget to afford what meets your needs best. Had wondered what you were using for audio these days.
Sanken lavs: Did you know that they offer a "red dot" option that reduces sensitivity by 9dB? Perhaps that will work with the Rode transmitters?No connection to any of those companies other than as an owner of several of their mics.
I've usually tuned out the video reviews. However, as my interest in video has rapidly grown, Jordan's video segments are MUST SEE TV. I'll confess that I approach this as an hopeful enthusiast. I'd welcome future videos that focus on workflow with the different cameras. For example, what does a workflow look like for an enthusiast just picking up a G9? What sorts of edits are being made? What software tools and editing station are you using. How does this workflow differ for a S1H at the higher end or a Sony ZV1 at the entry level? Considering a price range that starts at $700 for the ZV1 and could rise to to almost $6K for an S1H (not counting post-production processing gear and software), practical understanding of the workflow remains a huge information void for an enthusiast.
Haha 🤣 I do gotta say in the beginning the canon footage looked good but that last shot with the canon looked pretty bad. Does the image quality get worse as the camera heats up?
You are just great!!! Great informations and not too serious (a nice touch of humour). Pretty complete. Also, you review quickly stuff when they come out. Otherwise you brings nice video with nice ideas. Thanks!!! You are the Laurel & Hardy of the camera world ;-). Great team!
Very interesting way to make people see your videos in TH-cam!I don't have enough time to see your video now but I promise you,Chris,that I'll see it later.Take care,my friend!😉
I just love my ifootage aluminum monopod. I put a fluid head on it and it’s perfect for sports and wildlife photography. I thought I wasn’t going to like the aluminum version but it is solid as a rock. And not that heavy. The quick release TOPHAT system it’s perfect for low to the ground tripod shots. I bought it as soon as I saw your video on it. Thanks again.
Thanks guy for this interesting video, could you also tell us which head you use on your monopod ? And maybe add the link to the video where some of your pairs are detailing their gears ? Always a pleasure to follow you
Great video, thanks for sharing, it is excellent to show that the Canon R5 is really poorly designed for video shooting. Hopefully, Canon management will relook their camera launches better instead of getting a 1/2 baked design out to their loyal customers.
I love that you use the S1H. I've used Panasonic cameras for my business for 10+ years, starting with GH2 back in the day =). They've never let me down - amazing cameras and clients have always loved the image out of them. However, I do hope they have a small L-mount cine camera in the works with built-in NDs and competitive AF, because that's what I'm in the market for. Sony have the best small A + B cam ecosystem for video/cine at the moment and with their FX6 ND system and AF across their range it's becoming more and more tempting for the wide range of work I do (and low budget shorts on the side). I still think Panasonic win on colours (especially the S Series and EVA 1 with that colour fidelity/separation), build quality, ergonomics and menu systems but the tools on the Sonys are enticing. Please don't let me switch Panasonic! Love you guys!!
I am probably the only one using an A7RIV a rode NT and OBS for shooting my video studio style. Directly into the Mac mini M1. Weird setup but working so good and no overheating during streaming.
Thanks Chris and Jordan for all the info. I like the shows and the image quallity. maybe also the software that you use and the best redering options you use for the youtube videos. because the videos always look so clean. Greetings from Belgium
Awesome, straightforward review. Appreciate you did not feel the need to pay homage to Sony...which is suspect in many others. DP review just seems to be less biased in a world of kickbacks.
Really helpful video. I've been using a hot shoe mic, but everytime I shoot video in the field, I am battling ambient noise like wind, waves, and rogue children. So I may have to give the Rode Go II a try.
Previously ( th-cam.com/video/c6pKauBXkzI/w-d-xo.html ) he said he likes to take 82, 77 and 58mm 2 and 3 stop fixed ND filters (combine for 5 stops) plus a Circular Polariser in each size too. Also a collection of step-down rings for other lenses. (I prefer variable NDs BTW, but have 3 sizes now as using significantly over-size ones is a pain and sometimes the step rings can be hard to remove.)
Totally agree that audio is more important. You can have bad visuals, but if you’re audio is clear, it’s manageable to listen. If you have the absolute best video with audio that’s hard to hear, clipping, and/or just unbalanced, you’re more likely to click off the video.
Dumb question, why do you choose to shoot with the S1H as opposed to the A7s3/Fx3? I suppose you don't need AF and therefore having shutter angle and waform makes the S1H more desirable. I'm wondering if those are the main reasons for choosing the S1H or if there's anything else?
Great video. I really enjoyed this. Question, though. Rode Wireless Go II directly into the camera only gives you one audio channel. I think that is right, isn't it? As usually only Jordan or Chris is talking at one time, this works. But what if they were talking to each other more than they do? Would they (you) keep the same setup or go through something like the Zoom H6 using XLR adapters to keep both Jordan and Chris' channels separate? Or maybe you'd just take each audio channel directly from the memory of each Rode Wireless Go II transmitter....and sync audio in post?
I found the answer. I was wrong. You can set the Rode Wireless Go II to Split Mode and then output to your camera as separate left and right channels that remain separate in the camera.
Quick question if I may. I am red-green colour blind. Could I get away with shooting in Eterna (Fuji) for video. You mention grading & V-log but I can not trust my colour perception to get it right. For photography I can say it's my artistic choice but that doesn't really work for video. So, from over the pond, be lucky stay safe.
Oh, just out of curiosity, so with the Rycote sticky and the rode silicon sleeve it is able to stay on? Because as much as I love the silicone sleeve I found that it doesn’t stick to much if anything and it’s been frustrating…
I have found that post firmware 2.4 update that the G9 single area people detect autofocus is perfect for my auto focus need provide I keep the small autofocus box on the subject. It's almost flawless at the point. As for the rest... Autofocus is very usable but not dependable. When doing interviews I do manual focus anyway. I don't do selfie video blogs because I love my lenses...
![[Full Episode] The Restaurant War Thailand ศึกพ่อค้าซ่าแม่ค้าแซ่บ Episode 2 | 29 ก.ย. 67](http://i.ytimg.com/vi/r3lfLNH6Ke4/mqdefault.jpg)
I'm curious - you mention that the COS-11D can't be used because it's too sensitive. Can't you turn down the level or does it somehow clip before that moment of being able to turn the level down.
The amp on the Rode Wireless Go II can only be dropped so low, and the Cos-11 capsules will still peak.
@@thatjordandrake gotcha, good to know
Might be time to upgrade to a lectrosonics wireless system ;)
I would guess the Zoom F2 or other high dynamic range / FP32 recorders will handle it fine.
For other systems, I honestly don’t know how to read all the mic + recorder specs to figure out if a mic is too hot. Some mics/sounds are just too hot for the lowest setting on recorders.
I recall the Zoom H1 where some other the lowest settings would always peak (it just reduced the height, did not add any more range). Had a gaffer tape note on it regarding what was optimal recording level for medium sounds and what was lowest level without unnecessary peaking.
@@thatjordandrake by the way there are adapters you can buy that will convert the 3v TA5 connector to 48v XLR in case you want to do something that connects a cos-11 directly to a recorder. Also the best wireless lavalier microphone, and the one that is slowly taking over the industry is the DPA 4060 or the low profile 6060. I've worked on a number of Hollywood sets and have A/B'd those mics and the DPA is vastly superior. I have a 4061 (low sensitivity) but unfortunately I am having the same problem. And Trew Audio here in Vancouver is completely sold out :(
That ending brought it all together. 🤣
The intro is savage🤣
Best Canon ending ever!
As a panasonic user myself, I can say, they are honestly amazing cameras. Absolute workhorses.
Agreed. Best cameras I’ve ever used. Except the autofocus. It’s so bad, we’ve moved away from Panasonic entirely.
@@TimothyGordon If autofocus is necessary, I use other cameras, but for the most part I use manual focus lenses anyways. I generally shoot on cinema or vintage glass. So the panasonic cameras are perfect for me.
@@BodaciousPineapple that makes perfect sense!
They really are. Even something as ancient as the GH2 still gives an excellent picture.
I would have to say I really like the chemistry between Chris and Jordan. And I come back again and again to this channel because of that.
I'm so glad you covered the audio aspect in this video.
Bad picture is forgivable, bad sound isn't, yet sound gets so much less attention.
BEST Video ever! I laughed so hard. Please chris, don't stress our beloved jordan so much. ^^
You Guys are great! Thank you for all those entertaining videos. :)
Ouch ! That was R5 degree burn 😂😂
Hey Jordan I found that the color of your eyes looks beautiful especially in outdoor!
Thought the same thing!
Yeah, it's that great Canon color! 🤣
Thx for the info on the lavalier accessories. Not that easy to google.
"Yes this is an expensive camera. Lets just put this on the edge of the very dinky table..."
That's the benefit of expensive workhorses, rugged go anywhere, throw anywhere
Cameras are supposed to survive a couple of drops. My gh5 has had some bad falls without more than a couple of lens dents, no visual impact on the body.
Hilarious 🤗 Watching it @ x1.5 speed makes it even funnier when Chris urges Jordan to hurry up.
humor for the last cut was appreciated, Chris.
Yeah, we welcome B roll of this episode.
Yes, B-roll episode, please!
Awesome video as always! I also use an S1H for a "Vice-like" documentary TH-cam channel as my job and it does exactly what we need from it. The LCD screen on it is extremely useful and easy to see in all conditions and the resolution makes it good enough to rely on for focus. The popular A7S3 is our B camera along the S1H (noise reduction on it prevents it from being our A camera). Still an amazing camera though!
Nothing better than Panasonic. The global video leader. Great video guys...
My first mirrorless was a Lumix G7, I fell in love, now I've gone all Sony for the Af, if only Lumix gets phase detect Af I'd love to try them again
RIGHT!!? Their lenses are fantastic, camera bodies feel amazing, great buttons, fantastic design, good customer support and yet horrible autofocus. We did the same thing and switched out based on necessity.
@@TimothyGordon exactly, I sold last December my last Lumix body and now everything Sony, I really miss the feel of the cameras, the user interface, the touch screen, everything was great but the Af, that was such a deal breaker
You guys are the most witty and funny camera reviewers out there. I personally would go with the em1 mark II or em5 mark iii for budget if you don't need 10bit video, the ibis and phase detect can't be beat for the price plus the colors are nice out of camera. It's just annoying they break video files down to 3.7gb segments.
I got some E-M1 IIs because of the reliable C-AF. The file chunking doesn't bother me, DaVinci Resolve easily arranges them using the timecode. What I miss is a log profile with 10bit, because i recognized some banding on skin tones with the 8 bit OM-Log 400. As a workaround, I use the flat profile, which does the job for my needs.
I want everything you can tell me. You guys are my lifeline when my 24/7 job becomes too stressful.
Nooooooo, most interesting episode in a while and you had to cut it short... Happy thank you more please!? :)
LUMIX needs a whole lotta love. Yes, Sony and Canon are great in their own right. But LUMIX is seriously underrated among YT creators.
It’s not underrated it’s just not as usable, the af is behind canon Sony Nikon and Fuji, if they fixed it, then it would easily be on par with Sony
Great work, the Goldilocks of video reviews
Awesome, watched it during a break at work and everyone heard me laughing ...
I am still waiting for the full S1H review from you guys...
As you could see they don't have another reliable camera to shoot that review :)
they have a detailed review on their website.
@@laurentyarp514 the a7s3/FX3 will be crying ;)
@@DeepteshLovesTECH Thanks, I already check lots of reviews, just would like to see some personal experience from someone I trust.
S1H MK2 coming in 2022. Using an S1 with filmmaker upgrade right now.
I didn’t think I would like this, but I did. In fact, I loved it. Thanks!
The ending shot had me dying!!! You need to do this more often and shoot with the R5. LOL!!!
Definitely want to see a B-Roll episode. More time spent on the things other than camera and lenses because those reviews already exist.
And the process of shooting the video and tips and tricks to save time. Talking about gear is one thing but using it efficiently is a whole different issue, and arguably the REAL part of making videos. Two youtubers can have the exact same gear, but it's the knowledge of how to use it effectively that makes the difference between amateur and pro content.
Haha, the ending was so EPIC 🤣
Well done, gentlemen! Well done, indeed!
Ooh! Canon slam! Great video guys, I buy your central theme that you can produce great video without immense cost. I do think that Chris's choice of the Canon R5 for shooting Jordan amounts to censorship tho...
This episode was savage!! Awww, I would love to see a longer version of the audio section of this video :-)
Thanks for sharing it.
Really appreciate seeing what you choose when you have access to so many options and the budget to afford what meets your needs best. Had wondered what you were using for audio these days.
As a Wireless Go user, I'm immediately buying the InvisiLav and stickies. Brilliant! Thanks, guys. I almost passed this video by.
Perfect ending
Sanken lavs: Did you know that they offer a "red dot" option that reduces sensitivity by 9dB? Perhaps that will work with the Rode transmitters?No connection to any of those companies other than as an owner of several of their mics.
Really helpful, thanks guys. AND you made me smile like you always do. The cut-off at the end was genius :)
Beside the overheating issue I think the video coming out of the r5 (as well the r6) looks beautiful
I still think the a7iii with the tamron 28-75 combo is amazing
I didn't know about the invisiLavs, I've been wanting something like that for ages, so I DEFINITELY found something useful in this video. Thanks!!
I’m not buying any of this at all. Probably ever. I just love watching y’all’s videos. This is class right here
I've usually tuned out the video reviews. However, as my interest in video has rapidly grown, Jordan's video segments are MUST SEE TV. I'll confess that I approach this as an hopeful enthusiast. I'd welcome future videos that focus on workflow with the different cameras. For example, what does a workflow look like for an enthusiast just picking up a G9? What sorts of edits are being made? What software tools and editing station are you using. How does this workflow differ for a S1H at the higher end or a Sony ZV1 at the entry level? Considering a price range that starts at $700 for the ZV1 and could rise to to almost $6K for an S1H (not counting post-production processing gear and software), practical understanding of the workflow remains a huge information void for an enthusiast.
Love the ending!
Haha 🤣 I do gotta say in the beginning the canon footage looked good but that last shot with the canon looked pretty bad. Does the image quality get worse as the camera heats up?
You mean that the white balance seems off?
You two work so well together and is hilarious
You are just great!!! Great informations and not too serious (a nice touch of humour). Pretty complete. Also, you review quickly stuff when they come out. Otherwise you brings nice video with nice ideas. Thanks!!! You are the Laurel & Hardy of the camera world ;-). Great team!
I wish you guys were able to provide links because I bought every piece of audio gear Jordan recommended:) You deserve a commission:)
The image quality is really 👍🏻
5:52 hahah.. another jab at the R5. Happy with the Nikon Z6 II.
Very interesting way to make people see your videos in TH-cam!I don't have enough time to see your video now but I promise you,Chris,that I'll see it later.Take care,my friend!😉
the canon r5 video footage looks pretty great, shame about the overheating.
Great stuff guys as always! Love the banter and rapport you both have - keep it up guys 👍💪
I just love my ifootage aluminum monopod. I put a fluid head on it and it’s perfect for sports and wildlife photography. I thought I wasn’t going to like the aluminum version but it is solid as a rock. And not that heavy. The quick release TOPHAT system it’s perfect for low to the ground tripod shots. I bought it as soon as I saw your video on it. Thanks again.
Rode GO 2 your workflow, hints and tips and review please.
Very funny about R5 overheat. hahaha... the ending was cool.
Outstanding. Thanks, guys!
It really is all about the audio. The Pentax K-01 videos showed that more than anything.
Oh man Chris must have been holding back his giggles the whole time 😂
Y'all didn't realize that the timers on the Canon R5 are a FEATURE to keep you focused and on point in your video making. Lol!
Agree the Budget Option is absolutely great and offers a lot. Maybe you can do a Video using that setup.
Thanks guy for this interesting video, could you also tell us which head you use on your monopod ? And maybe add the link to the video where some of your pairs are detailing their gears ?
Always a pleasure to follow you
Great video!!
guys you rock! I love your show!
Yes. Give us the B roll episode.
Love it. Love the rose wireless go 2 as well.
Great video, thanks for sharing, it is excellent to show that the Canon R5 is really poorly designed for video shooting. Hopefully, Canon management will relook their camera launches better instead of getting a 1/2 baked design out to their loyal customers.
I love that you use the S1H. I've used Panasonic cameras for my business for 10+ years, starting with GH2 back in the day =). They've never let me down - amazing cameras and clients have always loved the image out of them. However, I do hope they have a small L-mount cine camera in the works with built-in NDs and competitive AF, because that's what I'm in the market for. Sony have the best small A + B cam ecosystem for video/cine at the moment and with their FX6 ND system and AF across their range it's becoming more and more tempting for the wide range of work I do (and low budget shorts on the side). I still think Panasonic win on colours (especially the S Series and EVA 1 with that colour fidelity/separation), build quality, ergonomics and menu systems but the tools on the Sonys are enticing. Please don't let me switch Panasonic! Love you guys!!
I am probably the only one using an A7RIV a rode NT and OBS for shooting my video studio style. Directly into the Mac mini M1. Weird setup but working so good and no overheating during streaming.
That Rode wireless mic setup is tempting!
Its a really good investment... 👍
Love the image on the R5, but the last clip was really red?
Thanks Chris and Jordan for all the info. I like the shows and the image quallity. maybe also the software that you use and the best redering options you use for the youtube videos. because the videos always look so clean.
Greetings from Belgium
Great video. Great tips for the audio. I never heard of adhesive and invisilav for manly chest chair, so i'll try them both.
Beautiful! Thanks guys!
Love it, that was great for the nearly 7 minute video. Cheers.
Great video. You guys are informative and entertaining. Sets you apart from everyone else👍🏽
When Canon sponsors the video and says do what ever you want..... LOL
Awesome, straightforward review. Appreciate you did not feel the need to pay homage to Sony...which is suspect in many others. DP review just seems to be less biased in a world of kickbacks.
Clever idea boys. Great outro
lol.. nice video as always of jordan and cris ;-)
Just me, or the color in this video was really pleasing! I guess it's whatever Canon profile they were shooting with
My thought as well. I really like the colors when they shoot with Canon or Fuji.
hahahahahah "OVERHEATED" hahahaha awesome!!!
Really helpful video. I've been using a hot shoe mic, but everytime I shoot video in the field, I am battling ambient noise like wind, waves, and rogue children. So I may have to give the Rode Go II a try.
How about ND filters and other lenses?
Previously ( th-cam.com/video/c6pKauBXkzI/w-d-xo.html ) he said he likes to take 82, 77 and 58mm 2 and 3 stop fixed ND filters (combine for 5 stops) plus a Circular Polariser in each size too. Also a collection of step-down rings for other lenses. (I prefer variable NDs BTW, but have 3 sizes now as using significantly over-size ones is a pain and sometimes the step rings can be hard to remove.)
You two are so funny!!
Totally agree that audio is more important. You can have bad visuals, but if you’re audio is clear, it’s manageable to listen. If you have the absolute best video with audio that’s hard to hear, clipping, and/or just unbalanced, you’re more likely to click off the video.
Great video. Very informative and hilarious.
Dumb question, why do you choose to shoot with the S1H as opposed to the A7s3/Fx3? I suppose you don't need AF and therefore having shutter angle and waform makes the S1H more desirable. I'm wondering if those are the main reasons for choosing the S1H or if there's anything else?
B roll episode please
Great video. I really enjoyed this. Question, though. Rode Wireless Go II directly into the camera only gives you one audio channel. I think that is right, isn't it? As usually only Jordan or Chris is talking at one time, this works. But what if they were talking to each other more than they do? Would they (you) keep the same setup or go through something like the Zoom H6 using XLR adapters to keep both Jordan and Chris' channels separate? Or maybe you'd just take each audio channel directly from the memory of each Rode Wireless Go II transmitter....and sync audio in post?
I found the answer. I was wrong. You can set the Rode Wireless Go II to Split Mode and then output to your camera as separate left and right channels that remain separate in the camera.
The EOS R5 is great as it forces efficiency.
What head on the monopod? I don't think that was in the monopod review either.
Quick question if I may. I am red-green colour blind. Could I get away with shooting in Eterna (Fuji) for video.
You mention grading & V-log but I can not trust my colour perception to get it right.
For photography I can say it's my artistic choice but that doesn't really work for video.
So, from over the pond, be lucky stay safe.
Great episode. Can you speak to the practical differences for a beginner between the Panasonic g9 and the s1h?
I'd love to see what you two shoot for personal work.
There’s already a vid for that
Oh, just out of curiosity, so with the Rycote sticky and the rode silicon sleeve it is able to stay on? Because as much as I love the silicone sleeve I found that it doesn’t stick to much if anything and it’s been frustrating…
wonderful video! I'd love to see the b-roll bts
nice throwing more shade on the R5 :P
Chris is the bossy boss 😂
I have found that post firmware 2.4 update that the G9 single area people detect autofocus is perfect for my auto focus need provide I keep the small autofocus box on the subject. It's almost flawless at the point. As for the rest... Autofocus is very usable but not dependable. When doing interviews I do manual focus anyway. I don't do selfie video blogs because I love my lenses...